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Take That
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Choral SATB
Sheetmusic to print
27 sheet music found
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1
26
Take Me Home
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Choral SATB
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ADVANCED
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Phil Collins
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Jonathan Rodgers
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Take Me Home
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Jonathan Rodgers
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1467992 By Phil Collins. By Phil Collins. Arranged by Jonathan Rodgers. A Cap...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1467992 By Phil Collins. By Phil Collins. Arranged by Jonathan Rodgers. A Cappella,Contemporary,Pop,Rock. 59 pages. Jonathan Rodgers #1046301. Published by Jonathan Rodgers (A0.1467992). This dynamic and exciting arrangement of Phil Collins' classic Take Me Home for SATB double choir and percussion is based on the exhilarating performance from his final world tour. Tailored for the most advanced choirs, this arrangement captures the song's rhythmic drive, melodic richness, and emotional nuance, ensuring a performance that is sure to bring down the house.
$5.95
They Can't Take That Away From Me from THE BARKLEYS OF BROADWAY from SHALL WE DANCE
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Choral SATB
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ADVANCED
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Frank Sinatra
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Deke Sharon
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They Can't Take That Away From
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Deke Sharon
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.511354 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Deke Sharon. 20th Cent...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.511354 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Deke Sharon. 20th Century,A Cappella. Octavo. 9 pages. Deke Sharon #3488921. Published by Deke Sharon (A0.511354). A fun 8 part a cappella vocal jazz arrangement of the Gershwin standard.
$12.99
Take My Life That I May Be - an original setting for SATB and Organ
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Choral SATB
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ADVANCED
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Len Rhodes
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Take My Life That I May Be - a
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Len Rhodes Music
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.739962 Composed by Len Rhodes. Christian,Contemporary,Sacred. Octavo. 5 pages. Len Rhodes Music ...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.739962 Composed by Len Rhodes. Christian,Contemporary,Sacred. Octavo. 5 pages. Len Rhodes Music #3594021. Published by Len Rhodes Music (A0.739962). A beautiful, newly composed setting for SATB and ORGAN by Len Rhodes, to the original text by Frances R. Havergal. This setting is receiving performances throughout the world and is becoming a popular alternative to previous settings.
$2.29
Take My Life That I May Be - for SATB Choir and Piano
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Choral SATB
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ADVANCED
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Sacred music
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Gospel/Spiritual
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Len Rhodes
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Worship, Sacred, Spiritual
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Take My Life That I May Be - f
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Len Rhodes Music
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SheetMusicPlus
Composed by Len Rhodes. Christian, Praise & Worship, Sacred, Spiritual. Octavo. 4 pages. Len Rhodes Music #3049097. Published by Len Rhodes Music...
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Composed by Len Rhodes. Christian, Praise & Worship, Sacred, Spiritual. Octavo. 4 pages. Len Rhodes Music #3049097. Published by Len Rhodes Music
$1.99
The Weight
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Choral SATB
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ADVANCED
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The Band
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Eric Hagmann
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The Weight
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Eric Hagmann
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.796815 By The Band. By J.R. Robertson. Arranged by Eric Hagmann. A Cappella. Octavo. 14 p...
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.796815 By The Band. By J.R. Robertson. Arranged by Eric Hagmann. A Cappella. Octavo. 14 pages. Eric Hagmann #3911445. Published by Eric Hagmann (A0.796815). An SSATB + duet vocal jazz arrangement of The Weight (Take a Load Off, Annie) by The Band. This chart reimagines The Band's original song as an a cappella swing tune straight out of the 1940's. The bottom voice thumps along on neutral syllables of your choosing just as an upright bassist would in the big band. If you don't have any singers who can take on this part, an actual bass instrument could be substituted. The guitar accompaniment of the original song is now replaced by complex jazz harmonies and rhythms sung by your upper voices to compliment your soloists. The last 1/3rd of the song has a breakdown that layers and overlaps your voices one by one until they come together for a final build into the last chorus. This section also offers an opportunity for a small quartet to sing an optional harmony part. While this piece is challenging, it offers a unique spin on an old classic that will surely hold your audience's attention if performed well. .
