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Dram
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1
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1
Oboe, Clarinet, Bassoon (trio)
1
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Brass Quintet: 2 trumpets, horn, trombone, tuba
69
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49
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43
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25
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9
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1
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1
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1
2 Violins, Piano
1
String Quintet: 2 violins, viola, cello, bass
1
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1
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SheetMusicPlus
Choral SATB
Sheetmusic to print
554 sheet music found
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551
Beowulf: A Classical Melodrama in Four Scenes for Chorus, Soiloists and Piano
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Choral SATB
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ADVANCED
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Contemporary
#
Richard St
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Beowulf: A Classical Melodrama
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Richard St. Clair
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.939813 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 139 pages. Richard St. ...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.939813 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 139 pages. Richard St. Clair #4760561. Published by Richard St. Clair (A0.939813). This work, running over 50 minutes performance time, is a dramatic presentation of the Beowulf epic from Medieval England. The action is compelling throughout, with prominent solo and full chorus passages. The Audio Clip presents the complete Overture and highlights from Scene 1 and the battle with Grendel and the joyful conclusion of Scene 4. This work is not intended for stage production, but with imagination it could be presented on stage. Rather, the concept is for concert performance. The Score, 139 pages long, is the complete piano-vocal score.
$100.00
The Curse of Athena for Dramatic Mezzo Soprano and Chorus, The Hero and the Damned Opera
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Choral SATB
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ADVANCED
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James Nathaniel Holland
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The Curse of Athena for Dramat
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.730326 Composed by James Nathaniel Holland. Contemporary,Halloween,Musical/Show,Opera. Oc...
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.730326 Composed by James Nathaniel Holland. Contemporary,Halloween,Musical/Show,Opera. Octavo. 18 pages. James Nathaniel Holland #2897513. Published by James Nathaniel Holland (A0.730326). With over 17,000 views of this piece on YouTube, if you're a dramatic mezzo soprano, shouldn't you have recorded this aria already? Now it is available in piano vocal score form with SSATB Chorus. Orchestral accompaniment sold separately.Video Presentation: https://www.youtube.com/watch?v=bR-EnUHxWusComplete Opera Playlist at: http://www.youtube.com/playlist?list=PLEcbVsA36MCvAKaFfvS0td_-dkofF4KvQ
$4.95
Gloria Aleluya, ¡Está Vivo!
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Choral SATB
#
BEGINNER
#
Spanish
#
Gloria Aleluya, ¡Está Vivo!
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Mare Dan Music
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.1399737 By Spanish. By Dan Bradley. Christian,Easter,Praise & Worship,Religious,Spiritual...
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Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.1399737 By Spanish. By Dan Bradley. Christian,Easter,Praise & Worship,Religious,Spiritual. 8 pages. Mare Dan Music #983011. Published by Mare Dan Music (A0.1399737). Glory Hallelujah, He Is Alive is perfect for Easter and Easter Season tells the story of the Women at the Tomb, The Road to Emmaus, Doubting Thomas. Come to one conclusion: He Is Alive! This is also available in Solo, Two Part, SAB and SATB also in Spanish: Gloria Aleluya, Esta Vivo! and in French: Gloire Alléluia, Il Est Vivant and in English Glory Hallelujah, He Is Alive!.The music has a Hebrew modality and uses rhythms like a hora. Fun and dramatic to sing and based on solid scriptures. Can provide many wonderful lessons in Faith.Gloria Aleluya, Esta Vivo! es perfecto para la Pascua y la Temporada de Pascua cuenta la historia de las Mujeres en la Tumba, El Camino a Emaús, Tomás el Dudoso. Llega a una conclusión: ¡Está vivo! También está disponible en Solo, Dos Partes, SAB y SATB también en español: Gloria Aleluya, Esta Vivo! y en Francés: Gloire Alléluia, Il Est Vivant y en inglés: Glory Hallelujah, He Is Alive!La música tiene una modalidad hebrea y utiliza ritmos como una hora. Divertido y dramático para cantar y basado en escrituras sólidas. Puede proporcionar muchas lecciones maravillosas de Fe.
