Download Digital Sheet Music of Aren for Cello, Guitar (duet)

Aren

Up I arose in verno tempore for cello and guitar #Cello, Guitar (duet) #INTERMEDIATE #Anon #David Warin Solomons #Up I arose in verno tempore fo #David Warin Solomons #SheetMusicPlus

Instrumental Duet Cello,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577529 Composed by Anon. Arranged by David Warin Solomons. Classica...(+)

Instrumental Duet Cello,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577529 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985937. Published by David Warin Solomons (A0.577529). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].

Ernesto Nazareth - Confidências. Arrangement for Cello and Classical Guitar #Cello, Guitar (duet) #INTERMEDIATE/ADVANCED #Ernesto Nazareth #Guilherme Facchetti #Ernesto Nazareth - Confidênci #Guilherme Facchetti #SheetMusicPlus

Cello,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1005733 Composed by Ernesto Nazareth. Arranged by Guilherme Facchetti. Chamber,Latin,...(+)

Cello,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1005733 Composed by Ernesto Nazareth. Arranged by Guilherme Facchetti. Chamber,Latin,Multicultural,Romantic Period,Standards,World. 21 pages. Guilherme Facchetti #6064703. Published by Guilherme Facchetti (A0.1005733). This arrangement for Cello and Classical Guitar was made from theinformation contained in the original piano manuscript, in the public domainmade available in imslp.org website, in which the transcription of the melodyand expression signals were used for this work. In its header, we can verifyrelevant information regarding musical interpretation, such as the wordsâ€œwaltz for sentimental pianoâ€ not included in this material.Were also used informations from the 1913 edition carried out by the â€œCasaArthur NapoleÃ£oâ€ in Rio de Janeiro available for free on the same website,which contains the composer's dedication to the poet Catullo da PaixÃ£oCearense, and consulted the edition of Instituto Moreira Sales in which thescore is in the format of melody and chords.

Granados "Oriental" arr. for Cello & Guitar #Cello, Guitar (duet) #INTERMEDIATE #Classical #Enrique Granados #Georg Mertens #Granados "Oriental" arr. for C #Georg Mertens #SheetMusicPlus

Cello & Guitar Duo - Intermediate - Digital Download Composed by Enrique Granados (1867-1916). Arranged by Georg Mertens. Romantic Period, Impres...(+)

Cello & Guitar Duo - Intermediate - Digital Download Composed by Enrique Granados (1867-1916). Arranged by Georg Mertens. Romantic Period, Impressionistic, Repertoire, World, European. Individual Part, Score. 8 pages. Published by Georg Mertens
"Oriental" No 2 from Danzas Espanolas. One of the most haunting and beautiful melodies ever written.
In this arrangement I kept the phrasing as close as possible to the original piano phrasing.
Also I maintained the transparency of the 2 melodies, not adding extra bass notes and harmonies.
Bowings and fingerings are chosen to be convenient and effective. All more difficult passages have string and fingering instructions.