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That Thing You Do!
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You've selected:
That Thing You Do!
SheetMusicPlus
Choral SATB
Sheetmusic to print
31 sheet music found
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1
26
That Thing You Do!
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Choral SATB
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EASY
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Contemporary
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The Wonders
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Ed
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That Thing You Do!
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Ed.CAL
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.924949 By The Wonders. By Adam Schlesinger. Arranged by Ed.CAL. Contemporary. Octavo. 2 pages. ...
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Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.924949 By The Wonders. By Adam Schlesinger. Arranged by Ed.CAL. Contemporary. Octavo. 2 pages. Ed.CAL #6589095. Published by Ed.CAL (A0.924949). That Thing You Do! - The Wonders in E for Solo Instrument/Violin
$4.99
Now That the Son is Beaming Bright
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Choral SATB
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INTERMEDIATE
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Sacred music
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Richard Joseph Barber
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Now That the Son is Beaming Br
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Barber Music Company
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.915680 Composed by Richard Joseph Barber. Classical,Contemporary,Sacred. Octavo. 4 pages. Barber...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.915680 Composed by Richard Joseph Barber. Classical,Contemporary,Sacred. Octavo. 4 pages. Barber Music Company #3023247. Published by Barber Music Company (A0.915680). Words by St. Ambrose of Milan (c340–397), tr. by John Henry Newman.Set to music and arranged by Richard Joseph Barber for Rev. Jason Parker, High Country Baptist Church in Colorado Springs, CO.Composer's note:This is a joyous call to prayer (especially morning prayer). The music reminds me of little children skipping with glee under a bright blue morning sky. It needs to be sung with joy in the Lord, Who hears us when we call, forgives our sins, and gives us grace to love Him, keep his commands and do those things that are pleasing in His sight. It should be a wonder morning service anthem, but why not try it in the evening, too, in anticipation of meeting God at the beginning of the next day. The key to the style of this piece is rhythmic vitality. The 6/8 meter should be conducted in two, but singers (and the conductor) must feel the eighth note division of the beat as the composition's energizing rhythmic subtext. After the choir has learned the words, pitches and rhythms of the piece, have them let the text go for awhile, and replace it with the syllable doo for every eighth note value. That is, for every eighth note sing 'doo once; for every quarter note sing it twice; for every dotted quarter note sing it three times, and so on. You will hear some giggling from your singers. That is okay. They will have some fun, and you will hear definite improvement. RJB (barberpianoserv@gmail.com).
$3.00
THE THREE BEST THINGS
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Choral SATB
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INTERMEDIATE
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John T Sarno
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Words: Henry Van Dyke
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THE THREE BEST THINGS
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John T Sarno
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.904432 Composed by John T Sarno. Arranged by Words: Henry Van Dyke. A Cappella,Concert,Contempor...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.904432 Composed by John T Sarno. Arranged by Words: Henry Van Dyke. A Cappella,Concert,Contemporary,Graduation. Octavo. 19 pages. John T Sarno #6864363. Published by John T Sarno (A0.904432). This SATB choral piece is a set of three pieces from the poetry of Henry Van Dyke 1852-1933. $7.50 WORK The romanticism of the poetry setting conveys the message of the importance of having a good work ethic. It carries the idea that I am the best one that can do the work I do. This work can also be used for a graduation ceremony. LOVE A cappella piece. The romanticism of the poetry setting describes love as a journey to find your best self by loving and being loved. Love offered without pretense and received with forgiveness will fill the heart’s desire for true love. To give of yourself completely and freely because there is love. LIFEThe romanticism of this poetic setting describes life as an adventure filled with joy, love, friendship, and courage. It challenges the listener to live life to the fullest, always striving to be their best. This work can also be used for a graduation ceremony. Approx. 7:20 Pages: 19 Because this is in a digital format you must purchase a minimum of 10 copies.
