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Ton Corrêa
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Choral SATB
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38 sheet music found
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1
26
A-nir
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Choral SATB
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INTERMEDIATE/ADVANCED
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Antonio Gervasoni
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A-nir
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Antonio Gervasoni
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1088399 Composed by Antonio Gervasoni. A Cappella,Classical,Contemporary,Multicultural,Wo...
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1088399 Composed by Antonio Gervasoni. A Cappella,Classical,Contemporary,Multicultural,World. Octavo. 18 pages. Antonio Gervasoni #692665. Published by Antonio Gervasoni (A0.1088399). Single-movement work for a cappella choir. I started composing A-nir in April 2002, as a piece for my composition class at the National Conservatory of Music. The title means lamentation in the Sumerian language and the text corresponds to the first twenty-one lines of The Lament for Sumer and Urim, written between 2600 and 1700 BC. The transliteration (i.e. a conversion to the Latin alphabet) of the original cuneiform version was done by the Oriental Institute of the University of Oxford and published online in the Electronic Text Corpus of Sumerian Literature. An analysis of the text presents a three-part structure, with the first and third sections closely related. In 2004, A-nir won the Vanguard Premieres Choral Composition Contest, sponsored by the Michigan-based choir Vanguard Voices, in the category of emerging composers, and premiered on June 5, 2005 at the Ford Community & Performing Arts Center, Dearborn, Michigan.
$2.99
Cara a Cara
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Choral SATB
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INTERMEDIATE
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Marcos Vidal
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Antonio Ramirez
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Cara a Cara
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Hope Ram
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1508625 Composed by Marcos Vidal. Arranged by Antonio Ramirez. Christian,Praise & Wo...
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1508625 Composed by Marcos Vidal. Arranged by Antonio Ramirez. Christian,Praise & Worship,Sacred,Spiritual. 8 pages. Hope Ram #1083889. Published by Hope Ram (A0.1508625). Arreglo para coros con partes para solista y dueto soprano/alto.Acordes incluidos para acompanamiento de piano/teclado. Para misas y celebraciones cristianas.Ideal para coros de Iglesia, y coros de escuelas secundarias, preparatorias y universidades.Tiempo de practica: 2 horas. Preferentemente divididas en 2 sesiones.Sugerencias para ensayos: - Selecciona solista y dueto primero. - Aprender cada voz por separado. Asegurate que cada nota es cantada correctamente para asi el ensamble es mas   facil de juntar.  - Las armonias son clave para que esta pieza pueda crear el objetivo de sensibilizacion para ambos coro y publico. - Despues de que cada parte este dominada, continua con sopranos y altos juntos, y luego tenor y bajos juntos. - Termina practica con todas las voces al mismo tiempo.  - Practica con la solista y el dueto por separado.  - Acomoda a los integrantes del coro en forma de media luna. En la primera fila, sopranos, luego altos, tenores y bajos.   Luego una segunda fila de las misma forma. Y asi sucesivamente. Las sopranos tienen que estar viendo a los bajos   de frente. De esta manera, todos los integrantes pueden escuchar y disfrutar de la armonia. Duracion de la pieza: 4:52 a velocidad 100 (4/4). Cualquier pregunta o peticion para algun otro arreglo, por favor no dudes en contactarme a mi email: al42609@hotmail.comChoral Arrangement with soloist and soprano/alto duet.Chords provided for piano/keyboard accompaniment.For Christian services.Ideal for Church choirs and middle/high school, and college choirs.Practice time: 2 hours. Preferably 2 1-hour practices.Performance practice suggestions: - Select soloist and duet first. - Learn each part separately. Make sure all notes are sung correctly so it's easier to practice ensemble. - Harmonies are key to make this hymn uplifting for both performers and audience. - Continue learning sopranos and altos together, and then tenor and basses together. - Finish with all parts together. - Practice soloist and duets separately. - Arrange choir in a half moon with sopranos, altos, tenor and basses in the first line. Then second line the same way.   Sopranos should be facing basses. This way, everybody can listen and enjoy the harmony.Duration of work: 4:52 at tempo 100 (4/4).Any question or arrangement request, please don't hesitate to contact me at email: al42609@hotmail.com.
$2.99
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
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Choral SATB
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages...
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Choral Choir (SATB) - Digital Download SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #481065. Published by Guido Menestrina (A0.828714). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietàdei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà. Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva giànotare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà, poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtàaveva giàcessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanitàe gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestàdi quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicitàe si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://www.youtube.com/watch?v=vqOa9skJg5o.
$13.99
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
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Choral SATB
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INTERMEDIATE/ADVANCED
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Leonardo Leo
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Guido Menestrina
#
Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guido Menestrina #238145. Published by Guido Menestrina (A0.828703). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimentoEdit Published by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietàdei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà. Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva giànotare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà, poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtàaveva giàcessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanitàe gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestàdi quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicitàe si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: http://youtu.be/q3iMskZjm1Y.
$17.99
A Whiter Shade of Pale
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Choral SATB
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INTERMEDIATE
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Pop music
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Procul Harun
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Ricardo José Romero NúÃ
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A Whiter Shade of Pale
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Ricardo José Romero Núñez
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1369529 By Procul Harun. By Gary Brooker and Mattew Fisher. Arranged by Ricardo José R...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1369529 By Procul Harun. By Gary Brooker and Mattew Fisher. Arranged by Ricardo José Romero Núñez. Pop. 9 pages. Ricardo José Romero Núñez #953895. Published by Ricardo José Romero Núñez (A0.1369529). Es una balda en la tonalidad de Do mayor . Esta escrito para SATB + solista + piano. Tine una duración aproximada de 5 minutos . Puede ser interpretado por coros semi profesionales.Mi correo ricardo4751@hotmail.com . Mi celular +56973040270.
