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After the Rain
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You've selected:
After the Rain
SheetMusicPlus
Choral SATB
Sheetmusic to print
63 sheet music found
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1
26
51
Gathered by the Crystal Sea
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Choral SATB
#
Dale Peterson
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Gathered by the Crystal Sea
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Celebrating Grace - Digital
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SheetMusicPlus
SATB Chorus - Digital Download SKU: C6.811117 Composed by Dale Peterson. Lent, Eastertide, General. Octavo. 10 pages. Celebrating Grace - Digital #811117...
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SATB Chorus - Digital Download SKU: C6.811117 Composed by Dale Peterson. Lent, Eastertide, General. Octavo. 10 pages. Celebrating Grace - Digital #811117. Published by Celebrating Grace - Digital (C6.811117). 6.75 x 10.5 inches.Dale Peterson has written a new lyrical melody to the familiar gospel song, I Will Sing the Wondrous Story. Opportunities abound for each section to sing with lovely harmonies and melodic lines. A memorable refrain provides harmonic interest as parts play off one another. The accompaniment alludes to the water references in the text, providing support and creativity. After a strong restatement of the refrain, the piece concludes quietly, underscoring the text's hope of heaven.
$2.40
Gathered by the Crystal Sea (Soprano Rehearsal MP3)
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Choral SATB
#
Dale Peterson
#
Gathered by the Crystal Sea
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Celebrating Grace - Digital
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SheetMusicPlus
SATB Chorus - Digital Download SKU: C6.831117 Composed by Dale Peterson. Lent, Eastertide, General. MP3. Celebrating Grace - Digital #831117. Published b...
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SATB Chorus - Digital Download SKU: C6.831117 Composed by Dale Peterson. Lent, Eastertide, General. MP3. Celebrating Grace - Digital #831117. Published by Celebrating Grace - Digital (C6.831117). Dale Peterson has written a new lyrical melody to the familiar gospel song, I Will Sing the Wondrous Story. Opportunities abound for each section to sing with lovely harmonies and melodic lines. A memorable refrain provides harmonic interest as parts play off one another. The accompaniment alludes to the water references in the text, providing support and creativity. After a strong restatement of the refrain, the piece concludes quietly, underscoring the text's hope of heaven.
$2.99
Gathered by the Crystal Sea (Accompaniment MP3)
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Choral SATB
#
Dale Peterson
#
Gathered by the Crystal Sea
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Celebrating Grace - Digital
#
SheetMusicPlus
SATB Chorus - Digital Download SKU: C6.846117 Composed by Dale Peterson. Lent, Eastertide, General. Accompaniment MP3. Celebrating Grace - Digital #84611...
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SATB Chorus - Digital Download SKU: C6.846117 Composed by Dale Peterson. Lent, Eastertide, General. Accompaniment MP3. Celebrating Grace - Digital #846117. Published by Celebrating Grace - Digital (C6.846117). Dale Peterson has written a new lyrical melody to the familiar gospel song, I Will Sing the Wondrous Story. Opportunities abound for each section to sing with lovely harmonies and melodic lines. A memorable refrain provides harmonic interest as parts play off one another. The accompaniment alludes to the water references in the text, providing support and creativity. After a strong restatement of the refrain, the piece concludes quietly, underscoring the text's hope of heaven.
$9.99
Gathered by the Crystal Sea (Tenor Rehearsal MP3)
#
Choral SATB
#
Dale Peterson
#
Gathered by the Crystal Sea
#
Celebrating Grace - Digital
#
SheetMusicPlus
SATB Chorus - Digital Download SKU: C6.833117 Composed by Dale Peterson. Lent, Eastertide, General. MP3. Celebrating Grace - Digital #833117. Published b...
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SATB Chorus - Digital Download SKU: C6.833117 Composed by Dale Peterson. Lent, Eastertide, General. MP3. Celebrating Grace - Digital #833117. Published by Celebrating Grace - Digital (C6.833117). Dale Peterson has written a new lyrical melody to the familiar gospel song, I Will Sing the Wondrous Story. Opportunities abound for each section to sing with lovely harmonies and melodic lines. A memorable refrain provides harmonic interest as parts play off one another. The accompaniment alludes to the water references in the text, providing support and creativity. After a strong restatement of the refrain, the piece concludes quietly, underscoring the text's hope of heaven.
