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Rest - Heaven Sent
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You've selected:
Rest - Heaven Sent
Choral SATB
Sheetmusic to print
67 sheet music found
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51
God Rest Ye Merry, Gentlemen (Cornish folk tune) — SATB voices, clarinet, piano
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Choral SATB
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INTERMEDIATE/ADVANCED
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the 19th century, the carol wa
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Cornish folk tune
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Todd Marchand
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God Rest Ye Merry, Gentlemen
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1323225 Composed by Cornish folk tune. Arranged by Todd Marchand. Advent,Christmas,Folk,H...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1323225 Composed by Cornish folk tune. Arranged by Todd Marchand. Advent,Christmas,Folk,Holiday,Sacred. 10 pages. Con Spirito Music #911489. Published by Con Spirito Music (A0.1323225). “God Rest Ye Merry, Gentlemen†is an English traditional carol dating, perhaps, to the 16th or 17th century. A manuscript, ca. 1650, contains a version with the first line, “Sit you merry gentlemen†and the refrain, “O tidings of comfort and joy.†The earliest known printed edition of the carol is a London broadsheet dated 1760, in which the first line is the familiar “God rest ye merry, gentlemen.†By the 19th century, the carol was well-known, with Charles Dickens referencing it in his 1843 novella, A Christmas Carol.The phrase “God rest you merry†in the first line is an archaic idiom meaning “God grant you peace and happiness.†William Shakespeare used the phrase “rest you merry†in his plays, “As You Like It†and “Romeo and Juliet,†both from the 1590s; but Dickens recorded the phrase as “God bless you, merry gentlemen†in A Christmas Carol.The tune adapted for use in this arrangement was at the time of its notation a wordless, nameless melody noted in 1905 by folk song collector E. Quintrell from the singing of a Mr. Boaden in Cornwall, England. The tune was sent to Lucy Broadwood, editor of the Journal of the Folk-Song Society, who decided that it fit the ballad, “The Maid in Bedlam,†and published the tune and text together. Gustav Holst later arranged the tune as Song without Words ‘I'll Love My Love’†in his Second Suite in F for Military Band, Op. 28, No. 2 (1911) and again as “I Love My Love†in his 6 Choral Folksongs, Op. 36 (1916). Set in F minor (Dorian), the tune brings a contemplative tone to the text, with the high point of the refrain being the subdominant Bb major chord on the word “joy.†The rich, dark timbre of solo clarinet (part included) on introduction, interludes, and ending adds to this tone. SATB voices (with some divisi on soprano and tenor), piano, Bb clarinet©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
God Rest Ye, Merry Gentlemen
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Choral SATB
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INTERMEDIATE/ADVANCED
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Traditional
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Brian D
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God Rest Ye, Merry Gentlemen
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Brian D. Petersen
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.930740 Composed by Traditional. Arranged by Brian D. Petersen. 20th Century,A Cappella,Christmas...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.930740 Composed by Traditional. Arranged by Brian D. Petersen. 20th Century,A Cappella,Christmas,Renaissance. Octavo. 8 pages. Brian D. Petersen #3109551. Published by Brian D. Petersen (A0.930740). This sparkling SATB a cappella arrangement of the traditional Christmas song, God Rest Ye, Merry Gentlemen is here presented as a neo-Renaissance styled piece. It has particular appeal to chamber and madrigal choirs to be a fun addition to holiday concerts or madrigal dinners.
$2.49
My Soul Finds Rest in God
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Choral SATB
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Sacred music
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Jay Rouse and Londyn Rouse
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My Soul Finds Rest in God
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
SATB choir, Piano (With Optional Accompaniment MP3) - Digital Download SKU: LX.10-5755L (Psalm 62:1–2). Composed by Jay Rouse and Londyn Ro...
