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You've selected:
C. Allen
3 Saxophones (trio)
Sheetmusic to print
2 sheet music found
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Prelude, Op. 11, No. 15
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3 Saxophones (trio)
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EASY
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Alexander Scriabin
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Overda Page
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middle ranges
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Prelude, Op. 11, No. 15
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Overda Page Stonerock
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Alto Flute - Level 2 - Digital Download SKU: A0.1247716 Composed by Alexander Scriabin. Arranged by Overda Page. 19th Cen...
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Woodwind Ensemble,Woodwind Trio Alto Flute - Level 2 - Digital Download SKU: A0.1247716 Composed by Alexander Scriabin. Arranged by Overda Page. 19th Century,Chamber,Classical. 2 pages. Overda Page Stonerock #842266. Published by Overda Page Stonerock (A0.1247716). The opening 8 bars by the 2 alto flutes set the stage for the quiet, singing melody by the single C flute. After a single statement, the melody moves to the alto flute on part 3, then returns to the C flute to close. A challenge in tone and breath control of the low & middle ranges.  A beautiful little musical gem worth adding to the repertoire. From the composer's 24 Preludes, Op. 11 for piano.
$3.99
La Paloma - Spanish Habanera - Saxophone Trio
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3 Saxophones (trio)
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EASY
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Sebastina de Yvradier
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Thomas Graf
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La Paloma - Spanish Habanera -
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.56848...
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Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.568484 Composed by Sebastina de Yvradier (1809â??1865). Arranged by Thomas Graf. Folk,World. 12 pages. Thomas Graf - the-hit-factory.com #2961267. Published by Thomas Graf - the-hit-factory.com (A0.568484). La Paloma is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) after he visited Cuba in 1861. Iradier may have composed La Paloma around 1863, just two years before he died in Spain in obscurity, never to learn how popular his song would become. La Paloma belongs to a genre of songs called Habaneras, a musical style developed in 19th-century Spain that is still today very much present in the form of folk songs and formal compositions, particularly in the Northern Basque Region and East Coast (Catalonia and Valencia) regions of the country. Like all Habaneras, its characteristic and distinct rhythm reflects the fusion of the local Cuban songs that the Spanish sailors of the time brought back with them from their travels to the island, with the rhythm structure of the flamenco tanguillo gaditano (original from Cádiz, Andalusia). Very quickly La Paloma became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Hawaii, the Philippines, Germany, Romania, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years the popularity of La Paloma has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds.[1] There are more than one thousand versions of this song, and that together with Yesterday by the Beatles, is one of the most recorded songs in the history of music. Instrumentation: Part I (Soprano/Alto), Part II (Alto), Part III (Tenor) Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412 1303131?N... Any individual arrangement and substitute parts are available on request. Call 49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalogue includedVideo: https://www.youtu.be/ERXv2yBGgOA.
$9.49
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