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When I

Variations on I have a bonnet trimmed with blue for Oboe and Guitar #Oboe, Guitar (duet) #INTERMEDIATE #Traditional #David Warin Solomons #Variations on I have a bonnet #David Warin Solomons #SheetMusicPlus

Guitar,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.1448098 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Tradit...(+)

Guitar,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.1448098 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 5 pages. David Warin Solomons #1028036. Published by David Warin Solomons (A0.1448098). Based on an Irish folksongI have a bonnet trimmed with blue.Do you wear it? Yes, I do.I will wear it when I can,going to the ball with my young man.My young man has gone to sea,but when he comes back he'll play for me.Tip to the heel and tip to the toeand that's the way the Polka goes.My young man is home from seahe's come back to marry meTip to the heel and tip to the toeand that's the way the Polka goes.I have a bonnet trimmed with blue.Do you wear it? Yes, I do.I will wear it when I can,going to the ball with my young man.The pdf contains score and parts.

Invocation #Oboe, Guitar (duet) #INTERMEDIATE/ADVANCED #Apostolos Paraskevas #Invocation #Silver Sickle Publications #SheetMusicPlus

Instrumental Duet Guitar,Instrumental Duet,Oboe - Level 4 - Digital Download SKU: A0.942070 Composed by Apostolos Paraskevas. 20th Century,Contemporary,W...(+)

Instrumental Duet Guitar,Instrumental Duet,Oboe - Level 4 - Digital Download SKU: A0.942070 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 23 pages. Silver Sickle Publications #4762621. Published by Silver Sickle Publications (A0.942070). Invocation The guitar introduces the evocative mood of the work, followed four measures later by the oboe, which with its characteristic sound, embraces the guitar into a conversation and at the same time into an invocation. The second theme, atmospheric, echoing reveals a waiting status. The work is full of fast arpeggios and technical difficulties for both instruments. Gradually increases in dramatic tension and complexity and concludes with the initial idea. The finale is simple, subtractive, allows a feeling of an unfulfilled expectation. Duos for guitar and Oboe are rare and always a challenging task for the composer. That was the primary reason of mine when I started working on this work, to accomplish a match that is unique and wonderful at the same time. Most of my music since that time explores the uniqueness of instruments and their interaction. Invocation was one of the first and its material used later by me in my First Guitar Concerto (Phygein Adynaton). Invocation was premiered at the TSAI Performance Center in Boston, MA and it was a prize winner at the Finalists of the 1994 ALEA Composition Competition