$7.50
I See You
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Choral SATB
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INTERMEDIATE
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Michelle Willis
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I See You
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Teton Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033147. Published by Teton Music (A0.887281). SATB, a cappellaWritten for the Early Light Academy Spotlight Singers (South Jordan, UT) and taken from actual responses from the students they were asked, when people look at you, what do you want them to see? This song is intended to be a very personal expression for the singers as well as for the audience.Text:I see: eyes and a face, hands and feetYou see: the sameI see: tears and a smile, working, movingYou see: the sameI see: pain, joy, strength, enduranceYou see, you think you see-but you can’t name it.I see you, please see me.When you look at me, see a person who isn’t afraid to be-- just be.I am tall or I am small, but I am happy to be me.I may be confident or meek, I may be really strong or weak,And if it changes week to week, it doesn’t matter.What matters is that you see me.When you listen, notice that my voice may sometimes raise the roofAnd other times it may seem aloof when I cannot find the proofOf what is truth and what is fair, but listen ‘til you hear me shareAnd know deep down I really care, because it matters.It matters that you see me.I see: someone who is strong and kind, someone who knows their mind, Someone who struggles just like me, but keeps fighting endlesslyI see you, please see me.I see: a soul who fin’ly knows I’m hereAnd doesn’t judge if I bow down to smallish fearsYou see me, and I see you, there’s nothing greater we can doThan to acknowledge we’re all trav’ling down this road,But not alone.It matters-That I see you-and you see me.
$2.49
Nothing Compares (Anthem) - Piano Accompaniment
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Choral SATB
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INTERMEDIATE
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Sacred music
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Christopher R
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Nothing Compares
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Christopher Brown
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.747197 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 10 pa...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.747197 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 10 pages. Christopher Brown #4611321. Published by Christopher Brown (A0.747197). About the song: This anthem begins by compelling the listener and the performer to consider the parable of the hidden treasure and the pearl. The second verse reflects on David's superlative description of God's Word in Ps. 19. In his letter to the Philippians, Paul speaks of the surpassing worth of knowing Christ when compared to everything else in this life. The lyrics of this song are intended to echo these Truths, encourage the believer, and testify to the incomparable gift of entering into the Kingdom of God, understanding His Word, and being strengthened and set free to do the good works that He prepared in advance for us to do.Can be performed with piano accompaniment only, OR with additional band members, OR with full orchestra*.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.*Full orchestration and parts also available on Sheet Music Plus.Included in your Purchase:Piano Accompaniment
$5.99
WORK From The Three Best Things
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Choral SATB
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INTERMEDIATE
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John T Sarno
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WORK From The Three Best Thing
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John T Sarno
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.904430 Composed by John T Sarno. Concert,Contemporary,Graduation. Octavo. 8 pages. John T Sarno ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.904430 Composed by John T Sarno. Concert,Contemporary,Graduation. Octavo. 8 pages. John T Sarno #6864365. Published by John T Sarno (A0.904430). 4-part SATB (with divisi) is a high school level piece. The romanticism of the poetry setting conveys the message of the importance of having a good work ethic. It carries the idea that I am the best one that can do the work I do. Besides using it for a choral concert it can also be used at a graduation ceremony. ($2.99) Approx. 2:30 Pages: 8 Because this is in a digital format you must purchase a minimum of 10 copies.
$2.99
At That Hour for SATB a cappella
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Choral SATB
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Leslie Kleen
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At That Hour for SATB a cappel
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Music From Riverside
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.1004856 Composed by Leslie Kleen. A Cappella. Octavo. 4 pages. Music From Riverside #4849143. Published by...
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Choral Choir (SATB) - Digital Download SKU: A0.1004856 Composed by Leslie Kleen. A Cappella. Octavo. 4 pages. Music From Riverside #4849143. Published by Music From Riverside (A0.1004856). At That Hour is the third song from the group of nine from Chamber Music; love poems by James Joyce written in 1907.At that hour when all things have repose,O lonely watcher of the skies,Do you hear the night wind and the sighsOf harps playing unto Love to uncloseThe pale gates of Sunrise? ...