$20.00
VACCAJ - Metodo pratico di canto: Edizione completa di tutte le estensioni vocali con note storiche
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Choral SATB
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EASY
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Nicola Vaccaj
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Antonio Cericola
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VACCAJ - Metodo pratico di can
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Antonio Cericola
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.934267 Composed by Nicola Vaccaj. Arranged by Antonio Cericola. Instructional,Opera,Standards. O...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.934267 Composed by Nicola Vaccaj. Arranged by Antonio Cericola. Instructional,Opera,Standards. Octavo. 200 pages. Antonio Cericola #6328707. Published by Antonio Cericola (A0.934267). La nuovissima edizione di questo metodo storico include i componimenti scritti per tutte le estensioni vocali in tre tonalitàdiverse. Questa comoditàsaràsenz’altro utile non solo ai pianisti accompagnatori (che avranno a portata di mano la stessa aria giàtrasposta), ma anche agli insegnanti. Gli allievi, inoltre, potrebbero esercitare la stessa lezione in tonalitàdiverse per fini didattici e musicali. Ogni arietta è corredata da note storiche, da consigli interpretativi e da note autografe (ove presenti indicate in corsivo) del Vaccaj stesso. Al fine di suggerire ai cantori la giusta dizione italiana, tutti versi del Metastasio sono stati riscritti con gli accenti ortoepici correttamente segnati su tutte le parole di dubbia pronuncia italiana. Sono altresì indicati i raddoppiamenti fonosintattici. Una legenda ortoepica precede il metodo. Nell’appendice sono incluse sia le note storiche dettagliate di ciascuna opera da cui sono tratti i versi, sia la serie degli intervalli da cantare che il Vaccaj scrisse per le storiche edizioni. Di questi solfeggi cantati è stato realizzato anche il basso continuo per agevolarne l’esecuzione ai giovani pianisti. Questa nuova edizione completa dell’opera, curata nella veste grafica ed impaginata ex novo per una lettura più agevole e chiara, è arricchita ulteriormente dalla preziosa presentazione del M°Antonio Juvarra.This new edition of this historical method includes compositions written for all vocal extensions in three different keys.This convenience will certainly be useful not only to accompanying pianists, but also to teachers. Pupils also could practice the same lesson in different keys for educational and musical purposes. Each arietta is accompanied by historical notes, interpretative advice and handwritten notes (where present indicate in italics) by Vaccaj himself. All the verses of Metastasio have been rewritten with the orthoepic accents correctly marked on all words of dubious Italian pronunciation. The phonosyntactic doublings are also indicated. An orthoepic legend precedes the method. The appendix includes both the detailed historical notes of each work from which the verses are taken, and the series of intervals to be sung that Vaccaj wrote for the historical editions. The basso continuo has also been made of these sung solfeggios to facilitate their performance by young pianists. This new complete edition of the work, edited in the graphics and paginated from scratch for easier and clearer reading, is further enriched by the precious presentation of Maestro Antonio Juvarra.
$14.99
Valentine's Day Choral Activity/Game Sight Singing
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Choral SATB
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INTERMEDIATE
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J
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Valentine's Day Choral Activit
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J. Gallagher
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.978029 Composed by J.C. Baker, Fermata Nowhere. Instructional,Standards. Octavo. 1 pages. J. Gal...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.978029 Composed by J.C. Baker, Fermata Nowhere. Instructional,Standards. Octavo. 1 pages. J. Gallagher #5034151. Published by J. Gallagher (A0.978029). For a whole week of Valentine's Day have your students use this fun and engaging sight reading practice with love songs THEY WILL KNOW! I use it as a warm up/ do now at the start of band and choral classes for the first 5-10 minutes or so.These are quick 2, 4, and 8 measure examples totaling 10 songs for the students to practice sight reading using solfege.There are some tricky syncopated rhythms involved as well as key changes (C, G, F, D, Bb).The songs included in the 10 examples are, in order:1. Can't Help Falling In Love - Elvis2. Thinking Out Loud - Ed Sheeran3. We Found Love - Rhianna4. Just The Way You Are - Bruno Mars5. She Loves You - The Beatles6. I Will Always Love You - Whitney Houston7. Shallow - A Star Is Born8. All Of Me - John Legend9. Can You Feel The Love Tonight - Elton John/Lion King10. Love Is An Open Door - FrozenThis is a great warm up exercise at the start of class or rehearsal to get the students focused and their brains warmed up for singing, sight singing, reading, and learning new music.Typically students can take either the whole sheet down in one day and we spend a good majority of a day on it OR spread it out over the week and do 1 or 2 a day.Structure it as best you see fit.The students love competing with each other to see who can figure out the solfege and the song first!Bonus points if they can name the song, artist, and the correct lyrics!
$1.99
Mi Corazon, Mi Mente
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Choral SATB
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INTERMEDIATE
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N/A
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Antonio Rmz
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Mi Corazon, Mi Mente
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Hope Ram
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 3 - Digital Download SKU: A0.1510235 Composed by N/A. Arranged by Antonio Rmz. Christian,Praise & Worship,Sacre...