$2.99
Gathered by the Crystal Sea (Demonstration MP3)
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Choral SATB
#
Dale Peterson
#
Gathered by the Crystal Sea
#
Celebrating Grace - Digital
#
SheetMusicPlus
SATB Chorus - Digital Download SKU: C6.836117 Composed by Dale Peterson. Lent, Eastertide, General. Demo MP3. Celebrating Grace - Digital #836117. Publis...
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SATB Chorus - Digital Download SKU: C6.836117 Composed by Dale Peterson. Lent, Eastertide, General. Demo MP3. Celebrating Grace - Digital #836117. Published by Celebrating Grace - Digital (C6.836117). Dale Peterson has written a new lyrical melody to the familiar gospel song, I Will Sing the Wondrous Story. Opportunities abound for each section to sing with lovely harmonies and melodic lines. A memorable refrain provides harmonic interest as parts play off one another. The accompaniment alludes to the water references in the text, providing support and creativity. After a strong restatement of the refrain, the piece concludes quietly, underscoring the text's hope of heaven.
$1.99
Gathered by the Crystal Sea (Split Track MP3)
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Choral SATB
#
Dale Peterson
#
Gathered by the Crystal Sea
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Celebrating Grace - Digital
#
SheetMusicPlus
SATB Chorus - Digital Download SKU: C6.841117 Composed by Dale Peterson. Lent, Eastertide, General. Split Track MP3. Celebrating Grace - Digital #841117....
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SATB Chorus - Digital Download SKU: C6.841117 Composed by Dale Peterson. Lent, Eastertide, General. Split Track MP3. Celebrating Grace - Digital #841117. Published by Celebrating Grace - Digital (C6.841117). Dale Peterson has written a new lyrical melody to the familiar gospel song, I Will Sing the Wondrous Story. Opportunities abound for each section to sing with lovely harmonies and melodic lines. A memorable refrain provides harmonic interest as parts play off one another. The accompaniment alludes to the water references in the text, providing support and creativity. After a strong restatement of the refrain, the piece concludes quietly, underscoring the text's hope of heaven.
$9.99
Gathered by the Crystal Sea (Bass Rehearsal MP3)
#
Choral SATB
#
Dale Peterson
#
Gathered by the Crystal Sea
#
Celebrating Grace - Digital
#
SheetMusicPlus
SATB Chorus - Digital Download SKU: C6.834117 Composed by Dale Peterson. Lent, Eastertide, General. MP3. Celebrating Grace - Digital #834117. Published b...
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SATB Chorus - Digital Download SKU: C6.834117 Composed by Dale Peterson. Lent, Eastertide, General. MP3. Celebrating Grace - Digital #834117. Published by Celebrating Grace - Digital (C6.834117). Dale Peterson has written a new lyrical melody to the familiar gospel song, I Will Sing the Wondrous Story. Opportunities abound for each section to sing with lovely harmonies and melodic lines. A memorable refrain provides harmonic interest as parts play off one another. The accompaniment alludes to the water references in the text, providing support and creativity. After a strong restatement of the refrain, the piece concludes quietly, underscoring the text's hope of heaven.
$2.99
Gathered by the Crystal Sea (Alto Rehearsal MP3)
#
Choral SATB
#
Dale Peterson
#
Gathered by the Crystal Sea
#
Celebrating Grace - Digital
#
SheetMusicPlus
SATB Chorus - Digital Download SKU: C6.832117 Composed by Dale Peterson. Lent, Eastertide, General. MP3. Celebrating Grace - Digital #832117. Published b...
