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On The Other Hand
Choral SATB
Sheetmusic to print
59 sheet music found
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1
26
51
The Story of a Leader
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Choral SATB
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ADVANCED
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Classical
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 3...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
Blessed Are They That Mourn (for SATB Chorus and Brass Quintet)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Classical
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Johannes Brahms
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F
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Blessed Are They That Mourn
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Sweetwater Brass Press
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.808672 Composed by Johannes Brahms (1833–1897). Arranged by F. Leslie Smith. Contemporary...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.808672 Composed by Johannes Brahms (1833–1897). Arranged by F. Leslie Smith. Contemporary,Easter,Romantic Period,Sacred. Octavo. 38 pages. Sweetwater Brass Press #3046205. Published by Sweetwater Brass Press (A0.808672). Brahms composed Ein deutsches Requiem, nach Worten der heiligen Schrift, his longest composition, during the period, 1865-1868. For the libretto, he eschewed the Latin text of the Roman Catholic Requiem Mass, using instead verses he chose from the German-language Luther Bible. Thus, it was A German Requiem. The Roman Church’s Requiem Mass begins with prayers for the dead; Brahms, on the other hand, chose to console the living and framed his first movement around the second of the Beatitudes, Blessed are they that mourn, for they shall be comforted.  The first movement is, indeed, comforting, filled with warmth and beauty. This arrangement retains Brahms’ original choral parts and translates the orchestral accompaniment to the five quietly playing brass instruments. The audio sample was digitally created, so the choral part of the arrangement can be heard but without words. This arrangement was completed in 2017 and runs about 10 minutes, 32 seconds. The arranger, Les Smith, can be reached at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$14.95
Beyond The Sea
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Choral SATB
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INTERMEDIATE/ADVANCED
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
The Sense of a Place Will Remain
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Choral SATB
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Contemporary
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Paul Burnell
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The Sense of a Place Will Rema
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Paul Burnell
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul...
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Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95
THE GREAT HUMILITY OF CHRIST (SATB) – Philippians 2:5-11
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Choral SATB
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INTERMEDIATE
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Michael A
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THE GREAT HUMILITY OF CHRIST
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926663 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 7 pages. M.A. Morizi...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926663 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 7 pages. M.A. Morizio #3588423. Published by M.A. Morizio (A0.926663). In chapter two of Paul's letter to the Philippians, Paul begins speaking to his readers about encouragement, comfort from love, participation in the Spirit, and godly affection and sympathy for one another. He says, we are to count others as more important than ourselves. He pleads, Complete my joy by doing these things. From this point, Paul breaks immediately into this other known 1st century Hymn to Christ (Verses 5-11), which I have called, The Great Humility of Christ. The hymn text is a beautiful exposition of the Gospel; Christ in the form of God, did not hold onto (grasp) His equality with God, but humbled Himself and took on the human form of a servant (slave) and poured Himself out for all of mankind. The anthem is composed for SATB (a cappella) choir in two stanzas, with a bridge section and a coda. The piece is scored in D minor, but weaves between D minor and G Major (representing the dual natures of Christ-fully God and fully man). After the first stanza, regarding Christ’s taking on human flesh, the unthinkable happens; Christ humbles Himself in holy obedience to be put to death, even a humiliating and repugnant death on a cross. Here in the anthem we find the musical bridge between the two stanzas with the sopranos holding onto a single note (high D) followed by a cascade of dissonant suspensions, one voice handing off to the other, finally resolving in a descending scale.The second stanza declares God’s having exalted Christ as a consequence of His sacrifice, giving Him a name that is above every name, that at the name of Jesus every knee shall bow, in heaven and on earth and under the earth. The final coda (in G Major) trumpets the pronouncement that; Every tongue will confess that Jesus Christ is Lord, to the glory of the Father.
$1.99
How Can I Serve Thee Lord? - sacred music for SATB choir
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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How Can I Serve Thee Lord? - s
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1461686 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Wors...
