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815
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77
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52
Piano Trio: piano, violin, cello
41
Accordion
36
Piano Accompaniment
35
1 Piano, 4 hands
33
2 Pianos, 4 hands
11
Big Note Piano
10
Piano (band part)
9
Piano Quintet: piano, 2 violins, viola, cello
5
Harpsichord
4
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4
Organ, Piano (duet)
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Piano Quartet: piano, violin, viola, cello
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1 Piano, 6 hands
2
2 Accordions
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Keyboard
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Piano Quartet: piano, 2 violins, cello
2
2 Organs (duet)
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+ 19 instrumentations
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147
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79
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2 Ukuleles
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Piano, Guitar (duet)
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+ 14 instrumentations
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410
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143
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81
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63
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57
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55
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30
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29
Alto voice, Piano
27
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16
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9
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5
Soprano voice, Orchestra
5
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5
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5
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4
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4
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2
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2
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1
Choral SSAATB
1
Tenor voice
1
Soprano voice
1
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2 Saxophones (duet)
115
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110
Clarinet and Piano
98
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63
Flute
62
Clarinet
58
Flute, Oboe, Clarinet, Bassoon
56
Saxophone Quintet: 5 Saxophones
51
Tenor Saxophone and Piano
41
Tenor Saxophone
37
Flute Quartet: 4 flutes
36
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34
Flute Trio: 3 flutes
32
2 Recorders (duet)
31
Soprano Saxophone and Piano
29
3 Clarinets (trio)
27
2 Flutes, Piano
26
Saxophone ensemble
26
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26
Flute, Clarinet (duet)
22
2 Oboes (duet)
21
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20
Harmonica
19
English horn, Piano
19
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16
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13
Clarinet (band part)
13
Flute and Guitar
12
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11
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11
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10
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9
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9
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9
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9
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8
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8
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8
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7
Recorder
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6
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5
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5
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1
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1
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1
Flute, trombone and piano
1
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147
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84
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39
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33
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31
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31
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30
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26
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24
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23
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19
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18
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13
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10
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8
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5
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English Horn, Guitar (duet)
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Tuba and Organ
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4 Euphoniums
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399
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54
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50
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34
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25
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16
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14
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1
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1
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1
String trio
1
Autoharp
1
2 Violins and Basso
1
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486
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311
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142
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56
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14
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Retract
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High voice
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9 sheet music found
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1
STRADELLA Alessandro: Così, Amor, mi fai languir, aria from the opera "La forza dell'amor paterno",
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High voice
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INTERMEDIATE
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Alessandro STRADELLA
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Sergei PICHUGIN
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STRADELLA Alessandro: Così, A
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Really Good Music, LLC.
#
SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868647 Composed by Alessandro STRADELLA (1639 – 1682). Arranged by Sergei PICHUGIN. Bar...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868647 Composed by Alessandro STRADELLA (1639 – 1682). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 4 pages. Really Good Music, LLC. #4366410. Published by Really Good Music, LLC. (A0.868647). Così, Amor, mi fai languir is an aria from the opera La forza dell'amor paterno (1678), composed by Alessandro STRADELLA (1639 – 1682). It has been arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in C minor (Eb4 – F5) for high voice.
$5.95
STRADELLA Alessandro: So ben, che mi saettano, canzonetta for Voice and Piano (D major)
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High voice
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INTERMEDIATE/ADVANCED
#
Alessandro STRADELLA
#
Sergei PICHUGIN
#
STRADELLA Alessandro: So ben,
#
Really Good Music, LLC.
#
SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868650 Composed by Alessandro STRADELLA (1639 – 1682). Arranged by Sergei PICHUGIN. Bar...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868650 Composed by Alessandro STRADELLA (1639 – 1682). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 4 pages. Really Good Music, LLC. #4366426. Published by Really Good Music, LLC. (A0.868650). The canzonetta So ben, che mi saettano was composed by Alessandro STRADELLA (1639 – 1682). The realization of the tune for voice and piano, made by Sergei Pichugin, is based on its early publication in the collection Scelta di canzonette italiane de più autori (London, 1679). The canzonetta may be an invaluable addition to the repertoire of vocal teachers and students. It is available in D major (D4 – A5) for high voice. .
$5.95
STRADELLA Alessandro: Così, Amor, mi fai languir, aria from the opera "La forza dell'amor paterno",
#
High voice
#
INTERMEDIATE
#
Alessandro STRADELLA
#
Sergei PICHUGIN
#
STRADELLA Alessandro: Così, A
#
Really Good Music, LLC.
#
SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868646 Composed by Alessandro STRADELLA (1639 – 1682). Arranged by Sergei PICHUGIN. Bar...
(+)
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868646 Composed by Alessandro STRADELLA (1639 – 1682). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 4 pages. Really Good Music, LLC. #4366412. Published by Really Good Music, LLC. (A0.868646). Così, Amor, mi fai languir is an aria from the opera La forza dell'amor paterno (1678), composed by Alessandro STRADELLA (1639 – 1682). It has been arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in D minor (F4 – G5) for high voice.
$5.95
STRADELLA Alessandro: So ben, che mi saettano, canzonetta for Voice and Piano (C major)
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High voice
#
INTERMEDIATE/ADVANCED
#
Alessandro STRADELLA
#
Sergei PICHUGIN
#
STRADELLA Alessandro: So ben,
#
Really Good Music, LLC.
#
SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868649 Composed by Alessandro STRADELLA (1639 – 1682). Arranged by Sergei PICHUGIN. Bar...