$2.49
The Risen Lord (A dramatic setting for Easter) - Part 1
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Choral SATB
#
INTERMEDIATE
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Ralph S
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The Risen Lord
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Ralph S. Gardner II
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1015502 Composed by Ralph S. Gardner II. 20th Century,Christian,Sacred. Octavo. 30 pages. Ralph ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1015502 Composed by Ralph S. Gardner II. 20th Century,Christian,Sacred. Octavo. 30 pages. Ralph S. Gardner II #5870053. Published by Ralph S. Gardner II (A0.1015502). SATB choir, Soprano solo, Baritone solo, piano. Text from the Gospels of John and Matthew.
$1.99
The Risen Lord (A dramatic setting for Easter) - Part 2
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Choral SATB
#
INTERMEDIATE
#
Ralph S
#
The Risen Lord
#
Ralph S. Gardner II
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1015504 Composed by Ralph S. Gardner II. 20th Century,Christian,Sacred. Octavo. 17 pages. Ralph ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1015504 Composed by Ralph S. Gardner II. 20th Century,Christian,Sacred. Octavo. 17 pages. Ralph S. Gardner II #5870061. Published by Ralph S. Gardner II (A0.1015504). SATB choir, Baritone solo - text from the Gospel of John and Acts.
$1.99
Mists (Nebbie) - Version for SATB Chorus and Piano
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Choral SATB
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Ottorino Respighi
#
Stanley M
#
Mists
#
stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.924875 Composed by Ottorino Respighi. Arranged by Stanley M. Hoffman. 20th Century. Octavo. 8 pa...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.924875 Composed by Ottorino Respighi. Arranged by Stanley M. Hoffman. 20th Century. Octavo. 8 pages. Stanleymhoffman.com #5200131. Published by stanleymhoffman.com (A0.924875). Composed in 1906, the secular art song Nebbie (Mists) by Ottorino Respighi (1879–1936) is a setting of poem by Ada Negri (1870–1945). I have been drawn to this song ever since studying voice at The Boston Conservatory. The words focus on loneliness and the darker aspects of nature, and the music is appropriately fatalistic-sounding in response. The deceptively simple-sounding scaler motion of chords in the piano combined with the melodic line that mirrors that motion but adds dramatic intervallic leaps, results in a very dramatic song. The addition of choral lines here enhances the drama inherent in the harmonies. This is a great choice for choir directors seeking a different kind of challenge for their groups. It can even be used in Halloween programs. Italian and English.
$2.00
O' sole mio
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Choral SATB
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INTERMEDIATE/ADVANCED
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music: Eduardo di Capua, lyric
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Bacco Baccanels
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O' sole mio
#
Bacco Baccanels
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1410812 Composed by music: Eduardo di Capua, lyrics: Giovanni Capurro. Arrang...
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1410812 Composed by music: Eduardo di Capua, lyrics: Giovanni Capurro. Arranged by Bacco Baccanels. 19th Century,A Cappella,Classical,Opera,Traditional. 9 pages. Bacco Baccanels #993210. Published by Bacco Baccanels (A0.1410812). English (for Italian see below)--------This vocal arrangement is quite similar to the original song, rather than a choral arrangement you'll find a rhythmic approach.I only used two phrases of the original three ones, with the beautiful refrain with an harmonic movement at bars 38 and 39.In the ending I took some liberties, there isn't the powerful à la Caruso ending. Instead, after the closing there is a little more complex and dramatic harmonic part.Your attention please: I wrote two arrangements: a richer SATTBB and a simpler SATB; soprano and contralto between the two are different, it is not enough to remove the second tenor and the baritone from SATTBB to obtain SATB.Italiano--------L'arrangiamento vocale è abbastanza simile all'originale per cui piuttosto che un arrangiamento corale ho preferito un approccio ritmico.Ho usato solo due frasi delle tre originali con il bellissimo ritornello che si movimenta armonicamente alle battute 38 e 39.Nel finale mi son lasciato andare, non c'è il finale potente alla Caruso ma dopo la chiusura c'è una parte armonica un po' più complessa e drammatica ma che termina in modo scherzoso.Attenzione: ho scritto due arrangiamenti: SATTBB più ricco e SATB più semplice; le parti di soprano e contralto tra i due sono diverse, non basta levare il secondo tenore e il baritono da SATTBB per ottenere SATB se no non suona bene.