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Choral Choir,Choral (SATB Chorus) - Level 3 - Digital Download SKU: A0.1510235 Composed by N/A. Arranged by Antonio Rmz. Christian,Praise & Worship,Sacred,Spiritual. 2 pages. Hope Ram #1085436. Published by Hope Ram (A0.1510235). Arreglo para coros con partes para dueto soprano/alto.Acordes incluidos para acompanamiento de piano/teclado. Para misas y celebraciones cristianas.Ideal para coros de Iglesia, y coros de escuelas secundarias, preparatorias y universidades.Tiempo de practica: 2 horas. Preferentemente divididas en 2 sesiones.Sugerencias para ensayos: - Selecciona solista y dueto primero. - Aprender cada voz por separado. Asegurate que cada nota es cantada correctamente para asi el ensamble es mas   facil de juntar.  - Las armonias son clave para que esta pieza pueda crear el objetivo de sensibilizacion para ambos coro y publico. - Despues de que cada parte este dominada, continua con sopranos y altos juntos, y luego tenor y bajos juntos. - Termina practica con todas las voces al mismo tiempo.  - Practica con la solista y dueto por separado.  - Acomoda a los integrantes del coro en forma de media luna. En la primera fila, sopranos, luego altos, tenores y bajos.   Luego una segunda fila de las misma forma. Y asi sucesivamente. Las sopranos tienen que estar viendo a los bajos   de frente. De esta manera, todos los integrantes pueden escuchar y disfrutar de la armonia. Duracion de la pieza: 2:14 a velocidad 70 (4/4). Cualquier pregunta o peticion para algun otro arreglo, por favor no dudes en contactarme a mi email: al42609@hotmail.comChoral Arrangement with soprano/alto duet.Chords provided for piano/keyboard accompaniment.For Christian services.Ideal for Church choirs and middle/high school, and college choirs.Practice time: 2 hours. Preferably 2 1-hour practices.Performance practice suggestions: - Select soloist and duet first. - Learn each part separately. Make sure all notes are sung correctly so it's easier to practice ensemble. - Harmonies are key to make this hymn uplifting for both performers and audience. - Continue learning sopranos and altos together, and then tenor and basses together. - Finish with all parts together. - Practice soloist and duets separately. - Arrange choir in a half moon with sopranos, altos, tenor and basses in the first line. Then second line the same way.   Sopranos should be facing basses. This way, everybody can listen and enjoy the harmony.Duration of work: 2:14 at tempo 70 (4/4).Any question or arrangement request, please don't hesitate to contact me at email: al42609@hotmail.com.
$2.99
Te Ofrezco Mi Vida
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Choral SATB
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INTERMEDIATE
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N/A
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Antonio Rmz
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Te Ofrezco Mi Vida
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Hope Ram
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 3 - Digital Download SKU: A0.1510642 Composed by N/A. Arranged by Antonio Rmz. Christian,Praise & Worship,Sacre...
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Choral Choir,Choral (SATB Chorus) - Level 3 - Digital Download SKU: A0.1510642 Composed by N/A. Arranged by Antonio Rmz. Christian,Praise & Worship,Sacred,Spiritual. 4 pages. Hope Ram #1085842. Published by Hope Ram (A0.1510642). Arreglo para coros con partes para solista, dueto soprano/alto y trio soprano/alto/tenor.Acordes incluidos para acompanamiento de piano/teclado. Para misas y celebraciones cristianas.Ideal para coros de Iglesia, y coros de escuelas secundarias, preparatorias y universidades.Tiempo de practica: 2 horas. Preferentemente divididas en 2 sesiones.Sugerencias para ensayos: - Selecciona solista, dueto y trio primero. - Aprender cada voz por separado. Asegurate que cada nota es cantada correctamente para asi el ensamble es mas   facil de juntar.  - Las armonias son clave para que esta pieza pueda crear el objetivo de sensibilizacion para ambos coro y publico. - Despues de que cada parte este dominada, continua con sopranos y altos juntos, y luego tenor y bajos juntos. - Termina practica con todas las voces al mismo tiempo.  - Practica con la solista y dueto por separado.  - Acomoda a los integrantes del coro en forma de media luna. En la primera fila, sopranos, luego altos, tenores y bajos.   Luego una segunda fila de las misma forma. Y asi sucesivamente. Las sopranos tienen que estar viendo a los bajos   de frente. De esta manera, todos los integrantes pueden escuchar y disfrutar de la armonia. Duracion de la pieza: 2:18 a velocidad 60 (4/4). Cualquier pregunta o peticion para algun otro arreglo, por favor no dudes en contactarme a mi email: al42609@hotmail.comChoral Arrangement with soloist, soprano/alto duet, and soprano/alto/tenor trio.Chords provided for piano/keyboard accompaniment.For Christian services.Ideal for Church choirs and middle/high school, and college choirs.Practice time: 2 hours. Preferably 2 1-hour practices.Performance practice suggestions: - Select soloist, duet, and trio first. - Learn each part separately. Make sure all notes are sung correctly so it's easier to practice ensemble. - Harmonies are key to make this hymn uplifting for both performers and audience. - Continue learning sopranos and altos together, and then tenor and basses together. - Finish with all parts together. - Practice soloist and duets separately. - Arrange choir in a half moon with sopranos, altos, tenor and basses in the first line. Then second line the same way.   Sopranos should be facing basses. This way, everybody can listen and enjoy the harmony.Duration of work: 2:18 at tempo 60 (4/4).Any question or arrangement request, please don't hesitate to contact me at email: al42609@hotmail.com.
$2.99
Nadie Te Ama Como Yo
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Choral SATB
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INTERMEDIATE
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Martin Valverde
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Antonio Ramirez
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Nadie Te Ama Como Yo
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Hope Ram
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1508642 Composed by Martin Valverde. Arranged by Antonio Ramirez. Christian,Praise &...
