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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
When You Sing
Sheetmusicplus
Not classified
765
Piano & keyboards
Piano solo
387
Piano, Voice
196
Easy Piano
170
Piano, Vocal and Guitar
169
C Instruments
100
Organ
29
1 Piano, 4 hands
13
Piano Accompaniment
13
Piano Trio: piano, violin, cello
4
Accordion
3
2 Pianos, 4 hands
3
Organ, Piano (duet)
2
Piano Quartet: piano, 2 violins, cello
2
2 Pianos, 8 hands
2
+ 9 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
28
Ukulele
28
Guitar
23
Melody line, (Lyrics) and Chords
7
Lyrics and Chords
4
4 Guitars (Quartet)
3
Banjo
3
Dulcimer
3
Bass guitar
3
Piano, Guitar (duet)
3
2 Guitars (duet)
1
Guitar Ensemble
1
+ 7 instrumentations
-
Retract
Voice
Choral SATB
305
Choral 3-part
122
Choral 2-part
80
Choral TTBB
44
Choral Unison
40
Choral SSAA
35
Vocal duet, Piano
17
Alto voice, Piano
13
Soprano voice, Piano
6
High voice
6
Vocal duet
4
Voice solo
3
Low voice, Piano
2
Medium voice, Piano
2
Baritone voice, Piano
2
Choral SSATTB
1
Tenor voice
1
Soprano voice
1
+ 13 instrumentations
-
Retract
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
68
2 Saxophones (duet)
50
Saxophone Quintet: 5 Saxophones
47
Flute, Oboe, Clarinet, Bassoon
33
Clarinet and Piano
32
Alto Saxophone and Piano
30
Saxophone Quartet: 4 saxophones
30
Flute and Piano
28
Clarinet
27
Alto Saxophone
26
Flute
26
Saxophone, Clarinet (duet)
25
Oboe, Piano (duet)
21
Oboe (band part)
21
Tenor Saxophone and Piano
18
Tenor Saxophone
17
Clarinet, Violin (duet)
17
2 Flutes (duet)
16
Clarinet Quartet: 4 clarinets
15
Soprano Saxophone and Piano
14
Oboe, Bassoon (duet)
13
Clarinet and Viola
13
Clarinet Ensemble
12
2 Clarinets (duet)
12
Flute, Violin
11
Flute, Viola (duet)
11
Flute, Clarinet (duet)
10
Flute Quartet: 4 flutes
10
2 Oboes (duet)
9
Descant (Soprano) Recorder
9
Clarinet, Trumpet (duet)
9
Saxophone (band part)
9
Oboe, Flute
9
Oboe, Clarinet (duet)
8
English horn, Piano
7
Flute Trio: 3 flutes
6
Flute, Trumpet (duet)
6
Flute, Saxophone (duet)
6
Flute, Violoncello
6
English Horn
5
Clarinet Quintet: 5 clarinets
5
Saxophone ensemble
5
Baritone Saxophone, Piano
5
Flute ensemble
5
Flute Quintet : 5 flutes
4
Oboe
4
3 Clarinets (trio)
4
Descent (Soprano) Recorder, Piano
4
Flute and Guitar
4
Recorder Quartet
3
3 Saxophones (trio)
3
Bass Clarinet, Piano
3
Clarinet, Trombone (duet)
3
Clarinet, Cello (duet)
3
Tenor Recorder
2
Flute, Clarinet, Piano (trio)
1
Soprano Saxophone
1
Pennywhistle
1
Flute, Violin, Piano
1
Harmonica
1
Recorder Ensemble
1
3 Recorders (trio)
1
Flute, Bassoon, and Piano
1
2 Flutes, Piano
1
Recorder
1
5 Recorders
1
Saxophone and Guitar
1
2 Clarinets, Piano
1
Flute (band part)
1
Clarinet, Guitar (duet)
1
Saxophone
1
+ 66 instrumentations
-
Retract
Woodbrass
Brass quartet : 2 trumpets, trombone, tuba
44
Trumpet
30
Brass Quintet: 2 trumpets, horn, trombone, tuba
23
Trumpet, Piano
22
Trombone and Piano
20
Trumpet, Saxophone (duet)
18
Trombone
16
French Horn and Piano
14
French horn
13
Euphonium
12
Tuba and Piano
11
2 Trumpets (duet)
10
2 Trombones (duet)
9
Trumpet, Trombone (duet)
9
English horn, Piano
7
Tuba
6
English Horn
5
Trombone ensemble
4
Brass Quartet: 2 trumpets, horn, trombone
3
Trumpet (band part)
2
Trumpet ensemble
2
Bb Instruments
2
Brass Quartet
2
2 Tubas (duet)
1
Brass Quartet: 4 horns
1
4 Tubas
1
3 Trombones (trio)
1
2 French horns (duet)
1
Tuba ensemble
1
Trumpet, Euphonium (duet)
1
Euphonium, Piano (duet)
1
+ 26 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
83
Violin and Piano
54
Violin
36
Cello, Piano
27
Viola, Piano
27
Violin, Cello (duet)
26
Cello
22
Harp
20
Viola
14
Violin, Viola (duet)
13
2 Violins (duet)
13
String Quintet: 2 violins, viola, cello, bass
12
2 Violas (duet)
12
2 Cellos (duet)
10
Cello, String Bass (duet)
6
String Trio: violin, viola, cello
6
2 Harps (duet)
5
Harp, Voice
5
Flute, Doublebass (duet)
5
String Trio: 2 violins, cello
4
Viola ensemble
4
Violin ensemble
4
Double bass, Piano (duet)
3
String Trio: 3 violins
2
String Quintet: 2 violins, 2 violas, cello
2
Viola, Cello (duet)
2
String quartet: 4 violins
2
4 Double Basses
1
4 Cellos
1
Viola and Harp
1
Violin, Tuba (duet)
1
Viola (band part)
1
Piano Trio: Violin, Viola, Piano
1
+ 28 instrumentations
-
Retract
Orchestra & Percussion
Concert band
82
Orchestra
53
String Orchestra
49
Handbells
21
Chamber Orchestra
16
Brass ensemble
16
Jazz combo
14
Jazz Ensemble
11
Marching band
9
Percussion Ensemble
7
Xylophone or Marimba or Vibraphone
4
Xylophone, Piano
2
Drums
1
School Ensemble
1
Xylophone
1
+ 10 instrumentations
-
Retract
Others
Instruments
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DOBRO - GUI…
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DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
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6 sheet music found
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1
Soprano Aria When there is my mansion by the Sea... from the opera On the Wings of the Scarlet Messe
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High voice
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ADVANCED
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James Nathaniel Holland
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Soprano Aria When there is my
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James Nathaniel Holland
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730185 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 9 pages....