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1461686 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. 10 pages. Kevin G. Pace #1040433. Published by Kevin G. Pace (A0.1461686). Gorgeous, sacred choral anthem with music composed by Kevin G. Pace and text by Kathryn W. Hales.Text:How Can I Serve Thee Lord? (based on Mosiah 2:17)How can I serve Thee, Lord,When Thou art so far away?I can only hope You hear,When I kneel each day to pray,To give thanks for thy giftsOf bounteous gracious love,Bestowed by thy gentle hands,From Thy dwelling place above.How can I serve Thee, Lord,When Thou art so far away?I can only trust Thy word,And Thy precepts all obey,Going through my daily lifeAs if Thou were by my side,To feel Thy nearness, joy,Oh, Lord, with me abide!How can I serve Thee, Lord,When Thou art so far away?I can be Thy hands on earth,To help others on their way,To lend an ear, to lift a load,To share a friendly smile,To walk with others who are in need,Down their road of trial.Chorus:I can serve Thee, Lord, with trust and with faith,I can all Thy commandments keep,I can help my fellow beings along,For serving them is like serving Thee.
$1.99
Whiter Than the Snow
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Choral SATB
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EASY
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Text: Eden Reeder Latta
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Ken Litton
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Whiter Than the Snow
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Artist of Note, Inc.
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1490010 Composed by Text: Eden Reeder Latta (1839 - 1915) Tune: Henry Southwick Perk...
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1490010 Composed by Text: Eden Reeder Latta (1839 - 1915) Tune: Henry Southwick Perkins (1833 -1914. Arranged by Ken Litton. Christian,Lent,Religious,Sacred. 11 pages. Artist of Note, Inc. #1066874. Published by Artist of Note, Inc. (A0.1490010). Whiter Than the Snow/Eden Reeder Latta - Henry Southwick Perkins BLESSED BE THE FOUNTAIN arr. Ken Litton (ASCAP)As an SBC music missionary active in Brazil I quickly discovered the hymns missionaries had taken with them as the work gained impetus from the 1890s when the Bagbys arrived to build on the foundation laid by early pioneers like Solomon Ginsburg. I found myself leading those hymns from the nearly 100 year old Cantor Cristão (Christian Singer) in the strongly attended evening services at the Igreja Batista Rio Doce (Sweet River Baptist Church) in Recife, with people literally leaning in through the windows from outside to sing along. Just a normal p.m. attendance or... curiosity about the missionary leading? No, certainly it was the message of the gospel in these great hymns and in the Brazilians’ creative work as well. I mainly remember holding that small print hymnal in one hand and leading with the other (shaking badly) and singing in Portuguese!From that kind of congregational participation I vividly remember the hymn Blessed be the Fountain by Eden Reeder Latta (1839 - 1915) and Henry Southwick Perkins (1833 -1914) with it’s energetic dotted eighth and sixteenth rhythm figures and text of confession based on Zechariah 13:1. That text was very important in the lives of disciples in Brazil and in my own heart. Here I have used only the verses of the text and tune, simply smoothing out the rhythm and adjusting the lyric to more modern usage (yet preserving the devotional pronouns Thee, Thy and Thine).The tune BLESSED BE THE FOUNTAIN is altered in rhythm, tempo and one descending interval from the original. The arrangement is by me, having built the intro, interlude and key change as well as the ending from the material that constituted the refrain in the origina. As a bridge and additional textual/musical impulse into the key change and final verse I’ve interpolated the refrain from the well-known gospel hymn Whiter than Snow (FISCHER) by James Nicholson and William G. Fischer.The voices include a wide variety of unison, two-part and four-part passages that are well within the capability of the average church choir. The accompaniment difficulty level is about as minimal as it can be I hope, while still reflecting support for the voices, a measure of variety as well as some real independence.I certainly think choirs of some ability and their dedicated accompanists will enjoyWhiter Than the Snow as much as I have in developing it.
$2.99
How Can I Serve Thee Lord? - a sacred hymn
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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How Can I Serve Thee Lord? - a
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1439299 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Wors...
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1439299 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1019306. Published by Kevin G. Pace (A0.1439299). A beautiful, sacred hymn with music by Kevin G. Pace and text by Kathryn W. Hales.Text:How Can I Serve Thee Lord? (based on Mosiah 2:17)How can I serve Thee, Lord,When Thou art so far away?I can only hope You hear,When I kneel each day to pray,To give thanks for thy giftsOf bounteous gracious love,Bestowed by thy gentle hands,From Thy dwelling place above.How can I serve Thee, Lord,When Thou art so far away?I can only trust Thy word,And Thy precepts all obey,Going through my daily lifeAs if Thou were by my side,To feel Thy nearness, joy,Oh, Lord, with me abide!How can I serve Thee, Lord,When Thou art so far away?I can be Thy hands on earth,To help others on their way,To lend an ear, to lift a load,To share a friendly smile,To walk with others who are in need,Down their road of trial.Chorus:I can serve Thee, Lord, with trust and with faith,I can all Thy commandments keep,I can help my fellow beings along,For serving them is like serving Thee.