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SATB choir, Piano (With Optional Accompaniment MP3) - Digital Download SKU: LX.10-5755L (Psalm 62:1–2). Composed by Jay Rouse and Londyn Rouse. Sacred Anthem. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5755L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5755L). From the father-daughter writing team of Jay and Londyn Rouse comes this new heartfelt song of trust. This accessible anthem, set in a captivating 6/8 meter, is certain to inspire worship within your congregation with every presentation. The idiomatic piano accompaniment seamlessly complements the contemporary essence of the music, and the stirring lyric is a joy to sing!
$2.50
My Faith Has Found a Resting Place
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Choral SATB
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Sacred music
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Chuck Bridwell
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My Faith Has Found a Resting P
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Monarch Music
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SheetMusicPlus
SATB choir and Piano with optional Flute and Rhythm Section (With Optional Flute, Rhythm Section) - Digital Download SKU: LX.10-3172M Composed by Chuck B...
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SATB choir and Piano with optional Flute and Rhythm Section (With Optional Flute, Rhythm Section) - Digital Download SKU: LX.10-3172M Composed by Chuck Bridwell. Sacred Anthem. Octavo. 8 pages. Monarch Music #e10/3172M. Published by Monarch Music (LX.10-3172M). UPC: 000308096859.A most unique setting of this 19th-century text, the rhythmic score captures the spirited feel in a dramatic yet clever presentation.
$2.40
Down in yon forest
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Choral SATB
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INTERMEDIATE
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Traditional
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Andrew Wyndham
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Down in yon forest
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Andrew Wyndham
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1008769 Composed by Traditional. Arranged by Andrew Wyndham. Christian,Christmas,Renaissance,Rom...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1008769 Composed by Traditional. Arranged by Andrew Wyndham. Christian,Christmas,Renaissance,Romantic Period. Octavo. 7 pages. Andrew Wyndham #5648513. Published by Andrew Wyndham (A0.1008769). A setting of the haunting carol Down in yon forest which links the Christmas story to that of the Holy Grail. Although this arrangement uses some bell effects, it should not present too great a challenge to choirs. Part for rehearsal piano included.
$1.99
Come Forth, sacred music for SATB choir
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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death was sure by then
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Come Forth, sacred music for S
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1203284 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Reli...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1203284 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 10 pages. Kevin G. Pace #801959. Published by Kevin G. Pace (A0.1203284). An epic, sacred choral composition with music by Kevin G. Pace and text by Mary Ann W. Snowball. Depicting the miracle of Jesus in raising Lazarus from the dead.Text:Lord, if thou hadst been here, our brother had not died.Lord, if thou hadst been here, our brother had not died.â€Word was sent to Jesus . . . “Lazarus lay sick.He to whom thou lovest, he is very sick.â€Martha and her sister loved this brother dear.Though their Lord was absent, He would soon be near.Consciously He waited in Jerusalem,‘Til four days had ended; death was sure by then.Jesus told the sisters: “Lazarus shall rise.He is only sleeping.†Still, with them He cried.Coming to the gravesite where the dead was laid,One large stone was taken; Jesus knelt and prayed.When He thus had spoken, causing to restore,He affirmed with loudness: “Lazarus, come forth.â€Now he had arisen, God’s most holy will.Jesus is Messiah! Miracles are real!Whosoever liveth, they shall never die.To all men He beckons: “Come forth, it is I.â€.