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1508642 Composed by Martin Valverde. Arranged by Antonio Ramirez. Christian,Praise & Worship,Sacred,Spiritual. 8 pages. Hope Ram #1083907. Published by Hope Ram (A0.1508642). Arreglo para coros con partes para solista y duetos bajo/tenor y tenor/soprano.Acordes incluidos para acompanamiento de piano/teclado. Para misas y celebraciones cristianas.Ideal para coros de Iglesia, y coros de escuelas secundarias, preparatorias y universidades.Tiempo de practica: 2 horas. Preferentemente divididas en 2 sesiones.Sugerencias para ensayos: - Selecciona solista y duetos primero. - Aprender cada voz por separado. Asegurate que cada nota es cantada correctamente para asi el ensamble es mas   facil de juntar.  - Las armonias son clave para que esta pieza pueda crear el objetivo de sensibilizacion para ambos coro y publico. - Despues de que cada parte este dominada, continua con sopranos y altos juntos, y luego tenor y bajos juntos. - Termina practica con todas las voces al mismo tiempo.  - Practica con la solista y los duetos por separado.  - Acomoda a los integrantes del coro en forma de media luna. En la primera fila, sopranos, luego altos, tenores y bajos.   Luego una segunda fila de las misma forma. Y asi sucesivamente. Las sopranos tienen que estar viendo a los bajos   de frente. De esta manera, todos los integrantes pueden escuchar y disfrutar de la armonia. Duracion de la pieza: 4:52 a velocidad 78 (4/4). Cualquier pregunta o peticion para algun otro arreglo, por favor no dudes en contactarme a mi email: al42609@hotmail.comChoral Arrangement with soloist and bass/tenor y tenor/soprano duets.Chords provided for piano/keyboard accompaniment.For Christian services.Ideal for Church choirs and middle/high school, and college choirs.Practice time: 2 hours. Preferably 2 1-hour practices.Performance practice suggestions: - Select soloist and duet first. - Learn each part separately. Make sure all notes are sung correctly so it's easier to practice ensemble. - Harmonies are key to make this hymn uplifting for both performers and audience. - Continue learning sopranos and altos together, and then tenor and basses together. - Finish with all parts together. - Practice soloist and duets separately. - Arrange choir in a half moon with sopranos, altos, tenor and basses in the first line. Then second line the same way.   Sopranos should be facing basses. This way, everybody can listen and enjoy the harmony.Duration of work: 4:52 at tempo 78 (4/4).Any question or arrangement request, please don't hesitate to contact me at email: al42609@hotmail.com.
$2.99
Hambre de Ti
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Choral SATB
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INTERMEDIATE
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Jesus Adrian Romero
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Antonio Ramirez
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Hambre de Ti
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Hope Ram
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1509162 Composed by Jesus Adrian Romero. Arranged by Antonio Ramirez. Christian,Prai...
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1509162 Composed by Jesus Adrian Romero. Arranged by Antonio Ramirez. Christian,Praise & Worship,Sacred,Spiritual. 9 pages. Hope Ram #1084414. Published by Hope Ram (A0.1509162). Arreglo para coros con partes para solista tenor y dueto tenor/soprano.Acordes incluidos para acompanamiento de piano/teclado. Para misas y celebraciones cristianas.Ideal para coros de Iglesia, y coros de escuelas secundarias, preparatorias y universidades.Tiempo de practica: 2 horas. Preferentemente divididas en 2 sesiones.Sugerencias para ensayos: - Selecciona solista y dueto primero. - Aprender cada voz por separado. Asegurate que cada nota es cantada correctamente para asi el ensamble es mas   facil de juntar.  - Las armonias son clave para que esta pieza pueda crear el objetivo de sensibilizacion para ambos coro y publico. - Despues de que cada parte este dominada, continua con sopranos y altos juntos, y luego tenor y bajos juntos. - Termina practica con todas las voces al mismo tiempo.  - Practica con la solista y dueto por separado.  - Acomoda a los integrantes del coro en forma de media luna. En la primera fila, sopranos, luego altos, tenores y bajos.   Luego una segunda fila de las misma forma. Y asi sucesivamente. Las sopranos tienen que estar viendo a los bajos   de frente. De esta manera, todos los integrantes pueden escuchar y disfrutar de la armonia. Duracion de la pieza: 5:28 a velocidad 65 (4/4). Cualquier pregunta o peticion para algun otro arreglo, por favor no dudes en contactarme a mi email: al42609@hotmail.comChoral Arrangement with tenor soloist and tenor/soprano duet.Chords provided for piano/keyboard accompaniment.For Christian services.Ideal for Church choirs and middle/high school, and college choirs.Practice time: 2 hours. Preferably 2 1-hour practices.Performance practice suggestions: - Select soloist and duet first. - Learn each part separately. Make sure all notes are sung correctly so it's easier to practice ensemble. - Harmonies are key to make this hymn uplifting for both performers and audience. - Continue learning sopranos and altos together, and then tenor and basses together. - Finish with all parts together. - Practice soloist and duets separately. - Arrange choir in a half moon with sopranos, altos, tenor and basses in the first line. Then second line the same way.   Sopranos should be facing basses. This way, everybody can listen and enjoy the harmony.Duration of work: 5:28 at tempo 65 (4/4).Any question or arrangement request, please don't hesitate to contact me at email: al42609@hotmail.com.
$2.99
Tu Estas Aqui
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Choral SATB
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INTERMEDIATE
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Jesus Adrian Romero
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Antonio Ramirez
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Tu Estas Aqui
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Hope Ram
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1509716 Composed by Jesus Adrian Romero. Arranged by Antonio Ramirez. Christian,Prai...
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1509716 Composed by Jesus Adrian Romero. Arranged by Antonio Ramirez. Christian,Praise & Worship,Sacred,Spiritual. 7 pages. Hope Ram #1084964. Published by Hope Ram (A0.1509716). Arreglo para coros con partes para solista soprano, solista tenor y dueto soprano/alto.Acordes incluidos para acompanamiento de piano/teclado. Para misas y celebraciones cristianas.Ideal para coros de Iglesia, y coros de escuelas secundarias, preparatorias y universidades.Tiempo de practica: 2 horas. Preferentemente divididas en 2 sesiones.Sugerencias para ensayos: - Selecciona solistas y dueto primero. - Aprender cada voz por separado. Asegurate que cada nota es cantada correctamente para asi el ensamble es mas   facil de juntar.  - Las armonias son clave para que esta pieza pueda crear el objetivo de sensibilizacion para ambos coro y publico. - Despues de que cada parte este dominada, continua con sopranos y altos juntos, y luego tenor y bajos juntos. - Termina practica con todas las voces al mismo tiempo.  - Practica con los solistas y dueto por separado.  - Acomoda a los integrantes del coro en forma de media luna. En la primera fila, sopranos, luego altos, tenores y bajos.   Luego una segunda fila de las misma forma. Y asi sucesivamente. Las sopranos tienen que estar viendo a los bajos   de frente. De esta manera, todos los integrantes pueden escuchar y disfrutar de la armonia. Duracion de la pieza: 4:36 a velocidad 60 (2/4). Cualquier pregunta o peticion para algun otro arreglo, por favor no dudes en contactarme a mi email: al42609@hotmail.comChoral Arrangement with soprano soloist, tenor solist, and soprano/alto duet.Chords provided for piano/keyboard accompaniment.For Christian services.Ideal for Church choirs and middle/high school, and college choirs.Practice time: 2 hours. Preferably 2 1-hour practices.Performance practice suggestions: - Select soloists and duet first. - Learn each part separately. Make sure all notes are sung correctly so it's easier to practice ensemble. - Harmonies are key to make this hymn uplifting for both performers and audience. - Continue learning sopranos and altos together, and then tenor and basses together. - Finish with all parts together. - Practice soloists and duet separately. - Arrange choir in a half moon with sopranos, altos, tenor and basses in the first line. Then second line the same way.   Sopranos should be facing basses. This way, everybody can listen and enjoy the harmony.Duration of work: 4:36 at tempo 60 (2/4).Any question or arrangement request, please don't hesitate to contact me at email: al42609@hotmail.com.