$1.99
Nothing Compares (Anthem) - Vocal Score
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Choral SATB
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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Christopher R
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Nothing Compares
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Christopher Brown
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.747196 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 6 pag...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.747196 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 6 pages. Christopher Brown #4611313. Published by Christopher Brown (A0.747196). About the song: This anthem begins by compelling the listener and the performer to consider the parable of the hidden treasure and the pearl. The second verse reflects on David's superlative description of God's Word in Ps. 19. In his letter to the Philippians, Paul speaks of the surpassing worth of knowing Christ when compared to everything else in this life. The lyrics of this song are intended to echo these Truths, encourage the believer, and testify to the incomparable gift of entering into the Kingdom of God, understanding His Word, and being strengthened and set free to do the good works that He prepared in advance for us to do.Can be performed with piano accompaniment only, OR with additional band members, OR with full orchestra*.Included in your Purchase:Choral Score (SATB with Solo)Please Note:Performance of this music requires one copy of the choral score purchased for each singer.*Full orchestration and parts also available on Sheet Music Plus.
$1.99
Savin' Jeremiah - SATB Choir
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Choral SATB
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INTERMEDIATE/ADVANCED
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a chariot of fire, But the pro
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Kevin G
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Savin' Jeremiah - SATB Choir
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1129659 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 20th Century,Blues,Jazz,Religious,S...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1129659 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 20th Century,Blues,Jazz,Religious,Spiritual. Octavo. 14 pages. Kevin G. Pace #730069. Published by Kevin G. Pace (A0.1129659). A fun, jazzy, energetic choral composition telling the story of Ebed-Melech and how he saved the prophet Jeremiah. Music by Kevin G. Pace. Text by Kathryn W. Hales. Text: The Good Book says that Moses Was buried by the hand of God; And those bitten by fiery serpents Were healed by lookin’ at a rod. Elijah was taken up to heaven By a chariot of fire, But the prophet Jeremiah Was cast into a pit of mire. “Can’t you hear me, Lord?†Jeremiah is a’cryin’, “Wilt Thou deliver me? For I am surely dyin’.†The Lord touched the heart On one Ethiopian And says to Ebed-Melech, “Go and save my son.†That black man, he did hearken And went straight up to the king, “What you’ve done to Jeremiah Is a very wicked thing.†“Can’t you see his misery? Can’t you hear him cryin’? Let me deliver him, O King, For he is surely dyin’.†Then Zedekiah repented, Said, “Go get Jeremiah Out of that old dungeon Out of the pit of mire. Take thirty strong men with you Do not delay or wait, Bring the prophet up again Before it is too late.†Ebed went to the pit, Called down into the dark, “I’s a comin’ to save you, Now, oh man, take heart. The king has relented, But before we start, Put old rags beneath your arms, So the ropes won’t leave a mark. Poor Jeremiah was so weak, He’d almost lost all hope, The men did gently lift him up ‘Cause he couldn’t climb the rope. He was kept in prison, But now he had some food, Until the Babylonians came To seize the multitude. ‘Twas an Ethiopian that saved him, A servant to Judah’s King, Blessed be the name of Ebed-Melek For doin’ such brave things. The Lord uses many people From every tribe and race To be an instrument in His hands, An implement of His grace. “Repent all House of Judah,†Jeremiah kept on a’cryin’, “Turn unto the Lord again, Otherwise you’all be dyin’. His words come down through the years To the people of today, “Repent and turn back to the Lord, And walk His chosen Way.â€.
$1.99
Anim Zemiros
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Choral SATB
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ADVANCED
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Ce...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Choral SATB
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INTERMEDIATE
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 2 - Eighths
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Dots and Beams
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Do...