$1.99
Sedebit Dominus
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Choral SATB
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INTERMEDIATE/ADVANCED
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Stephanie Martin
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Sedebit Dominus
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Biretta Books
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.879629 Composed by Stephanie Martin. Christian,Contemporary,Sacred. Octavo. 8 pages. Biretta Boo...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.879629 Composed by Stephanie Martin. Christian,Contemporary,Sacred. Octavo. 8 pages. Biretta Books #3518055. Published by Biretta Books (A0.879629). TRANSLATIONSedebit Dominus Rex is the Communion Antiphon for the Feast of Christ the King. The text is from Ps 28:10b, 11b: Sedebit Dominus Rex in aeternum: Dominus benedicet populo suo in pace. The Lord will sit on his royal throne for ever; the Lord will bless his people in peace.A NOTE FROM THE COMPOSERWhen Fr. Scott Haynes, SJC, sent me the words and original chant material for ‘Sedebit Dominus Rex’ it immediately conjured a vision of a medieval King seated on a throne, grave and powerful. But the figure surprisingly descends to His people and blesses them with peace.Having worked with St. John Cantius’ Saint Cecilia choir on ‘Missa Chicagoenis’ in June 2017, I know these splendid voices have a wide dramatic range, so I wrote expressive music for them, and for Corrado Cavalli, I wanted an interesting organ part with lots of colour.The original Gregorian chant melody presents a pentatonic gesture, so I used that idea, and, combined with some medieval cadences, some Duruflé-inspired counterpoint, and a sprinkling of Wagnerian harmony, I painted the musical picture with an ecstatic, twenty-first- century ending.
$3.25
Upon This Holy Night -SATB with Violin by KATHLEEN HOLYOAK
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Choral SATB
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EASY
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Sacred music
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KATHLEEN HOLYOAK
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Upon This Holy Night -SATB wit
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Kathleen Holyoak
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.888512 Composed by KATHLEEN HOLYOAK. Christian,Christmas,Praise & Worship,Sacred. Octavo. 9 page...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.888512 Composed by KATHLEEN HOLYOAK. Christian,Christmas,Praise & Worship,Sacred. Octavo. 9 pages. Kathleen Holyoak #6100941. Published by Kathleen Holyoak (A0.888512). A lovely Christmas ballad arranged for SATBwith violin and piano accompaniment. Words by LAWRENCE LEE of Mary as she sings to baby Jesus: I look down in wonder into your precious eyes and see within reflections from on high.I recall the message of He who came in light unveiling what would happen upon this holy night. What marvelous things would happen upon this Holy night. You are the Son of GOd, the One the seers have said will bring tous salvation. A great and mighty King, Isaiash has foretold would come to offer exaltation. You are the Lord of Hosts, God of Israel; One who's sent to sanctify each nation. You are the Regal Child, the King Emmanuel. Now rest my little baby and I shall hold you tight. We'll listen to the songs that fill the night. My mind is full of wonder and how my heart delights, that you are mind to cherish upon this holy night. This miracle before me on this holy night, this night. You're mine to hold and cherish on this Holy night. (Also available as vocal solo: contact kkholyoak@gmail.com)
$1.99
Céad Míle Fáilte Romhat
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Choral SATB
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INTERMEDIATE
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Irish Traditional
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Thomas Quigley
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Céad Míle Fáilte Romhat
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Thomas Quigley
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1446435 Composed by Irish Traditional. Arranged by Thomas Quigley. Celtic,Christian,...
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1446435 Composed by Irish Traditional. Arranged by Thomas Quigley. Celtic,Christian,Irish,Praise & Worship,Religious,Traditional. 8 pages. Thomas Quigley #1026309. Published by Thomas Quigley (A0.1446435). If you are a church choral director in search of an Irish hymn, this is an excellent choice. Not difficult, yet full of musicality and highly effective, the parts blend beautifully in harmony. A well-written piano accompaniment provides further enrichment of the texture making it very satisfying to perform. And with the musical interest present in each voical part it is an ideal hymn to add to your church music repertoire. Highly recommended !
$2.25
Asleep in a Blanket Spun of Energy for SATB+electronic track, in English and Ojibwe
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Choral SATB
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Adrienne Inglis
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Asleep in a Blanket Spun of En
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.953630 Composed by Adrienne Inglis (ASCAP), with electronic dance track by Trevor F. Shaw (ASCAP). Contemp...