$2.99
Tuyo Soy
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Choral SATB
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INTERMEDIATE
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Luis Alfredo Diaz
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Antonio Rmz
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Tuyo Soy
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Hope Ram
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 3 - Digital Download SKU: A0.1510232 Composed by Luis Alfredo Diaz. Arranged by Antonio Rmz. Christian,Praise &...
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Choral Choir,Choral (SATB Chorus) - Level 3 - Digital Download SKU: A0.1510232 Composed by Luis Alfredo Diaz. Arranged by Antonio Rmz. Christian,Praise & Worship,Sacred,Spiritual. 2 pages. Hope Ram #1085433. Published by Hope Ram (A0.1510232). Arreglo para coros con partes para solista bajo, dueto tenor/bajo y trio alto/tenor/bajo.Acordes incluidos para acompanamiento de piano/teclado. Para misas y celebraciones cristianas.Ideal para coros de Iglesia, y coros de escuelas secundarias, preparatorias y universidades.Tiempo de practica: 2 horas. Preferentemente divididas en 2 sesiones.Sugerencias para ensayos: - Selecciona solista, dueto y trio primero. - Aprender cada voz por separado. Asegurate que cada nota es cantada correctamente para asi el ensamble es mas   facil de juntar.  - Las armonias son clave para que esta pieza pueda crear el objetivo de sensibilizacion para ambos coro y publico. - Despues de que cada parte este dominada, continua con sopranos y altos juntos, y luego tenor y bajos juntos. - Termina practica con todas las voces al mismo tiempo.  - Practica con la solista y dueto por separado.  - Acomoda a los integrantes del coro en forma de media luna. En la primera fila, sopranos, luego altos, tenores y bajos.   Luego una segunda fila de las misma forma. Y asi sucesivamente. Las sopranos tienen que estar viendo a los bajos   de frente. De esta manera, todos los integrantes pueden escuchar y disfrutar de la armonia. Duracion de la pieza: 2:14 a velocidad 100 (4/4). Cualquier pregunta o peticion para algun otro arreglo, por favor no dudes en contactarme a mi email: al42609@hotmail.comChoral Arrangement with bass soloist, tenor/bass duet, and algo/tenor/bass trio.Chords provided for piano/keyboard accompaniment.For Christian services.Ideal for Church choirs and middle/high school, and college choirs.Practice time: 2 hours. Preferably 2 1-hour practices.Performance practice suggestions: - Select soloist, duet, and trio first. - Learn each part separately. Make sure all notes are sung correctly so it's easier to practice ensemble. - Harmonies are key to make this hymn uplifting for both performers and audience. - Continue learning sopranos and altos together, and then tenor and basses together. - Finish with all parts together. - Practice soloist and duets separately. - Arrange choir in a half moon with sopranos, altos, tenor and basses in the first line. Then second line the same way.   Sopranos should be facing basses. This way, everybody can listen and enjoy the harmony.Duration of work: 2:14 at tempo 100 (4/4).Any question or arrangement request, please don't hesitate to contact me at email: al42609@hotmail.com.
$2.99
Mas Que Un Anhelo
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Choral SATB
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INTERMEDIATE
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Jesus Adrian Romero
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Antonio Ramirez
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Mas Que Un Anhelo
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Hope Ram
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 3 - Digital Download SKU: A0.1510223 Composed by Jesus Adrian Romero. Arranged by Antonio Ramirez. Christian,Pr...
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Choral Choir,Choral (SATB Chorus) - Level 3 - Digital Download SKU: A0.1510223 Composed by Jesus Adrian Romero. Arranged by Antonio Ramirez. Christian,Praise & Worship,Sacred,Spiritual. 5 pages. Hope Ram #1085424. Published by Hope Ram (A0.1510223). Arreglo para coros con partes para solista soprano o alto y duetos soprano/alto y alto/tenor.Acordes incluidos para acompanamiento de piano/teclado. Para misas y celebraciones cristianas.Ideal para coros de Iglesia, y coros de escuelas secundarias, preparatorias y universidades.Tiempo de practica: 2 horas. Preferentemente divididas en 2 sesiones.Sugerencias para ensayos: - Selecciona solista y duetos primero. - Aprender cada voz por separado. Asegurate que cada nota es cantada correctamente para asi el ensamble es mas   facil de juntar.  - Las armonias son clave para que esta pieza pueda crear el objetivo de sensibilizacion para ambos coro y publico. - Despues de que cada parte este dominada, continua con sopranos y altos juntos, y luego tenor y bajos juntos. - Termina practica con todas las voces al mismo tiempo.  - Practica con la solista y dueto por separado.  - Acomoda a los integrantes del coro en forma de media luna. En la primera fila, sopranos, luego altos, tenores y bajos.   Luego una segunda fila de las misma forma. Y asi sucesivamente. Las sopranos tienen que estar viendo a los bajos   de frente. De esta manera, todos los integrantes pueden escuchar y disfrutar de la armonia. Duracion de la pieza: 3:30 a velocidad 130 (4/4). Cualquier pregunta o peticion para algun otro arreglo, por favor no dudes en contactarme a mi email: al42609@hotmail.comChoral Arrangement with soprano or alto soloist and alto/tenor and soprano/alto duets.Chords provided for piano/keyboard accompaniment.For Christian services.Ideal for Church choirs and middle/high school, and college choirs.Practice time: 2 hours. Preferably 2 1-hour practices.Performance practice suggestions: - Select soloist and duets first. - Learn each part separately. Make sure all notes are sung correctly so it's easier to practice ensemble. - Harmonies are key to make this hymn uplifting for both performers and audience. - Continue learning sopranos and altos together, and then tenor and basses together. - Finish with all parts together. - Practice soloist and duets separately. - Arrange choir in a half moon with sopranos, altos, tenor and basses in the first line. Then second line the same way.   Sopranos should be facing basses. This way, everybody can listen and enjoy the harmony.Duration of work: 3:30 at tempo 130 (4/4).Any question or arrangement request, please don't hesitate to contact me at email: al42609@hotmail.com.