(+)
SATB Chorus - Digital Download SKU: C6.832117 Composed by Dale Peterson. Lent, Eastertide, General. MP3. Celebrating Grace - Digital #832117. Published by Celebrating Grace - Digital (C6.832117). Dale Peterson has written a new lyrical melody to the familiar gospel song, I Will Sing the Wondrous Story. Opportunities abound for each section to sing with lovely harmonies and melodic lines. A memorable refrain provides harmonic interest as parts play off one another. The accompaniment alludes to the water references in the text, providing support and creativity. After a strong restatement of the refrain, the piece concludes quietly, underscoring the text's hope of heaven.
$2.99
Together We Are One
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Choral SATB
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INTERMEDIATE/ADVANCED
#
Delta Goodrem
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Timothy Allen
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Together We Are One
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Timothy Allen Music Ltd
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.566037 By Delta Goodrem. By Brian McFadden, Delta Goodrem, and Guy Chambers. Arranged by Timothy...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.566037 By Delta Goodrem. By Brian McFadden, Delta Goodrem, and Guy Chambers. Arranged by Timothy Allen. Contemporary,Pop. Octavo. 12 pages. Timothy Allen Music Ltd #175439. Published by Timothy Allen Music Ltd (A0.566037). Although this song is less well-known, it is an absolute powerhouse anthem for choirs. Originally written for the Commonwealth Games, the message of unity and support is hugely relevant to choirs, and the strong melodies will rapidly become lodged in singers' brains. There is an epic quality to the song, and this is brought out in this arrangement, as it builds to a momentous key-change. After the fireworks and bombast, everything boils down to a simple statement of the key phrase from the song - Together we are one. The backing track and learning tracks are available via www.timothyallenmusic.co.uk.
$2.49
There will Come soft Rains - Unaccompanied choir
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Choral SATB
#
INTERMEDIATE
#
Phil Rawle
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There will Come soft Rains - U
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Phillip Rawle
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.824617 Composed by Phil Rawle. Concert,Contemporary. Octavo. 8 pages. Phillip Rawle #5791297. Pu...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.824617 Composed by Phil Rawle. Concert,Contemporary. Octavo. 8 pages. Phillip Rawle #5791297. Published by Phillip Rawle (A0.824617). The poem is saying that we humans are not as important as we might like to think in the grand scheme of nature. If humans destroy themselves in a war, nature won't care. The birds, the frogs, and the trees will continue to go about their business as if nothing happened. Although written after The Great War it is just as relevant for today's pandemic situation.
$3.00
Laughter In The Rain
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Choral SATB
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INTERMEDIATE/ADVANCED
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Neil Sedaka
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John Fries
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Laughter In The Rain
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John Fries
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1237677 By Neil Sedaka. By Neil Sedaka and Phil Cody. Arranged by John Fries. 20th Centur...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1237677 By Neil Sedaka. By Neil Sedaka and Phil Cody. Arranged by John Fries. 20th Century,Pop,Standards. 13 pages. John Fries #833181. Published by John Fries (A0.1237677). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Laughter in the Rain is a song composed and recorded by Neil Sedaka, with lyrics by Phil Cody. It includes a 20-second saxophone solo by Jim Horn. The opening chord of the chorus was based on that used by John in Goodbye Yellow Brick Road, which Sedaka has described as a drop-dead chord. He combined that with a pentatonic melody inspired by Aaron Copland. Cody claims to have written the lyrics in about five minutes after smoking marijuana and falling asleep under a tree for a couple of hours.
$1.99
Der Pfennig (The Penny)
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Choral SATB
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Friedrich Zehm
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Der Pfennig
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Schott Music - Digital
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SheetMusicPlus
Mixed choir a cappella - Digital Download SKU: S9.Q6040 Kommt Kunst gegangen vor ein Haus. Composed by Friedrich Zehm. This edition: choral score....
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Mixed choir a cappella - Digital Download SKU: S9.Q6040 Kommt Kunst gegangen vor ein Haus. Composed by Friedrich Zehm. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 4 minutes. Schott Music - Digital #Q6040. Published by Schott Music - Digital (S9.Q6040). German.“When Art appears before your door†Madrigal based on an anonymous text from the 15th Century for mixed choir a cappella (1975) Even a few years after the introduction of the Euro, the essence of this text is still relevant today: “If you’ve got a penny on you, doors and gates will open to youâ€. The rather simple and restrained, sonorous piece builds up at this point to a highly effective virtuoso stretto. Eminently suitable for competitions and examination performances.