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Choral Choir (SATB) - Digital Download SKU: A0.953630 Composed by Adrienne Inglis (ASCAP), with electronic dance track by Trevor F. Shaw (ASCAP). Contemporary,Dance,Pop,Spiritual,World. Octavo. 16 pages. Adrienne Inglis (ASCAP) #6531047. Published by Adrienne Inglis (ASCAP) (A0.953630). Asleep in a Blanket Spun of Energy for mixed chorus and electronic track with music by Adrienne Inglis (ASCAP) and electronic track by Trevor F. Shaw (ASCAP), a setting of the poem We Are Returning Always by Margaret Noodin from Weweni, poems in Anishinaabemowin and EnglishComposed for Inversion Ensemble’s March 2019 Dream Keeper concert, Asleep in a Blanket Spun of Energy for mixed chorus and electronic track evokes vivid imagery of Margaret Noodin’s poem We Are Returning Always. Honoring the composer’s Ojibwe ancestors, the piece sets all of the English text and a few key words of the Anishinaabemowin text from the bilingual poem that beautifully captures a glimpse into the natural and celestial wonders of the Ojibwe world. The music reflects a taste of the syncopated embellished singing, pentatonic melodies, and steady drumbeat characteristic of Ojibwe music. The electronic track provides both a compelling rhythmic foundation and a fantastical sonic representations of the moon, nebulae, supernovae, aurora borealis, and the forests of the Ojibwe lands.In addition to being the director of EQI, Margaret Noodin is an Assistant Professor in the English Department and American Indian Studies. She is a poet and the author of Bawaajimo: A Dialect of Dreams in Anishinaabe Language and Literature (2014) and Weweni: Poems in Anishinaabemowin and English (2015). She teaches the Anishinaabemowin language at UWM. Margaret is the editor of ojibwe.net. Noodin holds an MFA in Creative Writing and a PhD in English and Linguistics, both received at the University of Minnesota. Her doctoral dissertation is titled Native American Literature in tribal context: Anishinaabe Aadisokaanag Noongom (2001)Electronic track is available at http://adrienneinglis.com.
$3.99
Dia
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Choral SATB
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ADVANCED
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Candace R
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Dia
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Candace R. Lambert
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SheetMusicPlus
Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.1028226 Composed by Candace R. Lambert. Christian. Octavo. 19 pages. Candace R. Lambert #345211...
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Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.1028226 Composed by Candace R. Lambert. Christian. Octavo. 19 pages. Candace R. Lambert #3452119. Published by Candace R. Lambert (A0.1028226). Appropriate for church services, college, or professional groups.Context: The piece receives its title from my little sister's nickname. Dia was born 10 weeks early and weighed less than 3 pounds. The doctors told us that she would not live. My father began to pray and certain scriptures came to his mind. Soon, he and my mother began to remind each other of these scriptures. Dia ended up making it. I tell her God must have something planned for her if she survived such a rough start.Performance: The piece opens with a joyful piano solo followed by the higher voices' entrance. These are the mothers exclaiming their joy for the new coming baby. The lower voices then make their statement in their own melody. They are the fathers expressing the excitement of the chlid's birth. The piano takes a turn into the minor key. A soloist represents the doctor delivering the bad news as the rest of the choir makes waiting room sounds. Have people texting or talking on the phone, flipping through magazines, or rustling papers. The alto soloist then repeats the doctor's message. The higher voices began to weep and cry as the father begins to pray. The 3 basses (Father, Son, and Holy Spirit) answer in scripture. The father begins to recite the scripture with God and soon the rest of the choir joins. The key modulates to the Major 3rd as the piano solo returns to represent the child living.
$15.00
Crossing the Bar (Downloadable)
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Choral SATB
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INTERMEDIATE
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Anthony Bernarducci
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Crossing the Bar
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir (choir divisi) unaccompanied - Medium - Digital Download SKU: MQ.1.3501-E Composed by Anthony Bernarducci. Secular, Memorial, 21st Century. 9 ...
