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You've selected:
The Hush Sound
Choral SATB
Sheetmusic to print
3 sheet music found
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1
The Risen Christ
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Choral SATB
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INTERMEDIATE
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Sacred music
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Gilbert M
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The Risen Christ
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Sacred Music Press
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SheetMusicPlus
SATB choir - Intermediate SKU: LO.10-1389S Composed by Gilbert M. Martin. Choral. Sacred Anthem, Eastertide. Octavo. Sacred Music Press #10/1389S. Publis...
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SATB choir - Intermediate SKU: LO.10-1389S Composed by Gilbert M. Martin. Choral. Sacred Anthem, Eastertide. Octavo. Sacred Music Press #10/1389S. Published by Sacred Music Press (LO.10-1389S). UPC: 000308030099.SATB. Optional Trumpet. Easter. Medium. From the hushed opening of chant-like ALLELUIAS to the resounding climax, this dramatic anthem offers a glorious message in song to celebrate the resurrection of Christ. A solid organ accompaniment provides tasteful flair, and the jaunty Trumpet part crowns a magnificent outburst of joy.
Song List
: The Risen Christ
$2.95
The Shepherds' Noel
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Choral SATB
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INTERMEDIATE/ADVANCED
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Traditional
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Dean H
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The Shepherds' Noel
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D H Hamill
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1092941 Composed by Traditional. Arranged by Dean H. Hamill. Christmas,Traditional. Octavo. 12 p...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1092941 Composed by Traditional. Arranged by Dean H. Hamill. Christmas,Traditional. Octavo. 12 pages. D H Hamill #697035. Published by D H Hamill (A0.1092941). For Christmas programs of all types; this bright, up tempo arrangement will have listeners swaying and feeling cheerful. It includes Shepherds, Shake Off Your Drowsy Sleep and The First Noel. All parts are within normal ranges and provide quite a variety of rhythmic and bell-like sounds. The piano accompaniment provides a vital rhythmic drive. Duration is just over three minutes. Please let me know how it is accepted by audiences and performers. Your comments appreciated. Email me at dean.hamill@hushmail.com.
$2.49
Anim Zemiros
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Choral SATB
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ADVANCED
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Ce...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
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