$2.99
Juntos Como Hermanos
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Choral SATB
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INTERMEDIATE
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Cesareo Gabarain
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Antonio Rmz
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Juntos Como Hermanos
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Hope Ram
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 3 - Digital Download SKU: A0.1510653 Composed by Cesareo Gabarain. Arranged by Antonio Rmz. Christian,Praise & ...
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Choral Choir,Choral (SATB Chorus) - Level 3 - Digital Download SKU: A0.1510653 Composed by Cesareo Gabarain. Arranged by Antonio Rmz. Christian,Praise & Worship,Sacred,Spiritual. 9 pages. Hope Ram #1085854. Published by Hope Ram (A0.1510653). Arreglo para coros con partes para dueto soprano/alto.Acordes incluidos para acompanamiento de piano/teclado. Para misas y celebraciones cristianas.Ideal para coros de Iglesia, y coros de escuelas secundarias, preparatorias y universidades.Tiempo de practica: 2 horas. Preferentemente divididas en 2 sesiones.Sugerencias para ensayos: - Selecciona dueto primero. - Aprender cada voz por separado. Asegurate que cada nota es cantada correctamente para asi el ensamble es mas   facil de juntar.  - Las armonias son clave para que esta pieza pueda crear el objetivo de sensibilizacion para ambos coro y publico. - Despues de que cada parte este dominada, continua con sopranos y altos juntos, y luego tenor y bajos juntos. - Termina practica con todas las voces al mismo tiempo.  - Practica con la solista y dueto por separado.  - Acomoda a los integrantes del coro en forma de media luna. En la primera fila, sopranos, luego altos, tenores y bajos.   Luego una segunda fila de las misma forma. Y asi sucesivamente. Las sopranos tienen que estar viendo a los bajos   de frente. De esta manera, todos los integrantes pueden escuchar y disfrutar de la armonia. Duracion de la pieza: 2:18 a velocidad 80 (12/8). Cualquier pregunta o peticion para algun otro arreglo, por favor no dudes en contactarme a mi email: al42609@hotmail.comChoral Arrangement with soprano/alto duet.Chords provided for piano/keyboard accompaniment.For Christian services.Ideal for Church choirs and middle/high school, and college choirs.Practice time: 2 hours. Preferably 2 1-hour practices.Performance practice suggestions: - Select duet first. - Learn each part separately. Make sure all notes are sung correctly so it's easier to practice ensemble. - Harmonies are key to make this hymn uplifting for both performers and audience. - Continue learning sopranos and altos together, and then tenor and basses together. - Finish with all parts together. - Practice soloist and duets separately. - Arrange choir in a half moon with sopranos, altos, tenor and basses in the first line. Then second line the same way.   Sopranos should be facing basses. This way, everybody can listen and enjoy the harmony.Duration of work: 2:18 at tempo 80 (12/8).Any question or arrangement request, please don't hesitate to contact me at email: al42609@hotmail.com.
$2.99
Que Alegria Cuando Me Dijeron
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Choral SATB
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INTERMEDIATE
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Miguel Manzano
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Antonio Rmz
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Que Alegria Cuando Me Dijeron
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Hope Ram
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 3 - Digital Download SKU: A0.1510650 Composed by Miguel Manzano. Arranged by Antonio Rmz. Christian,Praise & Wo...
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Choral Choir,Choral (SATB Chorus) - Level 3 - Digital Download SKU: A0.1510650 Composed by Miguel Manzano. Arranged by Antonio Rmz. Christian,Praise & Worship,Sacred,Spiritual. 3 pages. Hope Ram #1085851. Published by Hope Ram (A0.1510650). Arreglo para coros con partes para solista soprano y dueto soprano/alto.Acordes incluidos para acompanamiento de piano/teclado. Para misas y celebraciones cristianas.Ideal para coros de Iglesia, y coros de escuelas secundarias, preparatorias y universidades.Tiempo de practica: 2 horas. Preferentemente divididas en 2 sesiones.Sugerencias para ensayos: - Selecciona solista y dueto primero. - Aprender cada voz por separado. Asegurate que cada nota es cantada correctamente para asi el ensamble es mas   facil de juntar.  - Las armonias son clave para que esta pieza pueda crear el objetivo de sensibilizacion para ambos coro y publico. - Despues de que cada parte este dominada, continua con sopranos y altos juntos, y luego tenor y bajos juntos. - Termina practica con todas las voces al mismo tiempo.  - Practica con la solista y dueto por separado.  - Acomoda a los integrantes del coro en forma de media luna. En la primera fila, sopranos, luego altos, tenores y bajos.   Luego una segunda fila de las misma forma. Y asi sucesivamente. Las sopranos tienen que estar viendo a los bajos   de frente. De esta manera, todos los integrantes pueden escuchar y disfrutar de la armonia. Duracion de la pieza: 2:30 a velocidad 70 (4/4). Cualquier pregunta o peticion para algun otro arreglo, por favor no dudes en contactarme a mi email: al42609@hotmail.comChoral Arrangement with soprano soloist and soprano/alto duet.Chords provided for piano/keyboard accompaniment.For Christian services.Ideal for Church choirs and middle/high school, and college choirs.Practice time: 2 hours. Preferably 2 1-hour practices.Performance practice suggestions: - Select soloist and duet first. - Learn each part separately. Make sure all notes are sung correctly so it's easier to practice ensemble. - Harmonies are key to make this hymn uplifting for both performers and audience. - Continue learning sopranos and altos together, and then tenor and basses together. - Finish with all parts together. - Practice soloist and duets separately. - Arrange choir in a half moon with sopranos, altos, tenor and basses in the first line. Then second line the same way.   Sopranos should be facing basses. This way, everybody can listen and enjoy the harmony.Duration of work: 2:30 at tempo 70 (4/4).Any question or arrangement request, please don't hesitate to contact me at email: al42609@hotmail.com.
