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At Last: Flute
Choral SATB
Sheetmusic to print
14 sheet music found
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1
Shall We Gather at the River (Downloadable Choral Score)
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Choral SATB
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INTERMEDIATE
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Albert L
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Shall We Gather at the River
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir divisi, organ, flute, full orchestra - Medium - Digital Download SKU: MQ.50-6061-E Composed by Albert L. Travis, Benjamin Harlan, Robert Wadsw...
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SATB choir divisi, organ, flute, full orchestra - Medium - Digital Download SKU: MQ.50-6061-E Composed by Albert L. Travis, Benjamin Harlan, Robert Wadsworth Lowry, and Stephen Johnson. All Saints/All Souls, Easter Season, Funeral. 17 pages. MorningStar Music Publishers - Digital Sheet Music #50-6061-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-6061-E). This arrangement combines the talents of two very gifted composers. The anthem is set in a gentle, folk-like way with a substantial organ accompaniment and a lyrical flute obbligato. It culminates with a stately treatment of the last stanza and chorus and then ends slowly and expressively. A full orchestration of the accompaniment is also available.
$2.85
The Lord at First Did Adam Make (Downloadable)
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Choral SATB
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Christmas
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David L
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The Lord at First Did Adam Mak
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir, soloist, flute - Moderately Difficult - Digital Download SKU: MQ.50-0036-E Composed by David L. Mennicke. Advent, Christmas, Lent, Lessons an...
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SATB choir, soloist, flute - Moderately Difficult - Digital Download SKU: MQ.50-0036-E Composed by David L. Mennicke. Advent, Christmas, Lent, Lessons and Carols. 11 pages. MorningStar Music Publishers - Digital Sheet Music #50-0036-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-0036-E). This traditional English carol connects the fall of Adam and Eve in the Garden of Eden to Christ's gracious Incarnation and sacrificial redemption. The variations in the refrain text can make the piece appropriate for Lent, Advent, and Christmas Eve. The arrangement is a crescendo of dynamics, rhythm, and texture. For stanza one, the simplicity of solos reflects the innocence of the Garden. In stanza two, the weaving dissonances of the women look and sound like a squirming, devious serpent followed by the men's outburst of rebellious transgression. Stanza three expands into ever-richer layers of God's mercy, giving way to the jubilant flute in the last refrain. This is our joyful response to God's love: to accept the holy life made possible by God's grace, ending on a major chord that looks up to heaven.
$2.65
Ask Me (Instrumental Parts for Strings, Harp, Flute)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Jim Ailor
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ResurrectionSong
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Ask Me
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ResurrectionSong
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.978340 Composed by Jim Ailor. Arranged by ResurrectionSong. Christian,Sacred. Octavo. 23 pages....
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.978340 Composed by Jim Ailor. Arranged by ResurrectionSong. Christian,Sacred. Octavo. 23 pages. ResurrectionSong #6466211. Published by ResurrectionSong (A0.978340). Ask Me (SATB, SAB, TTBB, optional Strings, Harp and Flute) – Based on Johann Schwedler’s text which exalts Jesus Christ, the crucified. Jim alters and adds to the text, and incorporates John 3:16, resulting in an anthem of personal testimony and proclamation. Modulations help paint the text along with some joyful and celebrative embellishments sung by the ladies on the last verse. Optional strings, harp and flute support the flowing accompaniment. Accompanists will enjoy this piece. Hard copies available at J.W. Pepper.
$20.00
Ask Me (SATB, optional Strings, Harp and Flute)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Jim Ailor
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Ask Me
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ResurrectionSong
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.978341 Composed by Jim Ailor. Christian,Sacred. Octavo. 16 pages. ResurrectionSong #6473999. Pub...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.978341 Composed by Jim Ailor. Christian,Sacred. Octavo. 16 pages. ResurrectionSong #6473999. Published by ResurrectionSong (A0.978341). Ask Me (SATB, SAB, TTBB, optional Strings, Harp and Flute) – Based on Johann Schwedler’s text which exalts Jesus Christ, the crucified. Jim alters and adds to the text, and incorporates John 3:16, resulting in an anthem of personal testimony and proclamation. Modulations help paint the text along with some joyful and celebrative embellishments sung by the ladies on the last verse. Optional strings, harp and flute support the flowing accompaniment. Accompanists will enjoy this piece. Hard copies available at J.W. Pepper.
