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You've selected:
American Protest Song
Choral SATB
Sheetmusic to print
5 sheet music found
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Mother's Gone Crusading. A Temperance Song & Chorus of the Times
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Choral SATB
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Harry Birch
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Harry Birch
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Mother's Gone Crusading. A Tem
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.687 Composed by Harry Birch. Domestic life, Fathers & children, Children crying, Kitche...
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.687 Composed by Harry Birch. Domestic life, Fathers & children, Children crying, Kitchens, Cats, Distress, Protest movements, Alcoholic beverages. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.687). Mother's Gone Crusading. A Temperance Song & Chorus of the Times. Words by Mrs. M.A. Kidder. Music By Harry Birch. Published 1874 by White, Smith & Company, 298 & 300 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Domestic life, Fathers & children, Children crying, Kitchens, Cats, Distress, Protest movements, Alcoholic beverages. First line reads 'Tis a happy little fellow, that sings this temp'rance song.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
We Shall Overcome
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Choral SATB
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INTERMEDIATE
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G
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We Shall Overcome
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir (choir divisi) unaccompanied - Medium - Digital Download SKU: MQ.1.3640-E Composed by G. Phillip Shoultz III. 7 pages. Galaxy Music Corporatio...
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SATB choir (choir divisi) unaccompanied - Medium - Digital Download SKU: MQ.1.3640-E Composed by G. Phillip Shoultz III. 7 pages. Galaxy Music Corporation - Digital #1.3640-E. Published by Galaxy Music Corporation - Digital (MQ.1.3640-E). English.An a cappella setting of the iconic American protest song associated so strongly with the civil rights movement. The arrangement is both reflective and optimistic in feel with effective use of dynamic contrast.
$2.25
Bread And Roses
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Choral SATB
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INTERMEDIATE
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Americana
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Words by James Oppenheim, Mu
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David Walker
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Bread And Roses
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SheetMusicPlus
SATB - Intermediate - Digital Download Composed by Words by James Oppenheim, Music by Martha Coleman (or Caroline Kohlsatt). Arranged by David Walker...
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SATB - Intermediate - Digital Download Composed by Words by James Oppenheim, Music by Martha Coleman (or Caroline Kohlsatt). Arranged by David Walker. Classroom, Patriotic, Americana. 4 pages. Published by Walker Press
A gentle-sounding protest song with a not-so-gentle plea, "Bread And Roses" was written for the women workers' strike in Massachusetts in 1912. "Hearts starve as well as bodies; Give us bread, but give us roses." This arrangement was inspired by the film "Pride," concerning the British miners' strike in 1985. This is an a cappella choral at protest march tempo. Minimum purchase: 5 copies.
$2.10
The Gift to Sing - SATB choir
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Choral SATB
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Gospel/Spiritual
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Sacred music
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Francis Kayali
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The Gift to Sing - SATB choir
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Francis Kayali
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.973048 Composed by Francis Kayali. 20th Century,Contemporary. Octavo. 19 pages. Francis Kayali #6230277. P...
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Choral Choir (SATB) - Digital Download SKU: A0.973048 Composed by Francis Kayali. 20th Century,Contemporary. Octavo. 19 pages. Francis Kayali #6230277. Published by Francis Kayali (A0.973048). The Gift to Sing is a poem by James Weldon Johnson (1871-1938) published in 1917. The central theme of the text is one of optimism and resilience, using the power of song – meaning, more broadly, art or any kind of artful, heightened expression – to overcome adversity. Although the poem can be interpreted broadly to pertain to any kind of struggle, it is likely that Johnson, as a civil-rights activist was alluding more specifically to the oppression African-Americans in the United States, a struggle that continues to this day, in 2020. I composed this setting in September of 2020, right after the Black Lives Matter protests that took place that summer, so current events played a role in this interpretation on my part as well. If one reads the poem as pertaining the continued struggle of African Americans, some passages may come across as ambiguous. For instance, I brood not over the broken past should not be taken as suggesting that the horrors of the past should be forgotten, but as an injunction that the memory of these horrors should not discourage us or diminish our resolve to work toward overcoming the injustices. The musical inspiration for the opening of the piece comes from the song Lonesome Valley, which starts with a pentatonic melodic gesture. The pentatonic scale is often used in African American Spirituals, Christian hymns, and folksongs (e.g., Swing Low, Sweet Chariot, Amazing Grace, How Can I Keep from Singing?, Red River Valley, Oh Shenandoah). The more rhythmic parts take inspiration from the African-American spiritual tradition, as found for instance in the choral music of Moses Hogan (1957-2003). Meanwhile, the tenor solo at the end, is intended to be very loud, bright, and without the pronounced vibrato one would find in a Western operatic style. This kind of bright and intense vocal sound is not unfamiliar to most listeners, who may have encountered it in places as varied as Sacred Harp singing, the opening of the Lion King soundtrack, or the Muslim call to prayer.
$1.99
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