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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Will You?
Not classified
5,840
Piano & keyboards
Piano solo
2,377
Easy Piano
925
Piano, Voice
666
Piano, Vocal and Guitar
598
C Instruments
231
Organ
174
Piano Accompaniment
114
1 Piano, 4 hands
95
Piano Trio: piano, violin, cello
52
Piano (band part)
40
2 Pianos, 4 hands
37
Organ, Piano (duet)
15
Piano Quartet: piano, violin, viola, cello
11
Big Note Piano
9
Piano Quintet: piano, 2 violins, viola, cello
8
Piano Quartet: piano, 2 violins, cello
7
Accordion
6
2 Pianos, 8 hands
3
Keyboard
2
1 Piano, 6 hands
2
Harpsichord
1
Organ, Trumpet (duet)
1
Melody line, Piano
1
+ 18 instrumentations
-
Retract
Guitars
Bass guitar
346
Guitar notes and tablatures
282
Guitar
172
Ukulele
151
Piano, Guitar (duet)
118
Melody line, (Lyrics) and Chords
96
Guitar (band part)
83
Lyrics and Chords
44
Mandolin
19
Dulcimer
19
Banjo
18
2 Guitars (duet)
9
4 Guitars (Quartet)
6
3 Guitars (trio)
5
Guitar Ensemble
5
2 Ukuleles
4
2 Dulcimers (duet)
4
Dobro
3
Lap Steel Guitar
1
Baritone Ukulele
1
+ 15 instrumentations
-
Retract
Voice
Choral SATB
1,846
Choral 3-part
713
Choral 2-part
417
Choral TTBB
334
Choral Unison
216
Choral SSAA
186
Vocal duet, Piano
56
Baritone voice, Piano
39
Alto voice, Piano
35
Soprano voice, Piano
33
Tenor voice, Piano
31
Voice solo
23
Choral Instrumental Pak
21
Vocal duet
21
Low voice, Piano
17
High voice
14
Choral
5
Soprano voice
4
Tenor voice
4
Medium voice, Piano
4
Choral SSATB
2
Choral SAATB A Cappella
2
Choral SSATTB
1
Choral SSAB, Piano
1
Mezzo-Soprano voice, Piano
1
Low voice
1
+ 21 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
598
Flute and Piano
482
Saxophone Quartet: 4 saxophones
477
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
443
Clarinet and Piano
437
Oboe, Piano (duet)
435
Flute, Oboe, Clarinet, Bassoon
397
Saxophone Quintet: 5 Saxophones
392
Alto Saxophone and Piano
351
Tenor Saxophone and Piano
316
Saxophone (band part)
295
Flute
279
2 Flutes (duet)
244
Clarinet
232
Saxophone, Clarinet (duet)
207
Alto Saxophone
202
2 Clarinets (duet)
199
Clarinet Quartet: 4 clarinets
190
Tenor Saxophone
166
Clarinet, Violin (duet)
137
Oboe (band part)
133
2 Oboes (duet)
127
Flute Quartet: 4 flutes
122
Soprano Saxophone and Piano
121
Clarinet, Trumpet (duet)
114
Flute, Clarinet (duet)
112
Saxophone ensemble
109
3 Saxophones (trio)
108
Clarinet Quintet: 5 clarinets
105
Clarinet Ensemble
85
Oboe, Clarinet (duet)
83
Flute, Violin
80
Flute Quintet : 5 flutes
78
Baritone Saxophone, Piano
76
Oboe, Bassoon (duet)
73
Clarinet (band part)
71
Clarinet and Viola
70
Flute ensemble
68
Flute, Saxophone (duet)
67
Oboe, Flute
62
Oboe
60
2 Recorders (duet)
56
Soprano Saxophone
53
Flute, Trumpet (duet)
53
3 Clarinets (trio)
52
Flute (band part)
51
Flute, Viola (duet)
47
English horn, Piano
47
Flute Trio: 3 flutes
47
Descant (Soprano) Recorder
46
Baritone Saxophone
42
Recorder Ensemble
30
Oboe, Clarinet, Bassoon (trio)
27
Flute, Oboe, Clarinet (trio)
26
Flute, Clarinet and Bassoon.
