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You've selected:
Fugue In A For Organ
Choral SATB
Sheetmusic to print
9 sheet music found
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1
Bach Little Fugue in G Minor for Double Reed Choir BWV 578
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Choral SATB
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ADVANCED
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Classical
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Johann Sebastian Bach
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Stephanie Daige
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Bach Little Fugue in G Minor f
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Stephanie Daige
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SheetMusicPlus
Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo....
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Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Stephanie Daige #3377603. Published by Stephanie Daige (A0.796870). This little fugue is one of Bach's most famous and beloved organ works. Re-imagined for double reed choir, it is a challenging and fun setting for this fugue. The different instruments take turns entering with the subject of the fugue, and interplay back and forth with the other instruments. The timbres of the different instruments adds a whole new textural dimension to this already fascinating work by J.S. Bach. I considered the need to breathe for each of these wind instruments, which obviously wasn't an issue for the original version intended for organ. This piece would be appropriate for advanced high school students, college students, or professionals. It would do well in a chamber music concert, in a church, or between acts of a larger ensemble concert, perhaps in another location of the auditorium while a (quiet!) set change is taking place. It would also work well as prelude or lobby music. The duration is just over three minutes (or longer if you prefer to take it slower). Each measure is numbered individually for convenience during rehearsals. I hope you will enjoy performing this piece as much as I have enjoyed arranging it! There are also versions of this piece available for wind and brass quintets. Please check out my other arrangements at: http://www.sheetmusicplus.com/publishers/stephanie-daige/6875
$17.99
Toccata and Fugue in D minor, BWV 538 - Transcription for SATB Choir
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Choral SATB
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Alessio Niccolai
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Toccata and Fugue in D minor,
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Alessio Niccolai
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1029541 Composed by Johann Sebastian Bach. Arranged by Alessio Niccolai. 20th Century,Contempora...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1029541 Composed by Johann Sebastian Bach. Arranged by Alessio Niccolai. 20th Century,Contemporary. Octavo. 20 pages. Alessio Niccolai #5794845. Published by Alessio Niccolai (A0.1029541). The transcription for SATB Choir of the famous organ work of J.S. Bach, consists in a counterpoint explosion of the harmonies through a melodic construction that sometimes corresponds to one of the themes identifiable in the original piece and sometimes has been entirely reinvented; to facilitate the vocal performance of each of the four voices, Alessio Niccolai adapted a text to the musical sequences: it is made up of a set of ancient Latin proverbs.The execution is not the easiest: a casual pronunciation of Italian is certainly optimal for being able to correctly execute the Latin passages. Furthermore, the organ has its own native difficulty which could be significantly reduced with the performance on the piano (possibly in combination with an instrument that operates in the lower registers of the sound range) because the percussion of the hammers increases the auditory perception of the rhythm.However, the performance is not impossible even for an advanced amateur choir and guarantees an impact on the public.The idea of a transcription for choir of a purely organist work like this, was born in Alessio Niccolai's head from his first listening.
$10.00
Missa Millennia in Honor of St. Francis (SATB)
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Choral SATB
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ADVANCED
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Sacred music
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Curtis Hanson
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Missa Millennia in Honor of St
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Pu...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.
$10.00
Toccata and Food in C minor
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Choral SATB
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Austin Ralphson
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Toccata and Food in C minor
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Austin Ralphson
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1162929 Composed by Johann Sebastian Bach. Arranged by Austin Ralphson. A Cappella,Baroque,Comed...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1162929 Composed by Johann Sebastian Bach. Arranged by Austin Ralphson. A Cappella,Baroque,Comedy. Octavo. 8 pages. Austin Ralphson #763280. Published by Austin Ralphson (A0.1162929). This is a tongue-in-cheek, fun arrangement of Bach's famous organ work, Toccata and Fugue in D minor, arranged here for a cappella SATB choir. The unmistakeable ornament at the start of the piece, coupled with its short-and-sweet 2-minute duration, makes it an excellent and fun opening to any concert.If you are feeling creative, percussive rhythms could be provided by plates, cutlery, mugs etc. as desired by the choir!Have fun!