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SATB choir (choir divisi) unaccompanied - Medium - Digital Download SKU: MQ.1.3501-E Composed by Anthony Bernarducci. Secular, Memorial, 21st Century. 9 pages. Galaxy Music Corporation - Digital #1.3501-E. Published by Galaxy Music Corporation - Digital (MQ.1.3501-E). English.Alfred, Lord Tennyson (1809–1892) wrote Crossing the Bar in 1889, only a few years before his death. Although it was not his last poem, he requested that Crossing the Bar appear as the final poem in all collections of his work. This poem describes a person not only at peace, but also perhaps awaiting the time of eternal rest and peace. The journey begins at sunset in a minor mode and finishes in the relative major after having crossed the bar. Both the first C minor chord and the final E-flat major chord have an added F-natural meant to represent the initial call which has guided the protagonist’s journey toward seeing his pilot face to face.
$2.65
Concord Canticles (Downloadable)
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Choral SATB
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INTERMEDIATE
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Sheldon Curry
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Concord Canticles
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Aureole Editions - Digital
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SheetMusicPlus
SATB choir and organ - Medium - Digital Download SKU: MQ.AE152-E Composed by Sheldon Curry. Lessons and Carols. 21 pages. Aureole Editions - Digital #AE1...
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SATB choir and organ - Medium - Digital Download SKU: MQ.AE152-E Composed by Sheldon Curry. Lessons and Carols. 21 pages. Aureole Editions - Digital #AE152-E. Published by Aureole Editions - Digital (MQ.AE152-E). English.Commissioned by True Concord (Tucson, AZ) for their annual Christmas Lessons and Carols, these settings of the Magnificat and Nunc dimittis are powerful and effective. Melding an almost British sensibility with a contemporary musical language, they require an advanced ensemble and capable organist. We think you'll agree that the results are stunning.Notes from the Composer:Magnificat: Imagine you are a teenage Jewish girl a little over 2 thousand years ago. You have almost no power to affect any change in your life other than the biological ones that are happening to you daily. You've been feeling strange lately, nauseous in the mornings. You're soon to be married to an older man you barely know. Your cousin Elizabeth is pregnant and you are on your way to visit her. As you walk, you silently meditate on your current state of affairs, absentmindedly chanting a prayer you've heard since birth.Suddenly, a bright light and strange being appear, the being greets you and gives you the most bizarre news anyone has ever heard. After your initial shock, you can't help but praise God.Nunc dimittis: An old man is at the temple in Jerusalem. Year after year, day after day, hour after hour he has longed for deliverance from Roman oppression and the coming of Messiah. On this day, as he trudges along, he encounters a young girl, an older man and a baby. Not unusual, but something about the child catches his eye and draws him to the family. As he stands staring at the child, suddenly he knows. He knows! This is the One he has been waiting for. The long wait is over. The search is ended. He takes the baby from the mother and holds him close. He feels not elation as much as relief. He can now rest in peace.
$2.70
I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Choral SATB
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INTERMEDIATE
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Dandelion Music Press
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I Would Rock My Child to Sleep
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion M...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104497. Published by Dandelion Music Press (A0.891206). This tender lullaby is a touching memorial for an end of life commemoration of a parent or caregiver. Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infantIII. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Old Beggarman from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Choral SATB
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INTERMEDIATE
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Traditional Irish
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Laurie Betts Hughes
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Old Beggarman from "Lost Songs
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 26 pages. Dandelion Music Press #3104495. Published by Dandelion Music Press (A0.891205). The first of three movements, here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project : Encore 2017Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved. I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WASet of three and single movements available for purchase.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Lost Songs of Ancient Ireland [SATB with Treble Descant]
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Choral SATB
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INTERMEDIATE
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Celtic/Irish
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Folkloric/Traditional
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Traditional Irish
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Laurie Betts Hughes
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Lost Songs of Ancient Ireland
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 61 pages. Dandelion Music Press #3104111. Published by Dandelion Music Press (A0.891204). Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$6.25
Collected Vocal Ensembles, Volume I
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Choral SATB
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INTERMEDIATE/ADVANCED
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Contemporary
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William Hawley
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Collected Vocal Ensembles, Vol
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William Hawley
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.889694 Composed by William Hawley. Contemporary. 364 pages. William Hawley #3515605. Publ...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.889694 Composed by William Hawley. Contemporary. 364 pages. William Hawley #3515605. Published by William Hawley (A0.889694). This collection of vocal ensembles by William Hawley presents fifteen of his secular works in this genre composed from 1981 to 2017, including an Appendix of seven later additions. The Eight Romances remain in manuscript, from which they were performed last century, and have been scanned for inclusion in the collection. The rest of the works have been computer engraved by the composer. Instrumental Parts, where required, are included in the volume, appended to the full scores in each case. A full Table of Contents and complete Bookmarks in hypertext are included, referencing each movement in the ensembles. The audio clip is from the World Premiere of Celia (1998), performed by The South Bend Chamber Singers, Nancy Menk conducting.
