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--INSTRUMENTS--
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When I
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Not classified
1,535
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1,344
Piano, Voice
573
Piano, Vocal and Guitar
473
Easy Piano
342
C Instruments
162
Organ
113
2 Pianos, 4 hands
45
Big Note Piano
35
1 Piano, 4 hands
31
Piano Accompaniment
22
Piano Trio: piano, violin, cello
18
Accordion
11
Organ, Piano (duet)
11
Piano (band part)
5
Piano Quartet: piano, violin, viola, cello
4
Keyboard
2
2 Pianos, 8 hands
2
Piano Quintet: piano, 2 violins, viola, cello
1
Organ, Trumpet (duet)
1
Piano Quartet: piano, 2 violins, cello
1
+ 15 instrumentations
-
Retract
Guitars
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153
Guitar
134
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117
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83
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61
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34
Bass guitar
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8
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6
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5
Guitar (band part)
5
Dulcimer
5
3 Guitars (trio)
4
Mandolin
2
Guitar Ensemble
1
Ukulele Ensemble
1
Electric Bass (band part)
1
+ 12 instrumentations
-
Retract
Voice
Choral SATB
634
Choral 3-part
155
Choral 2-part
99
Choral TTBB
82
Choral SSAA
66
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56
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39
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35
Soprano voice, Piano
25
Vocal duet
15
Voice solo
14
High voice
13
Choral
13
Alto voice, Piano
13
Baritone voice, Piano
4
Tenor voice, Piano
3
Medium voice, Piano
3
Choral SSAATTBB
2
Tenor voice
2
Choral SSATB
1
Soprano voice
1
Voice, Guitar
1
Choral SSATTB
1
Choral SSAB, Piano
1
Mezzo-Soprano voice, Piano
1
+ 20 instrumentations
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Retract
Woodwind
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236
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232
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221
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157
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146
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109
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96
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86
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72
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71
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69
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56
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50
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42
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34
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33
3 Clarinets (trio)
24
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14
Saxophone ensemble
13
3 Saxophones (trio)
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10
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9
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9
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8
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8
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8
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7
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7
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6
Oboe
6
Recorder Quartet
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5
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5
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Harmonica
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2
Recorder
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1
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1
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1
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1
Baritone Saxophone
1
Recorder Ensemble
1
Flute, Trombone (duet)
1
Oboe, Bassoon and Piano
1
Flute, Oboe (duet)
1
Eb Instruments
1
Saxophone
1
Saxophone, Violin (duet)
1
Flute, trombone and piano
1
Saxophone and Organ
1
+ 83 instrumentations
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Retract
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Trombone and Piano
166
Trumpet
151
Brass Quintet: 2 trumpets, horn, trombone, tuba
96
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94
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61
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60
Trumpet (band part)
45
French horn
35
Trombone (band part)
24
French Horn and Piano
21
2 Trombones (duet)
21
2 Trumpets (duet)
17
Euphonium
14
Tuba
14
Trumpet, Trombone (duet)
14
Brass Quartet
10
Brass Quartet: 2 trumpets, horn, trombone
9
Trombone ensemble
8
Brass Quartet: 4 trombones
7
3 Trombones (trio)
6
Trumpet, Saxophone (duet)
5
Brass Quartet: 4 horns
5
Tuba and Piano
5
2 French horns (duet)
