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I Aint the One
3 Saxophones (trio)
Sheetmusic to print
3 sheet music found
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1
8 Easy Trios for Alto Saxophone
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3 Saxophones (trio)
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BEGINNER
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Antonio Vivaldi, J
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David Burndrett
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8 Easy Trios for Alto Saxophon
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David Burndrett
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SheetMusicPlus
Saxophone Trio,Woodwind Ensemble Alto Saxophone - Level 1 - Digital Download SKU: A0.1410938 Composed by Antonio Vivaldi, J. Offenbach, Traditional, Ludw...
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Saxophone Trio,Woodwind Ensemble Alto Saxophone - Level 1 - Digital Download SKU: A0.1410938 Composed by Antonio Vivaldi, J. Offenbach, Traditional, Ludwig van Beethoven, Gustav Holst. Arranged by David Burndrett. 20th Century,Baroque,Classical,Folk,Romantic Period. 30 pages. David Burndrett #993307. Published by David Burndrett (A0.1410938). Eight Easy Trios!Ode To Joy, Oh, When The Saints, Swing Low, Sweet Chariot, The Can Can, Jupiter Hymn, Comin’ Round The Mountain, Scarborough Fair, Autumn from the Four Seasons. I have arranged these trios so that they can be played by players of various standards. Each part gets the tune!
$4.95
Garage Sale Llama
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3 Saxophones (trio)
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INTERMEDIATE/ADVANCED
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Contemporary
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Jeffrey Hoover
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Garage Sale Llama
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Musicart Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Clarinet - Level 4 - Digital Download SKU: A0.971660 Composed by Jeffrey Hoover. 20th C...
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Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Clarinet - Level 4 - Digital Download SKU: A0.971660 Composed by Jeffrey Hoover. 20th Century,Contemporary. 30 pages. Musicart Publications #5992037. Published by Musicart Publications (A0.971660). Garage Sale Llama is for Bb clarinet and Eb Alto saxophone (or Eb baritone saxophone). Duration, 5 min. 30 sec. Garage Sale Llama is a humorous and energetic duo for clarinet and saxophone. About 2/3 of the way into the music, there is an optional narrative that the clarinetist can speak.The score and parts in this edition are arranged to be printed double-sided, with correct page turns.Program NoteA conversation recently overheard at a grocery store: 'Why do you go to garage sales? What do you buy at garage sales?' 'Anything and everything!' 'Anything, really? What about... a Llama? Would you buy a Llama at a garage sale?' 'Well?... Yes!... I'd buy a llama.'It was at a holiday party I had a close encounter with a garage sale llama. 'True story. The llama was in the back yard of the neighbor's house where the party was being held. Having a llama in the neighbor's backyard is wild, but to hear how the neighbor acquired the llama at a garage sale is unimaginable! Even Hollywood could not come up with such a tall tale. – Jeffrey HooverJeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the Universal Edition/SMP Press Contemporary Composition Award, the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as an M.M. and a Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. To learn more about Jeffrey Hoover's work, or for specific inquiries about his music, guest residencies/festivals, and commissions, please visit his website: https://jeffreyhooverart.wixsite.com/mysiteTo Contact Musicart PublicationsCarlos Rio, Editormusicart.publications.editor@gmail.com
$14.95
BACH: Trio Sonata No. 1 BWV 525 for Sax Trio
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3 Saxophones (trio)
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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James M
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BACH: Trio Sonata No. 1 BWV 52
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jmsgu3
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SheetMusicPlus
Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 4 - Digital Download SKU: A0.552651 Composed by Johann Sebas...
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Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 4 - Digital Download SKU: A0.552651 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. 36 pages. Jmsgu3 #6492697. Published by jmsgu3 (A0.552651). Sonata No. 1 BWV 525, originally for organ, arranged for sax trio: 1 soprano, 1 alto, 1 baritone. Duration: 14:15, Score: 19 pages.  In three movements.I. AllegroII. AdagioIII. AllegroJ.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.
$32.95
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