$3.99
The Advent
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Choral SATB
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EASY
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Gail M
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The Advent
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Gail M Luley
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1488102 Composed by Gail M. Luley. A Cappella,Advent,Christian,Classical,Traditional...
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1488102 Composed by Gail M. Luley. A Cappella,Advent,Christian,Classical,Traditional. 8 pages. Gail M Luley #1064981. Published by Gail M Luley (A0.1488102). Music and Performance NotesThe Advent sets a poem by Rabindranath Tagore (1861-1941) to music. The poet asks us to recognize that God comes to us and is present in everything around us, in the things we see, experience and feel. God ever comes and touches us with joy. We recognize God in our songs, in our moods, in sorrow, in joy, in our daily lives.This music is scored for SATB choir and viola. If a violist is not available, a violin can substitute. A piano reduction of the choral parts can be used just for rehearsal, or also in the performance if necessary. If no string player is available, the pipe organ can be used for the string part.Note on the textRabindranath Tagore was a Bengali poet, writer, playwright, composer, philosopher, social reformer, and painter during the age of Bengal Renaissance. He reshaped Bengali literature and music as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of the profoundly sensitive, fresh and beautiful poetry of Gitanjali, he became in 1913 the first non-European and the first lyricist to win the Nobel Prize in Literature.Song Offering/Gitanjali 45Have you not heard his silent steps?He comes, comes, ever comes.Every moment and every age, every day and everynight he comes, comes, ever comes.Many a song have I sung in many a mood of mind,but all their notes have always proclaimed,He comes, comes, ever comes.In the fragrant days of sunny April through the forestpath he comes, comes, ever comes.In the rainy gloom of July nights on the thunderingchariot of clouds he comes, comes, ever comes.In sorrow after sorrow, it is his steps that press upon my heart,and it is the golden touch of his feet that makes my joy to shine.Rabindranath Tagore.
$5.00
Let All the World in Ev'ry Corner Sing — SATB voices, organ
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Choral SATB
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INTERMEDIATE
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Sacred music
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Todd Marchand
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Let All the World in Ev'ry Cor
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Con Spirito Music
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1439047 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #101...
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1439047 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1019076. Published by Con Spirito Music (A0.1439047). “Let All the World in Ev’ry Corner Sing” is a short poem from the collection, The Temple, by Anglican priest, poet, and orator George Herbert (1593-1633). A contemporary of William Shakespeare and John Milton, God-child to poet John Donne, Herbert is associated with the 17th-century Metaphysical poets and “is remembered as a pivotal figure: enormously popular, deeply and broadly influential, and arguably the most skillful and important British devotional lyricist of his or any other time.” Shortly before his death in 1633 at age 39, Herbert directed that a manuscript of his religious poems be sent to his fellow clergyman and friend, Nicholas Ferrar, reportedly saying, “Tell him ... if he can think it may turn to the advantage of any dejected poor Soul, let it be made publick: if not, let him burn it: for I and it, are less than the least of God’s mercies.” First published in 1633, The Temple was an enormously popular work, totaling more than 20,000 copies printed in 13 editions between 1633 and 1679.“Let All the World in Ev'ry Corner Sing” is the refrain of Herbert’s poem, “Antiphon (I),” which appeared in the “Christian Life” section of The Temple. An antiphon may be defined as a short sentence or refrain sung or recited before or after a psalm or canticle; and in Herbert's short poem of two stanzas, he may also have intended that the verses be recited antiphonally (alternately) by two groups. The third stanza in this setting for SATB voices and organ, a doxology by an unknown author, was added in the 19th century. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). For more sacred, patriotic, folk, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.00
The Old Palmer Song
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Choral SATB
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EASY
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the time the rush was over, th
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Traditional
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Sandra Milliken
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The Old Palmer Song