$1.99
Missa Solemnis, op. 27 (vocal score)
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Choral SATB
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adr...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Gaudeamus
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Choral SATB
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INTERMEDIATE/ADVANCED
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David W
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Gaudeamus
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David W. Barber
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1333731 Composed by David W. Barber. A Cappella,Christian,Early Music,Jazz,Medieval. 25 p...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1333731 Composed by David W. Barber. A Cappella,Christian,Early Music,Jazz,Medieval. 25 pages. David W. Barber #920028. Published by David W. Barber (A0.1333731). I wrote this piece in 2018 to mark the 50th anniversaryof the Toronto Chamber Choir, a fine early music choir I have sung with since 1998.Using the  opening of the well-known Gregorian chant Gaudeamus omnes (and changingthe text to let us rejoice in music, Gaudeamus is a five- minute musical history tourthrough the various time periods the TCC sings. It begins with plainchant, then two-voiceorganum of the 11th-century Notre Dame school of Leonin and Perotin, followed bythree-voice hocket of a slightly later period. Then a nod to the 15th-century Dufay motetNuper rosarum flores (which the TCC has performed.) Next comes some 16th-centuryTudor music -- Byrd, say -- including some false relations and a typical English cadence.Then comes an allusion to Purcell, specifically the pleasing dissonance of the “voice of theTurtle†from My Beloved Spake. Then comes a little Bach-like fugue (or fughetta) based onthe Gaudeamus motif. Since the TCC rarely performs Classic/Romantic repertoire, wejump immediately to a jazzy ending in compound meter -- imagine Byrd meets Brubeck,based on one of my own earlier pieces for solo piano, but with elements of the Gaudeamusmelody. And all that in five minutes. Phew!
$3.99
Wachet auf, ruft uns die Stimme
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Choral SATB
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Carl Friedrich Zelter
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Wachet auf, ruft uns die Stimm
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon) - Digital Download SKU: S9.Q19106 Sleepers Wake. Composed by Carl Fried...
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Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon) - Digital Download SKU: S9.Q19106 Sleepers Wake. Composed by Carl Friedrich Zelter. This edition: choral score. Choral Treasury. Downloadable, Choral score. Schott Music - Digital #Q19106. Published by Schott Music - Digital (S9.Q19106). German.With Carl Friedrich Zelter's motet Wachet auf, ruft uns die Stimme, Hermann Max, editor of the Choral Treasury series, has uncovered a real treasure. The three-verse text of the motet for mixed choir (SATB) and basso continuo was written by Friedrich Gottlob Klopstock who kept close to the Advent song of the same name by Philipp Nicolai. During Zelter's lifetime, the motet enjoyed great popularity. And quite rightly so: For the music teacher and friend of Goethe turned out to be a composer with an extraordinary sense of tone. An introductory choral movement is followed by a captivating bass aria which can be optionally sung by all basses of the choir. The piece culminates in an elaborate virtuoso fugue with an interwoven cantus firmus in the bass. A demanding, yet highly rewarding rarity in church music!
$4.99
Wachet auf, ruft uns die Stimme
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Choral SATB
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Carl Friedrich Zelter
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Wachet auf, ruft uns die Stimm
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon) - Digital Download SKU: S9.Q19101 Sleepers Wake. Composed by Carl Fried...
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Mixed choir (SATB) and Generalbass (organ, double bass, cello and bassoon) - Digital Download SKU: S9.Q19101 Sleepers Wake. Composed by Carl Friedrich Zelter. This edition: score. Choral Treasury. Downloadable, Score. Schott Music - Digital #Q19101. Published by Schott Music - Digital (S9.Q19101). German.With Carl Friedrich Zelter's motet Wachet auf, ruft uns die Stimme, Hermann Max, editor of the Choral Treasury series, has uncovered a real treasure. The three-verse text of the motet for mixed choir (SATB) and basso continuo was written by Friedrich Gottlob Klopstock who kept close to the Advent song of the same name by Philipp Nicolai. During Zelter's lifetime, the motet enjoyed great popularity. And quite rightly so: For the music teacher and friend of Goethe turned out to be a composer with an extraordinary sense of tone. An introductory choral movement is followed by a captivating bass aria which can be optionally sung by all basses of the choir. The piece culminates in an elaborate virtuoso fugue with an interwoven cantus firmus in the bass. A demanding, yet highly rewarding rarity in church music!
$21.99
If We But Suffer God To Guide Us
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Choral SATB
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George Neumark
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Eric Willis, Joshua Lloyd Will
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A
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If We But Suffer God To Guide
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Eric Willis
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.944171 Composed by George Neumark. Arranged by Eric Willis, Joshua Lloyd Willis. Christian,Contemporary. O...
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Choral Choir (SATB) - Digital Download SKU: A0.944171 Composed by George Neumark. Arranged by Eric Willis, Joshua Lloyd Willis. Christian,Contemporary. Octavo. 18 pages. Eric Willis #4632987. Published by Eric Willis (A0.944171). 4-Part Choral/Gospel Choir - Intermediate to AdvancedThis beautiful hymn has been arranged as a 4-part fugue. It introduces a gospel-style bridge in the middle. The vocal parts are interesting and fun to sing. The melodic sequences were designed to be easily imprinted on the artist brain so each section of the choir becomes cohesive very quickly. Use: Suitable for choral groups who want to introduce an innovative Classical presentation or re-imagine a familiar hymnPresentation: A capella, Piano accompaniment, Organ accompaniment or full rhythm section
$5.95
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