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Converse
Oboe, Piano (duet)
Sheetmusic to print
7 sheet music found
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1
What a Friend We Have in Jesus
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Oboe, Piano (duet)
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INTERMEDIATE
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Sacred music
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Fiona Alice Hickie
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Fiona Alice Hickie
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What a Friend We Have in Jesus
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Fiona Alice Hickie
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SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.1115518 By Fiona Alice Hickie. By Charles C. Converse. Arranged by Fiona Alice Hickie. Broadway,Musical/S...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1115518 By Fiona Alice Hickie. By Charles C. Converse. Arranged by Fiona Alice Hickie. Broadway,Musical/Show,Praise & Worship,Religious. Score and part. 8 pages. Fiona Alice Hickie #717287. Published by Fiona Alice Hickie (A0.1115518). A well known hymn by Charles C. Converse. Here it is arranged for oboe and piano and finishes in a broadway style version.
$5.99
Corpse Flower, for oboe and piano
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Oboe, Piano (duet)
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INTERMEDIATE/ADVANCED
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Martin J
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Corpse Flower, for oboe and pi
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Martin J. Van Klompenberg
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SheetMusicPlus
Oboe,Piano - Level 4 - Digital Download SKU: A0.1430123 Composed by Martin J. Van Klompenberg. 21st Century,Classical. Score and part. 44 pages. Martin J...
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Oboe,Piano - Level 4 - Digital Download SKU: A0.1430123 Composed by Martin J. Van Klompenberg. 21st Century,Classical. Score and part. 44 pages. Martin J. Van Klompenberg #1010798. Published by Martin J. Van Klompenberg (A0.1430123). The Corpse Flower is not only one of the largest free-standing blossoming plants in the world, it also it also highly unique in that it requires 7 – 10 years to bloom for the first time. The plant must go through several germination cycles, moving through a single leaf phase multiple times prior to the first bloom.This work tells the story of a corpse flower, beginning with the initial single leaf. This leaf returns to the corm, the 100-pound bulb from which the plant stems. When the bloom finally arrives, it can be as tall as ten feet tall, but only lasts about 48 hours until it begins to wilt. The withering can take much longer, as the bloom decays and the single leaf stage begins anew.I had the good fortune to get to see a corpse flower in full bloom in the fall of 2020 (The cover art was taken from this flower), and the opportunity to see this marvel in person was the primary motivation behind writing this work.This work was made possible by the following consortium of musicians:Erin Webber, The University of Texas at San Antonio, San Antonio, TexasStephanie Carlson, Murray State University, Murray, KentuckyAmy Collins, The University of South Florida, Tampa, FloridaHeather Killmeyer, East Tennessee State University, Johnson City, TennesseeTheo-Hans Kuijvenhoven, Ridderkerk, NetherlandsKelly McElrath Vaneman, Converse College, Spartanburg, SC
$25.00
What A Friend We Have In Jesus, Gospel Hymn for Oboe and Piano
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Oboe, Piano (duet)
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EASY
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Sacred music
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Gospel/Spiritual
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J M Scriven, C C Converse
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David McKeown
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What A Friend We Have In Jesus
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David McKeown
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SheetMusicPlus
Oboe,Piano - Level 2 - Digital Download SKU: A0.593445 Composed by J M Scriven, C C Converse. Arranged by David McKeown. Christian,Gospel,Praise & Worshi...
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Oboe,Piano - Level 2 - Digital Download SKU: A0.593445 Composed by J M Scriven, C C Converse. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6421049. Published by David McKeown (A0.593445). What a Friend We Have in Jesus is a beautiful gospel song arranged here for Solo Oboe and Piano.What a Friend We Have in Jesus was written by Joseph Scrivens in 1855 to comfort his Irish mother after he emigrated to Canada. In recent times the song has proved immensely popular in translation in Japan, Indonesia, India and Korea.
$2.49
Handel: Largo from Xerxes for Oboe & Piano
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Oboe, Piano (duet)
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INTERMEDIATE
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Classical
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.549386 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549386 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492325. Published by jmsgu3 (A0.549386). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Saint-Saëns: The Swan for Oboe & Piano
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Oboe, Piano (duet)
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Obo
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festi...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
WHAT A FRIEND WE HAVE IN JESUS (Oboe/Piano and Oboe Part)
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Oboe, Piano (duet)
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INTERMEDIATE
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Contemporary
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CHARLES C
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Gary Lanier
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WHAT A FRIEND WE HAVE IN JESUS
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The Lan
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SheetMusicPlus
Composed by CHARLES C. CONVERSE. Arranged by Gary Lanier. For Piano, Piano Duet, Oboe. 21st Century, Christian, Contemporary Christian, Gospel, Sacred. Intermed...
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Composed by CHARLES C. CONVERSE. Arranged by Gary Lanier. For Piano, Piano Duet, Oboe. 21st Century, Christian, Contemporary Christian, Gospel, Sacred. Intermediate. Individual Part, Score, Set of Parts, Sheet Music Single, Solo Part. Published by The Lan
$6.99
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