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.774724 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 14 pages. Sandr...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.774724 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 14 pages. Sandra Milliken #3873279. Published by Sandra Milliken (A0.774724). The Old Palmer Song is a favourite Australian folk song that is meant to be sung in a rollicking style that reflects the excitement and anticipation of hardy Australian colonials setting out in search of gold. Following hard on the heels of the great California gold rushes (1848 – 1855) came the discovery of payable quantities of gold in Australia. The first gold rush in Australia began in New South Wales in May 1851 after prospector Edward Hargraves discovered gold near Orange, at a site he called Ophir. Other discoveries quickly followed, including those at Ballarat and Bendigo in the colony of Victoria. Then came Rosewood and Gympie (1867) in Queensland; the Gawler region in South Australia in 1868; and Halls Creek (1885), Kalgoorlie and Coolgardie (1893) in Western Australia. One of Australia’s richest alluvial goldfields was that of the Palmer River in far north Queensland. The rush to the Palmer began in 1873 and lasted for about three years. The goldfields were nearly 100 miles inland from the small coastal settlement of Cooktown and the early prospectors had a hard time of it just getting to the field. Leaving Cooktown they crossed the coastal mangroves, then on through dense tropical rainforest, into the more open eucalypt forest beyond and then across the dry, inhospitable and rugged country of the hinterland dissected by wide and deep rivers. And always there was the risk of meeting with fierce resistance from the Aborigines whose tribal land they were travelling through. At the height of the rush there were around 35,000 prospectors on the Palmer (including a great many Chinese). By the time the rush was over, the Palmer had yielded over 100 tons of gold! The Old Palmer Song is set to the tune of Ten Thousand Miles Away, a shore ballad/sea shanty that probably originated in Ireland in the early 19th Century.
$2.20
Missa Solemnis, op. 27 (vocal score)
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Choral SATB
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adr...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Roll the Old Chariot
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Choral SATB
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INTERMEDIATE/ADVANCED
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Traditional
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Ali Hanna
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Roll the Old Chariot
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Ali Hanna
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1271543 Composed by Traditional. Arranged by Ali Hanna. 19th Century,21st Century,A Cappella. Oc...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1271543 Composed by Traditional. Arranged by Ali Hanna. 19th Century,21st Century,A Cappella. Octavo. 10 pages. Ali Hanna #863942. Published by Ali Hanna (A0.1271543). I'm admittedly publishing this after the sea shanty hype train has died down, but I wrote this arrangement of Roll the Old Chariot Along back when it was in full swing. It's my favorite sea shanty by far and I feel really proud of my work.
$10.00
When the Sun Comes After Rain
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Choral SATB
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Robert Louis Stevenson
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Matthew Emery
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When the Sun Comes After Rain
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Pavane Publishing
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SheetMusicPlus
Choral Choir,Choral,Voice (SATB) - Digital Download SKU: HX.319630 Composed by Robert Louis Stevenson. Arranged by Matthew Emery. This edition: scorch. C...
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Choral Choir,Choral,Voice (SATB) - Digital Download SKU: HX.319630 Composed by Robert Louis Stevenson. Arranged by Matthew Emery. This edition: scorch. Choral. A Cappella,Concert. 7 pages. Pavane Publishing #P1441. Published by Pavane Publishing (HX.319630).
$2.25
A Single Gentle Rain for SATB Chorus and Piano
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Choral SATB
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Contemporary
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Leslie Kleen
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A Single Gentle Rain for SATB
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Music From Riverside
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.1004826 Composed by Leslie Kleen. Contemporary. Octavo. 7 pages. Music From Riverside #4805283. Published ...
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Choral Choir (SATB) - Digital Download SKU: A0.1004826 Composed by Leslie Kleen. Contemporary. Octavo. 7 pages. Music From Riverside #4805283. Published by Music From Riverside (A0.1004826). A Single Gentle Rain for SATB Chorus and Piano is set to the words of Henry Thoreau. It is from a collection called 'WALDEN' (titled after his book about his stay there) which consists of readings and musical settings of words by all by Henry Thoreau. This is one of the sixteen songs from that collection. It is a celebration of Thoreau and Nature. The complete orchestral score as well as a piano-vocal score is also available.
