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Three Classic Forms
Choral SATB
Sheetmusic to print
6 sheet music found
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1
Three English Folksongs, - SATB unaccompanied
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Choral SATB
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INTERMEDIATE
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Alan Bullard
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Three English Folksongs, - SAT
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Colne Edition / BullardMusic
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1050759 Composed by Alan Bullard. A Cappella,Classical,Folk,Traditional. Octavo. 24 pages. Colne...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1050759 Composed by Alan Bullard. A Cappella,Classical,Folk,Traditional. Octavo. 24 pages. Colne Edition / BullardMusic #655092. Published by Colne Edition / BullardMusic (A0.1050759). Alan Bullard's Three English Folksongs are arrangements of three contrasted songs: the lively 'The Brisk Young Widow' which tells of an unsuccessful wooing and an unexpected romance, is followed by the sorrowful and expressive 'Willow Song'. The last song, 'Cob-o'-coalin' is a traditional song for Bonfire night and forms a witty conclusion to the set. Each movement is also available separately from this site.Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$2.99
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Choral SATB
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ADVANCED
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Mu...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Choral SATB
#
ADVANCED
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Mu...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
Cob-o'-coalin' - folk-song - SATB unaccompanied
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Choral SATB
#
INTERMEDIATE
#
Alan Bullard
#
Cob-o'-coalin' - folk-song - S
#
Colne Edition / BullardMusic
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1050774 Composed by Alan Bullard. A Cappella,Classical,Folk,Traditional. Octavo. 8 pages. Colne ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1050774 Composed by Alan Bullard. A Cappella,Classical,Folk,Traditional. Octavo. 8 pages. Colne Edition / BullardMusic #655110. Published by Colne Edition / BullardMusic (A0.1050774). This is the third movement of 'Three English Folksongs' arranged by Alan Bullard. 'Cob-o'-coalin' is a traditional song for Bonfire night and forms a witty conclusion to the set. The sheet music of all three songs, and also the complete volume, are available from this site.Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$1.99
Veni Sancte Spiritus - SATB choir
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Choral SATB
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ADVANCED
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Sacred music
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Erik Spangler
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Veni Sancte Spiritus - SATB ch
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Erik Spangler
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082626 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Oc...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082626 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 6 pages. Erik Spangler #686838. Published by Erik Spangler (A0.1082626). Commissioned by Allen Buskirk for the Mount Calvary Choir, Baltimore, MD. While searching for liturgical texts associated with Pentecost, I was immediately drawn to the sequence of Veni Sancte Spiritus as an invocation of all the divine qualities that are recognized across the world’s major religions. I was particularly moved by a recording of the Gregorian chant on this text, in which groups of three phrases alternate between low and high voices. I began my own setting of the sequence by adapting many of the Gregorian chant phrases, from memory and with varying degrees of similarity to the original melody, passing them through different modal colors. I followed a similar pattern of formal alternation between high and low voices, while expanding each phrase of the chant into a two-part texture. Elements of both Late Medieval and Renaissance counterpoint are adopted in combination with more Eastern-influenced heterophony, in which two voices follow the same melodic outline with individual variations and ornamentation. As the piece progresses, overlapping duos expand into three-part and finally four-part texture. I aim to evoke a sense of connection with ancient ritual and musical forms, alongside a more modern harmonic gravity that favors certain dissonances in relationship to unisons, fifths and other “perfect†intervals.
$6.00
Gaudeamus
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Choral SATB
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INTERMEDIATE/ADVANCED
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David W
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Gaudeamus
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David W. Barber
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1333731 Composed by David W. Barber. A Cappella,Christian,Early Music,Jazz,Medieval. 25 p...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1333731 Composed by David W. Barber. A Cappella,Christian,Early Music,Jazz,Medieval. 25 pages. David W. Barber #920028. Published by David W. Barber (A0.1333731). I wrote this piece in 2018 to mark the 50th anniversaryof the Toronto Chamber Choir, a fine early music choir I have sung with since 1998.Using the  opening of the well-known Gregorian chant Gaudeamus omnes (and changingthe text to let us rejoice in music, Gaudeamus is a five- minute musical history tourthrough the various time periods the TCC sings. It begins with plainchant, then two-voiceorganum of the 11th-century Notre Dame school of Leonin and Perotin, followed bythree-voice hocket of a slightly later period. Then a nod to the 15th-century Dufay motetNuper rosarum flores (which the TCC has performed.) Next comes some 16th-centuryTudor music -- Byrd, say -- including some false relations and a typical English cadence.Then comes an allusion to Purcell, specifically the pleasing dissonance of the “voice of theTurtle†from My Beloved Spake. Then comes a little Bach-like fugue (or fughetta) based onthe Gaudeamus motif. Since the TCC rarely performs Classic/Romantic repertoire, wejump immediately to a jazzy ending in compound meter -- imagine Byrd meets Brubeck,based on one of my own earlier pieces for solo piano, but with elements of the Gaudeamusmelody. And all that in five minutes. Phew!
$3.99
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