$1.99
O' sole mio
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Choral SATB
#
INTERMEDIATE/ADVANCED
#
music: Eduardo di Capua, lyric
#
Bacco Baccanels
#
O' sole mio
#
Bacco Baccanels
#
SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1410810 Composed by music: Eduardo di Capua, lyrics: Giovanni Capurro. Arranged by B...
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1410810 Composed by music: Eduardo di Capua, lyrics: Giovanni Capurro. Arranged by Bacco Baccanels. 19th Century,A Cappella,Opera,Traditional. 9 pages. Bacco Baccanels #993208. Published by Bacco Baccanels (A0.1410810). English (for Italian see below)--------This vocal arrangement is quite similar to the original song, rather than a choral arrangement you'll find a rhythmic approach.I only used two phrases of the original three ones, with the beautiful refrain with an harmonic movement at bars 38 and 39.In the ending I took some liberties, there isn't the powerful à la Caruso ending. Instead, after the closing there is a little more complex and dramatic harmonic part.Your attention please: I wrote two arrangements: a richer SATTBB and a simpler SATB; soprano and contralto between the two are different, it is not enough to remove the second tenor and the baritone from SATTBB to obtain SATB.Italiano--------L'arrangiamento vocale è abbastanza simile all'originale per cui piuttosto che un arrangiamento corale ho preferito un approccio ritmico.Ho usato solo due frasi delle tre originali con il bellissimo ritornello che si movimenta armonicamente alle battute 38 e 39.Nel finale mi son lasciato andare, non c'è il finale potente alla Caruso ma dopo la chiusura c'è una parte armonica un po' più complessa e drammatica ma che termina in modo scherzoso.Attenzione: ho scritto due arrangiamenti: SATTBB più ricco e SATB più semplice; le parti di soprano e contralto tra i due sono diverse, non basta levare il secondo tenore e il baritono da SATTBB per ottenere SATB se no non suona bene.
$1.99
Gloire Alléluia, Il Est Vivant!
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Choral SATB
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BEGINNER
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French
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Gloire Alléluia, Il Est Vivan
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Mare Dan Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.1399734 By French. By Dan Bradley. Christian,Easter,Praise & Worship,Religious,Spiritual....
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Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.1399734 By French. By Dan Bradley. Christian,Easter,Praise & Worship,Religious,Spiritual. 8 pages. Mare Dan Music #983007. Published by Mare Dan Music (A0.1399734). En Francais Gloire Alléluia, Il Est Vivant! available also in Spanish: Gloria Aleluya, ¡Está Vivo! and in English: Glory Hallelujah He is Alive. Also available as solo, two parts, SAB and SATB. He Is Alive is perfect for Easter and Easter Season tells the story of the Women at the Tomb, The Road to Emmaus, Doubting Thomas. They all come to one conclusion: He Is Alive! The music has a Hebrew modality and uses rhythms like a hora. Fun and dramatic to sing and based on solid scriptures. Can provide many wonderful lessons in Faith.Il Est Vivant est parfait pour la période de Pâques et raconte l'histoire des femmes au tombeau, du chemin d'Emmaüs et de Thomas le Douteux. Une seule conclusion s'impose : Il est vivant ! Cette chanson est également disponible en Solo, Two Part, SAB et SATB, ainsi qu'en espagnol : Gloria Aleluya, Esta Vivo ! et en français : Gloire Alléluia, Il Est Vivant.La musique a une modalité hébraïque et utilise des rythmes comme la hora. Le chant est amusant et dramatique et repose sur des écritures solides. Elle peut offrir de merveilleuses leçons de foi.