26
Recorder
21
Clarinet, Bassoon (duet)
18
English Horn
18
Tenor Recorder
17
Recorder Quartet
17
Flute, Violin, Piano
16
Bass Clarinet, Piano
15
Flute and Guitar
14
Treble (Alto) Recorder
14
Clarinet, Cello (duet)
13
Flute, Trombone (duet)
12
Harmonica
11
Flute, Violoncello
10
Descent (Soprano) Recorder, Piano
9
Oboe, Cello
9
Flute, Oboe, Bassoon
9
Flute, Oboe (duet)
9
5 Recorders
8
Oboe, Violin (duet)
7
3 Recorders (trio)
7
Flute, Bassoon, and Piano
6
Piccolo, Piano
6
Pennywhistle
6
Treble (Alto) Recorder, Piano
6
Flute, Clarinet, Piano (trio)
6
Clarinet, Trombone (duet)
5
2 Flutes, Piano
5
Clarinet, Guitar (duet)
5
Saxophone
5
Flute, Clarinet, Horn and Bassoon (Quartet)
4
Oboe and viola (duet)
4
Oboe, Guitar (duet)
4
Clarinet, Harp (duet)
3
Clarinet, Cello, Piano (trio)
3
Flute, Oboe, Piano (trio)
3
Oboe, Trombone (duet)
3
2 Clarinets, Piano
3
Flute, Cello, Piano (trio)
2
Ocarina
2
Flute, Violin and Violoncello
2
4 Oboes
2
Clarinet, Tuba
2
Flute, Tuba (duet)
2
Oboe, Harp
2
Wind ensemble
2
Piccolo
2
English Horn, Guitar (duet)
2
Saxophone and Guitar
2
Eb Instruments
1
Harmonica, Piano
1
Oboe, Trumpet (duet)
1
Clarinet, Double bass (duet)
1
Flute, trombone and piano
1
Saxophone and Harp
1
Flute and String Quartet
1
3 Oboes
1
Recorder, Piano
1
Pan Flute
1
Bass Clarinet
1
Oboe, Violin, Piano
1
Flute, Harp and Cello
1
Clarinet, Bassoon, Piano (trio)
1
Flute, Viola and Piano
1
2 Oboes, Piano
1
+ 114 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
490
Trombone and Piano
353
Trumpet
337
Brass quartet : 2 trumpets, trombone, tuba
309
Trumpet, Piano
300
Trombone (band part)
238
Trumpet (band part)
207
Trombone
207
French Horn and Piano
160
Brass Quartet: 2 trumpets, horn, trombone
149
Trumpet, Saxophone (duet)
143
French horn
143
2 Trumpets (duet)
141
2 Trombones (duet)
132
Tuba
115
Tuba and Piano
110
Trumpet, Trombone (duet)
102
Brass Quartet
86
Trumpet ensemble
80
French horn (band part)
77
Trombone ensemble
64
Tuba (band part)
56
Euphonium, Piano (duet)
54
2 French horns (duet)
52
Brass Quartet: 4 trombones
52
English horn, Piano
47
Euphonium
31
2 Tubas (duet)
29
2 Euphoniums and 2 Tubas
24
English Horn
18
Brass Quartet: 4 horns
18
Brass Trio
17
Trumpet, Horn (duert)
14
Brass Quartet: 4 trumpets
13
Horn Ensemble
11
3 Trombones (trio)
9
Bass Trombone
7
Trumpet, Bassoon (duet)
7
Trombone, Organ
7
4 Tubas
6
Trombone, Tuba (duet)
6
Trumpet, Tuba (duet)
5
French horn and Basson (duet)
4
3 Trumpets (trio)
4
3 French horns (trio)
4
Euphonium, Tuba (duet)
4
Trumpet, Cello (duet)
3
Trombone, Horn (duet)
3
French Horn and Harp
3
Trombone, Violin (duet)
3
Brass Quartet: 2 trumpets, 2 trombones
3
Horn, Tuba (duet)
2
Tuba and Organ
2
Horn, Cello (duet)
2
English Horn, Guitar (duet)
2
2 Euphoniums (duet)
2
Trumpet, Cello, Piano
1
Bass Clef Instruments
1
Cornet and Orchestra
1
3 Tubas (trio)
1
2 French horns, Piano
1
Trumpet, Euphonium (duet)
1
Trumpet, violin (duet)
1
Trumpet, Harp
1
+ 59 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
1,098
Violin and Piano
559
Violin
430