$1.99
On Resistance
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Choral SATB
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EASY
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Sacred music
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Stephanie K
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On Resistance
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Stephanie K Andrews
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.990672 Composed by Stephanie K. Andrews. Sacred. Octavo. 16 pages. Stephanie K Andrews #3603459....
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.990672 Composed by Stephanie K. Andrews. Sacred. Octavo. 16 pages. Stephanie K Andrews #3603459. Published by Stephanie K Andrews (A0.990672). On Resistance: A Prayer for Those Who Peacefully Protest was composed, as the title suggests, to speak words of encouragement to those who engage or wish to engage in nonviolent protest. As daunting as it may seem to speakout against the global war machine, it is becoming increasingly imperative that we do so, as the horrors of war seem to multiply day after day. It seems that the most vulnerable of humanity are the ones who suffer the most in the face of unending war, and it is on their behalf that we must speak out. To do so in any other way than the way of peaceful protest in the tradition of Rev. Dr. Martin Luther King, Jr., Gandhi, and Jesus Christ of Nazareth simply escalates violence and pours fuel on the flames of war. On the other hand, when we engage in nonviolent protest, we promote peace and become, as Jesus said, children of God. Blessed are the peacemakers indeed.
$2.50
As On the Night — SATB voices, organ
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Choral SATB
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EASY
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Orlando Gibbons
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Todd Marchand
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As On the Night — SATB voice
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1492434 Composed by Orlando Gibbons. Arranged by Todd Marchand. Christian,Christmas,...
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1492434 Composed by Orlando Gibbons. Arranged by Todd Marchand. Christian,Christmas,Renaissance,Sacred. 5 pages. Con Spirito Music #1069110. Published by Con Spirito Music (A0.1492434). As On The Night is a song text for Christmas Day by English poet, satirist, pamphleteer, and hymn-writer George Wither (1588-1667), whose life spanned the tumultuous period in English history that included the reigns of Elizabeth I, James I, and Charles I and the continuous tension between Catholic and Protestant faith and practice. Desiring to counter the practice of exclusively using psalms as texts for congregational singing in worship, Wither published in 1623 The Hymnes and Songs of the Church, with The First Part comprehend[ing] Hymns, and such parcels of Holy Scripture, as may properly be sung, with some other ancient Songs and Creeds, and The Second Part consist[ing] of Spiritual Songs, appropriated to the several Times and Occasions observable in the Church of England. As On The Night appears in part two as a song to commemorate Christmas Day. Its first stanza is a retelling of elements of the Nativity story as found in Luke 2:7-20; its second stanza is a consideration of the Incarnation and work of Christ (Our flesh he wore, our sin to wear away; Our curse he bore, that we escape it may; And wept for us that we might sing for aye.).The music accompanying As On the Night is Song 46, one of many tunes written for Wither's collection by English composer and keyboardist Orlando Gibbons (1583-1625). As Gibbons notated only the melody and bass lines of his tunes, the harmonization in this arrangement for SATB choir and organ is largely that of The English Hymnal (1906). ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.comVoices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com).
$2.99
Hold Us in the Palm of Your Hand
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Choral SATB
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EASY
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Sacred music
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C
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Johannes H
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Hold Us in the Palm of Your Ha
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Johannes H. Hindriks
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1189445 Composed by C. Jo Hindriks-Stolker. Arranged by Johannes H. Hindriks. Christian,Praise &...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1189445 Composed by C. Jo Hindriks-Stolker. Arranged by Johannes H. Hindriks. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 25 pages. Johannes H. Hindriks #789082. Published by Johannes H. Hindriks (A0.1189445). “Hold us in the palm of your hand, / Begird us with your strength, / Enrobe us in divine love / And shine the light of your wisdom on our path.†This short prayer song has four lyrics lines and may be inserted at various points of the church service or on other occasions such as a prayer gathering. The 25-page document in Letter format contains 21 accessible settings for various combinations of solo voices, choral parts, keyboard, organ and some other instruments. Duration: about 25 seconds. Also available in Dutch.
