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Choral SATB
Sheetmusic to print
6 sheet music found
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Summertime Hue
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1105202 Composed by Elizab…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1105202 Composed by Elizabeth Ambrose. 20th Century,A Cappella,Contest,Festival. Octavo. 7 pages. Elizabeth (Elzbieta) Ambrose #708461. Published by Elizabeth (Elzbieta) Ambrose (A0.1105202). This original music by Elizabeth Ambrose to lyrics by Linda Watson, with a descriptive words and tuneful melody is suitable for SATB choir with piano accompaniment or a cappella. This arrangement is suitable to use for any combinations of voices: S, SA, SAB, STB with piano accompaniment (omit the other voices). The time signatures changes are smooth, starting and finishing with a feel of two beats in a bar. The middle section has three beats in a bar and could be fraction slowed with ‘A tempo’ from bar 52.
$1.99
1.83 €
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Choral SATB
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Elizabeth Ambrose
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Summertime Hue
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Elizabeth
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SheetMusicPlus
In the Bleak Mid-winter (SATB accompanied)
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.522055 Composed by Colin K…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.522055 Composed by Colin Kirkpatrick. A Cappella,Christian,Christmas,Praise & Worship,Sacred. Octavo. 10 pages. Colin Kirkpatrick Publications #4614491. Published by Colin Kirkpatrick Publications (A0.522055). This is a new setting of the famous words by Christina Rossetti (1830-1894) and it is in 5/8 time. Singers will easily get into the habit of thinking this is terms of three beats followed by two beats. The setting follows the format of the original poem and there is a short, easy-to-sing a cappella section in the middle. It’s scored for SATB choir with keyboard accompaniment. The piano part is of medium difficulty. This piece will be a popular addition to your Nativity play or Christmas services. If you like this choral piece, you might also be interested in the other Colin Kirkpatrick Nativity Anthems in this SATB series (also available as SSA): And a Star is Shining in the East, See this Little Town, While Shepherds Watched their Flocks by Night, I Saw Three Ships, Sing! For a Boy has been Born and Rejoice and Sing on Christmas Morn. In the audio recording, soprano is played by flute, alto by oboe, tenor by clarinet and bass by bassoon. (Duration 03:00)
$2.99
2.75 €
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Choral SATB
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Colin Kirkpatrick
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In the Bleak Mid-winter
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Colin Kirkpatrick Publications
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SheetMusicPlus
"Forgive Our Sins as We Forgive", SATB, piano
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.932691 Composed by Supplem…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.932691 Composed by Supplement to the Kentucky Harmony, 1820. Arranged by Terry M. Forsyth. Christian,Easter,Sacred. Octavo. 5 pages. Forsyth Publishing #6111417. Published by Forsyth Publishing (A0.932691). SATB, this 3:30 minute arrangement uses melody in canon at two beats later with new material in third verse. Very dramatic by presenting tension of stress with others, conflict heightens at start of verse 3 relaxes when it hits--the condition to first forgive or not be forgiven ourselves. Intermediate piano. Tune name: Detroit.
$3.99
3.66 €
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Choral SATB
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Supplement to the Kentucky Harmony, 1820
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Intermediate piano.
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"Forgive Our Sins as We Forgive", SATB, piano
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Forsyth Publishing
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SheetMusicPlus
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Choral SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.18 €
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Choral SATB
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
On the Seashore of Endless Worlds (SATB Choir)
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.522260 Composed by Colin K…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.522260 Composed by Colin Kirkpatrick. Holiday,Patriotic. Octavo. 33 pages. Colin Kirkpatrick Publications #6028587. Published by Colin Kirkpatrick Publications (A0.522260). This choral work is sure to add excitement to your concert and it was given splendid reviews when it was first performed at London’s Royal Albert Hall. It was later performed at Croydon’s Fairfield Halls just outside London where it received a rapturous reception from the large audience. The work is ideal for music festivals (for which it was originally written) or any important event which needs a celebratory piece for choir and orchestra. The piece celebrates the endless joy of life and light, as children play on the seashore. The choral parts are not difficult and parts of the soprano could also be sung by children’s chorus if necessary. The words of the soprano solo part have a reflective, maternal quality as she watches the children playing on the shore. Singers are sure to enjoy the catchy melodies, the expressive soprano solo and the dramatic middle section of this work. Parts of the piece use several irregular time signatures. Don’t let them put you off! They are good deal easier than they look and the score contains indicates how they break down into simple units of two and three beats.The choral score contains a piano reduction of the orchestral score. The full orchestral score and parts are available separately from SMP. The orchestration is standard and requires: 2 flutes and piccolo, 2 oboes, 2 clarinets in B flat, 2 bassoons; 4 horns in F, 3 trumpets, 3 trombones, 1 tuba, timpani, percussion (4 players), violin 1, violin 2, viola, cello, double bass. A high-quality audio file containing the orchestral accompaniment is also available.The words are by the distinguished and much-loved Bengali poet Rabindranath Tagore (1861-1941). He made significant contributions to literature and wrote a prodigious number of works including essays, philosophical treatises, journals, memoirs, short stories and letters. The text of this work is taken from two poems in the book entitled Gitanjali. The title is translated as Song Offerings and was largely responsible for Tagore winning the Nobel Prize for Literature. The book contains over one hundred poems, translated freely by the author into English from the original Bengali, published in 1910. The English version appeared in 1912 published by the Indian Society of London. The text has been adapted slightly for this choral setting.Colin Kirkpatrick has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester and Belwin Mills. His music has been performed and broadcast world-wide.
$3.99
3.66 €
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Choral SATB
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Colin Kirkpatrick
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On the Seashore of Endless Worlds
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Colin Kirkpatrick Publications
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SheetMusicPlus
Rain Music
Choral SATB
SATB choir divisi and Piano - Digital Download SKU: LX.15-3531H Composed by Victor …
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SATB choir divisi and Piano - Digital Download SKU: LX.15-3531H Composed by Victor C Johnson. Educational. Octavo. 20 pages. Heritage Music Press #e15/3531H. Published by Heritage Music Press (LX.15-3531H). ISBN 9780787760298.On the dusty earthdrum beats the falling rain. Now a whispered murmur, now a louder strain. This forward-moving, rhythmically-driven music enhances the dramatic, image-laden text of Kentucky-born poet and playwright Joseph S. Cotter, Jr. Effective unison, two-, three-, and four-part writing throughout and optional parts for rain stick and djembes heighten the musical effect.
$2.95
2.71 €
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Choral SATB
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Victor C Johnson
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Rain Music
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Heritage Music Press
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SheetMusicPlus
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