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You've selected:
SONATA IN D MINOR
SheetMusicPlus
Oboe, Piano (duet)
Sheetmusic to print
3 sheet music found
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1
Moonlight Sonata
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Oboe, Piano (duet)
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BEGINNER
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Classical
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Ludwig van Beethoven
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Rodrigo Faleiros
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Moonlight Sonata
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Rodrigo Faleiros
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SheetMusicPlus
Oboe,Piano - Level 1 - Digital Download SKU: A0.1086920 Composed by Ludwig van Beethoven. Arranged by Rodrigo Faleiros. Classical,Romantic Period. Score ...
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Oboe,Piano - Level 1 - Digital Download SKU: A0.1086920 Composed by Ludwig van Beethoven. Arranged by Rodrigo Faleiros. Classical,Romantic Period. Score and part. 7 pages. Rodrigo Faleiros #691110. Published by Rodrigo Faleiros (A0.1086920). A simplified and shorter version of the world famous Moonlight Sonata, composed by Ludwig van Beethoven. Just the theme of the 1st movement of the Sonata #14, op. 27, no. 2 in C# minor - here transposed to D minor, half step up, to an easier comprehension. The tuplets and the piece were converted to a 3/4 time to make it easier for students and amateurs to read and play - 1 bar of the original were transformed into 4 in this arragement. Here the melody is played by the oboe and the accompainment by the piano.
$4.99
Sonata Franckoniana
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Oboe, Piano (duet)
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ADVANCED
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Contemporary
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Cesar Auguste Franck
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Robert Fruehwald
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Sonata Franckoniana
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Robert Fruehwald
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - Digital Download SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th...
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Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - Digital Download SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th Century,Contemporary. Score and parts. 39 pages. Robert Fruehwald #2165237. Published by Robert Fruehwald (A0.923701). I have a love-hate relationship with the Cesar Franck D Minor Symphony. It was the first large scale romantic work that I played as a member of a youth orchestra. I remember the thrill of being immersed in the overwhelming drama of the work. As I have returned to the piece over the years, I still love it, or rather I love parts of it. It is a very, very long work. It takes a while to get to the point. The point of the piece, to me, is the last movement. It is fast, exciting, maybe even joyous. The long, dark, angst-ridden build-up seemed profound to me as a teenager. I am less patient today. Now I wish Franck had simply started with the last movement. I decided to try rewriting the symphony myself. I would start with material from the last movement. I would use all of the basic musical material of the piece, but I would condense it down to ten to fifteen minutes of music. I had originally intended to leave the romantic character of the work intact. That intention didn't last very long. As I worked on the piece, it very quickly became more post-modern than romantic. I think that's fine. The profundity may be gone, but I think the piece is more fun this way. As I get older the scales of my life are tipping more and more toward fun and less and less toward profundity. It's kind of nice that, as I age, I see more fun ahead me even if that means I'm seeing profundity recede in the rear-view mirror.
$8.99
Scriabin: Prelude Op. 11 No. 2 for Oboe & Piano
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Oboe, Piano (duet)
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romanti...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499773. Published by jmsgu3 (A0.549470). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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