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
A Place for Dreaming
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Choral SATB
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INTERMEDIATE
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Ken Medema
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Ken Medema
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A Place for Dreaming
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Ken Medema Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1366026 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Christian,Contemporary,Reli...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1366026 By Ken Medema. By Ken Medema. Arranged by Ken Medema. Christian,Contemporary,Religious. 13 pages. Ken Medema Music #950379. Published by Ken Medema Music (A0.1366026). Is There a Place for DreamingIs there a place for dreamingIn the corners of your mind…In a world where dreams are broken,And dreamers hard to find?Do you dream and weep sometimesAbout the way that things should be?Come dreaming with me, come dreaming with me,Admission is free. Do you dream of another countryWhere there is no push and shove…where the rich don’t rule and the poor are fed,And the only law is love,And a neighbor is a neighbor, And there is trust and loyalty?Come dreaming with me, dreaming with me,Admission is free. When I was a boy, I used to daydream a lot,And they told me that it would not last;Wouldn’t have time for such a waste of my mind,When my life started moving fast.Now that I’m grown, I find that life with no dreamIs a hell I refuse to bear.If it’s alright, I want to open my mindAnd see if my dreams are still there. Is there a place for dreamingIn the corners of your mind…In a world where dreams are broken ,And dreamers hard to find?Do you dream and weep sometimesAbout the way that things should be?Come dreaming with me, come dreaming with me,Admission is free.
$1.99
Choral - "Sing to God All the Earth" SATB with Children's Melody Part
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Choral SATB
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Sacred music
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Dan Cutchen
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Choral - "Sing to God All the
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Dan Cutchen Music
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.844331 Composed by Dan Cutchen. Sacred. Octavo. 15 pages. Dan Cutchen Music #3121707. Published by Dan Cut...
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Choral Choir (SATB) - Digital Download SKU: A0.844331 Composed by Dan Cutchen. Sacred. Octavo. 15 pages. Dan Cutchen Music #3121707. Published by Dan Cutchen Music (A0.844331). A bold choral work with a bold message of hope and praise for what Christ has accomplished for us by his death and resurrection!(For Mp3 Accompaniment TRACK: Copy and paste the following into the search bar:Choral - Sing to God All the Earth Accompaniment Track)It's only $1.99!SATB Choral with piano accompaniment.Based on John 1:1-3In the beginning there was the Word. The Word was with God, and the Word was God. He was with God in the beginning. All things were made by him, and nothing was made without him.andRomans 8:1There is therefore now no condemnation for those who are in Christ Jesus.--------------------------------------------------------------------------------------------------------The presence of children in a choir presentation can be quite charming and encouraging for the congregation. These kind of experiences for children can prepare them for a love of choral and exposure to singing with the big choir. Plus, as Psalm 8:2 informs us, children can have a ministry that silences the negative influence of the enemy and bring strength and encouragement to all who hear them sing praise!The children's part in this piece of music is a simple counter melody, no parts. You do not need an established children's choir, only a few good singers will do nicely.
$1.99
Funeral For A Tree
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Choral SATB
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INTERMEDIATE
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Contemporary
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John Powell
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a do Ray me flute studio prod
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Funeral For A Tree
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as do Ray meflute studio production
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.874246 Composed by John Powell. Arranged by a do Ray me flute studio production , Ray-Michael ...
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.874246 Composed by John Powell. Arranged by a do Ray me flute studio production , Ray-Michael Kauffman. Contemporary. Octavo. 31 pages. As do Ray meflute studio production #3885051. Published by as do Ray meflute studio production (A0.874246). Https://www.youtube.com/watch?v=PqIQfHGxLEg&feature=youtu.be With thoughts leaning and reflecting on the end on Fall, and November, I can’t help but notice the beauty of fall and the trees and foliage. This wonderous little musical piece , from the motion picture The Lorax from the Dr. Seuss movie, depicts of the main character the Lorax speaking for the trees and in many ways advocating for all things, people and groups that can not speak for themselves. And even in the times that we live in, this story still rings true today. And beauty can still be found in sadness, or endings whether the be falling leaves in the park, or even with the events that are said , we grow and learn, being grateful for what we have , and learn to find our voices to speak out for the things that truly matter in life. This music, which is much like a hymnal, especially in the beginning of the piece, is perfect for this message. A message of peace, reflectiveness and hope and courage. As a side note , this piece should be played with lots of thoughtful rubato, and when the meter changes for 4/4(5/4) to 12/8, the beat does not change from quarter to dotted quarter .In the middle, minor section, I really added and improvised my musical skills per chord and melody of the song which makes my arrangement very distinctive, individual and unique. This would be great for a movie themed concert, all by it's self, for a funeral, for Arbor Bay/ Tree ceremony , for fall or autumn music/ themed programs, recitals, etc. Sure to be a well used piece in your collection. Scored for piccolo, flute 1, 2, 3 4, alto and bass flute. This pieces suites smaller groups , such as 1 per part, or doubling up with discretion. please visit my website at doraymeflute.com , too!I hope you enjoy this as much as I do, thank you for your support.#movie music #arborday#holidaymusic #fallmusic #holiday #fall #autumn #season #flutechoir #movieflute #autumnmusic
$14.99
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Choral SATB
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INTERMEDIATE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brow...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
SATB - Remember
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Choral SATB
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Contemporary
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Connor Hopkins
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SATB - Remember
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Connor Hopkins
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.1029439 Composed by Connor Hopkins. Contemporary. Octavo. 5 pages. Connor Hopkins #4896931. Published by C...