$2.49
Jephte
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Choral SATB
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Giacomo Carissimi
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Jephte
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Roger Dean Publishing
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SheetMusicPlus
SATB choir divisi, Continuo - Digital Download SKU: LX.HCMC107 Composed by Giacomo Carissimi. Edited by Fiora Contino. Major Work. 48 pages. Roger Dean P...
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SATB choir divisi, Continuo - Digital Download SKU: LX.HCMC107 Composed by Giacomo Carissimi. Edited by Fiora Contino. Major Work. 48 pages. Roger Dean Publishing #eHCMC107. Published by Roger Dean Publishing (LX.HCMC107). UPC: 000308012118.Although recent publications indicate that his most creative contribution to musical forms of the middle baroque may have been in the development of the Italian chamber cantata, Giacomo Carissimi (1605-1674) is best remembered for his 16 extant oratorios, with Jephte generally accepted as his masterpiece. In many ways, Carissimi's oratorios are an enlargement of techniques which he set forth in his cantatas. Both forms stem from the passion for dramatization which was sweeping Italy at the time of opera, and it is this dramatic quality, sustained on several levels, that this edition attempts to delineate. A realized continuo is provided with possible additional instrumentation suggested. Likewise, vocal ornamentation is indicated, although the performer is free to embellish at will. A literal English translation of the Latin text has also been provided.
$8.95
Easter Praise of the Passion of Jesus on Good Friday
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Choral SATB
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INTERMEDIATE
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David William Stauffer
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Good Friday.
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Easter Praise of the Passion o
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David Stauffer
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1032105 Composed by David William Stauffer. Christian,Easter,Gospel,Sacred,Spiritual. Octavo. 11...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1032105 Composed by David William Stauffer. Christian,Easter,Gospel,Sacred,Spiritual. Octavo. 11 pages. David Stauffer #4361043. Published by David Stauffer (A0.1032105). An emotional Soprano-Alto-Tenor-Bass Choral arrangement of the actual words that Jesus Christ said on Maundy Thursday and Good Friday. The song is uniquely suitable for a powerful soprano or tenor soloist, with the other choir parts serving as dramatic back-up. A good choir director will direct dramatical volume changes and abrupt choir rests. .
$9.99
Wisconsin Anthem
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Choral SATB
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BEGINNER
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Broadway
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Tom Shelton, Susan C
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Wisconsin Anthem
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Sleep Till Noon Productions
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SheetMusicPlus
Choral Choir (Mixed) - Level 1 - Digital Download SKU: A0.899159 Composed by Tom Shelton, Susan C. Hunter. Broadway,Musical/Show. Octavo. 3 pages. Sleep ...
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Choral Choir (Mixed) - Level 1 - Digital Download SKU: A0.899159 Composed by Tom Shelton, Susan C. Hunter. Broadway,Musical/Show. Octavo. 3 pages. Sleep Till Noon Productions #44947. Published by Sleep Till Noon Productions (A0.899159). From Caddie Woodlawn: A choral blessing for the state of Wisconsin. Carol Ryrie Brink’s Newbery Award-winning novel Caddie Woodlawn is brought to exuberant life as a musical. Caddie (the iconic, high-spirited Wisconsin pioneer girl beloved by generations of readers) leads her willing siblings in a series of thrilling adventures and memorable songs. In a dramatic climax, Caddie single-handedly diffuses a potentially deadly clash between the terrified settlers and the local Dakota tribe through a daring and dangerous act. Ultimately, Caddie learns invaluable lessons about reconciling the head-strong child she’s been, and the responsible adult she is soon to be. Through it all, the sacredness of tradition – passed from one generation to the next – is powerfully dramatized. As one wise friend tells Caddie: Families – they’re our link to forever, lass. Performance rights available from Samuel French (samuelfrench.com.
$3.99
The Passion of our Lord Jesus Christ
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Choral SATB
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INTERMEDIATE
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Gilbert M
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The Passion of our Lord Jesus
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Sacred Music Press
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SheetMusicPlus
SATB choir, Congregation, Narration, Organ - Intermediate - Digital Download SKU: LX.55-1034S Composed by Gilbert M. Martin. Choral Cantatas. Holy Week. ...
