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Come Prima
Choral SATB
Sheetmusic to print
25 sheet music found
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1
Come Unto Me All Ye That Labour
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Choral SATB
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Sacred music
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Stephen Caracciolo
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Come Unto Me All Ye That Labou
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Roger Dean Publishing
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SheetMusicPlus
By Stephen Caracciolo. For SATB choir, Double Choir, a cappella. Sacred Anthem. Prima Cantate Series. Moderately difficult. Published by Roger Dean Publishing ...
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By Stephen Caracciolo. For SATB choir, Double Choir, a cappella. Sacred Anthem. Prima Cantate Series. Moderately difficult. Published by Roger Dean Publishing
$2.50
Music Comes
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Choral SATB
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Ruth Watson Henderson
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Music Comes
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Roger Dean Publishing
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SheetMusicPlus
By Ruth Watson Henderson. For SATB choir, Flute, Oboe, Piano. Educational Octavo. Prima Cantate Series. Concert. Published by Roger Dean Publishing ...
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By Ruth Watson Henderson. For SATB choir, Flute, Oboe, Piano. Educational Octavo. Prima Cantate Series. Concert. Published by Roger Dean Publishing
$2.95
Come Now to Bethlehem
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Choral SATB
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Christmas
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Dale Wood
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Douglas E
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Come Now to Bethlehem
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Sacred Music Press
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SheetMusicPlus
SATB choir, piano SKU: LO.65-2088S Composed by Dale Wood. Arranged by Douglas E. Wagner. Choral, cantatas. Christmas. Choral score. Sacred Music Press #6...
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SATB choir, piano SKU: LO.65-2088S Composed by Dale Wood. Arranged by Douglas E. Wagner. Choral, cantatas. Christmas. Choral score. Sacred Music Press #65/2088S. Published by Sacred Music Press (LO.65-2088S). ISBN 9780787759476.The age-old story of our Lord’s birth, retold each year around the world, is made more real and more deeply felt when experienced through the beloved carols of this season of joy. Dale Wood’s organ settings of such carols have been re-imagined for chorus by Douglas E. Wagner in this work that can be effective as a service of lessons and carols, a Christmas cantata, or a carol collection for service or concert use. While there is a fair amount of nostalgia associated with these treasured tunes and texts, let not these feelings obscure our primary view as we strive to tread the true path this blessed time of year. As we each, in our own way, make our pilgrimage to the Babe lying in a manger, let us instead refocus our hearts and minds and Come Now to Bethlehem.
$12.95
Come Now to Bethlehem - SATB with Performance CD
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Choral SATB
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Christmas
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Dale Wood
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Douglas E
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Come Now to Bethlehem - SATB w
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Sacred Music Press
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SheetMusicPlus
SATB choir, piano SKU: LO.65-2089S Composed by Dale Wood. Arranged by Douglas E. Wagner. Choral, cantatas. Christmas. SATB with performance CD. Sacred Mu...
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SATB choir, piano SKU: LO.65-2089S Composed by Dale Wood. Arranged by Douglas E. Wagner. Choral, cantatas. Christmas. SATB with performance CD. Sacred Music Press #65/2089S. Published by Sacred Music Press (LO.65-2089S). ISBN 9780787759483.The age-old story of our Lord’s birth, retold each year around the world, is made more real and more deeply felt when experienced through the beloved carols of this season of joy. Dale Wood’s organ settings of such carols have been re-imagined for chorus by Douglas E. Wagner in this work that can be effective as a service of lessons and carols, a Christmas cantata, or a carol collection for service or concert use. While there is a fair amount of nostalgia associated with these treasured tunes and texts, let not these feelings obscure our primary view as we strive to tread the true path this blessed time of year. As we each, in our own way, make our pilgrimage to the Babe lying in a manger, let us instead refocus our hearts and minds and Come Now to Bethlehem.