$2.25
A Quiet Place
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Choral SATB
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ADVANCED
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Take 6
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Take 6
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A Quiet Place
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Mike Rambinintsoa
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.995364 By Take 6. By Ralph Carmichael. Arranged by Take 6. A Cappella,Gospel. Octavo. 4 pages. M...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.995364 By Take 6. By Ralph Carmichael. Arranged by Take 6. A Cappella,Gospel. Octavo. 4 pages. Mike Rambinintsoa #5194859. Published by Mike Rambinintsoa (A0.995364). This is an SATTBB arrangement written in Tonic Sol-Fa notation (John Curwen). The music of Take 6 is very well known for its harmonic richness, and in particular A Quiet place is emblematic for that.
$5.00
The Triumph of King Edmund
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Choral SATB
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ADVANCED
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Sacred music
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Joy DeCoursey-Porter
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The Triumph of King Edmund
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Joy DeCoursey-Porter
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.897054 Composed by Joy DeCoursey-Porter. Christian,Easter,Holiday,Sacred,World. Octavo. 9 pages....
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.897054 Composed by Joy DeCoursey-Porter. Christian,Easter,Holiday,Sacred,World. Octavo. 9 pages. Joy DeCoursey-Porter #2079905. Published by Joy DeCoursey-Porter (A0.897054). A piece best suited for an accomplished HS or college choir, or one that enjoys a bit of drama. Please contact Joy DeCoursey-Porter at joyfulporter@hotmail.com with performance info. The story of King Edmund takes place in the mid 800s and remains shrouded in some mystery. Though certain details are sketchy depending on the historical source, the events depicted in the poetic text seem consistent with most sources. The text, taken from the writings of Ælfric of Eynsham and adapted by Frances E. F. Ward is as follows: The Danes came by great fleet of ship, under Hingwar, to plunder the Angles’ coast. Edmund the King will never bow in life unless first Hingwar bow to Christ, he said. He stood in hall raising no sword. Bound to the tree he called on Christ. Mad with rage, they bristled him with arrows and still with steadfast faith he called on Jesus Christ. Hingwar’s order, and the blow beheaded him; his soul departed joyfully to Christ. The grey-eyed wolf stood guardian to holiness, until head and body one. Holy Edmund revealing Christ..
$2.00
Missa melismatica
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Choral SATB
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ADVANCED
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Hermann Schroeder
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Missa melismatica
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Schott Music - Digital
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SheetMusicPlus
Mixed choir a cappella - advanced - Digital Download SKU: S9.Q6889 Composed by Hermann Schroeder. This edition: choral score. Schott Choral Music. Downlo...
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Mixed choir a cappella - advanced - Digital Download SKU: S9.Q6889 Composed by Hermann Schroeder. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 16 minutes. Schott Music - Digital #Q6889. Published by Schott Music - Digital (S9.Q6889). Latin.Herrmann Schroeder (1904-1984), one of the most important church music composers of the 20th century, wrote this Latin mass in 1961, i.e. at the beginning of the Second Vatican Council. The Council marked a turning point in the field of church music: Masses in the respective native languages gained more and more acceptance, Gregorian chant faded into the background, stylistic features of popular music were also taken up in church music. Today, about 50 years after the beginning of the Council, one can see a return to Gregorian chant and polyphonic vocal music, and this is why even works such as Schroeder's Latin Missa melismatica arouse great interest again. The work takes the free intonation of the Gregorian chant as a starting-point and is enriched with wide-spun melodic arcs in elaborate polyphony, according to Schroeder's opinion that Gregorian chant and polyphony are particularly suitable for giving expression to the mysticism and irrationality of religious faith in the liturgy. A demanding work for good choirs, duration ca. 16 minutes.