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SATB choir, Congregation, Narration, Organ - Intermediate - Digital Download SKU: LX.55-1034S Composed by Gilbert M. Martin. Choral Cantatas. Holy Week. 44 pages. Sacred Music Press #e55/1034S. Published by Sacred Music Press (LX.55-1034S). Holy Week is vividly encapsulated in this remarkable composition. It com-bines narratives of biblical verse and religious poetry, congregational singing, and original choral settings of familiar hymns to dramatize Jesus' final days and hours. The work is conceived to enhance the preparatory celebration of Easter The music is, by turns, reflective (THE CALL), introspective (O LOVE, HOW DEEP, HOW BROAD, HOW HIGH), commanding (RIDE ON RIDE ON IN MAJESTY), gentle(LET US BREAK BREAD TOGETHER), dramatic (GO TO DARK GETHSEMANE), and ultimately, life-accepting (WERE YOU THERE?). This noteworthy musical achievement enhances the most important celebration of the Christian year.
$8.95
Mary Magdalene - a Roger Jones musical
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Choral SATB
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INTERMEDIATE
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Sacred music
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Roger Jones
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Annie Routley
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Mary Magdalene - a Roger Jones
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927457 Composed by Roger Jones. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927457 Composed by Roger Jones. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 103 pages. Christian Music Ministries #6230197. Published by Christian Music Ministries (A0.927457). A musical telling the story of Mary Magdalene and the dramatic changes wrought in her life through her encounters with Jesus, comprising twelve songs (one of which is a medley of three songs) and lasting approximately 70 minutes (without narrations). Soloists required: Mary Magdalene, Mary the mother of Jesus, Peter, Jesus, plus Narrator and SATB choir.The musical is suitable for adult choirs or church performance. The choir sings in all except two songs. Song 5 is an instrumental which is suitable for dance or additional drama. The musical can be performed as a fully staged production, or as a concert version with narration.This vocal score comprises full piano score, SATB choir, solo parts, guitar chords and narration.
$9.99
Name of All Majesty
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Choral SATB
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Sacred music
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Thomas Fettke
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Name of All Majesty
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Hope Publishing - Digital
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SheetMusicPlus
Choral SATB choir - Digital Download SKU: H1.C5239DP Composed by Thomas Fettke. Piano Accompaniment with Optional Orchestra. General Worship, God's Attri...
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Choral SATB choir - Digital Download SKU: H1.C5239DP Composed by Thomas Fettke. Piano Accompaniment with Optional Orchestra. General Worship, God's Attributes/Character, Adoration & Praise. Octavo. 8 pages. Hope Publishing - Digital #C5239DP. Published by Hope Publishing - Digital (H1.C5239DP). Timothy Dudley-Smith. Exodus:15:6 - Exodus:15:11 - Psalms 8:1 - Psalms 8:9 - Psalms 93:1 - Psalms 96:6 - Psalms 104:1 - Psalms 110:3 - Psalms 111:3 - Psalms 145:5 - Isaiah 2:10 - Isaiah 2:19 - Isaiah 2:21 - Isaiah 35:10 - Hebrews 1:3 - Hebrews 8:1 - 2 Pet.Original anthem Tom Fettke has compoased dramatic new music for Timothy Dudley-Smith's popular hymn text of adoration. The grandiose orchestral track, from Camp Kirkland, provides sweep and drama, whereas performance with just piano, transforms this traditional hymn text into a flowing praise and worship-like chorus.
$2.95
Learn from Him
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Choral SATB
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EASY
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Sacred music
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Lani Smith
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Learn from Him
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Laurel Press
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SheetMusicPlus
SATB choir, SAB - Moderately easy - Digital Download SKU: LX.10-2093LA Arranged by Lani Smith. Easy Anthem Series. Sacred Anthem, Holy Week. Octavo. 7 pa...