$16.95
Hope of the World 12: Your King Comes Riding - original song for SATB choir by Stephen R Dalrymple
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Choral SATB
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INTERMEDIATE
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Sacred music
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Stephen R Dalrymple
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Stephen R Dalrymple
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Hope of the World 12: Your Kin
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Stephen R Dalrymple
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.818371 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.818371 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Sacred. Octavo. 32 pages. Stephen R Dalrymple #6709745. Published by Stephen R Dalrymple (A0.818371). Hope of the World: 12 Your King Comes Riding original song for SATB choir and piano by Stephen R Dalrymple (with optional parts for Shofar or Trumpet)   sequenced by the composer music © 1999 Stephen R Dalrymple recording ℗ 2022 Stephen R Dalrymple presentation © 2022 Stephen R Dalrymple based on Zechariah 9, Psalm 118, and Matthew 21 ♫ Many of the predictions of Zechariah are futuristic, looking far ahead in history. There was no king of Judah in Zechariah’s day. The former exiles who had returned to Judah were under the authority of the Persians. Any king would have to be authorized by the higher secular authority. But Zechariah foresees a king who will enter Jerusalem, riding on a donkey. ♫ The choice of the animal here is important. The donkey is the beast of burden of the common man. (Analogous to an economic or dilapidated automobile.) Horses were primarily used by soldiers; something like a victor riding into town in a tank. Mules (Jewish law forbade the breeding of hybrid animals) were the choice of the wealthy. In Judea, they were evidently imported. David had Solomon ride into Jerusalem on his mule (something like a sports car.) But Zechariah sees Messiah will presenting Himself as king riding the transportation of the common person. On Psalm Sunday, about a week before Jesus’ death, the crowds quoted Zechariah 9 and Psalm 118 as Jesus offered Himself to the nation as king. ♫ Hope of the World is made of 2 suites of songs that present messianic prophecies from the Old Testament that are referenced in the New Testament. The first 8 songs center on the birth of Christ, the last 9, Christ’s life and passion. ♫ Includes 1) full score 2) SATB choir part on 2 staves 3) optional shofur part 4) optional trumpet part 5)full score for 10 inch tablet ♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).
$2.00
I've Just Come from the Fountain
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Choral SATB
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Andre J
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I've Just Come from the Founta
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Heritage Music Press
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SheetMusicPlus
Arranged by Andre J. Thomas. Prima Cantate Series. Concert. Octavo. 12 pages. Heritage Music Press #15/3076H. Published by Heritage Music Press (LX.15-3076H). -...
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Arranged by Andre J. Thomas. Prima Cantate Series. Concert. Octavo. 12 pages. Heritage Music Press #15/3076H. Published by Heritage Music Press (LX.15-3076H). - octavo - Concert - Heritage Music Press
$2.50
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
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Choral SATB
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages...
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Choral Choir (SATB) - Digital Download SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #481065. Published by Guido Menestrina (A0.828714). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://www.youtube.com/watch?v=vqOa9skJg5o.
$13.99
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
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Choral SATB
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INTERMEDIATE/ADVANCED
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guido Menestrina #238145. Published by Guido Menestrina (A0.828703). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimentoEdit Published by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: http://youtu.be/q3iMskZjm1Y.
$17.99
True Colors
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Choral SATB
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EASY
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Pop music
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Cyndi Lauper
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Marco Borsoi
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True Colors
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Marco Borsoi
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.904850 By Cyndi Lauper. By Billy Steinberg and Tom Kelly. Arranged by Marco Borsoi. Pop. ...
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.904850 By Cyndi Lauper. By Billy Steinberg and Tom Kelly. Arranged by Marco Borsoi. Pop. 11 pages. Marco Borsoi #3868761. Published by Marco Borsoi (A0.904850). True Colors, usually attributed to Cyndi Lauper, was actually written by Billy Steinberg, who initially conceived it as a ballad to devote to his mother. Tom Kelly advised him to change the first stanza, to make the song more salable in the international music scene, and together they proposed their song to the American singer Cyndi Lauper, who agreed to interpret it, provided that he could completely modify the arrangement. The original score was in fact in the form of a gospel ballad with accompaniment to the piano.A too traditional choice for Cyndi, who submitted her new version to Billy and Tom, getting their enthusiastic consent. Thus, in 1986, it was born True Colors, one of the most important songs of the pop artist. This single force on the text and trust that convey the words, so much to be interpreted by various international artists such as Phil Collins and Lily Juniper.-----------True Colors, solitamente attribuita a Cyndi Lauper, è stata scritta in realtà da Billy Steinberg, che la concepì inizialmente come una ballata da dedicare a sua madre. Tom Kelly gli consigliò di modificare la prima strofa, per rendere il brano più vendibile nel panorama musicale internazionale e insieme proposero la loro canzone alla cantante statunitense Cyndi Lauper, che accettò di interpretarla, a patto che ne potesse modificare del tutto l’arrangiamento. Lo spartito originale si presentava infatti in forma di ballata gospel con accompagnamento al pianoforte.Una scelta troppo tradizionale per Cyndi, la quale sottopose a Billy e Tom la sua nuova versione, ottenendo il loro consenso entusiasta. Nasce così, nel 1986, True Colors, una tra le canzoni più importanti dell’artista pop. Questo singolo fa forza sul testo e sulla fiducia che trasmettono le parole, tanto da essere interpretato anche da svariati artisti internazionali come Phil Collins e non ultima Lily Juniper.
