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Follow The Fold
Choral SATB
Sheetmusic to print
8 sheet music found
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1
The Choir Invisible
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Choral SATB
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ADVANCED
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Nicholas White
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The Choir Invisible
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Nicholas White Music
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1257185 Composed by Nicholas White. 21st Century,Classical,Traditional. Octavo. 16 pages....
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1257185 Composed by Nicholas White. 21st Century,Classical,Traditional. Octavo. 16 pages. Nicholas White Music #850509. Published by Nicholas White Music (A0.1257185). George Eliot's poem is given a rich and powerful setting for choir and organ.O May I join the choir invisible  Of those immortal dead who live again  In minds made better by their presence: live  In pulses stirr'd to generosity,  In deeds of daring rectitude, in scorn For miserable aims that end with self,  In thoughts sublime that pierce the night like stars,  And with their mild persistence urge man's search  To vaster issues.      So to live is heaven:  To make undying music in the world,  Breathing as beauteous order that controls  With growing sway the growing life of man.  So we inherit that sweet purity  For which we struggled, fail'd, and agoniz'd With widening retrospect that bred despair.  Rebellious flesh that would not be subdued,  A vicious parent shaming still its child,  Poor anxious penitence, is quick dissolv'd;  Its discords, quench'd by meeting harmonies,   Die in the large and charitable air.  And all our rarer, better, truer self,  That sobb'd religiously in yearning song,  That watch'd to ease the burthen of the world,  Laboriously tracing what must be,    And what may yet be better,—saw within  A worthier image for the sanctuary,  And shap'd it forth before the multitude,  Divinely human, raising worship so  To higher reverence more mix'd with love,—   That better self shall live till human Time  Shall fold its eyelids, and the human sky  Be gather'd like a scroll within the tomb Unread forever.      This is life to come,  Which martyr'd men have made more glorious     For us who strive to follow. May I reach  That purest heaven, be to other souls  The cup of strength in some great agony,  Enkindle generous ardor, feed pure love,  Beget the smiles that have no cruelty,Be the sweet presence of a good diffus'd,  And in diffusion ever more intense!  So shall I join the choir invisible  Whose music is the gladness of the world.
$4.00
Rock - a Roger Jones musical
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Choral SATB
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INTERMEDIATE
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Sacred music
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Music...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99
Listen to the Spirit - SATB
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Choral SATB
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BEGINNER
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KATHLEEN HOLYOAK
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Listen to the Spirit - SATB
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Kathleen Holyoak
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1476632 Composed by KATHLEEN HOLYOAK. Christian,Christmas,Praise & Worship,Religious...
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Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1476632 Composed by KATHLEEN HOLYOAK. Christian,Christmas,Praise & Worship,Religious,Sacred. 5 pages. Kathleen Holyoak #1054139. Published by Kathleen Holyoak (A0.1476632). Listen to the Spirit (SATB arrangement) was commissioned for a choir in San Diego for a cantata and appropriatefor any worship service. Some of the words by Gary Croxall are as follows: (Also available as a vocal solo.) First verse:Open your ears that ye may hearand your heart to understand.Open your eyes and turn to God,for ye shall see His hand.He will not leave you comfortless,His precious Son divineasks God to shed the Spiriti's light on meek,enquiring minds.Refrain:Listen to the Spirit.The things He speaks are true.The messenger of God unfolds deep mysteries to view.Like a fire burning,He dwells within the heart.From faithful soul who heed His voice,He never shall depart.He guides us to the iron rodand leads our souls to God.
$2.99
God, and God Alone
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Choral SATB
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Joel Raney
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God, and God Alone
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Hope Publishing - Digital
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SheetMusicPlus
Choral SATB choir with optional organ, handbells & brass - Digital Download SKU: H1.C5691DP Composed by Joel Raney. Piano with Optional Organ, Handbells ...
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Choral SATB choir with optional organ, handbells & brass - Digital Download SKU: H1.C5691DP Composed by Joel Raney. Piano with Optional Organ, Handbells & Brass. General Worship. Octavo. 12 pages. Hope Publishing - Digital #C5691DP. Published by Hope Publishing - Digital (H1.C5691DP). Joel Raney.Original Anthem Make a joyful noise to the Lord and sing to God a joyful new song! With these familiar words, Joel Raney begins his latest original Psalm setting, which unfolds with exuberant energy and conviction. The appearance of Joyful, Joyful, We Adore Thee is a refreshing addition and is followed with original words that proclaim unity of the Church through faith in Jesus Christ. The optional instruments enhance the overall impact of this majestic and celebratory anthem of praise. The Brass packet contains a Conductor's Score and parts for 2 B-flat Trumpets, 2 Trombones, Horn (in lieu of Trombone 1), 3-5 oct. Handbells & Organ.
$2.95
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Choral SATB
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ADVANCED
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Mu...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Choral SATB
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ADVANCED
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Mu...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
Cantata for Good Friday
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Choral SATB
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INTERMEDIATE/ADVANCED
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Brian Lockard
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Cantata for Good Friday
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Brian Lockard
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.741351 Composed by Brian Lockard. Easter,Romantic Period,Sacred. Octavo. 44 pages. Brian Lockard...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.741351 Composed by Brian Lockard. Easter,Romantic Period,Sacred. Octavo. 44 pages. Brian Lockard #5209319. Published by Brian Lockard (A0.741351). Composed for small choir(12-24 voices, SATB), piano, narrator and congregation. Text selected from Matthew chapters 26 and 27 is narrated over piano and important quotes are sung by the Chorus. Four traditional hymns are included as part of the cantata and are arranged to be sung along with the congregation as the story unfolds.(What Wondrous Love is This?, O the Deep, Deep Love of Jesus, O Sacred Head Now Wounded, When I Survey the Wondrous Cross)Total time: 18 min.Tonal throughout, with classical elements.Works well for the musical portion of a Good Friday service followed by a message and communion.
$2.50
Fantasy on O Mirtillo (Downloadable)
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Choral SATB
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INTERMEDIATE
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Wedding/Ballad
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John David Earnest
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Fantasy on O Mirtillo
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir unaccompanied - Medium - Digital Download SKU: MQ.7819-E Composed by John David Earnest. Wedding. 16 pages. Duration 7 minutes, 30 seconds. E....
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SATB choir unaccompanied - Medium - Digital Download SKU: MQ.7819-E Composed by John David Earnest. Wedding. 16 pages. Duration 7 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #7819-E. Published by E. C. Schirmer Music Company - Digital (MQ.7819-E). Italian.This piece is a collaborative project with conductor/poet Robert Bode. A choral work in memory of Dr. Morris J. Beachy based on Monteverdi's O Mirtillo. Bode's text and Earnest's music are an evocation of the experience of singing Monteverdi’s madrigal, and certain fragments of his madrigal have been folded into this work—both textually and musically.Commissioned and premiered by the University of Missouri-Kansas City Conservatory Singers in October 2011 under Robert Bode’s direction. The performance of the Fantasy immediately followed a performance of Monteverdi’s madrigal without pause. Duration: 7:30.
$2.85
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