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You've selected:
ON HUMAN RIGHTS
Choral SATB
Sheetmusic to print
10 sheet music found
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1
ON HUMAN RIGHTS (1) for SATB choir and Piano
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Choral SATB
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INTERMEDIATE/ADVANCED
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Contemporary
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Marilena Zlatanou
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ON HUMAN RIGHTS
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Marilena Zlatanou
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.887083 Composed by Marilena Zlatanou. Contemporary. 35 pages. Marilena Zlatanou #3535215....
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.887083 Composed by Marilena Zlatanou. Contemporary. 35 pages. Marilena Zlatanou #3535215. Published by Marilena Zlatanou (A0.887083). ON HUMAN RIGHTS (1), for SATB choir and piano, written for the UN Human Rights Office celebration of the 70th Anniversary of the Adoption of the Universal Declaration of Human Rights, and as a response to Fondazione Adkins Chiti: Donne in Musica's call for compositions for their Global Call for New Music. The texts used are in English and comprise of six different international famous quotations on the subject of Human Rights, marked in the score. Included in this composition are also two important existing songs: The March of The Women by Ethel Smyth and Bread and Roses (USA, Anon.). The attached file includes score, choir score and piano score. Duration 6 minutes.The mp3 file attached is a converted sibelius file. For more information on the composer, please visit www.zlatanou.net Member of TONO (The Norwegian copyright org.)
$35.00
ON HUMAN RIGHTS (2) for SATB choir, strings and one percussionist
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Choral SATB
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INTERMEDIATE
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Contemporary
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Marilena Zlatanou
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ON HUMAN RIGHTS
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Marilena Zlatanou
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.887085 Composed by Marilena Zlatanou. Contemporary. 84 pages. Marilena Zlatanou #3895449....
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.887085 Composed by Marilena Zlatanou. Contemporary. 84 pages. Marilena Zlatanou #3895449. Published by Marilena Zlatanou (A0.887085). This is an extended version of the composition ON HUMAN RIGHTS for SATB choir and piano (1), and consequently marked as (2). The extension is limited to the instrumental parts, the texts used are famous quotations on the subject (all attributed in the score). The texts used are in English and comprise of six different international famous quotations on the subject of Human Rights, marked in the score. Included in this composition are also two important existing songs: The March of The Women by Ethel Smyth and Bread and Roses (USA, Anon.). The attached file is a long pdf file with conductor's score, choir score, and parts, all included. Duration ca 10 min. The composer is a member of TONO, the Norwegian copyright org. The mp3 file attached is a converted sibelius file.For more inforamtion on the composer please visit website www.zlatanou.net
$25.00
In Heaven and on Earth for SATB chorus, flute, and pedal or lever harp or piano
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Choral SATB
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INTERMEDIATE
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Adrienne Inglis
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In Heaven and on Earth for SAT
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pag...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Inglis (ASCAP) #4807817. Published by Adrienne Inglis (ASCAP) (A0.953621). One of the most powerful passages in scripture set to music! Good length for an anthem, interesting and idiomatic use of flute and harp, nice mix of beautiful melodic passages and crunchy bits!A Setting of Philippians 2:5-11 from New Revised Standard VersionFor SATB chorus, flute, and clà rsach (Scottish lever harp) or harp or pianoDuration approximately 5:00 The Letter of Paul to the Philippians 2:5-11 (NRSV)*Let the same mind be in you that was in Christ Jesus, who, though he was in the form of God, did not regard equality with God as something to be exploited, but emptied himself, taking the form of a slave, being born in human likeness. And being found in human form, he humbled himself and became obedient to the point of death - even death on a cross.Therefore God also highly exalted him and gave him the name that is above every name, so that at the name of Jesus every knee should bend, in heaven and on earth and under the earth, and every tongue should confess that Jesus Christ is Lord, to the glory of God the Father. *New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.Composed by Adrienne Inglis in 2014 and premiered in 2014 in Austin, Texas, by the Westminster Presbyterian Church Sanctuary Choir, In Heaven and on Earth for SATB chorus, flute, and clà rsach, draws inspiration from the tune Love is the Cause of my Mourning from The Caledonian Pocket Companion Book 1, p. 27. The piece opens with the tune altered to G mixolydian mode. As the word exploited appears, a sinister-sounding E flat enters the harmony. Open octaves between soprano and bass show the emptying, followed by a shift to E phrygian mode with the word slave. Several dissonances emerge as the narrative gets darker. The flute and clà rsach represent chaos or hell with an aleatoric interlude of extended techniques involving tongue rams, flutter tonguing, multiphonics, spoken syllables, and lever glissandi. The harp then joyfully proclaims the new tonality of G major in a fanfare to introduce the text of praise and exaltation. The original source tune returns harmonically restored to G major.