$2.49
Giuseppe Dogliani - Salve o Regina (1896)
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Choral SATB
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Giuseppe Dogliani
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Guido Menestrina
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prof
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Giuseppe Dogliani - Salve o Re
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.828730 Composed by Giuseppe Dogliani. Arranged by Guido Menestrina. Romantic Period,Sacred. Octavo. 6 page...
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Choral Choir (SATB) - Digital Download SKU: A0.828730 Composed by Giuseppe Dogliani. Arranged by Guido Menestrina. Romantic Period,Sacred. Octavo. 6 pages. Guido Menestrina #1986533. Published by Guido Menestrina (A0.828730). SATB + Piano solo Musica dal dramma (su libretto di Jean-Baptiste Lemoyne) Cristoforo Colombo, 1896. Qui di seguito info sul compositore. n. a Costigliole di Saluzzo (Cuneo-Italia) il 13 maggio 1849; prof. a Lanzo il 23 settemre 1870; m. a Torino il 22 ottobre 1934. Fu accolto da don Bosco nel suo Oratorio di Valdocco (Torino) nel 1864, a 14 anni di età , come allievo falegname. Egli però, già cantore del duomo di Saluzzo, aveva una spiccata inclinazione alla musica, e trovò in don Bosco chi lo comprese e l'assecondò. Sotto la guida del M. De Vecchi poté studiare musica strumentale, armonia e composizione. I suoi progressi furono così rapidi che, fattosi salesiano, divenne il più attivo collaboratore del M. Cagliero, e, allorché questi partì per l'Argentina a capo della prima spedizione di missionari salesiani (1875), a lui fu affidata la direzione della Schola cantorum,e nel 1889 anche della banda musicale dell'Oratorio. Maestro impareggiabile - come attesta un suo ex-allievo, don Alberto Caviglia - trasformò la scuola di canto col suo metodo d'insegnamento, sia nella preparazione della lettura, sia nell'educazione delle voci bianche e nell'addestramento delle masse corali, che giunsero fino a quattrocento voci. Con mezzi così poderosi il M. Dogliani ricondusse in chiesa la musica classica, e la Basilica di Maria Ausiliatrice fu rinomata per le grandiose esecuzioni inappuntabili degli spartiti di Rossini, Cherubini, Haydn, Gounod, Sgambati, Bossi, Tebaldini, Pagella, Perosi, Bottazzo, Ravanello, Mattioli, Donini, giungendo perfino a eseguire la Missa Papae Marcelli del Palestrina, senza accompagnamento (1876), e le classiche composizioni di Vittoria, Lolli, Gabrielli, Orlando di Lasso. La presenza della sua Schola cantorum e della sua banda strumentale fu spesso ambita e richiesta in altre città d'Italia in solenni circostanze, meritando elogi e premi, e perfino a Marsiglia per le feste centenarie di santa Giovanna d'Arco e l'inaugurazione della nuova cattedrale (1894). Il Cagliero - di cui ridusse a stile liturgico le più solenni composizioni - lo invitò in Argentina per portarvi la sua esperienza pratica d'insegnamento, che poi concretò nel celebre Metodo di canto corale, edito varie volte e su cui si formarono generazioni di Pueri cantores. Fu pure compositore di musica sacra e inni d'occasione di ottimo effetto: notevole l'antifona Corona aurea, composta per l'incoronazione dell'effige di Maria Ausiliatrice nel suo santuario (1903). Ma soprattutto egli - seguendo il metodo educativo di don Bosco - seppe fare della scuola di canto e di banda validi strumenti di formazione interiore, educando soprattutto con l'esempio di perfetto religioso, sicché i suoi allievi, per la sua abituale compostezza e inalterabile pazienza, lo tenevano in concetto di santo. Tra essi vi fu pure il celebre tenore Francesco Tamagno; altro suo discepolo affezionatissimo fu Federico Caudana, poi maestro di cappella a Cremona e buon compositore di musica. È da notare che il M. Dogliani, col suo insegnamento e col suo esempio, precorse di un trentennio la riforma della musica sacra fatta da san Pio X col Motu proprio del 1903. (da http://www.coadiutoresalesiano.net/ ) follow the score online on youtube: https://youtu.be/kAj11WStQqc.
