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3 Saxophones (trio)
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4 sheet music found
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Hark! the Herald Angels Sing! for Saxophone Trio
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3 Saxophones (trio)
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INTERMEDIATE
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Christmas
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Traditional
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James M
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Hark! the Herald Angels Sing!
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jmsgu3
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SheetMusicPlus
Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1341909 Composed by Traditional...
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Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1341909 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 3 pages. Jmsgu3 #927419. Published by jmsgu3 (A0.1341909). Hark! The Herald Angels Sing is a well-known Christmas carol with exciting facts surrounding its creation and evolution. Here are some intriguing details about the song:The original song was published as Hark, How All the Welkin Rings in the 1739 Wesley hymnal, Hymns and Sacred Poems. The second line, as written by Charles Wesley, read Glory to the King of kings, not Glory to the newborn King. The change from welkin to herald angels was made by George Whitfield, altering the meaning of Wesley's metaphor.The tune we usually associate with Hark! The Herald was written by Felix Mendelssohn in 1840 and was not intended as a sacred song. Mendelssohn wrote it to commemorate the four-hundredth anniversary of Gutenberg's printing press.The song was initially intended to be sung to the same tune as Charles Wesley's Easter hymn, Christ the Lord Is Risen Today.In 1855, British musician William Hayman Cummings adapted Mendelssohn's secular music to fit the lyrics of Hark! The Herald Angels Sing by Charles Wesley.The hymn highlights the virgin birth, the universal application of the coming of the incarnate Deity to all nations, and the significance of Christ's birth in Bethlehem.These facts shed light on the historical and musical significance of Hark! The Herald Angels Sing, adding depth to its enduring popularity as a Christmas carol.
$24.95
O Come, O Come, Emmanuel for Saxophone Trio
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3 Saxophones (trio)
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INTERMEDIATE
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Christmas
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Traditional
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James M
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O Come, O Come, Emmanuel for S
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jmsgu3
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SheetMusicPlus
Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1342264 Composed by Traditional...
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Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1342264 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Holiday,Traditional. 3 pages. Jmsgu3 #927716. Published by jmsgu3 (A0.1342264). Veni, Veni, Emmanuel, also known as O Come, O Come, Emmanuel, is a Christian hymn for Advent. It has ancient origins, as the melody synthesizes the great, ancient O Antiphons sung for Vespers during Advent. The familiar tune, Veni Emmanuel, was first linked with this hymn in 1851, when Thomas Helmore published it in the Hymnal Noted, paired with an early revision of Neale's English translation. While the Veni Emmanuel tune predominates in the English-speaking world, several others have been closely associated with the hymn.O Come, O Come, Emmanuel has been used in popular culture as a significant and enduring hymn, particularly during Advent and Christmas. Its universal themes of hope, longing, and the anticipation of the arrival of Jesus Christ have resonated with listeners of different generations, evoking strong emotions and connecting them to the deeper meaning of Christmas and Advent. The song's profound impact on listeners, touching hearts and stirring emotions, has contributed to its enduring popularity. Various artists have sung it, featuring it in numerous Christmas albums and performances, further solidifying its place in popular culture. Therefore, O Come, O Come, Emmanuel holds a special significance in popular culture due to its timeless message and emotional impact on listeners.
$24.95
La Paloma - Spanish Habanera - Saxophone Trio
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3 Saxophones (trio)
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EASY
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Sebastina de Yvradier
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Thomas Graf
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La Paloma - Spanish Habanera -
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.56848...
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Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.568484 Composed by Sebastina de Yvradier (1809â??1865). Arranged by Thomas Graf. Folk,World. 12 pages. Thomas Graf - the-hit-factory.com #2961267. Published by Thomas Graf - the-hit-factory.com (A0.568484). La Paloma is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) after he visited Cuba in 1861. Iradier may have composed La Paloma around 1863, just two years before he died in Spain in obscurity, never to learn how popular his song would become. La Paloma belongs to a genre of songs called Habaneras, a musical style developed in 19th-century Spain that is still today very much present in the form of folk songs and formal compositions, particularly in the Northern Basque Region and East Coast (Catalonia and Valencia) regions of the country. Like all Habaneras, its characteristic and distinct rhythm reflects the fusion of the local Cuban songs that the Spanish sailors of the time brought back with them from their travels to the island, with the rhythm structure of the flamenco tanguillo gaditano (original from Cádiz, Andalusia). Very quickly La Paloma became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Hawaii, the Philippines, Germany, Romania, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years the popularity of La Paloma has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds.[1] There are more than one thousand versions of this song, and that together with Yesterday by the Beatles, is one of the most recorded songs in the history of music. Instrumentation: Part I (Soprano/Alto), Part II (Alto), Part III (Tenor) Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412 1303131?N... Any individual arrangement and substitute parts are available on request. Call 49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalogue includedVideo: https://www.youtu.be/ERXv2yBGgOA.
$9.49
Garage Sale Llama
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3 Saxophones (trio)
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INTERMEDIATE/ADVANCED
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Contemporary
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Jeffrey Hoover
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Garage Sale Llama
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Musicart Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Clarinet - Level 4 - Digital Download SKU: A0.971660 Composed by Jeffrey Hoover. 20th C...
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Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Clarinet - Level 4 - Digital Download SKU: A0.971660 Composed by Jeffrey Hoover. 20th Century,Contemporary. 30 pages. Musicart Publications #5992037. Published by Musicart Publications (A0.971660). Garage Sale Llama is for Bb clarinet and Eb Alto saxophone (or Eb baritone saxophone). Duration, 5 min. 30 sec. Garage Sale Llama is a humorous and energetic duo for clarinet and saxophone. About 2/3 of the way into the music, there is an optional narrative that the clarinetist can speak.The score and parts in this edition are arranged to be printed double-sided, with correct page turns.Program NoteA conversation recently overheard at a grocery store: 'Why do you go to garage sales? What do you buy at garage sales?' 'Anything and everything!' 'Anything, really? What about... a Llama? Would you buy a Llama at a garage sale?' 'Well?... Yes!... I'd buy a llama.'It was at a holiday party I had a close encounter with a garage sale llama. 'True story. The llama was in the back yard of the neighbor's house where the party was being held. Having a llama in the neighbor's backyard is wild, but to hear how the neighbor acquired the llama at a garage sale is unimaginable! Even Hollywood could not come up with such a tall tale. – Jeffrey HooverJeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the Universal Edition/SMP Press Contemporary Composition Award, the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as an M.M. and a Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. To learn more about Jeffrey Hoover's work, or for specific inquiries about his music, guest residencies/festivals, and commissions, please visit his website: https://jeffreyhooverart.wixsite.com/mysiteTo Contact Musicart PublicationsCarlos Rio, Editormusicart.publications.editor@gmail.com
$14.95
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