$3.99
Son to Mother
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Choral SATB
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Henrik Dahlgren
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Son to Mother
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus divisi - Digital Download SKU: BJ.1370 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1370. Published by ...
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SATB chorus divisi - Digital Download SKU: BJ.1370 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1370. Published by Bo Ejeby Forlag - Digital (BJ.1370). 8.27 x 11.7 inches.In 2017, I was commissioned by the male voice choir Svanholm Singers to write a work for inclusion in a concert marking 70 years since the proclamation of the Universal Declaration of Human Rights. Choosing a text was difficult. I came across upon a poem by Maya Angelou, but it struck me as being too powerful and emotional for the music I was writing to carry it; everything I composed sounded banal next to Angelou's words. I soon realized that I could use silence to enhance the text, rather than heaping layers and layers of music upon it. Silence is both terrifying and serious - in a sense, it is the only adequate counterpoint to the poetry. So, I decided to build the piece on silence. Though the beginning of the piece is the opposite of silence - a scream of desperation -, I followed that outburst by cutting the poem's stanzas into single words, repeated in a different order each time, almost in the manner of a mantra. Finally, they end up in the right order and suddenly the words take on their rightful meaning. I hope, in this way, the music is equally powerful as the words. Son to Mother has been well-received and has gone on to become one of the most widely performed pieces I have written. It has been performed at various festivals and in various countries, including Taiwan, France and China - where it only just made it past the government censors. - Henrik DahlgrenThis version is an adaptation for mixed choir of the original male choir version. Henrik Dahlgren is a Swedish composer, born 1991. He has been studying at the Academy Of Music in Malmo with Prof. Rolf Martinsson and the Royal College Of Music in London with Dr. Haris Kittos. Henrik started his musical career as a drummer and has ever since worked in a very wide range of different genres and styles, both as a performer and as a composer.
$5.40
The Village
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Choral SATB
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BEGINNER
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Wrabel
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David Jayden Anthony
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The Village
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d'Jam Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1501022 By Wrabel. By Andrew Jackson, Andrew Pearson, and Stephen Wrabel. Arranged b...
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Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1501022 By Wrabel. By Andrew Jackson, Andrew Pearson, and Stephen Wrabel. Arranged by David Jayden Anthony. Pop,Singer/Songwriter. 10 pages. D'Jam Music #1076976. Published by d'Jam Music (A0.1501022). A Powerful Anthem for LGBTQIA+ Pride and Inclusion Dive into the heart of resilience and authenticity with our SATB choral arrangement of The Village by Wrabel. This powerful and moving song has become an anthem for the LGBTQIA+ and queer communities, capturing the struggles, strength, and spirit of those who have faced adversity simply for being true to themselves.Why The Village Matters: The Village resonates deeply within the LGBTQIA+ community, offering a voice to those who feel misunderstood or marginalized. With lyrics that speak to the experience of feeling out of place in a world that doesn’t always understand, this song is a heartfelt reminder that there is a place—a village—for everyone. It's a celebration of diversity, acceptance, and the courage it takes to live openly and authentically. The song’s powerful message of self-acceptance and unity strikes a chord with listeners, making it a meaningful addition to pride concerts, LGBTQIA+ events, and any gathering that celebrates inclusion and equality.About the Arrangement: Our SATB choral arrangement of The Village captures the emotional depth and poignancy of Wrabel's original song while enhancing its harmonic richness through beautiful four-part vocal harmonies. The arrangement is designed to highlight the song’s heartfelt lyrics and dynamic melody, creating an unforgettable musical experience. This arrangement is perfect for choirs looking to make a bold statement about love, acceptance, and human rights, while showcasing their vocal talents in a deeply emotional performance.Perfect for Pride Concerts and Beyond: Including The Village in your repertoire is more than just a performance—it's a powerful statement of solidarity and support for the LGBTQIA+ community. Ideal for pride concerts, LGBTQIA+ awareness events, and other celebrations of diversity, this arrangement allows choirs to engage audiences with a message of hope and unity. It serves as a reminder that no matter how different we may feel, we are all part of a larger community—a village—that values love, acceptance, and equality.Key Features: Powerful lyrics that resonate with LGBTQIA+ and queer audiences Rich SATB harmonies that enhance the song’s emotional impact Ideal for pride concerts, LGBTQIA+ events, and diversity celebrations A meaningful addition to any choral program focusing on themes of acceptance and inclusivity By bringing The Village to your choir, you're not just performing a song—you're sharing a message of hope, love, and community that will resonate with all who hear it. Celebrate the power of music and the strength of the LGBTQIA+ community with this unforgettable SATB choral arrangement.We would love to see video (or hear audio) of performance or rehearsals! (david@davidja.com).