$2.99
Pescador de Hombres
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Choral SATB
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INTERMEDIATE
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Sacred music
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Cesareo Gabarain
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Antonio Rmz
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Pescador de Hombres
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Hope Ram
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.922030 Composed by Cesareo Gabarain. Arranged by Antonio Rmz. Christian,Praise & Worship,Sacred,...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.922030 Composed by Cesareo Gabarain. Arranged by Antonio Rmz. Christian,Praise & Worship,Sacred,Spiritual. Octavo. 3 pages. Hope Ram #3626507. Published by Hope Ram (A0.922030). Arreglo para coros con partes para solista y duetos soprano/alto y soprano/tenor.Acordes incluidos para acompanamiento de piano/teclado. Para misas y celebraciones cristianas.Ideal para coros de Iglesia, y coros de escuelas secundarias, preparatorias y universidades.Tiempo de practica: 2 horas. Preferentemente divididas en 2 sesiones.Sugerencias para ensayos:  - Selecciona solista y duetos primero. - Aprender cada voz por separado. Asegurate que cada nota es cantada correctamente para asi el ensamble es mas   facil de juntar.  - Las armonias son clave para que esta pieza pueda crear el objetivo de sensibilizacion para ambos coro y publico. - Despues de que cada parte este dominada, continua con sopranos y altos juntos, y luego tenor y bajos juntos.  - Termina practica con todas las voces al mismo tiempo.  - Practica con la solista y los duetos por separado.  - Acomoda a los integrantes del coro en forma de media luna. En la primera fila, sopranos, luego altos, tenores y bajos.   Luego una segunda fila de las misma forma. Y asi sucesivamente. Las sopranos tienen que estar viendo a los bajos   de frente. De esta manera, todos los integrantes pueden escuchar y disfrutar de la armonia. Duracion de la pieza: 3:18 a velocidad 80 (6/8). Cualquier pregunta o peticion para algun otro arreglo, por favor no dudes en contactarme a mi email: al42609@hotmail.comChoral Arrangement with soloist, soprano/alto duet, and soprano/tenor duet.Chords provided for piano/keyboard accompaniment.For Christian services.Ideal for Church choirs and middle/high school, and college choirs.Practice time: 2 hours. Preferably 2 1-hour practices.Performance practice suggestions: - Select soloist and duets first. - Learn each part separately. Make sure all notes are sung correctly so it's easier to practice ensemble.  - Harmonies are key to make this hymn uplifting for both performers and audience. - Continue learning sopranos and altos together, and then tenor and basses together. - Finish with all parts together. - Practice soloist and duets separately. - Arrange choir in a half moon with sopranos, altos, tenor and basses in the first line. Then second line the same way.   Sopranos should be facing basses. This way, everybody can listen and enjoy the harmony.Duration of work: 3:18 at tempo 80 (6/8). Any question or arrangement request, please don't hesitate to contact me at email: al42609@hotmail.com
$1.99
I Saw Him Standing
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Choral SATB
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Tarik O'Regan
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I Saw Him Standing
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Oxford University Press Digital
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SheetMusicPlus
SATB chorus, baritone voice solo, and organ - Digital Download SKU: OX.9780193705333 Composed by Tarik O'Regan. New Horizons. Octavo. 11 pages. Oxford Un...
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SATB chorus, baritone voice solo, and organ - Digital Download SKU: OX.9780193705333 Composed by Tarik O'Regan. New Horizons. Octavo. 11 pages. Oxford University Press Digital #9780193705333. Published by Oxford University Press Digital (OX.9780193705333). ISBN 9780193705333.For SATB, baritone solo, and organ. I Saw Him Standing sets a text by Archbishop of Canterbury, Rowan Williams, who was inspired by the poetry of Ann Griffiths. The poem is full of rich imagery, prompting a correspondingly imaginative musical treatment from O'Regan.
$3.65
American on Rye (Hold the Mayo)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Contemporary
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American Traditional
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James H
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American on Rye
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Hinton Bradley Publications
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1027184 Composed by American Traditional. Arranged by James H. Bradley. 20th Century. Octavo. 21...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1027184 Composed by American Traditional. Arranged by James H. Bradley. 20th Century. Octavo. 21 pages. Hinton Bradley Publications #2019951. Published by Hinton Bradley Publications (A0.1027184). A collection of American folk tunes and songs. Set to The Star Spangled Banner, numerous other American melodies find there way to sneak into this fun and lively compilation. The audience (as well as the performers) will have quite a time guessing just how many American melodies are hidden within the main theme. Can you guess the correct answer? Genre updated to include 20th Century.
