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You've selected:
So To Speak
Oboe, Piano (duet)
Sheetmusic to print
4 sheet music found
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Now We Are Free
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Oboe, Piano (duet)
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INTERMEDIATE
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Celtic Thunder
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Caroline Venter
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Now We Are Free
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Caroline Venter
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SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.1453640 By Celtic Thunder. By Hans Zimmer, Klaus Badelt, and Lisa Gerrard. Arranged by Caroline Venter. 2...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1453640 By Celtic Thunder. By Hans Zimmer, Klaus Badelt, and Lisa Gerrard. Arranged by Caroline Venter. 21st Century,Film/TV. Score and part. 4 pages. Caroline Venter #1032854. Published by Caroline Venter (A0.1453640). An arrangement for solo instrument and simple piano accompaniment. Lets the melody do the talking so to speak! An ideal concert / recital piece. Would suit grade 5 standard. Score and part.
$5.50
Variations on David of the White Rock (Dafydd Y Garreg Wen) for oboe and piano
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Oboe, Piano (duet)
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INTERMEDIATE
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David Owen
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David Warin Solomons
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Variations on David of the Whi
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David Warin Solomons
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SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.1449233 Composed by David Owen. Arranged by David Warin Solomons. Contemporary,Traditional. Score and par...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1449233 Composed by David Owen. Arranged by David Warin Solomons. Contemporary,Traditional. Score and part. 3 pages. David Warin Solomons #1029028. Published by David Warin Solomons (A0.1449233). Based on a song by the Welsh harpist David OwenDavid the bard on his bed of death liesPale are his features and dim are his eyesYet all around him his glance wildly rovesTill it alights on the harp that he loves.Give me my harp, my companion so longLet it once more add its voice to my songThough my old fingers are palsied and weakStill my good harp for its master will speak.Often the hearts of our chiefs it has stirredWhen its loud summons to battle was heardHarp of my country, dear harp of the braveLet thy last notes hover over my grave. The pdf file contains score and parts.
$5.00
Variations on Gilderoy for oboe and piano
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Oboe, Piano (duet)
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INTERMEDIATE
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Traditional
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David Warin Solomons
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it shakes my heart
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Variations on Gilderoy for obo
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David Warin Solomons
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SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.1449196 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. Score and pa...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1449196 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. Score and part. 6 pages. David Warin Solomons #1029016. Published by David Warin Solomons (A0.1449196). Based on the old Scottish ballad Gilderoy, about a handsome highwayman who was eventually betrayed by his mistress.The last, the dreaded hour is come,That bears my love from me:I hear the dead note of the drum,I mark the fatal tree.The bell has toll'd; it shakes my heart;The trumpet speaks thy name:And must my Gilderoy depart,To bear a death of shame!No bosom trembles for thy doom;No mourner wipes a tear;The gallows' foot is all they tomb,The sledge is all thy bier.Oh Gilderoy! I bethought we thenSo soon, so sad to part,When first in Roslin's lovely glenYou triumph'd o'er my heart?Your locks they glitter'd to the sheen,Your hunter garb was trim;And graceful was the ribbon green,That bound your many limb!Ah! little thought I to deploreThose limbs in fetters bound;Or hear, upon the scaffold floor,The midnight hammer sound.Ye cruel, cruel, that combinedThe guiltless to pursue;My Gilderoy was ever kind,He could not injure you!A long adieu! but where shall flyThy widow all forlorn,When ev'ry mean and cruel eyeRegards my wo with scorn?Yes! they will mock thy widow's tears,And hate thine orphan boy;Alas! his infant beauty wearsThe form of Gilderoy.Then will I seek the dreary moundThat wraps thy mouldering clay,And weep and linger on the ground,And sigh my heart away.The pdf file contains score and parts.
$5.00
O Come All Ye Faithful for Oboe & Piano
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Oboe, Piano (duet)
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BEGINNER
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Wade
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James M
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O Come All Ye Faithful for Obo
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 1 - Digital Download SKU: A0.548513 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 page...
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Oboe,Piano - Level 1 - Digital Download SKU: A0.548513 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388123. Published by jmsgu3 (A0.548513). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
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