$4.99
Softly the Night is Sleeping — SATB voices, organ, solo instrument
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Choral SATB
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EASY
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Todd Marchand
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Hartford, Connecticut
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Softly the Night is Sleeping
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1318475 Composed by Todd Marchand. Christian,Christmas,Sacred. 10 pages. Con Spirito Musi...
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1318475 Composed by Todd Marchand. Christian,Christmas,Sacred. 10 pages. Con Spirito Music #907143. Published by Con Spirito Music (A0.1318475). “Softly the Night is Sleeping†is a Nativity poem by the Rev. Edward Abiel Washburn (1819-1881), a noted American Episcopal clergyman who studied at both Harvard and Yale, and who served parishes in Newburyport, Massachusetts; Hartford, Connecticut; Philadelphia, Pennsylvania; and New York City. A noted preacher, he also translated Latin hymns as well as authoring a number of his own poems.In three verses, Washburn’s poem recalls the Bethlehem hillside where shepherds watched their flocks by night, the virgin mother Mary, the infant Jesus in the manger, the heavenly host singing “Gloria,†the bright star shining above, the arrival of the Magi, and more. Each unison verse, which may be assigned as written or at the director’s discretion, is followed by a chorus with full SATB voices singing “Glory to God! Peace on the earth, good will to men.†Includes parts for solo C instrument (oboe, flute, violin) or solo Bb clarinet.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
The Day of Resurrection - Choral Score
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Choral SATB
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Cathy Moklebust
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Cathy Moklebust
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The Day of Resurrection - Chor
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Chorister's Guild - Digital
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SheetMusicPlus
SATB chorus - Digital Download SKU: C7.CGA1450 Lead On, O King Eternal. Composed by Cathy Moklebust. Arranged by Cathy Moklebust. Easter, General....
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SATB chorus - Digital Download SKU: C7.CGA1450 Lead On, O King Eternal. Composed by Cathy Moklebust. Arranged by Cathy Moklebust. Easter, General. Score. 8 pages. Chorister's Guild - Digital #CGA1450. Published by Chorister's Guild - Digital (C7.CGA1450). UPC: 749193022719.This flexible arrangement of the tune LANCASHIRE is given two titles, one for Easter and the other for general use during the church year. All the instrumental and vocal parts are optional, so it can stand on its own as a handbell piece. After a fanfare introduction, stanza 1 is scored for congregation and SATB choir. Stanza 2 begins with the women singing, then the men sing midway through. A brief interlude leads into Stanza 3, which includes a choral descant. A reproducible congregational page is provided for each hymn text.
$1.95
The Christ Child's Lullaby — SATB voices and organ
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Choral SATB
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EASY
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Hebridean folk melody
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Todd Marchand
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The Christ Child's Lullaby —
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1490482 Composed by Hebridean folk melody. Arranged by Todd Marchand. Christian,Chri...
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1490482 Composed by Hebridean folk melody. Arranged by Todd Marchand. Christian,Christmas,Folk,Sacred,Traditional. 5 pages. Con Spirito Music #1067324. Published by Con Spirito Music (A0.1490482). “The Christ Child's Lullaby” is an English translation of the Scots Gaelic “Tàladh Chrìosda,” a Christmas carol adapted and popularized in the 20th century from a longer work written in 1855 by Catholic priest Ranald Rankin for his parishioners at Fort William in the Scottish Highlands.Rankin’s hymn, representing a lullaby for the Christ Child by the Virgin mother Mary, was intended for performance at Midnight Mass (the first mass of Christmas) and is still sung then at churches in the Outer Hebrides of Scotland today. Titled “Tàladh ar Slànaigheir” (“The Lullaby of our Savior”) and containing 29 verses, it is altogether a lullaby, a retelling of elements of the Nativity story, and an explication of the nature and work of Christ. The English text of “The Christ Child’s Lullaby” (containing three verses and alleluias) is one of many translations, adaptations, and variants of the original Scots Gaelic text. The tune, too, is one of many variants of a traditional Hebridean folk melody. It has been further adapted and newly harmonized in this medium-easy arrangement for SATB choir and organ, featuring solo soprano on verse 1, sopranos-altos in open harmonies on verse 2, and full SATB in rich harmonies on verse 3 and the concluding “Alleluias.”Voices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.99
The Divine Liturgy of the Armenian Apostolic Church - A New Version by George Kirazian
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Choral SATB
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INTERMEDIATE
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Sacred music
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George Kirazian
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The Divine Liturgy of the Arme
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George Kirazian
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1011704 Composed by George Kirazian. Christian,Praise & Worship,Sacred,Spiritual,World. Octavo. ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1011704 Composed by George Kirazian. Christian,Praise & Worship,Sacred,Spiritual,World. Octavo. 29 pages. George Kirazian #3450851. Published by George Kirazian (A0.1011704). The Badarak is our Church’s sublime song of praise. It will continue to nourish all Armenians, deepen our spiritual experience, and allow us to put our hand on the very heartbeat of our Mother Church. May the Holy Spirit of our Lord Jesus Christ guide and inspire our Church always.George Kirazian's version of the Divine Liturgy (The Badarak) is the result of 12 years' work and a lifetime's dedication to Armenian Sacred Music.
