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360
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323
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109
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78
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35
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13
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7
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5
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2
Piano Trio: piano, violin, cello
2
2 Accordions
1
Accordion
1
Piano Accompaniment
1
+ 9 instrumentations
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27
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20
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17
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10
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2
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2
2 Guitars (duet)
2
Mandolin
1
Piano, Guitar (duet)
1
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1
+ 5 instrumentations
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Alto voice, Piano
53
Tenor voice, Piano
53
Soprano voice, Piano
52
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52
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41
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36
Baritone voice, Piano
26
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20
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15
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7
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4
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1
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1
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57
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54
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54
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46
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45
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44
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41
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35
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34
2 Saxophones (duet)
33
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32
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28
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26
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21
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20
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18
2 Flutes (duet)
14
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14
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14
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12
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12
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11
5 Recorders
10
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10
3 Saxophones (trio)
9
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9
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9
2 Oboes (duet)
8
2 Recorders (duet)
6
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5
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4
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3 Recorders (trio)
1
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1
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1
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55
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45
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24
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24
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17
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15
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12
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11
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11
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10
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10
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8
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8
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8
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8
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5
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5
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4
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4
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3
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3
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1
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1
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1
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1
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1
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69
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63
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52
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34
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30
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16
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15
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13
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12
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10
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7
Double Bass
7
String Quintet: 2 violins, viola, cello, bass
5
String Trio: violin, viola, cello
5
String Quartet : 4 violas
4
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4
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4
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4
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3
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3
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1
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1
4 Double Basses
1
Harp, Flute (duet)
1
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Euphonium, Piano (duet)
Sheetmusic to print
3 sheet music found
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1
Jingle Bells for Euphonium & Piano
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Euphonium, Piano (duet)
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BEGINNER
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Christmas
#
James Pierpont
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James M
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piano
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Jingle Bells for Euphonium & P
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 1 - Digital Download SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8...
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Euphonium,Piano - Level 1 - Digital Download SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408515. Published by jmsgu3 (A0.548660). Jingle Bells arranged for euphonium & piano. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
ARIOSO, by J. S. Bach (sinfonia) - for Euphonium and accompaniment
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Euphonium, Piano (duet)
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BEGINNER
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Classical
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
Euphonium,Piano - Level 1 - Digital Download SKU: A0.964413 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,S...
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Euphonium,Piano - Level 1 - Digital Download SKU: A0.964413 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6323041. Published by Leyandder Trustworthy (A0.964413). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Euphonium along with a piano accompaniment that comes with the product.
$4.99
ARIOSO, by J. S. Bach (sinfonia) - for Euphonium (Treble Clef) and accompaniment
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Euphonium, Piano (duet)
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BEGINNER
#
Classical
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Johann Sebastian Bach
#
Leyandder Trustworthy
#
ARIOSO, by J. S. Bach
#
Leyandder Trustworthy
#
SheetMusicPlus
Euphonium,Piano - Level 1 - Digital Download SKU: A0.964415 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,S...
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Euphonium,Piano - Level 1 - Digital Download SKU: A0.964415 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6323043. Published by Leyandder Trustworthy (A0.964415). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Euphonium (Treble Clef) along with a piano accompaniment that comes with the product.
$4.99
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