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Choral Choir (SATB) - Digital Download SKU: A0.1029439 Composed by Connor Hopkins. Contemporary. Octavo. 5 pages. Connor Hopkins #4896931. Published by Connor Hopkins (A0.1029439). This is a SATB choral piece written for my grandmother, who is on her final stretch of life. She has been extremely supportive of my efforts in composing and has provided love and support every time I even mention that I am trying to compose something new. I wanted to write a piece for her to hear so that she can know that even when she passes away from this life that she will be remembered and loved.If you do decide to perform or even rehearse this, I ask that you send me a link or file with a recording of it to conhop30@gmail.com so that I may share it with her. Thank you. I hope you enjoy this piece.
$1.99
This Woman's Work
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Choral SATB
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INTERMEDIATE/ADVANCED
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Contemporary
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Maxwell
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a do Ray me flute studio pro
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This Woman's Work
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as do Ray meflute studio production
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.874263 By Maxwell. By Kate Bush. Arranged by a do Ray me flute studio production, Ray-Michael...
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.874263 By Maxwell. By Kate Bush. Arranged by a do Ray me flute studio production, Ray-Michael Kauffman. Contemporary. Octavo. 37 pages. As do Ray meflute studio production #6069725. Published by as do Ray meflute studio production (A0.874263). This Woman's Work by Kate Bush arranged for flute choir /ensemble.I started a new line of flute arrangements called Compositions that Care. With these arrangements, all the money sued to purchase these arrangements goes to special charity or cause . This specific arrangement is for Breast Cancer . This is something that 1 in 8 women will develop in their lifetime, and is special to me because I've had family members, friends and co-workers effected by this cancer. Generally speaking, for October, I would arrange so fun or scary Halloween song, however, October is Breast Cancer Awareness. I could not think of anything better to do than a beautiful arrangement , to raise money and awareness for Breast Cancer. This well written, beautiful song by Kate Bush would make a great addition to your music library, something very different and memorable not only for a general audience , but especially for an event celebrating Women , for a breast cancer survivor, for friends and family also effected by this cancer , or a movie or tv themed concert because this song was featured in the movie in She's having a Baby :, to tv shows like Alias and recently in The Hand Maids Tale . This is something very different , beautiful, and easy to derive emotional expression from, and for many this song as well as this cause will be very meaningful for many people.https://youtu.be/ZWbpjVLCyzI Please visit me on the web @ doRaymeflute.com
$15.99
No Tears Left To Cry
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Choral SATB
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EASY
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Ariana Grande
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Andrew Montano
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No Tears Left To Cry
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Andrew Montano
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1517275 By Ariana Grande. By Ariana Grande, Ilya, Max Martin, and Savan Kotec...