$14.99
The Voice of the Shepherd - an original hymn for SATB voices
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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The Voice of the Shepherd - an
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701460 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701460 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3125381. Published by Kevin G. Pace (A0.701460). An original hymn based on Alma chapter 5 from the Book of Mormon. See text by Kathryn Hales below.YouTube video: https://youtu.be/mDD-eZJ8PcIDo you hear the voice of the Shepherd Calling Come unto me, Partake of the fruit of the Tree of Life And drink living waters freely. Come unto me and bring forth works Of righteousness built on faith; Remember the deliverance of your fathers And the words the prophets saith. Strip yourselves of all pride and envy; Persecute not your brother; Be ready to help the needy and poor, Showing love to one another. Receive my image in your countenance; Sing the song of redeeming love; Humble yourselves and trust in my voice, That comes from the heavens above. Wash your garments in the blood of the Lamb; Steadfastly believe on my name; Have clean hands and a pure heart, Standing firm without guilt or shame. Come to the fold of the Good Shepherd, Repent, overcome every sin; I’m calling with a voice so gentle, Come to my fold and enter in.
$1.99
Four Elizabethan Songs About Love (2016-2018)
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Choral SATB
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ADVANCED
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Colin Eatock
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Four Elizabethan Songs About L
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Colin Eatock Music
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1194118 Composed by Colin Eatock. A Cappella,Classical,Contemporary,Early Music,Renaissance. Oct...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1194118 Composed by Colin Eatock. A Cappella,Classical,Contemporary,Early Music,Renaissance. Octavo. 58 pages. Colin Eatock Music #793552. Published by Colin Eatock Music (A0.1194118). Four movements; a cappella SATB choir or quartet; ca. 9 min.The composer writes: I almost titled this work “Four Elizabethan Love Songs.†However, while such a title might be appropriate for a group of songs about the joys of loving relationships, the texts I have chosen do not all fit that mould. Of the four, only Christopher Marlowe’s seductive “The Passionate Shepherd to His Love†and Shakespeare’s wise and insightful Sonnet 116 address requited love. On the other hand, John Donne’s “The Message†is a “hate-songâ€, an angry poem about love gone wrong, bursting with bitter recriminations. And Elizabeth I’s “When I Was Fair and Young,†is wistful and full of regret: the Queen realizes that her own youthful pride has obstructed her opportunities for happiness. Together, these poems offer four dramatically contrasting views about love.