$16.99
Sure Stars Shining
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Choral SATB
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INTERMEDIATE/ADVANCED
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Jonathan Adams
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Sure Stars Shining
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Jonathan Adams
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.979329 Composed by Jonathan Adams. 20th Century,Contemporary. Octavo. 5 pages. Jonathan Adams #1...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.979329 Composed by Jonathan Adams. 20th Century,Contemporary. Octavo. 5 pages. Jonathan Adams #119803. Published by Jonathan Adams (A0.979329). A touching, heartfelt setting of the the Sara Teasdale poem, There Will Be Rest. Written for the Argentinian choir, Tirn Aill, conducted by Matias Martinez, the music is very moving and spiritual. Well worth the time it would take to learn, this piece is an essential for any quality choral program.
$2.99
Hail the day that sees him rise (Praise the Lord! his glories show)
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Choral SATB
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Sacred music
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Mack Wilberg
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Hail the day that sees him ris
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Oxford University Press Digital
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SheetMusicPlus
SATB choir and organ or orchestra - Digital Download SKU: OX.9780193536074 Arranged by Mack Wilberg. Sheet music. Octavo. 11 pages. Oxford University Pre...
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SATB choir and organ or orchestra - Digital Download SKU: OX.9780193536074 Arranged by Mack Wilberg. Sheet music. Octavo. 11 pages. Oxford University Press Digital #9780193536074. Published by Oxford University Press Digital (OX.9780193536074). ISBN 9780193536074.For SATB and organ or orchestra. This is a grand and exultant arrangement of the hymn tune 'Llanfair' and is presented with two text options: 'Hail the day that sees him rise' for use at Easter, and 'Praise the Lord! his glories show' for the rest of the year.
$3.65
Winter's Breath (SATB Choir & Piano)
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Choral SATB
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INTERMEDIATE
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Jeffrey Ouper
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Piano accompaniment.
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Winter's Breath
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Jeffrey Ouper
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.866214 Composed by Jeffrey Ouper. Christian,Christmas,Contemporary,Sacred. Octavo. 19 pages. Jef...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.866214 Composed by Jeffrey Ouper. Christian,Christmas,Contemporary,Sacred. Octavo. 19 pages. Jeffrey Ouper #2894533. Published by Jeffrey Ouper (A0.866214). Winter's Breath is an original Christmas song for SATB Choir & Piano accompaniment. There is some divided parts in the soprano. The song's duration is about 6 minutes. Winter's Breath is perfect for holiday concerts and worship services. There is also a version for solo voice available.About the song:Winter’s Breath is an original Christmas song (original music and lyrics) composed in 2014. The lyrics embrace both a secular and religious message of peace, love, and hope inspired by the beauty of winter snow. I really wanted to write a more profound Christmas song with an important message embracing a modern view of Christmas since so many songs are commercialized or limited in meaning.Having lived in the Arizona desert since 2007, snow has become a novelty to me, and I was inspired by its beauty and the memories I had of winter growing up in northern Illinois. The chorus that repeats throughout the song presents an irony of winter warming the soul. I found this to be both interesting and also meaningful in that I was describing my new viewpoint of winter snow (seeing more beauty in it than before) and presenting a metaphor for life-one that encourages the listener to see the beauty in something that most northerners despise.The first verse begins with sensory perceptions including seeing, hearing, touching, and smelling various natural qualities of winter. The second verse describes the joy of children playing in the snow and their belief in winter stories. The third verse is directed at worrying adults with a message of hope for the future. The bridge encourages the listener to look past the negativity and differences in other people and look towards Christmas and the new year for a hope renewed. The final verse concludes with the traditional religious view of Christmas tradition.