$6.99
Folk Mass (Vocal Choir, 7 Movements)
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Choral SATB
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ADVANCED
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Mark O’Connor
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Mark O'Connor
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Folk Mass
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Mark O'Connor Musik International
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.861757 Composed by Mark O'Connor. A Cappella,Christian,Contemporary,Jewish,Spiritual. Octavo. 11...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.861757 Composed by Mark O'Connor. A Cappella,Christian,Contemporary,Jewish,Spiritual. Octavo. 113 pages. Mark O'Connor Musik International #6133105. Published by Mark O'Connor Musik International (A0.861757). Folk Mass for Vocal Choir (Soprano, Alto, Tenor, Baritone, and Bass)With solo parts from each sectionText is from the Books of the Old TestamentMusic by Mark O’Connor97-pages; 43:00 minutes in length I. INTRODUCTION – 4:12 min - P. 1II. FOR YOUR ARE A PEOPLE HOLY TO THE LORD – 10:44 min - P. 4III. LAND OF CANAAN – 3:16 min - P. 33IV. EDIFICATION – 2:56 min - P. 39V. BATTLE – 6:27 min - P. 45VI. RECOMPENCE – 6:36 min - P. 60VII. AFFIRMATION – 8:15 min - P. 77 O’Connor’s Folk Mass, an a cappella work that was composed in response to the 9/11 attacks on the United States in 2001. The Folk Mass text is taken from the books f The Old Testament and is composed in seven movements. Full of glorious melodies, harmonies and syncopated rhythms, set in a double choir configuration, O’Connor takes the stories of the Old Testament and brings them to music using the text as his artistic guide. Suitable for professional and university choral ensembles in both secular and religious performances. Individual movements can be performed separate from the entire work. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2002 Composed By Mark O’ConnorCommissioned by Gloriae Dei Cantores Can be heard on Folk Mass OMAC Recordshttps://omacrecords.com/omac-10-folk-mass Catalogue Number MO162Copyright © 2003 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$37.50
The City In the Sea: Choral Tone Poem
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Choral SATB
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ADVANCED
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Contemporary
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Stanley M Hoffman
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The City In the Sea: Choral To
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
Wade in the Water
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Choral SATB
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ADVANCED
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Gospel/Spiritual
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Traditional Spiritual
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Mark Lehnowsky
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I personally guarantee it
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Wade in the Water
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Mark Lehnowsky Music
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1097087 Composed by Traditional Spiritual. Arranged by Mark Lehnowsky. A Cappella,Contest...
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1097087 Composed by Traditional Spiritual. Arranged by Mark Lehnowsky. A Cappella,Contest,Festival,Historic,Spiritual,Traditional. Octavo. 10 pages. Mark Lehnowsky Music #700179. Published by Mark Lehnowsky Music (A0.1097087). Premiered by Dr. Anthony Leach and Essence of Joy at the Celebration of African American Spirituals (now known as the African American Music Festival), this arrangement was a hit at ACDA National Convention in Chicago. From concept to premiere in under a month, Wade in the Water quickly became a choir favorite. It is an in-your-face fusion of styles that ends with an enormous bang. It has a steep learning curve, but your choir will take enormous pride in the accomplishment. Its effect on audiences is special; I personally guarantee it. If you do this piece, I would like to know. Please email me in advance. I am more than happy to meet with your choir. There are some stories that will entertain them.
$2.95
Tribute to the Trail of Tears
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Choral SATB
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ADVANCED
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Barron Brothers
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iyo he, iyo he
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Tribute to the Trail of Tears
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Barron Brothers
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SheetMusicPlus
Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 5 - Interactive Download SKU: A0.726326 Composed by Barron Brothers. This edition: ...
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Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 5 - Interactive Download SKU: A0.726326 Composed by Barron Brothers. This edition: Interactive Download. Folk,World. Octavo. 25 pages. Duration 281. Barron Brothers #6JvK5OaFLfcELYSz4fsbms. Published by Barron Brothers (A0.726326). Key: Ab major.**NJMEA Finalist Composition** Sun Tracks The track of the Sun across the sky leaves its shining, eternal message Illuminating, strengthening, warming... all of us who are here It shows us we are not alone. We are not alone. We are yet alive. And this fire, our fire shall not die! *- Atoni* Iyo he, iyo he; iyo he, iyo he; He, he, he, iyo he. - *Choctaw war dance* ...... Tribute to the Trail of Tears is an original SATB choir song commemorating my Choctaw heritage. When I wrote this song, I wanted to look at the Trail of Tears from the Choctaws' eyes. I did this by emphasizing the contrast between their anger with the shouting taken from a Choctaw war chant and hope with a Choctaw Sun Prayer (the sun is an important figure of hope in Choctaw spirituality), their English traditions forced upon them and their true Choctaw nature, and the betrayal of a government that was supposed to protect them. This song is designed to be slow and relaxed (~70bpm for the first part and ~85bpm for the piu mosso), with the bends representing relaxed glissandos in the voice. The last three chords are meant to be sensitive and should be taken very slowly. Keep in mind that this piece should not only be meaningful but convey the emotions to spread the Native awareness that is so direly needed in America.