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SATB choir, SAB - Moderately easy - Digital Download SKU: LX.10-2093LA Arranged by Lani Smith. Easy Anthem Series. Sacred Anthem, Holy Week. Octavo. 7 pages. Laurel Press #e10/2093LA. Published by Laurel Press (LX.10-2093LA). From the best-selling cantata, Stations of the Cross (55/1012L), comes this dramatic setting of the hymn tune REDHEAD in a flexible voicing. The driving and supportive accompaniment allows the choral parts to remain easy, while accurately reflecting the drama of Holy Week.
$2.40
Starlight sonata
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Choral SATB
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EASY
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Opera
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Dramaine Ivy
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Dramaine Ivy
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Starlight sonata
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SheetMusicPlus
Composed by Dramaine Ivy. Arranged by Dramaine Ivy. Opera. Octavo. 2 pages. Dramaine #4988035. Published by Dramaine...
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Composed by Dramaine Ivy. Arranged by Dramaine Ivy. Opera. Octavo. 2 pages. Dramaine #4988035. Published by Dramaine
$3.00
Giovanni Bononcini - Anthem (for the Funeral of John Duke of Marlborough)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Giovanni Bononcini
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Giovanni Bononcini, Giovanni B
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Guido Menestrina
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Giovanni Bononcini - Anthem
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contemporary,Sacred. Octavo. 44 pages. Guido Menestrina #368381. Published by Guido Menestrina (A0.828704). Anthem which was performed in King Henry the Seventh's Chappel at the Funeral of the most Noble & Victorious Prince John Duke of Marlborough By Giovanni Bononcini (1670-1747) transcribed by Guido Menestrina Il padre, Giovanni Maria Bononcini (Buononcini) (1642-1678), era stato violinista e compositore: attivo alla corte di Modena, aveva scritto un trattato, Musico prattico, pubblicato nel 1673. Il fratello minore di Giovanni, Antonio Maria, fu anch'egli musicista. Proprio dal padre Giovanni ricevette la prima educazione musicale; quando questi morì, nel 1678, divenne studente di Giovanni Paolo Colonna a Bologna, dove vennero eseguiti i suoi primi lavori. Proprio grazie al Colonna entrò a far parte dell'Accademia dei Filarmonici in veste di compositore. Nel 1685 aveva già preparato e pubblicato le sue prime opere. Ottenne nel 1688 il posto di musicista presso la basilica di San Petronio, e più tardi divenne maestro di cappella nella chiesa di San Giovanni in Monte. Sempre a Bologna fece la conoscenza del librettista Silvio Stampiglia, assieme al quale, tra il 1692 e il 1696, produrrà cinque opere. A partire dal 1692 si recò a Milano, Roma (dove fu apprezzato e sostenuto da Filippo II Colonna e dalla sua consorte Olimpia Pamphilj) e Venezia; infine, dal 1698 al 1711 si stabilì a Vienna, dove godette i favori degli imperatori Leopoldo I e Giuseppe I. Di passaggio a Berlino nel 1702, incontrò Georg Friedrich Händel, di quindici anni più giovane di lui, di cui riconobbe il talento precoce: lo avrebbe rincontrato alcuni anni più tardi. Dal 1714 al 1719 fu di nuovo a Roma, al servizio di Johann Wenzel, Conte di Gallas, Ambasciatore dell'Imperatore d'Austria a Roma, molto noto per il suo amore per la musica. Al Conte di Gallas, Bononcini dedicò la Favola Pastorale Erminia, rappresentata al Teatro della Pace nella Stagione del Carnevale del 1719. Il dramma musicale ebbe grandissimo successo sia per la musica, sia per gli interpreti, fra cui si segnalarono Domenico Gizzi (1687-1758), Musico Soprano della Real Cappella di Napoli ed il celebre contralto napoletano Francesco Vitale. Sempre nella Stagione del Carnevale 1719 al Teatro della Pace, Bononcini rappresentò il dramma per musica L'Etearco, dal librettista Silvio Stampiglia dedicato alla Contessa Ernestina di Gallas, moglie dell'Ambasciatore austriaco. Anche in questo dramma per musica Domenico Gizzi e Francesco Vitale fecero apprezzare tutte le spezie più ricercate del virtuosismo canoro. Poi, dal 1720 si stabilì a Londra, sotto la protezione del John Churchill, I duca di Marlborough. Qui si esibì anche al violoncello in numerosi concerti, molto apprezzati dall'aristocrazia inglese. Divenne membro della prestigiosa Royal Academy of Music.