Download Digital Sheet Music of BASS for Cello, Guitar (duet)

BASS

Chopin Largo from Cello Sonata for cello & guitar #Cello, Guitar (duet) #INTERMEDIATE/ADVANCED #Classical #Frederic Chopin #Georg Mertens #guitar #Chopin Largo from Cello Sonata #Georg Mertens #SheetMusicPlus

Instrumental Duet Cello,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.790863 Composed by Frederic Chopin. Arranged by Georg Mertens. Roma...(+)

Instrumental Duet Cello,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.790863 Composed by Frederic Chopin. Arranged by Georg Mertens. Romantic Period. 6 pages. Georg Mertens #3514007. Published by Georg Mertens (A0.790863). The Largo from Cello Sonata G minor is the only original work for cello, which could be transcribed for cello & guitar. The Cello part is written in bass & tenor clef (original treble and bass). The original bowings are phrasing bows as for piano. Here are recommended bowings for cello players. The guitar part is not easy, but the chords found by a pianist create a new sound dimension for the guitar player. Sounds beautiful and intimate.

Handel - Recitativo & Aria "Lascia ch'io pianga" for cello & guitar #Cello, Guitar (duet) #EASY #Classical #George Frideric Handel #Georg Mertens #Handel - Recitativo & Aria "La #Georg Mertens #SheetMusicPlus

Instrumental Duet Cello,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.790857 Composed by George Frideric Handel. Arranged by Georg Merten...(+)

Instrumental Duet Cello,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.790857 Composed by George Frideric Handel. Arranged by Georg Mertens. Baroque,Multicultural,Opera,Standards,World. Score and parts. 8 pages. Georg Mertens #3509891. Published by Georg Mertens (A0.790857). The edition of the Recitativo and Aria from Handel's opera Rinaldo provides:The score of the recitativo for melody cello, continuo & guitarcello melody part of the Ariacello continuo part of the Ariaguitar part of the AriaThe Recitativo is by itself rather more suitable for being expressed in words. However, the transition from the Recitativo to the Aria is so masterfully constructed, it creates a very special moment just in the transition to the Aria, the very beginning through the changes in measure, key and speed ( which is lost by not playing the Recitativo).the Aria itself is written in the dance form of the slow sarabande with accents on the first and second beat.In the guitar part the player should bring out the bass.Here an example for cello & guitar (unfortunately before I transcribed the Recitativo): https://www.youtube.com/watch?v=qKec1dQbypQ

Cello Sonata n. 5 in E Minor RV40 (Guitar accompaniment) #Cello, Guitar (duet) #Classical #Antonio Vivaldi #Josinaldo Costa #Cello Sonata n. 5 in E Minor R #Xeno Music Publishing #SheetMusicPlus

Composed by Antonio Vivaldi (1678-1741). Arranged by Josinaldo Costa. Baroque. Score and parts. 20 pages. Xeno Music Publishing #5724019. Published by...(+)

Composed by Antonio Vivaldi (1678-1741). Arranged by Josinaldo Costa. Baroque. Score and parts. 20 pages. Xeno Music Publishing #5724019. Published by Xeno Music Publishing
Vivaldi's wonderful Cello Sonata n. 5 in Minor with a newly realised guitar continuo accompaniment. The bass line is fully incorporated in the guitar part, but a string bass (cello) can be easily added to reinforce the continuo par

Granados "Oriental" arr. for Cello & Guitar #Cello, Guitar (duet) #INTERMEDIATE #Classical #Enrique Granados #Georg Mertens #Granados "Oriental" arr. for C #Georg Mertens #SheetMusicPlus

Cello & Guitar Duo - Intermediate - Digital Download Composed by Enrique Granados (1867-1916). Arranged by Georg Mertens. Romantic Period, Impres...(+)

Cello & Guitar Duo - Intermediate - Digital Download Composed by Enrique Granados (1867-1916). Arranged by Georg Mertens. Romantic Period, Impressionistic, Repertoire, World, European. Individual Part, Score. 8 pages. Published by Georg Mertens
"Oriental" No 2 from Danzas Espanolas. One of the most haunting and beautiful melodies ever written.
In this arrangement I kept the phrasing as close as possible to the original piano phrasing.
Also I maintained the transparency of the 2 melodies, not adding extra bass notes and harmonies.
Bowings and fingerings are chosen to be convenient and effective. All more difficult passages have string and fingering instructions.