$3.75
Even In The Quietest Moments
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Choral SATB
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ADVANCED
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Supertramp
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Kirstie Smith
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Even In The Quietest Moments
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Kirstie Smith
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1490292 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Kirstie ...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1490292 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Kirstie Smith. 20th Century,Contest,Festival,Folk,Rock,Spiritual. 17 pages. Kirstie Smith #1067132. Published by Kirstie Smith (A0.1490292). A wholly unique choral arrangement of Supertramp's 'Even In the Quietest Moments', from the album of the same name.A beautiful song lovingly crafted for SATB divisi and piano, featuring advanced vocal techniques and improvisational elements with an uplifting Gospel style coda. Composer Roger Hodgson stated on his Facebook page [24 March 2020] Even in the Quietest Moments was written during a very powerful time of Spiritual searching and discovery for me. I used to spend time alone in nature, camping, and one night while playing my guitar and looking up at the stars, the song came to me; it just flowed out of me. It’s a love song to God but it could also be to a woman. I’ve left it ambiguous so that people can take it how they wish. Basically, it’s just about a guy who’s searching. I’m a seeker. I think I’ll always be a seeker. The change of wording from 'Come on, let the sun' to 'The morning sun' is deliberate, based on singing wrong words to the album track as a child!
$3.25
Pure Imagination
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Choral SATB
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ADVANCED
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Broadway
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Mormon Tabernacle Choir
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Gabriel J
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Arrangements section!
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Pure Imagination
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Gabriel J. Hill
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1382569 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arrange...
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Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1382569 By Mormon Tabernacle Choir. By Anthony Newley and Leslie Bricusse. Arranged by Gabriel J. Hill. 20th Century,A Cappella,Broadway,Jazz,Musical/Show. 5 pages. Gabriel J. Hill #966993. Published by Gabriel J. Hill (A0.1382569). A SATB arrangement of the amazing song Pure Imagination from the hit movie Willy Wonka and the Chocolate Factory, famously sung by Gene Wilder! This arrangement is in C minor and C major in the beginning and end and has plenty of jazz-influenced chords throughout the arrangement to take the listener on a journey with the performance. This piece is perfect for any group that really wants to sink their teeth into some complex vocal arrangements and tuning. The range of this piece is G5–E2!Practice tracks are available for each part upon request!Want more information on arrangements and special arrangements? Visit www.thegabrieljhill.weebly.com and navigate to the A Cappella & Arrangements section!
$3.99
A Capella Rhapsody in Blue for SSATB
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Choral SATB
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ADVANCED
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George Gershwin
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Ros Harling Page
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A Capella Rhapsody in Blue for
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Ros Harling Page
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.976561 Composed by George Gershwin. Arranged by Ros Harling Page. 20th Century,A Cappella...
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.976561 Composed by George Gershwin. Arranged by Ros Harling Page. 20th Century,A Cappella,Contemporary,Jazz. Octavo. 35 pages. Ros Harling Page #6022059. Published by Ros Harling Page (A0.976561). A stunning showpiece for a really good SSATB choir, plus soprano soloist. Extremely enjoyable but also challenging to sing, A Capella Rhapsody contains some truly symphonic vocal textures, some gentle humour, and original lyrics which take the form of a conversation between soprano soloist and choir, and at times provide a musical analysis of the music. There is also some scat singing and some optional cameo solos when performing with a smaller choir. For massed choir performances, the soprano solo may require amplification.While an a capella version of a piece for piano and orchestra sounds like a preposterous proposal, live performance of this piece defies categorisation but packs an entirely positive punch. This piece is a delight to perform and a dramatic and exciting audience experience for any part of your choir's concert programme - but once you've heard it, you'll probably want to save it for the end of the concert! Listeners are left with the impression that they have heard the whole of the original work, somehow condensed into approx 8 minutes of choral magic!
$4.99
Hear My Prayer
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Choral SATB
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ADVANCED
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Christopher Aspaas
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Hear My Prayer
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Aspen Hill Music - Digital
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SheetMusicPlus
SATB choir a cappella - Difficult - Digital Download SKU: MQ.AHM-12-E Composed by Christopher Aspaas. 12 pages. Aspen Hill Music - Digital #AHM-12-E. Pub...