Violin, Cello (duet)
423
Viola, Piano
406
Cello, Piano
388
Cello
302
String Trio: violin, viola, cello
274
String Quintet: 2 violins, viola, cello, bass
202
2 Violins (duet)
185
Viola
183
2 Cellos (duet)
151
Violin (band part)
149
2 Violas (duet)
147
Harp
143
Violin, Viola (duet)
133
String Trio: 2 violins, cello
109
Double bass, Piano (duet)
105
Doublebass (band part)
100
Viola (band part)
95
Double Bass
87
Cello (band part)
29
2 Double basses (duet)
18
Violin ensemble
16
Piano Trio: Violin, Viola, Piano
16
Viola ensemble
14
Viola, Cello (duet)
13
Violin, Guitar (duet)
13
String Trio: 3 cellos
11
4 Cellos
10
String Quintet: 2 violins, 2 violas, cello
10
String Trio: 3 violas
9
String Trio: 3 violins
8
2 Harps (duet)
8
String Trio: 2 violins, viola
8
String Quintet: 2 violins, viola, 2 cellos
7
Harp, Voice
7
Violin, Bassoon (duet)
7
String quartet: 4 violins
7
Cello, String Bass (duet)
6
Harp, Flute (duet)
6
Viola and Bassoon
4
String Quartet : 4 violas
4
2 Violins, Piano
3
Cello, Guitar (duet)
3
Violin, Tuba (duet)
3
Violin, Clarinet, Piano (trio)
3
Viola and Harp
3
Harp, Violin (duet)
2
4 Double Basses
2
2 Violas, Piano
2
4 Harps
2
Cello Ensemble
2
2 Cellos, Piano
1
Flute, Doublebass (duet)
1
Violin, Organ
1
Violin, Trumpet and Piano
1
Harp, Cello (duet)
1
Autoharp
1
Violin, Cello, Clarinet
1
Cello, Orchestra
1
3 double basses
1
Viola, Guitar (duet)
1
+ 58 instrumentations
-
Retract
Orchestra & Percussion
Concert band
4,921
String Orchestra
960
Jazz Ensemble
418
Orchestra
417
Marching band
358
Handbells
253
Brass ensemble
227
Chamber Orchestra
93
Percussion Ensemble
80
Drums
70
Percussion (band part)
46
Drum (band part)
46
Jazz combo
46
Marimba
7
Vibraphone
4
Xylophone, Piano
3
Xylophone
3
Percussion
2
2 Xylophones
2
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
Cajon
2
Snare drums
1
Timpani
1
Woodwind Quintet
1
Brass Quintet: other combinaisons
1
+ 20 instrumentations
-
Retract
Others
Musical course - Solfege
6
Music Theory
1
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ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
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ORGAN - ORG…
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OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
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SAXOPHONE
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ORGAN
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High voice
Sheetmusic to print
14 sheet music found
<
1
While We're Young (High Voice)
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High voice
#
Broadway
#
Jazz
#
William Engvick
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While We're Young
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - Digital Download SKU: HX.470550 By William Engvick. Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal L...
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(High Voice) - Digital Download SKU: HX.470550 By William Engvick. Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.470550).