5
English horn, Piano
5
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4
Euphonium, Piano (duet)
4
French horn (band part)
4
2 Euphoniums and 2 Tubas
4
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3
Brass Quintet: 2 trumpets, horn, 2 trombones
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Tuba (band part)
3
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3
2 Trumpets, Keyboard (piano or organ)
2
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2
2 Tubas (duet)
2
Trombone, Tuba (duet)
1
2 English horns and Pianoforte
1
English Horn
1
Trumpet, Cello (duet)
1
Bass Trombone
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Trumpet, violin (duet)
1
Brass Trio
1
Bass Clef Instruments
1
Trumpet, Horn (duert)
1
3 French horns (trio)
1
Tuba ensemble
1
Trumpet, Euphonium (duet)
1
Clarinet, Horn (duet)
1
Trumpet, Trombone, Piano
1
Bass Trombone and Piano
1
+ 46 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
277
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241
Viola, Piano
206
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179
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101
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73
Harp
71
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49
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42
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35
2 Harps (duet)
29
2 Cellos (duet)
24
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21
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21
Viola (band part)
19
String Quintet: 2 violins, viola, cello, bass
18
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16
2 Violas (duet)
13
Harp, Voice
10
String Trio: 2 violins, cello
10
Doublebass (band part)
9
Cello, String Bass (duet)
6
4 Cellos
6
String Trio: 3 violins
6
Violin, Guitar (duet)
6
Double bass, Piano (duet)
6
Flute, Doublebass (duet)
5
Violin ensemble
5
Viola ensemble
5
Viola, Guitar (duet)
5
Double Bass
5
Cello, Guitar (duet)
4
String trio
3
Harp, Violin (duet)
3
Viola and Harp
3
Piano Trio: Violin, Viola, Piano
3
String Trio: 3 violas
3
Harp, Flute (duet)
2
String quartet: 4 violins
2
2 Violins, Piano
2
Harp, Cello (duet)
2
String Quintet: 2 violins, 2 violas, cello
2
String Trio: 3 cellos
2
Cello Ensemble
1
Viola, Cello (duet)
1
Violin, Tuba (duet)
1
2 Double basses (duet)
1
String Quartet : 4 violas
1
Cello (band part)
1
Harp and Piano
1
String Trio: 2 violins, viola
1
Cello, Organ
1
+ 47 instrumentations
-
Retract
Orchestra & Percussion
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228
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114
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108
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70
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59
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57
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57
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24
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23
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13
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10
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6
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5
Marimba
4
Woodwind Quintet
4
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3
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
Xylophone, Piano
1
Snare drums
1
Vibraphone
1
Xylophone
1
+ 16 instrumentations
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Retract
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High voice
Sheetmusic to print
13 sheet music found
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1
WHEN I CAN READ MY TITLE CLEAR
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High voice
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J
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Sonny Rios
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WHEN I CAN READ MY TITLE CLEAR
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Sonny Rios
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SheetMusicPlus
High Voice,Vocal Solo - Digital Download SKU: A0.962917 Composed by J.C. Lowry. Arranged by Sonny Rios. Christian,Contemporary,Jewish,Sacred. 5 pages. So...
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High Voice,Vocal Solo - Digital Download SKU: A0.962917 Composed by J.C. Lowry. Arranged by Sonny Rios. Christian,Contemporary,Jewish,Sacred. 5 pages. Sonny Rios #4278121. Published by Sonny Rios (A0.962917). WHEN I CAN READ MY TITLE CLEAR: This old public domain Christian song, by Isaac Watts and J.C. Lowry, has been arranged by Sonny Rios for solo High Voice. The song’s range is C4-A5 and is in English. The song speaks about a person’s final journey and arrival in his/her heavenly rest. The song may be used in Jewish or Christian services, concerts, and in funerals. This arrangement has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record this arrangement, please obtain a license by emailing: tenor@sonnyrios.com.