$1.99
Art Is Calling for Me
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Choral SATB
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Victor Herbert
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Peter J Durow
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Art Is Calling for Me
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Heritage Music Press
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SheetMusicPlus
SATB choir, Piano, Solo voice - Digital Download SKU: LX.15-3564H I Want to Be a Prima Donna. Composed by Victor Herbert. Arranged by Peter J Duro...
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SATB choir, Piano, Solo voice - Digital Download SKU: LX.15-3564H I Want to Be a Prima Donna. Composed by Victor Herbert. Arranged by Peter J Durow. General. Octavo. 16 pages. Heritage Music Press #e15/3564H. Published by Heritage Music Press (LX.15-3564H). ISBN 9780787761103.I long to be a prima donna, I long to shine upon the stage … That's what I'm dying for, that's what I'm sighing for. Art is calling for me! From Victor Herbert's The Enchantress, comes this wickedly entertaining bit of campy humor, in the form of a solo showpiece for one or two sopranos with help from the rest of the ensemble. True to Herbert's original with the addition of choral comment interspersed throughout, it is a unique out-of-the-box musical experience!
$2.75
Swing With Me
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Choral SATB
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INTERMEDIATE
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Jessica Simpson
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Garrett Breeze
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Swing With Me
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Lagom Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1121075 By Jessica Simpson. By Louis Prima. Arranged by Garrett Breeze. Jazz,Pop. 10 page...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1121075 By Jessica Simpson. By Louis Prima. Arranged by Garrett Breeze. Jazz,Pop. 10 pages. Lagom Music #722265. Published by Lagom Music (A0.1121075). This product is the piano vocal score.The instrumental material from this arrangement comes from the Benny Goodman version of Sing, Sing, Sing but the vocal content comes from Jessia Simpson's Swing With Me, creating a refreshing and exciting take on an old classic with LOTS of dancing and band moments.
$2.75
Exsultate Deo Omnis Terra
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Choral SATB
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Marek Jasinski
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Exsultate Deo Omnis Terra
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Roger Dean Publishing
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SheetMusicPlus
SATB choir divisi, a cappella - Digital Download SKU: LX.15-2426R Composed by Marek Jasinski. Prima Cantate Series. Concert, General. Octavo. 8 pages. Ro...
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SATB choir divisi, a cappella - Digital Download SKU: LX.15-2426R Composed by Marek Jasinski. Prima Cantate Series. Concert, General. Octavo. 8 pages. Roger Dean Publishing #e15/2426R. Published by Roger Dean Publishing (LX.15-2426R). ISBN 9781429102940.Jasinski provides another welcome addition to the Richard Zielinski Polish Music Series. With divisi in all parts and constantly changing and uneven meters, this is a concert piece for the best college and professional choirs.
$2.40
AUNQUE ES DE NOCHE
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Choral SATB
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INTERMEDIATE/ADVANCED
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EAM
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AUNQUE ES DE NOCHE
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Eduardo A. Malachevsky
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1284578 By EAM. By Eduardo Andrés Malachevsky. 21st Century,A Cappella,Christia...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1284578 By EAM. By Eduardo Andrés Malachevsky. 21st Century,A Cappella,Christian,Classical,Spiritual. 30 pages. Eduardo A. Malachevsky #875753. Published by Eduardo A. Malachevsky (A0.1284578). AUNQUE ES DE NOCHE (Although it is night)Lyrics taken from the «Dark Night of the Soul» by St John of the CrossFirst Price awarded score at the «Concurso Internacional de Composición Coral de Cámara de Pamplona», SPAIN 2010 Voicing: SSAATTBB & SSATB Soloists  |  Durata Circa: 9 min  |  Language: Spanish  |  Lyrics: St. John of the Cross  |  Score's pages: 23|  Score's meassures: 155 Score Preview & info  | YouTube's Composer Channel St. John of the Cross wrote the poem when he was in jail in the Toledo prison (1578). Immerse in the dark and arid night, the torment and the anguish of the dungeon, he contemplates and reflects on that mystery so precious for himself: The mystery of the Holy Trinity. One and multiple at the same time, the image of ‘water’ (that flows and runs…) is the best that comes to his mind in this meditation in which the highest and more abstract perspectives of the faith becomes so close and takes flesh, so to speak, in the touching simplicity of this primary element, element of the life itself.The Vocal Ensemble is divided in two: a SSAATTBB Choir Ensemble of 8 voices (or more) and a SSATB Soloist Ensemble . Although this division, the whole ensemble works as a unity; consequently the soloists should be stand up mixed with the rest of the voices.