$1.99
23rd Psalm (Pastures of Green) (David) from "The Kings" ACT 1:Song 11
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High voice
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INTERMEDIATE
#
McCorkle, Dennis F
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23rd Psalm
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DF McCorkle Music and eBook Publications
#
SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784825 Composed by McCorkle, Dennis F. Christian,Jewish,Pop,Rock,Sacred. 10 pages. DF McCorkle...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784825 Composed by McCorkle, Dennis F. Christian,Jewish,Pop,Rock,Sacred. 10 pages. DF McCorkle Music and eBook Publications #11739. Published by DF McCorkle Music and eBook Publications (A0.784825). ACT ONE: Song 11. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 16:11 - And Samuel said to Jesse: ‘Are here all your children?’ And he said: ‘There remains yet the youngest, and, behold, he tends the sheep.’ And Samuel said unto Jesse: ‘Send and fetch him; for we will not sit down till he come here.’ [Psalm 23 Sacred Melody of David.YAHWEH is My Shepherd I shall not want]. SAMUEL leaves SAUL and goes to the house of Jesse in Bethlehem where he chooses DAVID and anoints him as king. DAVID returns to the field and his sheep, trying to understand the meaning of the previous events [Pastures of Green – David and Ensemble]. The next morning, his father Jessie sends one of his servants to ask DAVID to take provisions to his brothers who are on the front line with SAUL engaged in a fierce battle with the Philistines. David leaves the sheep with the servant and goes off to the battlefield. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
Waltz of the Roses (Think of My Love As A Rose), for High Voice Piano, Theme from The Snow Queen, A
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High voice
#
INTERMEDIATE
#
James Nathaniel Holland
#
Waltz of the Roses
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James Nathaniel Holland
#
SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.730413 Composed by James Nathaniel Holland. Contemporary,Holiday,Wedding. 8 pages. James Natha...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.730413 Composed by James Nathaniel Holland. Contemporary,Holiday,Wedding. 8 pages. James Nathaniel Holland #3369761. Published by James Nathaniel Holland (A0.730413). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged for high voice (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$4.95
Thirst
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High voice
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ADVANCED
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William P
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Thirst
#
William P. Gorton
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.999888 Composed by William P. Gorton. 20th Century,Concert,Spiritual. 6 pages. William P. Gort...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.999888 Composed by William P. Gorton. 20th Century,Concert,Spiritual. 6 pages. William P. Gorton #6116907. Published by William P. Gorton (A0.999888). Thirst is a powerful outcry against one's inner demons, a rebuttal to the negative thoughts that we all have experienced at times, and a prayer for peace. Broad and dramatic, with a virtuosic and powerful piano accompaniment, this song will provide great dramatic contrast and substance to any vocal program. More appropriate for the advanced singer, this piece would work well as part of a set (see other Gorton compositions for ideas). Your pianist will love this piece!
$6.95
Somewhere Only We Know
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High voice
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EASY
#
Film/TV
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Keane
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Teresa OConnell (BMI)
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Somewhere Only We Know
#
Teresa O'Connell
#
SheetMusicPlus
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.956050 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Teresa OConne...
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.956050 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Teresa OConnell (BMI). Film/TV. 7 pages. Teresa O'Connell (BMI) #6235521. Published by Teresa O'Connell (BMI) (A0.956050). Somewhere Only We Know is a beautiful ballad by the band, Keane. Arranged for voice (soprano or tenor) with early intermediate piano accompaniment, it is the perfect recital piece for singers. The singer's melody is built in to the piano accompaniment, which instilsl confidence in the singer. Lyrics are appropriate and easy to learn. Teachers, your students will love to sing this emotional, melodic, haunting piece. This is a great arrangement to encourage young pianists to play and sing at the same time! Highly recommended!
$4.99
Contemporary Soprano Aria, "They Say You Can Find Love" from the opera "Menkaure"
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High voice
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ADVANCED
#
James Nathaniel Holland
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Contemporary Soprano Aria, "Th
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James Nathaniel Holland
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730207 Composed by James Nathaniel Holland. Contemporary,Holiday,Opera,Wedding. 9 pages. James...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730207 Composed by James Nathaniel Holland. Contemporary,Holiday,Opera,Wedding. 9 pages. James Nathaniel Holland #37039. Published by James Nathaniel Holland (A0.730207). They say you can find Love Contemporary Soprano aria in English from 21st Century opera (Duration: 4'30) Music and Libretto by American Costa Rican composer James Nathaniel Holland Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlVideo: https://www.youtube.com/watch?v=br_0U00Ck4Q From the American Opera MENKAURE Full opera YouTube: https://www.youtube.com/playlist?list=PLEcbVsA36MCuT1hxkTAyLuChFGJjtj4Ia Lyrics: They say you can find love, but in truth it is love who finds you! No matter how you force things, no matter what you do. You may sit patiently waiting, As months or years pass you by, and then one day it happens, A glance, a smile, you spy. Yes, I want love to find me, To tangle and entwine me, And it will, I know it will in its own sweet time. (Entire Opera duration: 2 hours) BRIEF SYNOPSIS: 6,000 years ago an almighty ruler died in Aksum. But today he lives for one woman, Trista,who falls in love with his statue at the Metropolitan Museum of Art in New York City. She is pulled deep into obsession, and her family is unable to rescue her; she tries to kiss the statue's face, and is arrested. With a quest to find the statue's twin, she flees to the country Joondor, site of the ancient city of Aksum where she is ultimately consumed by her love for Menkaure. Opera Website Page: http://www.lacoronadelossantos.net/menkaureopera.html Composer's website: http://www.lacoronadelossantos.net/jamesnathanielholland.html
$3.95
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Didn't My Lord Deliver Daniel? (high voice)
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High voice
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INTERMEDIATE
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Gospel/Spiritual
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Sacred music
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David Neff
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Didn't My Lord Deliver Daniel?