$5.99
When I Have Seen His Face (I Know That My Redeemer Lives)—High-Range Solo Voice and Piano
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High voice
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INTERMEDIATE
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Sacred music
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Daniel Carter
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Daniel Carter
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When I Have Seen His Face
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Daniel Carter
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1171672 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. Christian,Easter,Praise...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1171672 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. Christian,Easter,Praise & Worship,Religious,Sacred. 4 pages. Daniel Carter #771951. Published by Daniel Carter (A0.1171672). With text adapted from Job 19:25-27, “I know that my Redeemer Lives,†Daniel Carter creates a vocal solo for high-range voice and piano that is reverent and memorable. Suitable for worship services and settings that focus on Easter, atonement, communion, sacrament, and other Christ-centered gatherings. Sheet music for female/male vocal duet (medium-range voices and piano) and also medium-range solo voice and piano are available at www.danielcartermusic.com
$4.99
When I Let God Lead (High Voice)
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High voice
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INTERMEDIATE
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Sacred music
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Joseph H
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Elizabeth Ragsdale
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When I Let God Lead
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Elizabeth Ragsdale
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.947834 Composed by Joseph H. Gilmore. Words by Elizabeth Ragsdale, Music by Elizabeth Ragsdale...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.947834 Composed by Joseph H. Gilmore. Words by Elizabeth Ragsdale, Music by Elizabeth Ragsdale, and William B. Bradbury. Arranged by Elizabeth Ragsdale. Christian,Sacred. 7 pages. Elizabeth Ragsdale #2548741. Published by Elizabeth Ragsdale (A0.947834). This sacred solo explores the when, where, and how of God’s leading. It incorporates a refrain from the well-known hymn He Leadeth Me. With its easy, engaging accompaniment, the music has great audience appeal. Duration: 4:06. Vocal range: C4–E5.
$4.79
I Never Knew (King David and Bathsheba) from "The Kings" - ACT 2:Song 9
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High voice
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INTERMEDIATE
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McCorkle, Dennis F
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I Never Knew
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784835 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 30 pages. ...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784835 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 30 pages. DF McCorkle Music and eBook Publications #11761. Published by DF McCorkle Music and eBook Publications (A0.784835). ACT 2: Song 9. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:27… - And when the mourning was past, David sent and took her home to his house, and she became his wife,…] Calling BATHSHEBA to him, DAVID promises to make a change of heart and urges BATHSHEBA to stay [I Never Knew – David and Bathsheba]. They go off to David's bedroom and consummate their promise to make changes in their lives. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
When I'm Not Near The Girl I Love (High Voice) (from Finian's Rainbow)
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High voice
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When I'm Not Near The Girl I L
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - Digital Download SKU: HX.470542 Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX...
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(High Voice) - Digital Download SKU: HX.470542 Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470542).
$1.99
When I Fall In Love [Jazz version] (arr. Brent Edstrom)
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High voice
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Jazz
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Brent Edstrom
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When I Fall In Love [Jazz vers
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - Digital Download SKU: HX.454087 Arranged by Brent Edstrom. Jazz,Pop,Standards. Piano Vocal. 4 pages. Published by Hal Leonard - Digital (H...
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(High Voice) - Digital Download SKU: HX.454087 Arranged by Brent Edstrom. Jazz,Pop,Standards. Piano Vocal. 4 pages. Published by Hal Leonard - Digital (HX.454087).
$4.99
Yesterday, When I Was Young (Hier Encore) (High Voice)
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High voice
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Jazz
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Roy Clark
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Yesterday, When I Was Young
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - Digital Download SKU: HX.470442 By Roy Clark. Jazz,Standards. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digita...
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(High Voice) - Digital Download SKU: HX.470442 By Roy Clark. Jazz,Standards. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.470442).
$1.99
When I Take My Sugar To Tea (High Voice)
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High voice
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When I Take My Sugar To Tea
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - Digital Download SKU: HX.470818 Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX...
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(High Voice) - Digital Download SKU: HX.470818 Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470818).
$1.99
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Song Of The Angel
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High voice
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EASY
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Sacred music
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Judy Lane
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Song Of The Angel
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Judy Lane Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.915900 Composed by Judy Lane. Christian,Praise & Worship,Sacred. 8 pages. Judy Lane Music #599...