$4.30
The Betrayal
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Michelle Kraak
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The Betrayal
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Michelle Kraak
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1012606 Composed by Michelle Kraak. Easter,Praise & Worship,Sacred. 16 pages. Michelle Kr...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1012606 Composed by Michelle Kraak. Easter,Praise & Worship,Sacred. 16 pages. Michelle Kraak #6102931. Published by Michelle Kraak (A0.1012606). The Betrayal is written for choir (soprano, alto, tenor, bass). It is a religious piece based on the passion of Christ. It has aspects of imitation, with a lot of independence in the parts. The vocal parts represent the voice of Jesus, the voices of those who crucified him, a narrator, and also briefly the voice of Peter, Jesus' disciple. The bass primarily sings the role of the people who called for his death, but as the piece continues others join in this role. I wrote some of the lyrics and also pulled some verses in from the Bible. I think this would be a great piece for Holy Week, perhaps on Good Friday or Maundy Thursday. the piece captures some of the intense emotions involved in the crucifixion and would make a great addition to Lenten music in the church. Lyrics:Why did you leave me?Why did you run?I absolved you of your sin. Jesus Christ must die for what he's done. I absolved you of your sin,I saved you from yourselves,I just wanted to lead you,Closer to God. Death! I wanted to give you new life. Three times you will deny me, Woman I do not know him! Jesus Christ must die for what he's done. Why did you leave me? Why did you run?I absolved you of your sin.I saved you from yourselves,I just wanted to lead you, Closer to God. Jesus I didn't know him.I don't know the man! Jesus Christ must die for what he's done. Peter struck him!Cut off his ear,Jesus touched him and healed him,Though the man had come for him. Jesus Christ must die for what he's done. Why should Jesus die for what he's done?Why did I forsake the Son of God?I'd have called for him to be crucified. We are no better,Then the past. Why did you forsake me,Why did you forsake me? Forgive them,For they do not know what they're doing. Forgive them,For they do not know what they're doing. Betrayed with a kiss. Surely he was the son of God.Surely he was the son of God.Surely he was the son of God.4 minutes 29 seconds6 minutes 29 secondsashevilletrumpet.comhttps://www.facebook.com/kraakmichellehttps://www.instagram.com/kraakmichelle/https://www.linkedin.com/in/michelle-kraak-71b0258a/
$16.95
Scarborough Fair/canticle
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Choral SATB
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BEGINNER
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Rock
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Simon And Garfunkel
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Amanda Taylor
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Garfunkel
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Scarborough Fair/canticle
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Wicked Pigeon
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 1 - Digital Download SKU: A0.859633 By Simon And Garfunkel. By Art Garfunkel and Paul Simon. Arranged by Amanda Taylor...
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Choral Choir (SATB divisi) - Level 1 - Digital Download SKU: A0.859633 By Simon And Garfunkel. By Art Garfunkel and Paul Simon. Arranged by Amanda Taylor. Pop,Rock. Octavo. 12 pages. Wicked Pigeon #3926247. Published by Wicked Pigeon (A0.859633). Primarily homophonic, this arrangement is perfect for any choir. It's easy enough for younger or less experienced choirs, and exciting enough to give a powerhouse choir something to really wail on. This arrangement features a different accompaniment theme than the one we've come to know and love through Simon & Garfunkel; however, it creates the same haunting atmosphere in a new and unexpected way. .
$100.00
Cry Heaven
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Choral SATB
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INTERMEDIATE
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Ethan R
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Cry Heaven
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Ethan R. Ray
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1038298 Composed by Ethan R. Ray. A Cappella,Classical. Octavo. 5 pages. Ethan R. Ray #643236. P...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1038298 Composed by Ethan R. Ray. A Cappella,Classical. Octavo. 5 pages. Ethan R. Ray #643236. Published by Ethan R. Ray (A0.1038298). A meditative, introspective, and pensive a cappella SATB written primarily for college choirs. The piece foregoes complexities and flourishes and focuses on simplicity and melody. Text: Believe when you’re gone I don’t feel my soul When you are not here And when you leave me on some shore I think of how I’ll always love you And in ways I will grieve I will cry heaven If the beauty of the day is enough to break your heart Then come back angel See that your meadows give way to the sun I’ll always love you And in ways I won’t know You may grieve me too You may grieve me in heaven.