$4.50
The River by Hope Mendelssohn
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Choral SATB
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EASY
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Hope Mendelssohn
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The River by Hope Mendelssohn
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Hope Mendelssohn
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.1019715 Composed by Hope Mendelssohn. 20th Century,Instructional,Standards. Octavo. 3 pages. Ho...
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Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.1019715 Composed by Hope Mendelssohn. 20th Century,Instructional,Standards. Octavo. 3 pages. Hope Mendelssohn #3622615. Published by Hope Mendelssohn (A0.1019715). This piece for Soprano soloist and S.Adiv.T.B. choir is based on a poem by N.Z. writer Bill Manhire. It is part of my cycle Human Nature a work based on the themes of nature, language and human-kind's interaction with these things. All of these pieces can be performed individually and the River is suitable for amateur and educational groups. The performing rights are held by A.P.R.A. A.C.O.S. New Zealand. Approximately 1min and 6secs. in duration.
$1.99
Orchids, humming-birds by Hope Mendelssohn
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Choral SATB
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INTERMEDIATE
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Hope Mendelssohn
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Orchids, humming-birds by Hope
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Hope Mendelssohn
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.1019716 Composed by Hope Mendelssohn. 20th Century,Concert,Instructional,Standards. Octavo. 2 p...
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.1019716 Composed by Hope Mendelssohn. 20th Century,Concert,Instructional,Standards. Octavo. 2 pages. Hope Mendelssohn #3622631. Published by Hope Mendelssohn (A0.1019716). This piece is the final piece in my 5min. choral cycle Human Nature. It is based on a poem by NZ writer Kevin Ireland and relates the themes I have in the cycle of nature, language and human-kind's interpretation of and interaction with the same.The performing rights are held by A.P.R.A. A.C.O.S.New Zealand. It is a piece for Sdiv.Adiv.T.Bdiv. choir. It is suitable for intermediate level singers, including school groups and as with the rest of the cycle with Youth choirs and some adult choirs.
$1.99
Sing, O Sing, This Blessed Morn — SATB voices, organ
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Choral SATB
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EASY
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Todd Marchand
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Sing, O Sing, This Blessed Mor
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1493730 Composed by Todd Marchand. Christian,Christmas,Sacred. 4 pages. Con Spirito ...
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1493730 Composed by Todd Marchand. Christian,Christmas,Sacred. 4 pages. Con Spirito Music #1070393. Published by Con Spirito Music (A0.1493730). Sing, O Sing, This Blessed Morn is a hymn commemorating the birth of Jesus Christ. Written by Anglican bishop, scholar, author, and poet Christopher Wordsworth (1807-1885), it was published in his collection, The Holy Year; or Hymns for Sundays and Holy-Days, and Other Occasions (1862). Rather than a retelling of the Nativity story, the hymn is more a statement of beliefs about the nature and work of Christ, echoing elements of the Nicene Creed in phrases such as: God from God, and Light from LightGod himself comes down from heav'nOne with us in human birthGod with us ... deigns forever now to dwellborn for us that we born again in him may bewith thy Spirit may [we] be ... with the Father and with theeThis joyful, medium-easy setting of Sing, O Sing, This Blessed Morn for SATB voices and organ is mostly unison, with SATB on the first half of stanzas 3 and 5, and on the concluding alleluias.Voices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.99
Words
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Choral SATB
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INTERMEDIATE
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Hope Mendelssohn
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Words
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Hope Mendelssohn
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.1019702 Composed by Hope Mendelssohn. 20th Century,A Cappella. Octavo. 4 pages. Hope Mendelssoh...
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.1019702 Composed by Hope Mendelssohn. 20th Century,A Cappella. Octavo. 4 pages. Hope Mendelssohn #3601903. Published by Hope Mendelssohn (A0.1019702). Premiered by the National Youth Choir of New Zealand this work can be performed on its own or with accompanying pieces in the cycle Human Nature comprising 5 pieces based on N.Z. poems by world respected poets. It is mostly suitable for younger voices and reflects the composer's flare for impressionism. It is approximately 1min 20secs. in duration. The performing rights for this piece are held with A.P.R.A. A.M.C.O.S. New Zealand.
$2.50
Missa Solemnis, op. 27 (vocal score)
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Choral SATB
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adr...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
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