$2.25
Ask Me (Conductor Score for Strings, Harp, Flute)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Jim Ailor
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ResurrectionSong
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Ask Me
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ResurrectionSong
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.978339 Composed by Jim Ailor. Arranged by ResurrectionSong. Christian,Sacred. Octavo. 28 pages. ...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.978339 Composed by Jim Ailor. Arranged by ResurrectionSong. Christian,Sacred. Octavo. 28 pages. ResurrectionSong #6466205. Published by ResurrectionSong (A0.978339). Ask Me (SATB, SAB, TTBB, optional Strings, Harp and Flute) – Based on Johann Schwedler’s text which exalts Jesus Christ, the crucified. Jim alters and adds to the text, and incorporates John 3:16, resulting in an anthem of personal testimony and proclamation. Modulations help paint the text along with some joyful and celebrative embellishments sung by the ladies on the last verse.Optional strings, harp and flute support the flowing accompaniment. Accompanists will enjoy this piece. Hard copies available at J.W. Pepper.
$10.00
Saturn
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Choral SATB
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ADVANCED
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Sleeping At Last
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Garrett Breeze
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Saturn
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Lagom Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1419832 By Sleeping At Last. By Ryan O'Neal. Arranged by Garrett Breeze. Contest,Fes...
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Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1419832 By Sleeping At Last. By Ryan O'Neal. Arranged by Garrett Breeze. Contest,Festival,Pop,Singer/Songwriter. 13 pages. Lagom Music #1001254. Published by Lagom Music (A0.1419832). This devastatingly beautiful text by songwriter Ryan O’Neal about life and loss shines in a new gorgeous choral arrangement by Garrett Breeze for SATB voices, piano, and flute.  The music is layered and always in motion, mimicking the relentless passage of time invoked in the text.  Originally commissioned by Waukee High School in Des Moines, IA.  The solo soprano part may be performed by a small group, and a violin may be substituted for flute if needed.
$2.50
For Wisdom is Better than Jewels
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Choral SATB
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INTERMEDIATE
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Connie Pwll Walck Tyler
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For Wisdom is Better than Jewe
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Connie Tyler
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1008087 Composed by Connie Pwll Walck Tyler. Christian,Contemporary,Jewish,Sacred. Octavo...
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1008087 Composed by Connie Pwll Walck Tyler. Christian,Contemporary,Jewish,Sacred. Octavo. 48 pages. Connie Tyler #4765403. Published by Connie Tyler (A0.1008087). What is Wisdom?In Proverbs 8:5-11 she says,Learn prudence, acquire intelligence, …take my instruction instead of silver,and knowledge rather than choice gold,for Wisdom is better than jewels. This suite of three songs is appropriate for use in a Christian or Jewish religious service or a secular concert. It includes a short audience participation possibility at the end of the last song. All are written for flute, piano, ethnic drum, SATB plus a high soprano part that can be a soloist. The drum part is written out, but could be improvised. The first song, Hear My Call, is short (1:49) and could be used as a call to worship in a religious service. The second song, God Created Me, (4:36) is an anthem of praise using the wonderful words of the creation of Wisdom in Proverbs 8:22-36 with a descant of the creation story in the book of Ben Sira 24:3, found in the Apocrypha. The tenors and basses sing the comparison of Wisdom with the trees of Israel, also found in Ben Sira, all in praise of Wisdom. The third song, Choose Life, (1:16) includes a chant that can be sung by the congregation or audience along with the choir. This could be used as the final hymn in a religious service. All three songs can be used separately or together. At the end of the score you will find a copy of the congregational chant which can be copied and placed in an Order of Service or Program. Purchase includes the right to make eight photocopies. For additional copies please purchase another score from sheetmusicplus.com. The recording is electronically produced and therefore has choral oohs without words. All three songs are on the recording, and at the end there is a flute rendering of the chant.. This is not intended to stand alone, but to be sung, as directed, with the last part of the choir song, Choose Life.
$20.00
Missa Solemnis, op. 27 (vocal score)
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Choral SATB
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adr...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
The City In the Sea: Choral Tone Poem
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Choral SATB
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ADVANCED
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Contemporary
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Stanley M Hoffman
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The City In the Sea: Choral To
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
BEHOLD HE IS COMING (SATB) – Revelation 1:7
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Choral SATB
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INTERMEDIATE
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Michael A
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BEHOLD HE IS COMING
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizi...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizio #3588427. Published by M.A. Morizio (A0.926664). The Apostle John’s visions in Revelation are nothing less than astounding to all readers. However, little is it known that another Hymn to Christ is neatly tucked into the very first seven verses of this last book of the Bible. John begins his Revelation (verses 1-3) with a prelude, introducing Jesus Christ and the apocalypse (revelation) that was made to him via the angel sent to describe all the things about which he was to write. He says, Blessed is the one who reads aloud the words of this prophecy, and blessed are those who hear, and keep what is written in it, for the time is near. After this short prelude, John delivers an epistolary opening (a greeting identifying the author and recipients), then pronounces a blessing upon the recipients-verses 4-6. After both the prelude and the opening, John immediately proceeds to another known Hymn to Christ, in verse 7, which I have called, Behold He Is Coming. When presented with the text in Revelation 1:7, I immediately thought, Where is the Gospel, the good news, in this piece? After several minutes of meditating on the text, I realized the Gospel message was right there in front of me-in the very last line: Yes, so be it [Lord], so be it, [Amen!] There will be peace! All will be known. Every single person will understand, at that point. The end, is the ushering in of a new beginning. The piece is scored in G minor for SATB with flute and Bâ™ clarinet accompaniment. In the opening phrase, we hear the clarinet on a sustained high (concert) G, which crescendos into a quick, descending sixteenth note pattern. There is urgency! The flute joins the clarinet in a duet to complete the introduction to the anthem. Then, the choir begins their haunting chant, Behold, He is coming with the clouds. Every eye will see Him, even those who pierced Him. Every eye will see Him and all the tribes of the earth will mourn over Him . Alas, there is peace! The two instruments dissolve into an a cappella four-part chorale where the choir creates the agreement between the text and the music, modulating to the relative major (Bâ™)-all is reconciled in a final Amen!