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.915900 Composed by Judy Lane. Christian,Praise & Worship,Sacred. 8 pages. Judy Lane Music #5996469. Published by Judy Lane Music (A0.915900). Judy Lane's own words are used in this comforting and powerful song with a message. The song is for a solo performance at a praise and worship church service.The song of the Angel came clear in the night. Pray cease your worry and calm your fright. Our Lord left his footprints as clear as the day. Just follow them, follow them all of the way, But Lord though I try hard, I stray from your path. I slip when it's frosty and trip over stones. The wind blows me sideways, the fog clouds my eyes. Oh Lord I am lost, Lord I am lost, Lord I am lost. When I woke the next morning the world seemed more clear. Gone were my worries, more calm my fear. Those footprints were shining the way seemed more clear And the song of the Angel will forever with me stay.
$4.99
Lead Me To The Cross
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High voice
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EASY
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Sacred music
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Brooke Ligertwood
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Nancy Frese Tabb
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Lead Me To The Cross
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Nancy Frese Tabb
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.800144 Composed by Brooke Ligertwood. Arranged by Nancy Frese Tabb. Contemporary,Holiday,Prais...
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.800144 Composed by Brooke Ligertwood. Arranged by Nancy Frese Tabb. Contemporary,Holiday,Praise & Worship,Sacred,Spiritual. 8 pages. Nancy Frese Tabb #6681737. Published by Nancy Frese Tabb (A0.800144). This arrangement of Brooke Ligertwood's Lead Me to the Cross is arranged as a solo for a High Voice (Soprano or Tenor) and can be easily learned in just a few rehearsals. It is paired with an excerpt of the hymn 'When I Survey the Wondrous Cross' and is a great addition to a Lenten or Holy Week service or Sacred Concert.
$4.99
Dido's Lament [High Voice; key: Am]
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High voice
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INTERMEDIATE
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Henry Purcell
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Maxence Lasserre-Engberts
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Dido's Lament [High Voice; key
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Maxence Lasserre-Engberts
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.795717 Composed by Henry Purcell. Arranged by Maxence Lasserre-Engberts. Baroque,Classical,Ope...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.795717 Composed by Henry Purcell. Arranged by Maxence Lasserre-Engberts. Baroque,Classical,Opera,Renaissance,Standards. 4 pages. Maxence Lasserre-Engberts #3575021. Published by Maxence Lasserre-Engberts (A0.795717). Dido's Lament (or When I am laid in earth) is a heartbreaking death aria from Henry Purcell's opera Dido and Æneas. It is definitely amongst the most beautiful baroque music.
$3.99
Ice! from Songs from the High Sierra
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High voice
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Gwyneth W
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Ice! from Songs from the High
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Comp...
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High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8318-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8318-4E). The five letters which provide the lyrics for the songs (adapted by the composer) were selected for their range of topics and sentiments. Some portray the wildlife in the mountains (“Glacier Birds...â€). Others extol the beauty of the Sierra (“Mountain Glory,†“Yosemite Fallsâ€). One expresses the whimsical/temperamental personality of the author (“Ice!â€). And the final letter (“Sequoiaâ€) speaks reverently of the great trees, in a language both naturalistic and sacred. They are the “greatest light in the woods, the greatest light in the world.†The musical settings, especially in the piano accompaniment, are quite programmatic. Glacier birds scamper up and down the keyboard in tone clusters. “Icy†glissandi float off. The great trees take root in large, block chords, and waterfalls cascade down in scales.There is personality in the letters. The bond between John Muir and Mrs. Carr (whom he addresses formally) is one of great kinship- a blending of the souls, a “spiritual romance.†As he marvels at the beauty of the wilderness, he writes ardently, “I wish that you could see this...†When he learns that Mrs. Carr, a botanist (whose plants suffer from the frost), dislikes ice, he chides her, and creates a “mock argument†over the value of glacial ice.The songs begin with an ascent into the mountains. They close with the return to the coast, to the magnificent Sequoia trees, where John Muir camps for the night, in the company of a squirrel. Charmingly, he writes “therefore, my Carr, goodnight.â€.
$7.25
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