[senza fonte] Il pubblico londinese era, all'epoca, totalmente ignorante dell'opera italiana, e Händel stava muovendo i primi passi della sua prestigiosa carriera. Fra i due compositori si accese un forte spirito di competizione, sia che collaborassero alla realizzazione della medesima impresa (i tre atti dell'opera Muzio Scevola furono composti il primo da Filippo Amadi, il secondo da Bononcini, il terzo da Händel, al fine di soddisfare tutti e tre gli artisti), sia che, più spesso, si impegnassero in produzioni rivali. Le opere di maggior successo di Bononcini in quegli anni furono Astarto (1720), Crispo (1722), Griselda (1722), che si rivelò un vero e proprio trionfo, Erminia (1723), Calfurnia (1724). A favore dell'italiano era anche una certa ostilità verso Händel dovuta alle sue origini tedesche e alla contemporanea presenza sul trono inglese della poco amata dinastia di Hannover. Ma nel 1727-1728 scoppiò uno scandalo che compromise il successo di Bononcini e lo costrinse a lasciare Londra: il compositore Antonio Lotti accusò il madrigale di Bononcini In una siepe ombrosa di essere un plagio di un brano dei suoi Duetti, terzetti e madrigali. Fuggito a Parigi nel 1733, a causa di speculazion.
$9.99
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
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Choral SATB
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages...
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Choral Choir (SATB) - Digital Download SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #481065. Published by Guido Menestrina (A0.828714). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://www.youtube.com/watch?v=vqOa9skJg5o.
$13.99
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
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Choral SATB
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INTERMEDIATE/ADVANCED
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guido Menestrina #238145. Published by Guido Menestrina (A0.828703). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimentoEdit Published by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: http://youtu.be/q3iMskZjm1Y.
$17.99
Maranatha! The Lord Is Come! - Christmas Cantata
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Choral SATB
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INTERMEDIATE
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Glenn & Jan Christianson
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Jan Christianson!
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Maranatha! The Lord Is Come! -
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Bible Truth Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.770868 Composed by Glenn & Jan Christianson. Christmas,Sacred,Spiritual. 83 pages. Bible ...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.770868 Composed by Glenn & Jan Christianson. Christmas,Sacred,Spiritual. 83 pages. Bible Truth Music #3543947. Published by Bible Truth Music (A0.770868). Preview Maranatha! The Lord Is Come Christmas Cantata here: https://www.youtube.com/watch?v=p0-H31IFH5cA powerful drama presenting both the first and second coming of Christ. A dying man tries to witness to his life-long friend and warn him of Christ's return. The drama climaxes with the rapture and the lost friend is left behind. POWERFUL drama with equally powerful musical arrangements by Glenn & Jan Christianson!
$7.99
The Perfect Christmas
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Choral SATB
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Christmas
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Stan Pethel
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The Perfect Christmas
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
SATB choir - Digital Download SKU: LX.65-1919L For choir with narration or drama. Composed by Stan Pethel. Choral Cantatas. Christmas. 76 pages. L...
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SATB choir - Digital Download SKU: LX.65-1919L For choir with narration or drama. Composed by Stan Pethel. Choral Cantatas. Christmas. 76 pages. Lorenz Publishing - Digital Sheet Music #e65/1919L. Published by Lorenz Publishing - Digital Sheet Music (LX.65-1919L). UPC: 000308051308. Text: Mark Cabaniss.This bright and entertaining Christmas work may be performed with a folksy, home town drama about the people and events of Christmas Eve in Greendale, or with narrators from the choir without drama. The music varies from lightly entertaining to quiet beauty to exuberant joy, and incorporates several favorite carols.
