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First Circle
Oboe, Piano (duet)
Sheetmusic to print
2 sheet music found
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Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
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Oboe, Piano (duet)
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romanti...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499773. Published by jmsgu3 (A0.549470). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
A Dark Matter (for alto flute, oboe, clarinet in A, and piano)
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Oboe, Piano (duet)
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ADVANCED
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Gilad Cohen
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A Dark Matter
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Gilad Cohen
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SheetMusicPlus
A Clarinet,Alto Flute,Oboe,Piano - Level 5 - Digital Download SKU: A0.1205115 Composed by Gilad Cohen. Chamber,Classical,Contemporary. 129 pages. Gilad C...
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A Clarinet,Alto Flute,Oboe,Piano - Level 5 - Digital Download SKU: A0.1205115 Composed by Gilad Cohen. Chamber,Classical,Contemporary. 129 pages. Gilad Cohen #803302. Published by Gilad Cohen (A0.1205115). Dark matter is one of the most elusive phenomena in the world. While Physicists estimate that dark matter accounts for 85% of the matter in the universe, it has not been proved yet that it actually exists. I find it fascinating that a concept that may have such a foundational role in the construction of the universe remains that mysterious as of today. My piece A Dark Matter explores the notion that our mind also sometimes circles around an intangible “dark matter.†An indefinable worry, regret, or fear can occupy us for a long time and color everything else in dark shades. At the core of this piece is such musical “dark matter.†The first three movements begin almost identically with a claustrophobic web of three melodic threads that crawl, tangle and repeat without any sense of resolution. In each movement, a different one of these threads develops into its own small melancholic universe. In the fourth and last movement, out of the gloom grows a simple melody in the alto flute that offers some hope and comfort, despite the return of the “dark matter†threads at the very end of the piece.
$17.50
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