$1.99
I Will Be Free
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Choral SATB
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INTERMEDIATE
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Ethan R
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I Will Be Free
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Ethan R. Ray
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1041657 Composed by Ethan R. Ray. A Cappella,Classical. Octavo. 4 pages. Ethan R. Ray #646422. P...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1041657 Composed by Ethan R. Ray. A Cappella,Classical. Octavo. 4 pages. Ethan R. Ray #646422. Published by Ethan R. Ray (A0.1041657). A meditative, introspective, and pensive a cappella SATB written primarily for college choirs. The piece foregoes complexities and flourishes and focuses on simplicity and melody. Text: Deep in my soul I know how to be Completely free in my heart And the night is where I find Just how to belong You cannot harm me in this place Know that I will overcome your hatred alone here And I will be free here.
$1.99
We Don't Talk About Bruno
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Choral SATB
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EASY
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Walt Disney
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Carolina Gaitan, Mauro Castill
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Matt Villar
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We Don't Talk About Bruno
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Squad Harmonix
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1103336 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by M...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1103336 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Matt Villar. A Cappella,Children,Comedy,Film/TV,Pop. Octavo. 10 pages. Squad Harmonix #706597. Published by Squad Harmonix (A0.1103336). As Performed by Squad Harmonix this arrangement is specifically designed for preteens and teens. SATB + Solo. The Bass part can also be sung by those in Alto 2 range, an octave above. Such a fun song and perfect for middle school, high school, primary school and secondary school students. Easy arrangement with solo opportunities. Check out more songs from Squad Harmonix for a cappella arrangements perfect for the youth. This arrangement is suited for high school to professional level groups & choirs. It encompasses the main theme for the popular disney movie Encanto. This arrangement was commissioned for Squad Harmonix in Los Angeles, all -kids a cappella academy in CA.
$4.29
Lullaby For Christmas
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Choral SATB
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EASY
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Julie & Diego
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Julie Hinton
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Lullaby For Christmas
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Red Tape Productions
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1491212 By Julie & Diego. By Julie Hinton and Diego Hellewell. Arranged by Julie Hin...
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1491212 By Julie & Diego. By Julie Hinton and Diego Hellewell. Arranged by Julie Hinton. Advent,Children,Christmas,Comedy,Holiday. 6 pages. Red Tape Productions #1067946. Published by Red Tape Productions (A0.1491212). SATB with piano accompaniment and female solo. From The Big American Winter Holiday Musical Spectacular! (@BAWHMS) This gentle lullaby is a mother's wish for her child on Christmas Eve night. It ends with a warning that Santa sees everything and has the right to exercise Amazon's no-questions-asked return policy. This is primarily a solo with choral back-up until the choir takes over in the final verse. Includes narration over the top of the second interlude. Great for vocalists, school choirs and community choruses looking for a family-friendly holiday tune with a comic twist at the end.Audio demo is the first verse, taken from the album track. Also available as piano/vocal, Lead Sheet, and in a compilation of the album.
$3.25
Adam's Hanukkah Song
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Choral SATB
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EASY
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Adam Sandler, Ian H
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Julie Hinton
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Adam's Hanukkah Song
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Red Tape Productions
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1104247 Composed by Adam Sandler, Ian H. Maxtone-graham, and Lewis N. Morton. Arranged by Julie ...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1104247 Composed by Adam Sandler, Ian H. Maxtone-graham, and Lewis N. Morton. Arranged by Julie Hinton. A Cappella,Comedy,Contemporary,Hanukkah,Rock. Octavo. 5 pages. Red Tape Productions #707455. Published by Red Tape Productions (A0.1104247). This SATB a capella arrangement is great for caroling quartets, a capella groups, and other choirs looking to add a little Hanukkah pizazz to their holiday performances. This version is appropriate for school and family performances (2 verses), with alternate lyrics for a more mature crowd. Bass vocal percussion encouraged! The solo resides primarily in the tenor section, though lines in the second half rotate between all four sections. Runtime is approximately 3 minutes, though a short version can be performed without the list that runs just over one minute.
