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Give A Little Bit
Choral SATB
Sheetmusic to print
9 sheet music found
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1
Give A Little Bit
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Choral SATB
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INTERMEDIATE
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The Goo Goo Dolls
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John Bouwmans
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Give A Little Bit
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Music4voices
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1410620 By The Goo Goo Dolls. By Rick Davies and Roger Hodgson. Arranged by John Bou...
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1410620 By The Goo Goo Dolls. By Rick Davies and Roger Hodgson. Arranged by John Bouwmans. 20th Century,Pop. 13 pages. Music4voices #993041. Published by Music4voices (A0.1410620). Give a little bit is a 1977 song by the British band Supertramp. This arrangement is for mixed choir SATB with piano accompaniment. The saxophone solo has been left out and the end is shortened. Arranged by John Bouwmans. Full Score (7 pages) and Choral Score (4 pages). Performance time approx. 2:50. SMP-129.
$2.00
Give A Little Bit
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Choral SATB
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INTERMEDIATE
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Contemporary
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The Goo Goo Dolls
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Jetse Bremer
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Give A Little Bit
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Jetse Bremer
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.861114 By The Goo Goo Dolls. By Rick Davies and Roger Hodgson. Arranged by Jetse Bremer. Contemp...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.861114 By The Goo Goo Dolls. By Rick Davies and Roger Hodgson. Arranged by Jetse Bremer. Contemporary. Octavo. 46 pages. Jetse Bremer #5793795. Published by Jetse Bremer (A0.861114).
$2.50
Perfect Day (theme From The World Of Peter Rabbit And Friends)
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Choral SATB
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INTERMEDIATE
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Colin Towns
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Brendan Wilson
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Perfect Day
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Brendan Wilson
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1193136 Composed by Colin Towns. Arranged by Brendan Wilson. 20th Century,Celtic,Contemporary,Fo...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1193136 Composed by Colin Towns. Arranged by Brendan Wilson. 20th Century,Celtic,Contemporary,Folk,Irish,Singer/Songwriter. Octavo. 11 pages. Brendan Wilson #792591. Published by Brendan Wilson (A0.1193136). For SATB Chorus and PianoImportant notes for this piece:Hold out your vowels until the end of given notes and phrases, such as holding out half notes and dotted half notes. The choir parts would want to be together on ending consonants as well. Make them light but clear.Blending is key. If one part seems to be a little loud or soft, make adjustments when necessary. Having a lot of fifths and blending can make this piece beautiful and clean. The humming bits (the mms) can be adjusted to an oo, oh, or ah sound depending on the director's preference. Change them around if you want.Enjoy this arrangment!
$3.99
What's Love Got To Do With It
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Choral SATB
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EASY
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Tina Turner
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Volker Bublitz
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What's Love Got To Do With It
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Volker Bublitz
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1108790 By Tina Turner. By Graham Lyle and Terry Britten. Arranged by Volker Bublitz. 20th Centu...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1108790 By Tina Turner. By Graham Lyle and Terry Britten. Arranged by Volker Bublitz. 20th Century,A Cappella,Pop. Octavo. 6 pages. Volker Bublitz #711439. Published by Volker Bublitz (A0.1108790). The well known reggae style of the chorus is nicely translated to choir voices. The reggae bass pattern sounds a little bit tricky for not reggae affiliated singers, but is still not too unusual. For better understanding of the rhythm pattern a shaker is added to give the otherwise empty beginning of bar 21 for example. The solo synthesizer part in the middle is divided up to Soprano, Alto and Tenor for more fun and according to the tone range of each voice. The ending has an open chord imitating the question mark of the title, saying: Find your answer (and the ending chord) by yourself!.
$2.99
Happy Ending
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Choral SATB
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INTERMEDIATE
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Mika
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Alex Van den Broek
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Happy Ending
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Alexandra Van den Broek
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1049539 By Mika. By Mika. Arranged by Alex Van den Broek. Contemporary,Pop. Octavo. 13 pa...
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1049539 By Mika. By Mika. Arranged by Alex Van den Broek. Contemporary,Pop. Octavo. 13 pages. Alexandra Van den Broek #653897. Published by Alexandra Van den Broek (A0.1049539). Mika's gorgeous song Happy Ending with all of the parts! There's heaps of divisi through this, so best suited to a larger group to really pull off all of those gospel layers towards the end. The choruses are reimagined a little bit to give you some goosebump-worthy swells too.