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SATB choir a cappella - Difficult - Digital Download SKU: MQ.AHM-12-E Composed by Christopher Aspaas. 12 pages. Aspen Hill Music - Digital #AHM-12-E. Published by Aspen Hill Music - Digital (MQ.AHM-12-E). English. Psalm 39.With an opening melody that hearkens to Henry Purcell's touchstone setting, dissonant harmonies and metrical shifts take us in a very different direction. The discord of the piece seeks to emphasize the longing and need of one who feels unimportant, small, and like a stranger to God. The piece slowly builds several times, eventually reaching out with a tremendous crescendo followed by an unresolved plea, hear my cry..
$2.65
Jazz Mass
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Choral SATB
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ADVANCED
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Burkhard Kinzler
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Jazz Mass
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) and piano - advanced - Digital Download SKU: S9.Q46793 Composed by Burkhard Kinzler. This edition: score. Gottesdienst. Downloadable, ...
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Mixed choir (SATB) and piano - advanced - Digital Download SKU: S9.Q46793 Composed by Burkhard Kinzler. This edition: score. Gottesdienst. Downloadable, Score. Schott Music - Digital #Q46793. Published by Schott Music - Digital (S9.Q46793). Latin.Jazz Mass for four-part choir SATB with piano accompaniment by Burkhard Kinzler introduces various styles of jazz in five parts of a mass. Dedicated to the band Yes, Credo focusses on rock music, whereas Kyrie touches on the blues. The final Agnus Dei works with floating musical tapestries the intensity of which rises over the course of the movement, and in the end leads to an opulent Pacem (Peace). With this work, Kinzler wants to take into account the growing need for demanding choral literature which goes beyond the common contemporary genre. His work is aimed at chamber choirs and ensembles who wish to experiment and cross boundaries on a high level. Jazz Mass is a demanding, yet unique crossover work that offers an unexpected sound experience.
$17.99
Anim Zemiros
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Choral SATB
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ADVANCED
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Ce...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
Shockachi (Shortened Version)
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Choral SATB
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ADVANCED
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Christian Fortner
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Shockachi
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Christian Fortner Music
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1354060 Composed by Christian Fortner. A Cappella,Classical,Contest,Festival. 19 p...
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Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.1354060 Composed by Christian Fortner. A Cappella,Classical,Contest,Festival. 19 pages. Christian Fortner Music #938784. Published by Christian Fortner Music (A0.1354060). This version of Shockachi is shorter so that it can be more accessible for younger/smaller choirs!Shockachi is quite the adventure with fast-paced, cinematic sections contrasting with slower, legato sections. This large choral work involves a rhythmic ostinato repeated throughout and passed from section to section. A strong alto section is essential for the success of this piece, as they carry the ostinato most of the time. A made-up language is used as well, with pronunciations similar to Latin and inspired by Hawaiian. Larger choirs will be best suited for this piece, which takes advantage of divisi to provide multiple instances of contrapuntal lines. If you’re looking for a piece that hits hard, showcases the strength and versatility of your ensemble, or offers a unique experience in text interpretation, then Shockachi is for you. Want a better deal for this music? Purchase unlimited prints at www.christianfortnermusic.com.
$4.99
Guraj for SATB Choir a cappella with Alto Solo
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Choral SATB
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ADVANCED
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Elbert Liu
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Guraj for SATB Choir a cappell
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Elbert Liu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1000732 Composed by Elbert Liu. 20th Century,A Cappella,Contemporary. Octavo. 17 pages. Elbert L...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1000732 Composed by Elbert Liu. 20th Century,A Cappella,Contemporary. Octavo. 17 pages. Elbert Liu #5376197. Published by Elbert Liu (A0.1000732). Guraj, the title of this choral piece, is Serbo-Croatian for pain. The text for this piece is entirely in Serbo-Croatian and is taken from a poem by Ken Smith which explicitly describes the physical and mental trauma and agony that war victims inevitably end up suffering.