Song List
: Away In A Manger Come And Worship In Bethlehem A Star Joy Listen to Christmas O Come All Ye Faithful Salvation Will Come Sing The News
$9.95
La tierra sin nombre
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Choral SATB
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EASY
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Contemporary
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Juan Guerra González
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La tierra sin nombre
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1117766 Composed by Juan Guerra González. Classical,Contemporary. Octavo. 15 pages. Juan Carl...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1117766 Composed by Juan Guerra González. Classical,Contemporary. Octavo. 15 pages. Juan Carlos Guerra Gonzalez #719307. Published by Juan Carlos Guerra Gonzalez (A0.1117766). La tierra sin nombre (SATB with Piano) Lilliam Armijo, poeta (El Salvador b. 1986) Juan Guerra González, música (El Salvador - USA, b. 1980) La tierra sin nombre es una obra que explora el drama de la migración y la añoranza de la patria, y como una persona que migra se convierte en algún momento en un ser sin patria. La obra cuenta con una apasionante parte de piano y ricas armonÃas que llevan al oyente a través de ese drama musical. La tierra sin nombre, is a work that explores the drama of immigration. It talks about homesickness, and how every person who migrates explores the idea of being without a homeland (at least for a small adaptation period) This work include rich choral harmonies and a balanced and beautiful piano part that will make the listener experience all those feelings. Check the world premiere in the following video: https://youtu.be/KGuB4EPV8AI?t=773.
$2.99
Happy Is That People Whose God Is the LORD (based on Psalm 144:12-15)--SATB, piano intro & chords
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kristopher James Murdock
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Happy Is That People Whose God
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Revelation & Restoration Music & Drama
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1473370 By Kristopher James Murdock. By Kristopher James Murdock. Christian,Contest,...
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1473370 By Kristopher James Murdock. By Kristopher James Murdock. Christian,Contest,Festival,Jewish,Praise & Worship,Sacred. 4 pages. Revelation & Restoration Music & Drama #1051194. Published by Revelation & Restoration Music & Drama (A0.1473370). This song is for you if you're searching for a piece that:- Helps with reading the entire bass and treble staff...- Helps singers level up their rhythm reading by including a little syncopation in the middle of mostly simpler rhythms...- Provides singers the opportunity to explore their full range of pitch and dynamics...- Helps keep everyone's attention by being fast paced and exciting...- Provides practice in reading 2/2 time signature...- Provides a simple experience for your accompanist by using chord symbols (though they may want to play the choir parts as a piano part)...- Is legal for your non-profit, school, or charity to record and broadcast--and even sell recordings exclusively for your non-profit, school, or charity (I'm granting you these rights with legal purchase)......so feel free to take a peek at the PDF preview and see for yourself.
$1.99
Wildfire - The story of Stephen
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Choral SATB
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EASY
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Sacred music
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Roger Jones, Alison Fuggle
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Annie Routley
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Wildfire - The story of Stephe
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.927486 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Musical/Show...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.927486 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Musical/Show,Praise & Worship,Sacred,Spiritual. Octavo. 97 pages. Christian Music Ministries #6550461. Published by Christian Music Ministries (A0.927486). A musical about Stephen, the first of Jesus' followers to die for his faith, starting on the day of Pentecost and following Stephen's ministry of service in the early church.It comprises 13 songs and lasts approximately 55 minutes with narration. Soloists required: Stephen, Lydia (his wife), Anna (his daughter), Rhoda (his mother), Paul, Philip (non-singing, but has a part in the drama), plus Narrator and SATB choir.The choral parts are written in SATB harmony, and the choir sing in 12 of the 13 songs. The musical is ideally suited to performance in church or mixed group situations, although it could be performed by senior school children. The musical can be performed as a fully staged production with drama or a concert version with narration.Full piano score, guitar chords, SATB and solo voices plus narration.
$9.99
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