$2.99
Let All Things Praise the Lord
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Choral SATB
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INTERMEDIATE
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Charles Wesley-AMSTERDAM, Foun
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Ken Litton
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Let All Things Praise the Lord
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1416727 Composed by Charles Wesley-AMSTERDAM, Foundry Collection, 1742. Arranged by ...
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1416727 Composed by Charles Wesley-AMSTERDAM, Foundry Collection, 1742. Arranged by Ken Litton. Christian,Contest,Festival,Religious,Sacred,Traditional. 45 pages. Artist of Note, Inc. #998390. Published by Artist of Note, Inc. (A0.1416727). Praise the Lord Who Reigns AboveCharles Wesley-AMSTERDAM, Foundry Collection, 1742SATB Choir, Organ/Keyboard, Opt. Brass & PercussionLooking for something just a bit different/reduced from the concertato form, and even easier to learn to kick off the choir season?Based on Praise the Lord Who Reigns Above this arrangement, entitled Let All Things Praise the Lord is faithful to the original including a stanza omitted in most hymnals that speaks of the choir as a battle-worthy leadership unit in worship.The text, based on Psalm 150 by English pastor Charles Wesley, was originally published in his brother, John Wesley’s Founder Collection of 1742 in conjunction the tune AMSTERDAM (which carried annotations and adaptations from a German tune). Immediately following the choir, brass, percussion and organ/keyboard fanfare, opportunity is given to the congregation to participate in the liturgy. The middle section is original music that wings the emotion/meaning of the text to a more meditative stream and back again—via a reprise of the opening fanfare—to the rousing finale with a creative descant that appears not only in Soprano/Tenor, but also (for a change) in Alto and Bass. And, with a little attention from the conductor and choir the congregation can stay in it until the final release!Included are parts for: Choir, Organ/Keyboard, Bb Trumpets, F Horn, Trombones, Bass Trombone/Tuba and Percussion: Mallets/Tympani (2 players) as well as alternate parts for Baritone B.C., Baritone T.C., Eb Alto Saxophone, Bb Tenor Saxophone and Eb Baritone Saxophone.Available where you go for the best in downloadable resources, including:Sheet Music DirectSheet Music PlusComing soon!And via your local music dealer.Also…check out other titles from Artist of Note, Inc. and East of the Altar!Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard!
$1.99
Me!
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Choral SATB
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INTERMEDIATE/ADVANCED
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Pop music
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Taylor Swift
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G
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Me!
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G. M. Morley
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.500706 By Taylor Swift. By Brendon Urie, Joel Little, and Taylor Swift. Arranged by G. M. Morley...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.500706 By Taylor Swift. By Brendon Urie, Joel Little, and Taylor Swift. Arranged by G. M. Morley. A Cappella,Pop. Octavo. 13 pages. G. M. Morley #5296523. Published by G. M. Morley (A0.500706). This four part a cappella arrangement of Taylor Swift and Brendon Urie's song, Me! from Swift's 2019 album, Lover, requires a bit of vocal acrobatics. If your singers can handle octave leaps then this version of the song should be a welcome addition to the repertoire for weddings and pop or community choir performances.Given Swift and Urie’s stance on gender equality I have included some suggestions for alternative lyrics in places where either a gender neutral term or the opposite gender might be preferable to the one in the original lyrics depending on the social occasion the song is being performed in.If you would like to contact me about this arrangement or would like to request something specific, please message me via my page: https://www.facebook.com/GMMorleyMusic/ If you perform this piece, I'd love to hear from you.