$4.99
O MAGNUM MYSTERIUM
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Choral SATB
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INTERMEDIATE/ADVANCED
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EAM
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O MAGNUM MYSTERIUM
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Eduardo A. Malachevsky
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1284693 By EAM. By Eduardo Andrés Malachevsky. A Cappella,Christmas,Contemporar...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1284693 By EAM. By Eduardo Andrés Malachevsky. A Cappella,Christmas,Contemporary,Latin,Sacred. 30 pages. Eduardo A. Malachevsky #875868. Published by Eduardo A. Malachevsky (A0.1284693). O MAGNUM MYSTERIUM Voicing: SSAATTBB a capella  |  Durata Circa: 5 min 30  |  Language: Latin | Score's pages: 25|  Score's meassures: 109 Score Preview & info  |  Video Excerpt 1 |  Video Excerpt 2 |  YouTube's Composer Channel Says the composer: 'On this choral piece I have merge two sources that refer to the same biblical scene: The birth of Jesus. On one hand the traditional liturgical 'O MAGNUM MYSTERIUM', responsorial chant from the Matins of Christmas which a great number of composers of all times have reworked into a choral setting; and on the other hand some selected verses from Chapter 2 of the Gospel according to Matthew. The liturgical Responsory evokes with awe the presence of animals that should see the newborn Lord, lying in a manger ending with a fervent exclamation to the Virgin whose womb was worthy to bear Christ the Lord, whereas the biblical text describes the scene of the magi who have arrived in Jerusalem from the east to homage the new-born King. Both source combined highlight that outstanding 'MAGNUM MYSTERIUM' of a “God is with us, the “Immanuel“ ( ×¢Ö´×žÖ¼Ö¸× ×•Ö¼×לֵ ), Jesus of Nazareth. The Magi, the animals, the Virgin, the new-born: My O MAGNUM MYSTERIUM wish to underscore chorally the FOUR PRESENCES of this sacred set-up'.
$4.25
New Mother's Day Song
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Choral SATB
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INTERMEDIATE
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Johnson Gao
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New Mother's Day Song
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Johnson Gao
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.1007043 Composed by Johnson Gao. Contemporary,Film/TV,Holiday. Octavo. 11 pages. Johnson Gao #6...
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.1007043 Composed by Johnson Gao. Contemporary,Film/TV,Holiday. Octavo. 11 pages. Johnson Gao #6365615. Published by Johnson Gao (A0.1007043). In May 3, 2014, on my birthday, I composed a Mother's Day Song. But, it is only with hand-written music sheet. Now, I completed the electronic music sheet, with 10 instruments, that can sing the song in computer. I further made a short video with English and Chinese lyrics for Karaoke and issued on April 21, 2021. The current version of the music sheet has added cannon voices in the second singing, which is a little different from the MTV.
$1.99
Joy to the World (alto solo, choir, brass quintet and piano)
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Choral SATB
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INTERMEDIATE
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Classical
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George Frideric Handel
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Anthony Giamanco
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Joy to the World
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Whole Tone Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.773758 Composed by George Frideric Handel. Arranged by Anthony Giamanco. Christmas,Contemporary,...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.773758 Composed by George Frideric Handel. Arranged by Anthony Giamanco. Christmas,Contemporary,Sacred. Octavo. 28 pages. Whole Tone Press #5002095. Published by Whole Tone Press (A0.773758). Joy to the World is arranged in a festive style for alto solo, choir, brass quintet and piano. The alto solo is straightforward, adhering to the original melody. The choir parts are moderately easy (with some divisi) and support the soloist for the most part; however, they are given the third stanza to sing unaccompanied. The brass parts are moderate in difficulty (1st trumpet is required to play a whole note D6 at the finale). A good pianist (late intermediate +) is required to play moderately fast scale passages, both hands, during a transitional section, as well as a number of thick chord passages and leaps. This piece is ideal for use during the Christmas season in both church and concert venues. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, and on YouTube. Contact info: tony@shalomlife.org.
$2.95
Evening Canticles
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Choral SATB
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Julian Anderson
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Evening Canticles
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Schott Music - Digital
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SheetMusicPlus
SATB choir and organ - Digital Download SKU: S9.Q54420 Magnificat and Nunc Dimittis. Composed by Julian Anderson. This edition: choral score. Chor...
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SATB choir and organ - Digital Download SKU: S9.Q54420 Magnificat and Nunc Dimittis. Composed by Julian Anderson. This edition: choral score. Choral Music of Our Time. Downloadable, Choral score. Duration 9 minutes. Schott Music - Digital #Q54420. Published by Schott Music - Digital (S9.Q54420). English.Although I had already set separate Latin versions of both the Magnificat and Nunc Dimittis, this is the first time I’ve made a setting in English of both texts for use at Evensong. I have often attended Evensong in the Cambridge college chapels: it’s a service whose meanings and spirituality are quite different from any other, and it has its own special atmosphere. Evensong’s coupling of Magnificat and Nunc Dimittis texts is fascinating: the exuberant celebration of the former contrasts so marvellously with the intimate reflections of the latter. In my Evening Canticles I have tried to make the most of that contrast. The Magnificat is forceful, replete with sprung rhythms, polymeter, and bright harmonies showing off the brilliance of the choir. Some use is made (especially near the opening) of free rhythms in which every singer performs a passage at their own speed, creating a spray of sound. The Nunc Dimittis, on the other hand, is predominantly clear and transparent, even austere, allowing the singers to shape melodic lines with expression and lyricism, as befits the text. I was enormously excited to be invited to compose my Evening Canticles for Andrew Nethsingha and the Choir of St John’s College, Cambridge. I want to thank all the performers for giving the work such a splendid launch, and for the magnificent recording on this CD. The work is dedicated to Andrew Nethsingha. JA 2019.