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Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1517275 By Ariana Grande. By Ariana Grande, Ilya, Max Martin, and Savan Kotecha. Arranged by Andrew Montano. A Cappella,Pop. 14 pages. Andrew Montano #1091453. Published by Andrew Montano (A0.1517275). 9-Part DivisiSolo 1 (Alto/Mezzo)Solo 2 (Mezzo/Soprano)SSA (3-Part split)TenorBaritone Bass (2-Part Split)On May 22, 2017, in Manchester, England, Ariana Grande performed at the Manchester Arena with an estimated gathering of 14,000 people. At 10:31 p.m., as fans began leaving the concert through the City Room, an explosion detonated leaving thousands injured and twenty-three dead, including the suicide bomber.Grande was devastated from the trauma and took a hiatus from performing. She felt responsible protecting her fans and was ashamed she couldn't prevent the attack.Upon breaking her silence, Grande announced her new single, No Tears Left to Cry, accompanied with album art of Grande's side profile, upside-down text, and a streak of rainbow across her eye. If there are stormy skies, then there's a chance a rainbow will appear. Rainbows symbolize hope and optimism, which explains why the rainbow can be found near her eye.In the music video, Grande travels around locations in various camera angles, which disorients the viewer and gives no indication where the solid ground is. Video director Dave Meyers explains, We sort of explore the ambiguity of whether we need to find the ground or the ground is just what you make of it. It relates to the optimism in her song.This song is a reflection of the past and coming out stronger than before. Throughout life, there are many moments we may experience such as grief, trauma, abuse, neglect, etc. We all have our own personal struggles, and No Tears Left to Cry promotes a self-uplift that things do and will get better.
$4.99
Medallion Girls for Choir from Science Fiction Opera Libertaria
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sabrina Pena Young
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Medallion Girls for Choir from
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Sabrina Peña Young
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.976936 Composed by Sabrina Pena Young. Broadway,Film/TV,Halloween,Musical/Show,Opera. 6 p...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.976936 Composed by Sabrina Pena Young. Broadway,Film/TV,Halloween,Musical/Show,Opera. 6 pages. Sabrina Peña Young #3430823. Published by Sabrina Peña Young (A0.976936). Dramatic science fiction inspired choral work from groundbreaking post-apocalyptic 21st century animated opera Libertaria. Quirky and partially inspired by Dr. Who, this choral work is a fun musical theater piece for choir. The Medallion Girls are part of a futuristic genetic experiment meant to perfect humanity after a radiation permanently mutated humans. Truly a unique work. Award-winning composer and TED Talk Speaker. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerLIBERTARIA: THE VIRTUAL OPERAhttps://virtualopera.wordpress.com/ ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon. One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.comWHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLESBetween the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$7.99
Safe And Sound
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Choral SATB
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INTERMEDIATE/ADVANCED
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Pop music
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Taylor Swift Featuring The Civ
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Ray-Michael Kauffman, a do Ra
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my music out!
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Safe And Sound
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as do Ray meflute studio production
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.874251 By Taylor Swift Featuring The Civil Wars. By John Paul White, Joy Williams, T-Bone Burne...
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.874251 By Taylor Swift Featuring The Civil Wars. By John Paul White, Joy Williams, T-Bone Burnett, and Taylor Swift. Arranged by Ray-Michael Kauffman, a do Ray me flute studio production. Pop. Octavo. 36 pages. As do Ray meflute studio production #4317427. Published by as do Ray meflute studio production (A0.874251). https://youtu.be/yThmw9_DBnASafe and Sound from the movie The Hunger games, performed by The Civil Wars and Taylor Swift. arranged for flute choir / flute ensemble by me, Ray-Michael Kauffman.This beautiful , a hunting melody is not only great for a movie themed flute choir performance , but also for those whom never seen the movie because the music is written that well by the composers and the arranger. scored for piccolo, 5 c flutes, alto flute in g, bass flute , opt. contra bass flute, and opt. cello.This arrangement , like most of my pieces, are perfect addition for your players such as giving every one a chance at the melody, as well as creating something sounding complex and rich well entertaining audiences of various backgrounds and taste preferences.You'll love playing this piece, and your flute choir / flute group will enjoy this for years to come. Thanks for checking my music out! To purchase this or other available music please visit ; :https://www.sheetmusicplus.com/publishers/a-do-ray-me-flute-studio-production/7545 and check out my website @ doraymeflute.com.