$1.99
After Rain
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Choral SATB
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Howard Skempton
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After Rain
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Oxford University Press Digital
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SheetMusicPlus
SATB Chorus and cello solo - Digital Download SKU: OX.9780193571631 Composed by Howard Skempton. Octavo. 6 pages. Oxford University Press Digital #978019...
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SATB Chorus and cello solo - Digital Download SKU: OX.9780193571631 Composed by Howard Skempton. Octavo. 6 pages. Oxford University Press Digital #9780193571631. Published by Oxford University Press Digital (OX.9780193571631). ISBN 9780193571631.For SATB and cello. Skempton's After Rain sets an evocative text by Edward Thomas with a contemplative choral part over a rich and slow-moving cello line. Skempton alternates between contrasting upper-voice duets and full four-part homophony that captures the feeling of a winter's day throughout. Offprinted from Music for Choir and Cello.
$2.85
And His Kingdom Will Have No End
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Choral SATB
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INTERMEDIATE
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Sacred music
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Kevin Longley
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Kevin Longley
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And His Kingdom Will Have No E
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Kevin Longley
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1109087 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. A Cappella,...
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1109087 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. A Cappella,Christian,Praise & Worship,Religious,Sacred. 10 pages. Kevin Longley #711630. Published by Kevin Longley (A0.1109087). Inspiration While I have recited the Nicene Creed countless times, in July 2021 something changed. The church had cleared the return of the choir, post pandemic, and it was my first Sunday of singing in well over a year. That Sunday as I recited the creed something happened when I reached the line “And His Kingdom Will Have No Endâ€. Was it louder? Was it spoken with greater conviction? Something was different! Maybe it was just me. I'm not sure but all I know is that every Sunday thereafter it had the same impact on me. Within a few weeks I decided to compose a choral piece about that very line. I had to! The Music For the most part the harmony and structure are traditional but do contain harmonic structures with a contemporary flair. The arrangement is refrain, verse, refrain, verse, bridge and then refrain. The first and 3rd refrains are highly similar while the second refrain contains a soprano section descant while featuring the bass's carrying the main melody. The overall intent of the music is that on every return to the refrain, it is louder than the previous refrain. This signifies the singers confidence growing, in the existence of God's Kingdom, after each verse. With that said the piece starts quietly, almost being heard from a distance. The refrain lyrics speak to the hope that we carry for God's kingdom while the verses speak to God and Jesus in a more intimate way. The bridge speaks to the strength of the Kingdom and then leads back to the opening refrain, now in double forte. The high point in the piece is reached where volume, emotion and a significant ritard occur at the phrase “we'll be togetherâ€. From there the piece decreases in volume ending in a quiet confidence repeating “No end, no end, no endâ€.
$1.99
Train Poems for SATB a cappella with solo vocal quartet (text by Laura Kelly)
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Choral SATB
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Judith Cloud
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Train Poems for SATB a cappell
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Judith Cloud
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.981228 Composed by Judith Cloud. A Cappella. Octavo. 51 pages. Judith Cloud #6690579. Published by Judith ...
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Choral Choir (SATB) - Digital Download SKU: A0.981228 Composed by Judith Cloud. A Cappella. Octavo. 51 pages. Judith Cloud #6690579. Published by Judith Cloud (A0.981228). Train Poems (poems by Laura Kelly)1. The Silver Breath of Water2. The Gentle Theater of Sunday Afternoon3. The Echo My Future Runs Ahead to Make
$4.99
The First Witnesses
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Choral SATB
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INTERMEDIATE
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Samuel Micah Hunter
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The First Witnesses
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Samuel Hunter
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.877669 Composed by Samuel Micah Hunter. A Cappella,Christian,Christmas,Contemporary,Folk,Sacred....
