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6 sheet music found
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1
Ave Maria
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Choral SATB
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EASY
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Paul Lorenz
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Paul Lorenz
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Ave Maria
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Paul Lorenz
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 2 - Digital Download SKU: A0.1513380 By Paul Lorenz. By Sergei Wassiljewitsch Rachmaninow. Arranged by Paul Lor...
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Choral Choir,Choral (SATB Chorus) - Level 2 - Digital Download SKU: A0.1513380 By Paul Lorenz. By Sergei Wassiljewitsch Rachmaninow. Arranged by Paul Lorenz. 20th Century,A Cappella,Classical,Religious,Sacred. 6 pages. Paul Lorenz #1088255. Published by Paul Lorenz (A0.1513380). Rachmaninoff Ave Maria Choral Arrangement by Paul Lorenz Discover a stunning new arrangement of Rachmaninoff's Ave Maria by renowned composer Paul Lorenz. This exclusive SATB choral arrangement (Soprano, Alto, Tenor, Bass) captures the emotional depth of the original piece while making it accessible for choirs of all sizes. Available as a PDF download, this edition includes both the full choir score and individual vocal parts. Download Ave Maria Sheet Music for Choir Perfect for classical music enthusiasts, choir directors, and performers, this arrangement of Ave Maria is ideal for both professional ensembles and community choirs. Paul Lorenz’s sensitive touch brings Rachmaninoff's timeless work to life, enhancing its harmonic beauty. High-Quality PDF Sheet Music for Choirs Whether you're preparing for a concert or expanding your choir’s repertoire, the Ave Maria by Rachmaninoff SATB arrangement offers a flawless blend of tradition and innovation. Download this Rachmaninoff Ave Maria choral music PDF today and let your choir shine.
$2.99
When I Survey the Wondrous Cross
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Choral SATB
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INTERMEDIATE
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Sacred music
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pages. WheatMyer Music #4775085. Published by WheatMyer Music (A0.976711). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The piano/organ accompaniments are straightforward yet very colorful. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet does not compromise on artistic expression.The parts provided in this version include a full score, a piano-vocal octavo (which may be performed alone), and organ and timpani/percussion parts. Neither organ or timpani are required but adding either or both provides a deep and rich experience. Parts for reduced orchestra (strings and single winds) are available separately.
$2.50
Let the Nations Praise the Lord
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Choral SATB
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Michael Ware
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Let the Nations Praise the Lor
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Piano, SATB choir; Optional Accompaniment MP3, Brass Score and Parts, Percussion - Digital Download SKU: LX.10-5808L (Antiphonal Praise). Composed...
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Piano, SATB choir; Optional Accompaniment MP3, Brass Score and Parts, Percussion - Digital Download SKU: LX.10-5808L (Antiphonal Praise). Composed by Michael Ware. With Optional Accompaniment MP3, Brass Score and Parts, Percussion. Sacred Anthem. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5808L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5808L). This exciting anthem from Michael Ware serves as a perfect opener for any worship service or sacred concert. As the subtitle suggests, a sturdy melody is passed back and forth across sections of the choir and culminates in an enthusiastic exhortation to “Praise Him!†Sophisticated harmonies give the music a festival-like quality, and an engaging orchestration for brass and percussion is also available.
$2.50
Stand Up!
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Choral SATB
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Joel Raney
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Stand Up!
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Hope Publishing - Digital
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SheetMusicPlus
Choral SATB choir - Digital Download SKU: H1.C5595DP Arranged by Joel Raney. Hymntune, General Worship, Gospel. Octavo. 12 pages. Hope Publishing - Digit...
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Choral SATB choir - Digital Download SKU: H1.C5595DP Arranged by Joel Raney. Hymntune, General Worship, Gospel. Octavo. 12 pages. Hope Publishing - Digital #C5595DP. Published by Hope Publishing - Digital (H1.C5595DP). 2 Corinthians 1:20 - 2 Corinthians 1:21 - 2 Corinthians 1:22 - Ephesians 6:14 - Luke 1:19 - Philippians 1:27 - Mark 12:28 - Mark 12:29 - Mark 12:30 - Mark 12:31 - Mark 12:32 - Mark 12:33 - Mark 12:34.Medley of classic gospel hymns A rousing collection of classic gospel hymns are sewn together by composer Joel Raney, using the key command to stand up in faith and trust in God. This enthusiastic medley is a compelling toe tapper for SATB choir with a spirited gospel accompaniment. For a bit of fun-filled nostalgia, here is a guaranteed winner for the new choir season. The rhythm track is phenomenal! The Rhythm Parts includes: B-3 Organ, Bass Guitar and Drums.
$3.25
Missa Solemnis, op. 27 (vocal score)
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Choral SATB
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adr...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Bright Eyes
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Choral SATB
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INTERMEDIATE
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Mike Batt
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Merlyna Lim
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Bright Eyes
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Merlyna Lim
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1335723 Composed by Mike Batt. Arranged by Merlyna Lim. 20th Century,A Cappella,Fo...
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1335723 Composed by Mike Batt. Arranged by Merlyna Lim. 20th Century,A Cappella,Folk,Pop. 9 pages. Merlyna Lim #921545. Published by Merlyna Lim (A0.1335723). Embark on a captivating journey with my unique a cappella arrangement of Bright Eyes, a timeless piece composed by Mike Batt and popularized by the iconic Art Garfunkel. Immerse yourself in the enchanting harmonies that breathe new life into this classic, providing a fresh and emotive experience for music enthusiasts. This rendition stands out with its meticulously crafted vocal arrangements, appealing to those who savor a blend of tradition and contemporary innovation.Feel the expressive power of a cappella storytelling as it takes you on a transformative journey through the timeless soundscape of Bright Eyes. Each note, a brushstroke, creates a vivid and emotive portrait that resonates with connoisseurs of musical excellence. Elevate your auditory senses and indulge in this exceptional musical experience, where harmonious voices intertwine to craft a symphony that transcends the ordinary.Parts: SSATTB with 2 SoloistsDuration: 04:27.
$2.59
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