$2.95
Giovanni Bononcini - Anthem (for the Funeral of John Duke of Marlborough)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Giovanni Bononcini
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Giovanni Bononcini, Giovanni B
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Guido Menestrina
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Giovanni Bononcini - Anthem
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contemporary,Sacred. Octavo. 44 pages. Guido Menestrina #368381. Published by Guido Menestrina (A0.828704). Anthem which was performed in King Henry the Seventh's Chappel at the Funeral of the most Noble & Victorious Prince John Duke of Marlborough By Giovanni Bononcini (1670-1747) transcribed by Guido Menestrina Il padre, Giovanni Maria Bononcini (Buononcini) (1642-1678), era stato violinista e compositore: attivo alla corte di Modena, aveva scritto un trattato, Musico prattico, pubblicato nel 1673. Il fratello minore di Giovanni, Antonio Maria, fu anch'egli musicista. Proprio dal padre Giovanni ricevette la prima educazione musicale; quando questi morì, nel 1678, divenne studente di Giovanni Paolo Colonna a Bologna, dove vennero eseguiti i suoi primi lavori. Proprio grazie al Colonna entrò a far parte dell'Accademia dei Filarmonici in veste di compositore. Nel 1685 aveva già preparato e pubblicato le sue prime opere. Ottenne nel 1688 il posto di musicista presso la basilica di San Petronio, e più tardi divenne maestro di cappella nella chiesa di San Giovanni in Monte. Sempre a Bologna fece la conoscenza del librettista Silvio Stampiglia, assieme al quale, tra il 1692 e il 1696, produrrà cinque opere. A partire dal 1692 si recò a Milano, Roma (dove fu apprezzato e sostenuto da Filippo II Colonna e dalla sua consorte Olimpia Pamphilj) e Venezia; infine, dal 1698 al 1711 si stabilì a Vienna, dove godette i favori degli imperatori Leopoldo I e Giuseppe I. Di passaggio a Berlino nel 1702, incontrò Georg Friedrich Händel, di quindici anni più giovane di lui, di cui riconobbe il talento precoce: lo avrebbe rincontrato alcuni anni più tardi. Dal 1714 al 1719 fu di nuovo a Roma, al servizio di Johann Wenzel, Conte di Gallas, Ambasciatore dell'Imperatore d'Austria a Roma, molto noto per il suo amore per la musica. Al Conte di Gallas, Bononcini dedicò la Favola Pastorale Erminia, rappresentata al Teatro della Pace nella Stagione del Carnevale del 1719. Il dramma musicale ebbe grandissimo successo sia per la musica, sia per gli interpreti, fra cui si segnalarono Domenico Gizzi (1687-1758), Musico Soprano della Real Cappella di Napoli ed il celebre contralto napoletano Francesco Vitale. Sempre nella Stagione del Carnevale 1719 al Teatro della Pace, Bononcini rappresentò il dramma per musica L'Etearco, dal librettista Silvio Stampiglia dedicato alla Contessa Ernestina di Gallas, moglie dell'Ambasciatore austriaco. Anche in questo dramma per musica Domenico Gizzi e Francesco Vitale fecero apprezzare tutte le spezie più ricercate del virtuosismo canoro. Poi, dal 1720 si stabilì a Londra, sotto la protezione del John Churchill, I duca di Marlborough. Qui si esibì anche al violoncello in numerosi concerti, molto apprezzati dall'aristocrazia inglese. Divenne membro della prestigiosa Royal Academy of Music.