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You've selected:
Nocturne from
Oboe, Piano (duet)
Sheetmusic to print
7 sheet music found
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1
Promenade Nocturne
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Oboe, Piano (duet)
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EASY
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Jerome Naulais
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Instruments: 1 Oboe 1 Piano
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Promenade Nocturne
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Chamber Music & Piano Accompaniment Oboe, Piano - Grade 2 - Digital Download SKU: FX.FX074056 Composed by Jerome Naulais. Original Composition. Classical...
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Chamber Music & Piano Accompaniment Oboe, Piano - Grade 2 - Digital Download SKU: FX.FX074056 Composed by Jerome Naulais. Original Composition. Classical, Educational. Score and Set of Parts. 5 pages. FLEX Editions - Digital Sheet Music #FX074056. Published by FLEX Editions - Digital Sheet Music (FX.FX074056). A piece to be played from 1-2 years of instrument practice. ; Instruments: 1 Oboe 1 Piano.
$9.95
Rêverie - Claude Debussy, for Oboe and Piano
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Oboe, Piano (duet)
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Classical
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Len Rhodes
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Len Rhodes
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Rêverie - Claude Debussy, for
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Len Rhodes Music
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SheetMusicPlus
Oboe,Piano - Digital Download SKU: A0.1237199 By Len Rhodes. By Claude Debussy. Arranged by Len Rhodes. 20th Century,Wedding. Score and part. 9 pages. Le...
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Oboe,Piano - Digital Download SKU: A0.1237199 By Len Rhodes. By Claude Debussy. Arranged by Len Rhodes. 20th Century,Wedding. Score and part. 9 pages. Len Rhodes Music #832722. Published by Len Rhodes Music (A0.1237199). In 1890, Debussy sold five piano pieces of which some may have been composed much earlier. These pieces were: ‘Rêverie’, ‘Ballade Slave’, ‘Tarentelle Styrienne’, ‘Valse Romantique’ and ‘Nocturne’. The actual publication of ‘Rêverie’ did not occur until April 1905 at which time, Debussy wrote to the publisher Fromont: “It was a mistake to bring out the ‘Rêverie’. It is an unimportant work which was written in a hurry…It is a work of no consequence and I absolutely consider it no good.†To this day, many listener’s first “encounter†with the music of Claude Debussy has been through the hearing of his ‘Rêverie’!In this arrangement for oboe and piano, Len Rhodes brings out the beauty of the melody of ‘Rêverie’, assigned to the oboe; whilst the piano reveals the composer’s unusual harmonies.Download contains piano score and separate oboe part.
$5.99
Ave Maria for oboe and piano (simplified)
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Oboe, Piano (duet)
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EASY
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Classical
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Franz Schubert
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Daniel C
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Ave Maria for oboe and piano
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Daniel C. M.
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SheetMusicPlus
Oboe,Piano - Level 2 - Digital Download SKU: A0.810092 Composed by Franz Schubert. Arranged by Daniel C. M. Concert,Romantic Period,Standards,Wedding. Sc...
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Oboe,Piano - Level 2 - Digital Download SKU: A0.810092 Composed by Franz Schubert. Arranged by Daniel C. M. Concert,Romantic Period,Standards,Wedding. Score and part. 3 pages. Daniel C. M. #4978249. Published by Daniel C. M. (A0.810092). This is an easy arrangement for the piano accompaniment. The oboe part is almost the same as the original for voice but with a few changes to make it easier. The famous broken chords in the accompaniment are simplified from double notes to single notes and the result is a quasi Chopin-like nocturne. Perfect for early intermiediate piano students or oboe teachers who want to play with the piano part with their students with an easier but still enjoyable arrangement. The PDF includes the piano score (two pages) and the oboe part (one page).
$3.99
Germaine Tailleferre: Trois Danses de "La Nouvelle Cythère" for oboe and piano
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Oboe, Piano (duet)
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INTERMEDIATE/ADVANCED
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Germaine Tailleferre
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Germaine Tailleferre: Trois Da
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Musik Fabrik Music Publishing
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SheetMusicPlus
Oboe,Piano - Level 4 - Digital Download SKU: A0.534464 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and part. 31 pages. Musik ...
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Oboe,Piano - Level 4 - Digital Download SKU: A0.534464 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and part. 31 pages. Musik Fabrik Music Publishing #3507349. Published by Musik Fabrik Music Publishing (A0.534464). Three dances from Tailleferre's 1929 ballet written for the Ballets Russes. 1. Sarabande2. Nocturne3. Galop
$19.95
He Arose (Oboe and Piano)
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Oboe, Piano (duet)
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INTERMEDIATE
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Sacred music
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Robert Lowry and Ignaz Jan Pad
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John A
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He Arose
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John A. Dempsey
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SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.734629 Composed by Robert Lowry and Ignaz Jan Paderewski. Arranged by John A. Dempsey. Christian,Easter,P...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.734629 Composed by Robert Lowry and Ignaz Jan Paderewski. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and part. 12 pages. John A. Dempsey #342386. Published by John A. Dempsey (A0.734629). Also known as Low in the Grave He Lay and Hallelujah, Christ Arose, this duet for oboe and piano celebrates Easter with a musical sojourn that's varied, sparkling and alive with both the solace and elation of the season.  This hymn arrangement, complete with mood and tempo changes, is filled with moments of quiet beauty, prayerful reflection and joyful thanksgiving.  The serene incidental music is from a Paderewski nocturne.  Recommended for traditional church services and other worship events, including Good Friday services and Easter sunrise worship, as a prelude, postlude, an offertory, interlude and special music. 8 pages of music (that includes a separate two-page oboe part).  Key: C major. Oboe Level: Intermediate. Piano Level: Late Intermediate.
$6.99
Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
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Oboe, Piano (duet)
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romanti...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499773. Published by jmsgu3 (A0.549470). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Fauré: Élégie Op. 24 for Oboe & Piano
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Oboe, Piano (duet)
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INTERMEDIATE/ADVANCED
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Classical
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Ob
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 4 - Digital Download SKU: A0.549726 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romanti...
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Oboe,Piano - Level 4 - Digital Download SKU: A0.549726 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531383. Published by jmsgu3 (A0.549726). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral.Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
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