$14.00
The Heartache Comes Again, Madrigal for a cappella SATB
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Choral SATB
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ADVANCED
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James Nathaniel Holland
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The Heartache Comes Again, Mad
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.730181 Composed by James Nathaniel Holland. A Cappella,Blues,Contemporary. Octavo. 8 pages. Jame...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.730181 Composed by James Nathaniel Holland. A Cappella,Blues,Contemporary. Octavo. 8 pages. James Nathaniel Holland #119375. Published by James Nathaniel Holland (A0.730181). Morning: The Heartache Comes Again Taken from the song cycle A Tale in the Day of Heartbreak Madrigal for a cappella SATB Words and Music by American composer from Indiana, James Nathaniel Holland Duration: 3'18 Madrigal for a cappella SATB choir. In a somewhat blues style, singing of that nagging heartache in the morning. A capella with reduction for piano for rehearsal.
$3.99
Late in the Afternoon, Madrigal for SATB a cappella Choir
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Choral SATB
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ADVANCED
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James Nathaniel Holland
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Late in the Afternoon, Madriga
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.730182 Composed by James Nathaniel Holland. 20th Century,A Cappella,Concert,Contemporary,Romanti...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.730182 Composed by James Nathaniel Holland. 20th Century,A Cappella,Concert,Contemporary,Romantic Period. Octavo. 5 pages. James Nathaniel Holland #119373. Published by James Nathaniel Holland (A0.730182). Late in the Afternoon Madrigal for SATB Choir Taken from the song cycle, A Tale in the Day of Heartbreak Words and Music by James Nathaniel Holland Duration: 1' 43 Acceptance of love that never really was is the theme of this melancholy, beautiful piece for a cappella SATB. Piano reduction for rehearsal included.
$3.99
Les effets du jour
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Choral SATB
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ADVANCED
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Thierry Pecou
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Les effets du jour
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) and Bell - difficult - Digital Download SKU: S9.Q44805 For mixed choir a cappella and a bell. Composed by Thierry Pecou. This e...
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Mixed choir (SATB) and Bell - difficult - Digital Download SKU: S9.Q44805 For mixed choir a cappella and a bell. Composed by Thierry Pecou. This edition: choral score. Schott Chamber Choir. Downloadable, Choral score. Duration 7 minutes. Schott Music - Digital #Q44805. Published by Schott Music - Digital (S9.Q44805). French.This work was commissioned by the Latvian choir KamÄ“r within the framework of a large-scale project centered round the topic “the sunâ€. A poem by Paul de Brancion is interspersed with expressions and sayings taken from French folklore. The poetic text describing the contemporary anxiety that everything will be scorched by the sun as a result of global warming provides a response to popular opinion and cheerful idioms. The score is constructed like a descent into great depths, from the sunlight into darkness. The composition can also be combined with its sequel composition Au dessous des étoiles (Under the Stars) for mixed choir.Thierry Pécou.
$7.99
Dia
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Choral SATB
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ADVANCED
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Candace R
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Dia
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Candace R. Lambert
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SheetMusicPlus
Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.1028226 Composed by Candace R. Lambert. Christian. Octavo. 19 pages. Candace R. Lambert #345211...
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Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.1028226 Composed by Candace R. Lambert. Christian. Octavo. 19 pages. Candace R. Lambert #3452119. Published by Candace R. Lambert (A0.1028226). Appropriate for church services, college, or professional groups.Context: The piece receives its title from my little sister's nickname. Dia was born 10 weeks early and weighed less than 3 pounds. The doctors told us that she would not live. My father began to pray and certain scriptures came to his mind. Soon, he and my mother began to remind each other of these scriptures. Dia ended up making it. I tell her God must have something planned for her if she survived such a rough start.Performance: The piece opens with a joyful piano solo followed by the higher voices' entrance. These are the mothers exclaiming their joy for the new coming baby. The lower voices then make their statement in their own melody. They are the fathers expressing the excitement of the chlid's birth. The piano takes a turn into the minor key. A soloist represents the doctor delivering the bad news as the rest of the choir makes waiting room sounds. Have people texting or talking on the phone, flipping through magazines, or rustling papers. The alto soloist then repeats the doctor's message. The higher voices began to weep and cry as the father begins to pray. The 3 basses (Father, Son, and Holy Spirit) answer in scripture. The father begins to recite the scripture with God and soon the rest of the choir joins. The key modulates to the Major 3rd as the piano solo returns to represent the child living.
$15.00
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