$3.00
Two Views of Scott Joplin
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Choral SATB
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INTERMEDIATE
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James Siddons
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Two Views of Scott Joplin
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James Siddons Music and Writings
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.972650 Composed by James Siddons. Contemporary,Opera,Ragtime. Octavo. 79 pages. James Siddons Mu...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.972650 Composed by James Siddons. Contemporary,Opera,Ragtime. Octavo. 79 pages. James Siddons Music and Writings #4898807. Published by James Siddons Music and Writings (A0.972650). Two Views of Scott Joplin is an exploration of a personal and artistic crisis that Scott Joplin, the King of Ragtime, went through between 1904 and 1906. This crisis was precipitated by the untimely death of Freddie Alexander in September 1904, to whom Joplin had been married only ten weeks. Knowledge of this marriage was lost to history for almost a century until the Joplin scholar Edward A. Berlin discovered the newspaper obituary, which is quoted in the bass solo in Part II, The Obituary of Freddie Alexander. Apparently, Scott Joplin, already inspired by the progressive ideals of Booker T. Washington, saw a path to social and artistic betterment through his love of Freddie, a daughter of a refined family. During this period, Joplin used the title rag less often in his piano-solo works, and nurtured an interest in opera (he had long been active in vaudeville as well as ragtime piano). He seems to have lost his sense of direction in 1905 and 1906, until led by his publisher John Stark to move to New York City in 1907. Once there, apparently growing out of his grief, Joplin studied with an Italian opera singer and composer, composed his folk opera Treemonisha, and composed Wall Street Rag and his other late masterpieces for piano. Joplin died in April 1917 following two years of debilitating illness. Joplin left almost no personal writings, such as letters or diaries. To create an impression of autobiography, Two Views of Scott Joplin consists mostly of words and music written by Scott Joplin, and piano music composed by two close associates, the composer-pianists Louis Chauvin and Scott Hayden. These words come from Treemonisha, from Joplin’s little-remembered vaudeville and parlor songs, and also from text in his sheet-music---copyright notices, publishers’ addresses, titles and subtitles of rags, performance directions. In most cases, selected lyrics are extracted from songs and paired with piano-solo themes. These ingredients are combined in creative ways to express the biographical narrative. Instrumental themes are re-cast as necessary to express their newly-attached lyrics. But in no place can any of the music in Two Views of Scott Joplin be considered an arrangement of a given, intact composition, nor a medley of tunes, nor a theatrical revue. The character development and dialogue found in Scott Joplin’s Struggle with Destiny (Part II, No. 3) is my own biographical interpretation of Joplin, based on known evidence and on his music.The score contains extensive Performance Notes for performing this 16-minute work as a choral work or as a short opera scene.
$9.99
Mamma mia dammi cento lire
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Choral SATB
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ADVANCED
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Traditional Song
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Bacco Baccanels
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Mamma mia dammi cento lire
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Bacco Baccanels
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1354521 By Traditional Song. By Traditional Song. Arranged by Bacco Baccanels. A Cappella...
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Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1354521 By Traditional Song. By Traditional Song. Arranged by Bacco Baccanels. A Cappella,Folk,Multicultural,Traditional,World. 7 pages. Bacco Baccanels #939239. Published by Bacco Baccanels (A0.1354521). Italiano--------La versione originale di questa canzone di emigranti è abbastanza semplice: la stessa melodia si ripete per tutta la canzone e gli arrangiamenti vocali esistenti che mi è capitato di ascoltare sono abbastanza privi di ritmo.Ho cercato di aggiungere movimento. C'è un'introduzione musicale, con poco testo e poi si passa al tema principale, in cui il basso da' ritmo alla melodia principale. Poco dopo, con una variazione ispirata ai Queen di Bohemian Rapsody si modula in tonalità vicina, per sottolineare il cantato dei fratelli della triste protagonista e subito dopo il tema si addolcisce per lasciare spazio alla madre triste che preannuncia la tragedia. Tragedia che si canta subito dopo in minore per poi tornare sulla melodia principale fino al finale, dove dopo una frase corale si torna al ritmo e al tema principale.English--------The original version of this emigrant song is quite simple: same melody repeats throughout the song. More, the existing vocal arrangements I've heard are quite steady and not so rhythmic.So I tried to add some movement: there is a musical introduction with little lyrics and then we move on to the main theme, where the bass gives rhythm to the main melody.Shortly after, with a Queen-inspired variation coming from Bohemian Rhapsody the score modulates in a close key, to underline the singing of the brothers of the song's sad heroin and immediately after the theme softens to leave room to the sad mother heralding the coming tragedy.A tragedy that is sung immediately afterwards, in minor, and then returns to the main melody until the finale, where after a choral phrase we return to the main theme.
$2.50
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