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.829020 Composed by David Neff. Sacred,Spiritual,Traditional. 5 pages. David Neff #3575379. Pub...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.829020 Composed by David Neff. Sacred,Spiritual,Traditional. 5 pages. David Neff #3575379. Published by David Neff (A0.829020). The anonymous song Didn’t My Lord Deliver Daniel is one of many African-American spirituals that borrow biblical imagery to talk about hope for freedom from oppression. The classic arrangement of this spiritual by H. T. Burleigh will no doubt remain a standard, but I hope the rhythmic variety, jazz harmonies, and big finish of this version will add spice to your church and recital repertoire.  This arrangement (which tops out at a high G#) will also be available in medium-high, medium- and low-voice editions.
$5.99
Soprano Aria When there is my mansion by the Sea... from the opera On the Wings of the Scarlet Messe
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High voice
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ADVANCED
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James Nathaniel Holland
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Soprano Aria When there is my
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James Nathaniel Holland
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730185 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 9 pages....
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730185 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 9 pages. James Nathaniel Holland #370921. Published by James Nathaniel Holland (A0.730185). Mariana's (Soprano) Aria When there is my mansion by the sea... from On the Wings of the Scarlet Messenger An Opera in 4 Acts, Based on the Henry James novel, On the Wings of a Dove Music, Adaptation and Libretto by James Nathaniel Holland Composer website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube presentation: https://www.youtube.com/watch?v=dl4l8KeTfic A beautiful and virtuosic contemporary aria for a Gilda Rigoletto type lyric soprano with orchestral accompaniment. Has never been premiered before.Setting: The Fictional Southeast Asian island of Soon Rafa, present day, night, the garden behind Leila's mansion. Mariana (Soprano) niece and ward of her rich Aunt Leila. She cannot marry her love, Kai (bass), due to his lack of money. Mariana has just received a tongue lashing from her Aunt Leila in front of Leila's friends and has left for the garden. Alone and frustrated, Mariana sings of the day when she will have the freedom to do what she wants and execute revenge on all her critics. Fits requirement for contemporary aria in English.Duration: 5:15 Range: C4 to C6
$4.95
Song Of The Angel
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High voice
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EASY
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Sacred music
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Judy Lane
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Song Of The Angel
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Judy Lane Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.915900 Composed by Judy Lane. Christian,Praise & Worship,Sacred. 8 pages. Judy Lane Music #599...
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.915900 Composed by Judy Lane. Christian,Praise & Worship,Sacred. 8 pages. Judy Lane Music #5996469. Published by Judy Lane Music (A0.915900). Judy Lane's own words are used in this comforting and powerful song with a message. The song is for a solo performance at a praise and worship church service.The song of the Angel came clear in the night. Pray cease your worry and calm your fright. Our Lord left his footprints as clear as the day. Just follow them, follow them all of the way, But Lord though I try hard, I stray from your path. I slip when it's frosty and trip over stones. The wind blows me sideways, the fog clouds my eyes. Oh Lord I am lost, Lord I am lost, Lord I am lost. When I woke the next morning the world seemed more clear. Gone were my worries, more calm my fear. Those footprints were shining the way seemed more clear And the song of the Angel will forever with me stay.
$4.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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High voice
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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High voice
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
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