$14.99
Through a Child's Eyes - an original hymn for SATB voices
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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Through a Child's Eyes - an or
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701759 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Sacred. O...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701759 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3395631. Published by Kevin G. Pace (A0.701759). An original hymn with text by Kathryn W. Hales below.YouTube video: https://youtu.be/fxh5D3JYM_o When I see the world through a child’s eyes, I see mountains and bluebirds and bright butterflies; I feel sand through my toes when at the beach And the apples on the tree just out of reach. When I see the world through a child’s eyes, It’s easy to believe in a Heavenly Father so wise, That He created this earth and all its beauty untold; I still hope to see it that way when I’m old. When I see a family through the eyes of a child, I see a father who provides and a mother who smiles; I have brothers and sisters who are kind to me And we all play together in harmony. When I see a family through the eyes of a child, I can believe in Heavenly Parents, loving and mild, I can view each person as someone of worth And accept them as God’s family here on the earth. When I see others through the eyes of a child, I can learn compassion, to speak without guile; I can be teachable, forgiving, honest, and true, When I see the kind things others may do. It’s easy to believe in a God who is just, When I learn from others to show mercy and trust. I can learn patience while waiting a while, For God’s blessings to come to an obedient child. (Optional for the Christmas season) When I see Christmas through a child’s eyes, I feel laughter and magic and wondrous surprise; I love lights and music and cookies and songs, I want to serve others and never do wrong. It’s easy to believe when Baby Jesus was born Though ‘twas long ago on that Christmas morn, That Love had come down to redeem and glorify, When I see our Savior through a child’s eyes.
$1.99
We Belong Together
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Choral SATB
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EASY
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Vampire Weekend
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G
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We Belong Together
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G. M. Morley
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.500704 By Vampire Weekend. By Ezra Koenig and Rostam Batmanglij. Arranged by G. M. Morley. A Cap...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.500704 By Vampire Weekend. By Ezra Koenig and Rostam Batmanglij. Arranged by G. M. Morley. A Cappella,Contemporary. Octavo. 10 pages. G. M. Morley #5044269. Published by G. M. Morley (A0.500704). This fun little love song comes from Vampire Weekend's fourth album, Father of the Bride, released in early 2019. The original is a duet featuring the female vocals of Danielle Haim.Writer, Ezra Koenig has said of the song I always wanted to do a song that was insanely simple, that was just listing things that go together... It's probably the most wholesome Vampire Weekend song.Although the simplicity of the original song remains, there are some challenging arpeggio's and runs for soprano and alto parts in the latter half of the piece.This version is suitable for weddings and pop or community choir performances.If you would like to contact me about this arrangement or would like to request something specific, please message me via my page: https://www.facebook.com/GMMorleyMusic/ If you perform this piece, I'd love to hear from you.
$3.50
Rock - a Roger Jones musical
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Choral SATB
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INTERMEDIATE
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Sacred music
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Music...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99
Have, Have Ye No Regard? — Good Friday anthem for baritone, SATB, organ
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Choral SATB
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INTERMEDIATE
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Todd Marchand
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Have, Have Ye No Regard? — G
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1381069 Composed by Todd Marchand. Christian,Easter,Lent,Sacred. 4 pages. Con Spirito Mus...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1381069 Composed by Todd Marchand. Christian,Easter,Lent,Sacred. 4 pages. Con Spirito Music #965787. Published by Con Spirito Music (A0.1381069). An allusion to Lamentations 1:12 (Is it nothing to you, all ye that pass by? Behold, and see if there be any sorrow like unto my sorrow....), Have, Have Ye No Regard is a setting for solo baritone, SATB voices, and organ of Robert Herrick's (1591-1674) poem, His Saviour's Words, Going to the Cross:Have, have ye no regard, all ye Who pass this way, to pity Me, Who am a man of misery? A man both bruis'd and broke, and one Who suffers not here for Mine own, But for My friends' transgression! Ah, Sion's daughters, do not fear The Cross, the Cords, the Nails, the Spear, The Myrrh, the Gall, the Vinegar, For Christ, your loving Saviour, hath Drunk up the wine of God's fierce wrath; Only there's left a little froth, Less for to taste than for to show What bitter cups had been your due, Had he not drank them up for you.©Copyright 2024 Todd Marchand / Con Spirito Music. All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
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