$2.25
Hail, Gladdening Light
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Philip Le Bas
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Hail, Gladdening Light
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Philip Le Bas
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.818180 Composed by Philip Le Bas. A Cappella,Christian,Contemporary,Sacred. Octavo. 11 pages. Ph...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.818180 Composed by Philip Le Bas. A Cappella,Christian,Contemporary,Sacred. Octavo. 11 pages. Philip Le Bas #6080747. Published by Philip Le Bas (A0.818180). An anthem for SATB choir and organ, based on the translation by John Keble (1792-1866) of the third century Greek hymn Phos Hilarion.This ancient hymn is about gladdening light, in particular the light of Jesus Christ who comes from God the Father into our dark world. It is intended to be sung in the evening. What is unusual about the hymn is the position of its doxology (Father, Son and Holy Ghost) in the middle of the hymn, rather than after the last verse, as is common in most settings of psalms, canticles and many hymns from the last 200 years. This enables it to retain a biblical freshness, in which the Son of God is the main focus of attention, with theological reflection secondary to the primary reality that he is the giver of life.
$1.99
Creation’s Dance
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Choral SATB
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Benjamin Harlan
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Creation’s Dance
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Jubilate Music Group - Digital
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SheetMusicPlus
SATB Chorus - Digital Download SKU: JX.JMG1362 Arranged by Benjamin Harlan. Anthems. Octavo. 8 pages. Jubilate Music Group - Digital #JMG1362. Published ...
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SATB Chorus - Digital Download SKU: JX.JMG1362 Arranged by Benjamin Harlan. Anthems. Octavo. 8 pages. Jubilate Music Group - Digital #JMG1362. Published by Jubilate Music Group - Digital (JX.JMG1362). Here’s a lilting setting of a classic hymn text and tune. An energetic accompaniment underscores the smooth vocal scoring...while the text of praise will uplift and inspire. With primarily 2-part vocal writing, this selection can become an instant anthem that is ready to go all year long.
$2.60
From Darkness to Light
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Choral SATB
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Ruth Watson Henderson
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From Darkness to Light
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Roger Dean Publishing
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SheetMusicPlus
SATB choir, Mezzo-soprano, Baritone, Organ (With Optional C Trumpet, C Trumpet, Timpani, Harp, Violin, Viola, Cello, String Bass, Organ) - Moderately Advanced -...
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SATB choir, Mezzo-soprano, Baritone, Organ (With Optional C Trumpet, C Trumpet, Timpani, Harp, Violin, Viola, Cello, String Bass, Organ) - Moderately Advanced - Digital Download SKU: LX.45-1129R A cantata for Baritone and Mezzo-soprano Soloists, SATB Chorus and Organ with optional Trumpet in C 1 and 2, Timpani, Harp, and Strings. Composed by Ruth Watson Henderson. 52 pages. Roger Dean Publishing #e45/1129R. Published by Roger Dean Publishing (LX.45-1129R). UPC: 000308093322.From the quiet opening timpani notes to the hushed and yearning settings of the final words -- Darkness sang to the light and the kiss of love was peace -- this exquisite work by Canadian composer Ruth Watson Henderson employs primarily Impressionistic harmonies and alternates between biblical texts and the poems of Wilfred Watson. Commissioned by the American Guild of Organists for their 2002 National Convention and destined to become a standard in serious choral repertoire, it was reviewed by Timothy Howard of the American Organist as colorful -- in some places downright ravishing..
$8.95
Time Warp
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Choral SATB
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INTERMEDIATE/ADVANCED
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Richard O'brien
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Julie Hinton
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Time Warp
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Red Tape Productions
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1291690 Composed by Richard O'brien. Arranged by Julie Hinton. 20th Century,A Cappella,Br...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1291690 Composed by Richard O'brien. Arranged by Julie Hinton. 20th Century,A Cappella,Broadway,Film/TV,Halloween,Musical/Show. 9 pages. Red Tape Productions #882295. Published by Red Tape Productions (A0.1291690). SATB acapella. This haunting yet enticing arrangement alternates the melody and rhythm lines primarily between the alto and tenor in the first two verses, always leading back to more traditional 4-part harmonies for the chorus. The soprano takes over on the upbeat third verse and the bass narrates the actions throughout. It all comes to a rousing climax at the end. Great for theatrical voices, versatile acapella groups and fun-loving show choirs!
$2.25
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