[senza fonte] Il pubblico londinese era, all'epoca, totalmente ignorante dell'opera italiana, e Händel stava muovendo i primi passi della sua prestigiosa carriera. Fra i due compositori si accese un forte spirito di competizione, sia che collaborassero alla realizzazione della medesima impresa (i tre atti dell'opera Muzio Scevola furono composti il primo da Filippo Amadi, il secondo da Bononcini, il terzo da Händel, al fine di soddisfare tutti e tre gli artisti), sia che, più spesso, si impegnassero in produzioni rivali. Le opere di maggior successo di Bononcini in quegli anni furono Astarto (1720), Crispo (1722), Griselda (1722), che si rivelò un vero e proprio trionfo, Erminia (1723), Calfurnia (1724). A favore dell'italiano era anche una certa ostilità verso Händel dovuta alle sue origini tedesche e alla contemporanea presenza sul trono inglese della poco amata dinastia di Hannover. Ma nel 1727-1728 scoppiò uno scandalo che compromise il successo di Bononcini e lo costrinse a lasciare Londra: il compositore Antonio Lotti accusò il madrigale di Bononcini In una siepe ombrosa di essere un plagio di un brano dei suoi Duetti, terzetti e madrigali. Fuggito a Parigi nel 1733, a causa di speculazion.
$9.99
Come, Sweet Death
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Choral SATB
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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D
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Come, Sweet Death
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D. M. Gardner Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.799672 Composed by Johann Sebastian Bach. Arranged by D. M. Gardner. Baroque. Octavo. 4 pages. D...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.799672 Composed by Johann Sebastian Bach. Arranged by D. M. Gardner. Baroque. Octavo. 4 pages. D. M. Gardner Music #4324397. Published by D. M. Gardner Music (A0.799672). This is a simple SATB unaccompanied edition of Come, Sweet Death originally composed by J. S. Bach that includes new meter, dynamic, and text alignment interpretations in addition to a cleaner, more readable presentation on a single page.This edition includes two alternate ending concepts (one in C minor, the other Eb Major). These aleatoric options create a haunting effect that ultimately settle into the final chord, again at rest.To learn more about the editor of this work, please visit https://www.dmgardner.com
$1.99
God's Wondrous Love - Orch
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Choral SATB
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Robert Lau
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God's Wondrous Love - Orch
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
SATB choir - Digital Download SKU: LX.30-1736L Composed by Robert Lau. Choral Cantatas. Easter, Holy Week. Score and parts. 201 pages. Lorenz Publishing ...
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SATB choir - Digital Download SKU: LX.30-1736L Composed by Robert Lau. Choral Cantatas. Easter, Holy Week. Score and parts. 201 pages. Lorenz Publishing - Digital Sheet Music #e30/1736L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-1736L). UPC: 000308060676.From the haunting opening strains of What Wondrous Love Is This? to the tender, moving rendition of Jesus, Keep Me Near The Cross, this work for Holy Week skillfully weaves simple narration, scripture, and hymn texts and tunes into a powerful presentation of the Savior's suffering. Familiar hymns and new material are designed to impress upon the congregation and choir alike the magnitude of the sacrifice our Lord endured for our salvation. The closing anthem is a triumphant testimony to the victory of Easter, and may be used separately as an Easter anthem, allowing the rest of the work to stand complete as a service for Good Friday. Performance time: 30 minutes. Flute, Oboe, opt. Clarinet, Horn, Trumpet 1/2, Double Bass, Conductor's score, trombone 1/2, percussion (windchime, sus cym, bells, triangle) snare drum, timpani, harp, violin 1/2, viola, cello.
$150.00
Missa Solemnis, op. 27 (vocal score)
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Choral SATB
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adr...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
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