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Choral SATB
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4 sheet music found
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1
Hark! The Herald Angels Sing! for String Quartet
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Choral SATB
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BEGINNER
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Sacred music
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Felix Bartholdy Mendelssohn, S
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Michele Galvagno
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Hark! The Herald Angels Sing!
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.841363 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged...
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.841363 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galvagno. Christian,Christmas,Praise & Worship,Sacred. Octavo. 18 pages. Artistic Score Engraving di Galvagno Michele #6098159. Published by Artistic Score Engraving di Galvagno Michele (A0.841363). This year's Christmas publication choice fell on a song very dear to me: Hark! The herald angels sing. The text, inspired by Luke’s Gospel (2:14), appears for the first time in a collection of Christmas carols called Hymns and Sacred Poems in 1739, jointly written by Charles Wesley (1707-1788 ) and George Whitefield (1714-1770), two of the founding members of the Methodist movement.The version we know today is the one adapted by William H. Cummings (1831-1915) from the section Vaterland, in deinen Gauen of the Festgesang zum Gutenbergfest, WoO 9, by Felix Mendelssohn-Bartholdy (1809-1847). The story, however, is more complex and articulated than that.The original version of the text, written by Wesley, bearing the title Hymn for Christmas-Day, had received only slow and solemn music for its verses, music now almost completely discarded. Also, his original opening lines were Hark! How all the welkin rings / Glory to the King of Kings .The version that has been passed to us is the result of alterations made by different hands, especially those of Whitefield, who changed the initial couplet into the one we know today.In 1840-one hundred years after the publication of Hymns and sacred Poems-Mendelssohn composed a cantata commemorating Johann Gutenberg’s invention of movable-type printing. The English musician William H. Cummings finally adapted Mendelssohn’s music around 1855 in order to fit the music to the verses and give it its present look.In this edition we propose the version that every listener expects to hear when reading the title on the programme and, immediately after, one of the few original versions that have reached us in their entirety, that is the one set to music by Samuel Arnold (1740-1802) and available today in The British Minstrel, and Musical and Literary Miscellany, vol. 3, published in 1843.The proposed instrumentations are those of the classical string quartet and the cello quartet. Both variants are very simple to perform and are certainly suitable for small string ensembles formed in musical schools. In the cello quartet version, the only relatively complex part is that of the first cello, which should be left to the teacher or to a student able to play up to the 7th position without excessive troubles.I hope this music can bring you the serenity that made me prepare it.
$4.95
Bound for the Rio Grande (Sea Shanty)
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Choral SATB
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INTERMEDIATE
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Traditional 19th century Engli
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Scott S
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Bound for the Rio Grande
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Scott S. Stewart
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.955886 Composed by Traditional 19th century English Shanty. Arranged by Scott S. Stewart....
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.955886 Composed by Traditional 19th century English Shanty. Arranged by Scott S. Stewart. Contemporary,Folk. 18 pages. Scott S. Stewart #6673463. Published by Scott S. Stewart (A0.955886). Bound for the Rio Grande was one of the favorite sea shanties among outward bound British and American ships during the 19th century. And the Rio Grande referred to in this song is that one in the southernmost part of Brazil known as Rio Grande do Sul. A song handed down through oral (aural) means by the rough and tough salty sailors from the great days of sail produced many variations to text, temperament and purpose. Yet the common denominator in all versions is saying good-bye to loved ones left behind in order to pursue the dreams of adventure and riches. This rollicking setting is scored for 4-part SATB (optional bass solo) ensemble with piano accompaniment. Performance time: 4:08+-
$2.99
Lowlands Away
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Choral SATB
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EASY
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traditional Anglo-Scottish tun
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Scott S
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Lowlands Away
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Scott S. Stewart
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1396538 Composed by traditional Anglo-Scottish tune. Arranged by Scott S. Stewart. Celtic...
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1396538 Composed by traditional Anglo-Scottish tune. Arranged by Scott S. Stewart. Celtic,Folk,Irish,Traditional. 4 pages. Scott S. Stewart #979877. Published by Scott S. Stewart (A0.1396538). Lowlands Away is a traditional Anglo-Scottish tune that exists in multiple versions, as both a ballad and a shanty. In this its ballad form the narrator mourns the death of the woman left behind by her beau. Note: “John was a slang term for a sailor, used to describe a ship's deckhands.  And shanties often have a call and response structure, this allowed one sailor to set the rhythm of work for the others.  This arrangement is scored for a 4-part SATB ensemble, with the bass section taking the lead.  It is to be performed a cappella.  Performance time: 3:10+-.
$2.99
The United States Army Hymn (Eternal Father, Hear Our Prayer)
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Choral SATB
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BEGINNER
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James F
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The United States Army Hymn
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Military Bible Association
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1465850 Composed by James F. Linzey and William H. Monk. 21st Century,Chamber,Christ...
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Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1465850 Composed by James F. Linzey and William H. Monk. 21st Century,Chamber,Christian,Classical,Religious. 4 pages. Military Bible Association #1044448. Published by Military Bible Association (A0.1465850). The History of the Four Immortal Chaplains and the United States Army HymnDuring World War II, four Army chaplains met at the Army Chaplains School at Harvard University. ere, they received training for their assignments in the European theater. They then boarded and sailed on the United States Army Transport (USAT) Dorchester to report to their new assignments. The USAT Dorchester left New York on January 23, 1943, en route to Greenland. She carried about 900 military personnel and was escorted by Coast Guard Cutters Tampa, Escanaba, and Comanche. During the early morning hours of February 3, 1943, the vessel was torpedoed by the German submarine U-223 off Newfoundland in the North Atlantic. As the Dorchester sank on that fateful day of February 3, 1943, the four Army chaplains on board helped their soldiers board lifeboats as they handed out life jackets. When they ran out of life jackets, the chaplains gave their own life jackets to four soldiers that they might live. Then the chaplains joined arms and prayed as they went down with the Dorchester. These were young chaplains, new to the Army, holding the rank of first lieutenant. They included Methodist minister Reverend George L. Fox, Reform Rabbi Alexander D. Goode, Catholic priest Father John P. Washington, and Reformed Church in America minister Reverend Clark V. Poling. e four chaplains were posthumously awarded the Distinguished Service Cross and the Purple Heart. Chaplain (MAJ) James F. Linzey, USA (Ret.), who was one of four military chaplains in his family, composed the United States Army Hymn, “Eternal Father, Hear Our Prayer,” in remembrance of the “Four Immortal Chaplains” on board the Dorchester. Also, James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
$1.99
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