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.877669 Composed by Samuel Micah Hunter. A Cappella,Christian,Christmas,Contemporary,Folk,Sacred. Octavo. 2 pages. Samuel Hunter #3417659. Published by Samuel Hunter (A0.877669). A small, simple, and sensitive work for a capella SATB choir, The First Witnesses explores the birth of Jesus from the perspective of the animals present in the stable in Bethlehem. Each verse presents Jesus as both newborn baby and Lord of all creation, including the very animals who were the first witnesses to his birth. This piece was premiered by the Chamber Choir of Stillwater Christian School in December of 2016, a mere three weeks after its composition. Hunter says of the piece: It was presented to the choir as a 'read through' piece in rehearsal, but instantly became a favorite and was added to our concert program at the last minute. It has since become a staple of our Christmas literature, and has consistently been a Christmas favorite for both our choirs and our audiences. Easy to learn, fun to sing, and celebrating a childlike imagination of the first Christmas, The First Witnesses is a true singer's song, which makes it enjoyable to rehearse and perform. The simple, pentatonic melody lends the piece a folk flavor, and the men and women both get chances to shine in their respective soli sections. A beautiful ooh refrain ends each verse, including the last.
$1.99
Can You Hear the Angels?
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Choral SATB
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Greg Gilpin
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Can You Hear the Angels?
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - Digital Download SKU: AX.00-PO-0003320 Can You Hear the Angels? - SATB. Composed by Greg Gilpin. Secular Choral. 11 pages. Alfred Music -...
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Chorus - Digital Download SKU: AX.00-PO-0003320 Can You Hear the Angels? - SATB. Composed by Greg Gilpin. Secular Choral. 11 pages. Alfred Music - Digital Sheet Music #00-PO-0003320. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003320). UPC: 038081489162.Sing about angels, shepherds, wise men, the star, and the baby born in Bethlehem with this spirited original for Christmas. Choirs of any age will sound their best on the gospel harmonies and catchy hook. After a modulating bridge lifts the piece to a higher level, invite your singers (and audience) to add handclaps over the final refrain!Recorded Acc. Available.
$2.05
Солнце (Sun)
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Choral SATB
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Cassy Gress
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Солнце
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Cassy Gress
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Digital Download SKU: A0.1418462 Composed by Cassy Gress. 21st Century. 10 pages. Cassy Gress #1000029. Publishe...
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Choral Choir,Choral,SATB Chorus divisi - Digital Download SKU: A0.1418462 Composed by Cassy Gress. 21st Century. 10 pages. Cassy Gress #1000029. Published by Cassy Gress (A0.1418462). On April 8, 2024, I had the privilege to be able to view a solar eclipse in totality. I'd previously seen one at around 99% totality, but 100% is a completely different experience. I periodically glanced at the sun in my protective glasses, watching the disc shrink down to nothing, not expecting much other than the absence of a sun. But I looked away for a moment, and my son suddenly cried, It's there!I turned and gasped: the sky was a flat twilight blue, and a crisp brilliant ring glowed in the sky, safe to view with the naked eye. The world was still, strangely silent, alien and new. We all tried to grab as many pictures as we could. After a few minutes, the moon continued its arc across the sky, and the sun's glare abruptly reappeared, already blinding even as a sliver. I can still see that ring in my mind's eye, fiercely burning, as if someone had literally cut a circle out of the sky and exposed another universe behind it.In this piece I tried to capture the growing ominous wonder of an eclipse approaching totality. While the 2024 eclipse was not visible in Russia, the Russian word for sun, Ñолнце (solntse), has a lily-like fragility to it that the English equivalent does not. Various parts of the choir repeat the word throughout the piece, and the repeated ts and s sounds should create a percussive susurrance. Stagger breathing should be used throughout.Also repeated is the Russian word for moon, луна (luna). As the eclipse approaches that crystalline moment of totality, the moon becomes more and more prominent and the text more chantlike. The refrain, first sung by a solo bass at bar 7, and sung in variation by the other parts thereafter, is repeated in its original form once by the sopranos near the top of their range. This represents the sun in final desperate ecstasy, before it too collapses into the inevitability and madness of occultation.After an indefinite sudden pause, the shock of the moment, the choir reverently sings suscipe deprecationem nostram. Glorificamus te. As the moon frees the sun from its cold grip, the menace of the previous section threatens to return, but just as quickly fades, revealing once again Ñолнце в небе (the sun in the sky).
$1.99
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