$1.99
The Garden of Gethsemane
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Choral SATB
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Vicki Tucker Courtney
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The Garden of Gethsemane
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Hope Publishing - Digital
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SheetMusicPlus
Choral SATB choir with optional Flute & Harp - Digital Download SKU: H1.C5571DP Composed by Vicki Tucker Courtney. Piano with Optional Flute & Harp. Lent...
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Choral SATB choir with optional Flute & Harp - Digital Download SKU: H1.C5571DP Composed by Vicki Tucker Courtney. Piano with Optional Flute & Harp. Lent, Sacred. Octavo. 12 pages. Hope Publishing - Digital #C5571DP. Published by Hope Publishing - Digital (H1.C5571DP). J. Paul Williams. Matthew 26:36 - Matthew 26:37 - Matthew 26:38 - Matthew 26:39 - Matthew 26:40 - Matthwe:26:41 - Matthew 26:42 - Mark 14:32 - Mark 14:33 - Mark 14:34 - Mark 14:35 - Mark 14:36 - Luke 22:39 - Luke 22:40 - Luke 22:41 - Luke 22:42 - Luke.Original Anthem Perfect for Maundy Thursday, this stirring anthem depicts the events from Matthew 26 as Jesus prayed in the garden with his friends at his side. J. Paul Williams' words and Vicki Tucker Courtney's original music combine to portray this familiar story in a passion-filled musical setting, as Jesus accepted his Father's will and was betrayed even in the midst of what was a peaceful scene. The last line of the piece speaks of the Garden not as a place of struggle, which it was, but also as a place of victory. The optional harp part adds an element of beautiful serenity and power, building throughout. The reproducible flute part is included in the anthem.
$2.95
In The Goodness Of God
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Choral SATB
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INTERMEDIATE
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Sacred music
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Kevin Longley
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In The Goodness Of God
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Kevin Longley
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1019367 Composed by Kevin Longley. Christian,Holiday,Sacred. Octavo. 19 pages. Kevin Longley #63...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1019367 Composed by Kevin Longley. Christian,Holiday,Sacred. Octavo. 19 pages. Kevin Longley #6348427. Published by Kevin Longley (A0.1019367). In The Goodness Of God Inspiration Composed in June of 2015, I wrote the music without any thought as to what the lyrical idea would be. The entire piece is in a style that I typically don't compose in but I felt the melody had a certain appeal to it. Once the music was completed I began contemplating the goodness of god and what he has done for us. From there I decided the A section would be about his goodness followed by a section which would contain examples of his goodness. All in all I was pleased with the result and the effort I made with the singing. I especially enjoyed writing the flute part being inspired by a friend (Bob) who plays every Sunday at church. The Music A simple ABABA structure with traditional harmony and flute added for the last A section.
$1.99
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Choral SATB
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INTERMEDIATE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brow...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
Angels We Have Heard on High
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Choral SATB
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Christmas
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Kirby Shaw
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Angels We Have Heard on High
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - Digital Download SKU: AX.00-PO-0001799 Angels We Have Heard on High - SATB. Arranged by Kirby Shaw. Secular Choral. 10 pages. Alfred Musi...
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Chorus - Digital Download SKU: AX.00-PO-0001799 Angels We Have Heard on High - SATB. Arranged by Kirby Shaw. Secular Choral. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0001799. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0001799). UPC: 038081466378.With verses in 5/4 and a jazz waltz refrain, Kirby's mellow rendition of this familiar carol is something truly fresh. An optional flute solo (available free at alfred.com/choralparts) is a hip addition to smooth choral parts that are a blast to sing. A highly creative take on a song that everyone knows!Recorded Acc. Available.
$1.85
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