$6.99
The Girl By the Spring - SATB Ensemble
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Choral SATB
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INTERMEDIATE
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Celtic/Irish
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Mark R Lewis
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The Girl By the Spring - SATB
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Mark R Lewis
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1044850 By Mark R Lewis. By Mark R Lewis. Celtic,Folk,Irish. Octavo. 48 pages. Mark R Lewis #649...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1044850 By Mark R Lewis. By Mark R Lewis. Celtic,Folk,Irish. Octavo. 48 pages. Mark R Lewis #649472. Published by Mark R Lewis (A0.1044850). This original song tells a fairy tail in the style of a Celtic folk song. Both the story and the tune are wholly original and were composed as part of a music production class that Mark participated in during the spring of 2022. This song tells the story of a young boy's adventure in the woods, his skepticism towards what the old folks say, and the results of his failure to listen to them. This piece by Mark R Lewis is arranged for SATB ensemble. All parts get the melody at some point and there are several duets between voices parts throughout the piece. Additionally the accompaniment voices switch between homophonic harmonies and arpeggiating chords several times for increased complexity and interest. The instrumental parts consist of vibraphone, piano, bass guitar, and floor tom parts. Any mellow metallophone would be an appropriate substitute for the vibraphone and the bass guitar part can be played on almost any bass instrument. The optional floor tom could be substituted with any other lower, resonant drum available but should not be a short, sharp sound. All that said, both the vibraphone and bass guitar parts are mostly doubled in the piano or vocal lines so groups that do not have access to those instruments should still be able to perform this piece without concern. This piece is also available for Vocal Trio w/ Mixed Ensemble and the sound files sampled here are from that arrangement. Vocal Range: d minor Soprano - 1+ octave (D4 to E5) Alto - 1+ octave (A3 to D5) Tenor - 1+ octave (C3 to D4) Bass - 1+ octave (F2 to A3) Instrumental Range: Vibraphone - 1+ octave (D4 to E5) Piano - ability to reach at least an octave in both hands Bass guitar - 1+ octave (E2 to A3).
$1.99
Little Dimpled Hands. Song and Chorus
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Choral SATB
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George W
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Little Dimpled Hands. Song and
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.736 Composed by George W. Persley. Portraits, Mothers & children, Children sleeping. Le...
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.736 Composed by George W. Persley. Portraits, Mothers & children, Children sleeping. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.736). Little Dimpled Hands. Song and Chorus. Poetry by Geo. Cooper. Music by Geo. W. Persley. Published 1870 by J.L. Peters in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Portraits, Mothers & children, Children sleeping. First line reads Little dimpled hands, folded on your breast, dream the bright and happy hours away.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Choral SATB
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INTERMEDIATE
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 2 - Eighths
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Dots and Beams
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Do...
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Let me take your hand
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Choral SATB
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INTERMEDIATE
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Scott Fields Davis
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Let me take your hand
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Scott Fields Davis
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.998389 Composed by Scott Fields Davis. 20th Century,A Cappella,Contemporary. Octavo. 5 pages. Sc...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.998389 Composed by Scott Fields Davis. 20th Century,A Cappella,Contemporary. Octavo. 5 pages. Scott Fields Davis #4355619. Published by Scott Fields Davis (A0.998389). Let me take your hand is an original composition by Scott Fields Davis. Written for (a cappella) Soprano, Alto, Tenor, and Bass voices. This piece is suitable for civic, college, and high school choruses as well as other organizations. Performance duration is approximately 1 minute 50 seconds. The score consists of 4 pages/ 38 measures. A piano reduction is included as well. Additional titles available at compositionsbyscottfieldsdavis.com. Please follow me on Facebook and Youtube.
$2.00
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