(+)
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868649 Composed by Alessandro STRADELLA (1639 – 1682). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 4 pages. Really Good Music, LLC. #4366424. Published by Really Good Music, LLC. (A0.868649). The canzonetta So ben, che mi saettano was composed by Alessandro STRADELLA (1639 – 1682). The realization of the tune for voice and piano, made by Sergei Pichugin, is based on its early publication in the collection Scelta di canzonette italiane de più autori (London, 1679). The canzonetta may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of C major (C4 – G5) for high voice. .
$5.95
Amazing Grace—High-Range Vocal Solo, Fiddle, and Piano
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High voice
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ADVANCED
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Sacred music
#
Daniel Carter
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Daniel Carter
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Amazing Grace—High-Range Voc
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Daniel Carter
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1074551 By Daniel Carter. By William Walker. Arranged by Daniel Carter. Classical,Folk,Praise ...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1074551 By Daniel Carter. By William Walker. Arranged by Daniel Carter. Classical,Folk,Praise & Worship,Sacred,Spiritual. 9 pages. Daniel Carter #678826. Published by Daniel Carter (A0.1074551). John Newton penned the words to “Amazing Grace†around 1764 after he survived a near-death experience on a slave-trading ship that nearly capsized, after which he became a priest. His words were set to music by William Walker who composed the hymn tune NEW BRITAIN, first published in “Southern Harmony in 1847. The hymn is extremely influential in religious and folk music, crossing over successfully into secular music. One of the most recognizable and beloved songs in history, Daniel Carter’s setting has a traditional southern folk song feel. Arranged for solo voice, fiddle obbligato, and piano and is suitable for worship, devotionals, concert settings, and music recitals. The fiddle part is included on the last page of the score. Available for both high-range and medium-range vocal solo, fiddle, and piano at danielcartermusic.com.
$5.99
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
See How the Savior Stands a Pleading—High-Range Vocal Solo and Piano
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High voice
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ADVANCED
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Sacred music
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Joshua Leavitt
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Daniel Carter
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See How the Savior Stands a Pl
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Daniel Carter
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1074256 Composed by Joshua Leavitt. Arranged by Daniel Carter. Classical,Praise & Worship,Sacr...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1074256 Composed by Joshua Leavitt. Arranged by Daniel Carter. Classical,Praise & Worship,Sacred,Traditional. 7 pages. Daniel Carter #678546. Published by Daniel Carter (A0.1074256). John Leland’s descriptive and powerful text captivated Joshua Leavitt who composed a plaintive melody about the Savior’s pleading in our behalf on Judgement Day. This Appalachian folk hymn tune titled PLEADING SAVIOR was first published in “Christians Lyre†in 1830 in the Sacred Harp tradition. Arranged with a descriptive, emotive piano accompaniment that underscores the elegance and depth of the lamenting singer, the words conclude with a peaceful return to the Savior’s loving arms. Arranged for medium-range solo voice, high-range solo voice, and SSAA women’s chorus and piano available at danielcartermusic.com.
$4.99
David of the White Rock
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High voice
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David of the White Rock
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Schott Music - Digital
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SheetMusicPlus
High voice and piano - Digital Download SKU: S9.Q20009 Dafydd y Garreg Wen. This edition: Sheet music. Downloadable. Duration 2 minutes. Schott Mu...
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High voice and piano - Digital Download SKU: S9.Q20009 Dafydd y Garreg Wen. This edition: Sheet music. Downloadable. Duration 2 minutes. Schott Music - Digital #Q20009. Published by Schott Music - Digital (S9.Q20009). Welsh.According to tradition, the Bard David lived in a house called Y Garreg Wen (The White Rock) in a remote situation in North Wales. He was commonly called by his Christian name followed by the name of his house, a common custom in Wales, and one which survives to the present day.Like many other Welsh Bards, David was also a harpist, and is reputed to have had his harp continually at his side. On his death-bed, he is supposed to have asked that his harp be once more placed in his hands in order that he might play just one more tune.The melody he played was afterwards called by his name Dafydd Y Garreg Wen (David of the White Rock), and this same melody was performed on a single Welsh harp at his funeral, as was his dying wish.The Welsh words were subsequently added by Ceiriog Hughes in the nineteenth century. Words and melody are now inseparably linked, and are together widely known and regarded as one of the most popular of Welsh Traditional Songs.Richard Bowen (1963).
$4.99
Zwei Weihnachtslieder
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High voice
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INTERMEDIATE
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Hermann Schroeder
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Zwei Weihnachtslieder
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Schott Music - Digital
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SheetMusicPlus
High voice and piano - intermediate - Digital Download SKU: S9.Q21098 Composed by Hermann Schroeder. This edition: Sheet music. Zwei ausdrucksvolle Verto...
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High voice and piano - intermediate - Digital Download SKU: S9.Q21098 Composed by Hermann Schroeder. This edition: Sheet music. Zwei ausdrucksvolle Vertonungen für Liederabende oder geistliche Konzerte in der Weihnachtszeit. Downloadable. Duration 7 minutes. Schott Music - Digital #Q21098. Published by Schott Music - Digital (S9.Q21098). German.Seit den berühmten Weihnachtsliedern op. 8 von Peter Cornelius (Schott ED 610) und den beiden Weihnachtsliedern von Edward Grieg (Schott ED 09960) hat die Weihnachtsthematik auch Eingang in das Kunstlied gefunden. Der Kölner Komponist und Kirchenmusiker Hermann Schroeder (1904-1984) setzt diese Tradition fort und vertonte zwei Texte aus der Advents- und Weihnachtszeit: Rosen und Schlehen im Advent von Johannes Kirschweng sowie das Gedicht Weihnachten von Eduard Mörike. Zwei ausdrucksvolle Vertonungen für Liederabende oder geistliche Konzerte in der Weihnachtszeit.
$9.99
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