$8.99
Canticles of Mary and Simeon, op. 77
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Choral SATB
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INTERMEDIATE/ADVANCED
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Adrian Gagiu
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Canticles of Mary and Simeon,
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1004720 Composed by Adrian Gagiu. 20th Century,Christian,Contemporary. Octavo. 19 pages. Adrian ...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1004720 Composed by Adrian Gagiu. 20th Century,Christian,Contemporary. Octavo. 19 pages. Adrian Gagiu #6201665. Published by Adrian Gagiu (A0.1004720). Contemporary tonal and modal setting in G for SATB chorus and organ of the traditional canticles, based on the ancient tonus peregrinus and two archetypal pentatonic scales. Each of the canticles is treated in various textures, homophonic and polyphonic, with corresponding themes and mirroring sections that are contributing to the unity of the composition, and is framed by a meditative organ prelude, interlude and postlude, respectively.
$7.99
Head & Heart
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Choral SATB
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INTERMEDIATE
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Joel Corry Feat
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Ben Clapton
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Head & Heart
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Ben Clapton
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.842489 By Joel Corry Feat. Mnek. By Daniel Dare, Daniel Lee Dare, Joel Corry, Johnny Courtidis, ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.842489 By Joel Corry Feat. Mnek. By Daniel Dare, Daniel Lee Dare, Joel Corry, Johnny Courtidis, Jonathan Courtidis, Kashif Siddiqui, Leo Kalyan, Lewis Daniel Thompson, Lewis Thompson, Neave Applebaum, Robert Harvey, Uzo Eminike, Uzoechi Emenike, and Uzoechi Osisioma Emenika. Arranged by Ben Clapton. A Cappella. Octavo. 43 pages. Ben Clapton #6235205. Published by Ben Clapton (A0.842489). Head & Heart is an awesome song by British DJ Joel Corry. Released in July 2020, it reached number 1 in the UK, number 2 in Australia, and number 3 in the US Hot Dance/Electronic songs chart.This arrangement is for SATB Choir and Piano. It contains some acapella sections, and full choir sections. The original recorded version is in Fm/Ab, which in the original arrangement can get quite high, so there is also included an alternative arrangement in Cm/Eb, which should fit better into many high school choirs as well.
$9.99
Take This Letter To My Mother. Song & Chorus
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Choral SATB
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Will S
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Take This Letter To My Mother.
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.12116 Composed by Will S. Hays. Mothers & children, Correspondence, Mail carriers, Clip...
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.12116 Composed by Will S. Hays. Mothers & children, Correspondence, Mail carriers, Clipper ships, Rowboats, Anchors, Ship equipment & rigging, Sailors, Love, Prayer, Absences, Travel. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12116). Take This Letter To My Mother. Song & Chorus. Words and Music by Will S. Hays. Published 1877 by Oliver Ditson & Co., 451 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Mothers & children, Correspondence, Mail carriers, Clipper ships, Rowboats, Anchors, Ship equipment & rigging, Sailors, Love, Prayer, Absences, Travel. First line reads Take this letter to my mother, far across the deep blue sea.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
SAGASTIPEAN
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Choral SATB
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INTERMEDIATE/ADVANCED
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Javier Busto
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Javier Busto
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SAGASTIPEAN
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bustovega
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1281244 By Javier Busto. By Javier Busto. Arranged by Javier Busto. 21st Century,A Cappel...
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1281244 By Javier Busto. By Javier Busto. Arranged by Javier Busto. 21st Century,A Cappella,Chamber,Classical,Contemporary. Octavo. 4 pages. Bustovega #872588. Published by bustovega (A0.1281244). SAGASTIPEAN: This work has attained great popularity even though it’s written in Basque language. The music is divided in three sections with different atmospheres:A- Introduction: (bars 1/10). A man is sleeping calmly looking at the sky and his dream turns into a dance (bars 11/38).B- Second verse: (bars 39/46). He makes a comparison between the five medlar stones and the five sorrows of his heart. But gradually he stars to feel happy and sings a lively song (bars 47/63).C- The last section is a lovely melody which transports him to a deep dream (nonsense lyrics: Jir, jir… mi…zanka mar…).* The lyrics from Inazio Mujika are in Basque language.  Spanish and English translation of the text is included for those who hardly recognize Basque language. Furthermore, a small introductory guide can be found in the score for a correct Basque pronunciation.*This song has been recorded on a CD in 2005 under the conduction of composer Javier Busto himself. The CD goes over 25 years of composing and contains exclusively music for mixed choirs. Name of the CD: HONDARRIBIA… AMETSETAN.
$2.40
Hymns from Childhood - Set 10 (SATB)
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Choral SATB
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INTERMEDIATE
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Sacred music
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Various
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Curtis Hanson
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Hymns from Childhood - Set 10
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.719738 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 13 pages. Curtis Hanson #...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.719738 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 13 pages. Curtis Hanson #4573123. Published by Curtis Hanson (A0.719738). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This set was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.
$2.25
Children, Go Where I Send Thee (Package)
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Choral SATB
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BEGINNER
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American Christmas Spiritual
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Edna J
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Children, Go Where I Send Thee
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Bloom Musicnotes
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SheetMusicPlus
Choral Choir (Mixed) - Level 1 - Digital Download SKU: A0.836168 Composed by American Christmas Spiritual. Arranged by Edna J. Bloom. Children,Christmas,...
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Choral Choir (Mixed) - Level 1 - Digital Download SKU: A0.836168 Composed by American Christmas Spiritual. Arranged by Edna J. Bloom. Children,Christmas,Instructional,Spiritual,Standards. Octavo. 12 pages. Bloom Musicnotes #3878721. Published by Bloom Musicnotes (A0.836168). Students of all ages love this winsome cumulative song. This collection provides three tonalities (C, D, & G) in various formats for individual or class instruction: verses 1 - 3 & refrains, refrains 1 - 3 alone in alphanotes, simplified refrains 1 - 3 alone in alphanotes, small font complete lyric sheet, and large font schematic lyric sheet. The lyrics correlate nicely with several recordings, yet the materials certainly can stand alone. Suitable for singing and all treble instruments, this is a versatile resource. .
$4.99
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