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730185 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 9 pages. James Nathaniel Holland #370921. Published by James Nathaniel Holland (A0.730185). Mariana's (Soprano) Aria When there is my mansion by the sea... from On the Wings of the Scarlet Messenger An Opera in 4 Acts, Based on the Henry James novel, On the Wings of a Dove Music, Adaptation and Libretto by James Nathaniel Holland Composer website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube presentation: https://www.youtube.com/watch?v=dl4l8KeTfic A beautiful and virtuosic contemporary aria for a Gilda Rigoletto type lyric soprano with orchestral accompaniment. Has never been premiered before.Setting: The Fictional Southeast Asian island of Soon Rafa, present day, night, the garden behind Leila's mansion. Mariana (Soprano) niece and ward of her rich Aunt Leila. She cannot marry her love, Kai (bass), due to his lack of money. Mariana has just received a tongue lashing from her Aunt Leila in front of Leila's friends and has left for the garden. Alone and frustrated, Mariana sings of the day when she will have the freedom to do what she wants and execute revenge on all her critics. Fits requirement for contemporary aria in English.Duration: 5:15 Range: C4 to C6
$4.95
Just Like That September 2011
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High voice
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INTERMEDIATE/ADVANCED
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Contemporary
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Benj Pasek and Justin Paul
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W
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Vocal Part Only
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Just Like That September 2011
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Diamond S Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790016 Composed by Benj Pasek and Justin Paul. Arranged by W. Brent Sawyer. Contemporary. 9 pa...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790016 Composed by Benj Pasek and Justin Paul. Arranged by W. Brent Sawyer. Contemporary. 9 pages. Diamond S Music #3534827. Published by Diamond S Music (A0.790016). JUST LIKE THAT from A CHRISTMAS STORY the musical - Piano (keyboard) & Vocal Part Only . Arranged for Vocal Solo and 8 piece arrangement. This Keyboard part also contains the important cues for the other instrumentation. The beloved Christmas Classic film turned into a hit Broadway musical by the Tony Award and Academy Award winning team Benj Pasek & Justin Paul (Dear Evan Hansen, The Greatest Showman, La La Land). This 8 piece arrangement is for: Reed 1 (Flute), Reed 2 (Bb Clarinet), Trumpet, Trombone, Electronic Keyboard, Double Bass, Drum Set, Percussion (mallets & aux) - The Drums and Percussion can be played by the same player in this arrangement. Other 8 piece Orchestrations/Arrangements from A Christmas Story the musical by this publisher (Diamond S Music) available here are: Before The Old Man Comes Home, Just Like That, Ralph To The Rescue, Overture, Somewhere Hovering Over Indiana, When You're A Wimp, A Christmas Story, Counting Down To Christmas, Act 1 Finale, What A Mother Does, Parker Family Sing A-long, Sticky Situation, Up On Santa's Lap, You'll Shoot Your Eye Out, The Genius Of Cleveland Street, Red Ryder Carbine Action BB Gun. https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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High voice
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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High voice
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
Danny Boy (Funeral Version) (High Vocal Solo)
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High voice
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INTERMEDIATE
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Sacred music
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Sacred music
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Frederic Weatherly, Franz Schu
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Stephen DeCesare
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Danny Boy
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Exultet Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.626415 Composed by Frederic Weatherly, Franz Schubert. Arranged by Stephen DeCesare. Celtic,Co...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.626415 Composed by Frederic Weatherly, Franz Schubert. Arranged by Stephen DeCesare. Celtic,Contemporary,Irish,Multicultural,Praise & Worship,Sacred,World. 5 pages. Exultet Music #5718379. Published by Exultet Music (A0.626415). This version not only is the ballad that is most closely associated with Irish communities, but it combines the famous Ave Maria by Franz Schubert. Â The piece starts as the normal duet but when the phrase begins you'll kneel and say an Ave there for me is where the Ave Maria begins as duet and then the original tune comes back in at a later point. Â Scored for a High Vocal Solo with Piano accompaniment. Â Accessible for all levels of singing and playing and can used for a variety of venues. An accompaniment track is also available.
$4.99
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