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1,473
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864
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314
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299
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295
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187
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86
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69
Big Note Piano
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1 Piano, 4 hands
28
Piano Trio: piano, violin, cello
22
Accordion
12
2 Pianos, 4 hands
7
Piano Quartet: piano, 2 violins, cello
5
Organ, Trumpet (duet)
4
Piano Quartet: piano, violin, viola, cello
4
Piano (band part)
3
Melody line, Piano
1
Harpsichord
1
1 Piano, 6 hands
1
Piano Quintet: piano, 2 violins, viola, cello
1
+ 15 instrumentations
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Retract
Guitars
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154
Guitar
105
Ukulele
52
Melody line, (Lyrics) and Chords
44
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23
Piano, Guitar (duet)
8
3 Guitars (trio)
4
2 Guitars (duet)
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3
Mandolin
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Banjo
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Baritone Ukulele
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2 Dulcimers (duet)
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4 Guitars (Quartet)
1
Plectrum Orchestra
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Ukulele Ensemble
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+ 14 instrumentations
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542
Choral 2-part
129
Choral 3-part
110
Choral TTBB
81
Choral Unison
61
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44
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41
Voice solo
36
Soprano voice, Piano
36
Vocal duet, Piano
31
Alto voice, Piano
26
Baritone voice, Piano
23
Vocal duet
9
Tenor voice
5
Low voice, Piano
4
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3
High voice
3
Medium voice, Piano
2
Choral SSATTB
1
Mezzo-Soprano voice, Piano
1
Soprano voice
1
Choral
1
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124
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123
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107
Saxophone
97
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93
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92
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85
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81
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75
Alto Saxophone and Piano
73
Saxophone (band part)
66
Oboe (band part)
65
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61
2 Flutes (duet)
61
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58
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50
Alto Saxophone
50
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47
3 Saxophones (trio)
46
2 Clarinets (duet)
39
Tenor Saxophone
34
3 Clarinets (trio)
28
Oboe
24
Baritone Saxophone, Piano
22
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22
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21
2 Oboes (duet)
21
Flute ensemble
18
Flute Quartet: 4 flutes
17
Saxophone ensemble
17
Flute, Clarinet (duet)
17
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16
Flute Quintet : 5 flutes
14
Recorder
14
2 Recorders (duet)
13
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12
Flute (band part)
12
2 Clarinets, Piano
10
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10
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9
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9
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9
Flute, Viola and Piano
9
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9
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8
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8
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8
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7
English horn, Piano
7
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7
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6
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6
Clarinet, Cello (duet)
6
Flute, Violin, Violoncello and Piano
5
Recorder Quartet
5
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5
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5
Oboe, Cello
5
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4
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4
Flute, trombone and piano
4
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4
Flute, Oboe (duet)
4
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4
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4
Flute, Violoncello
3
Ocarina
3
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3
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3
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3
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3
Flute, Trumpet (duet)
3
Clarinet, Trumpet (duet)
3
Oboe, Flute
2
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2
Harmonica
2
Saxophone, Clarinet (duet)
2
3 Recorders (trio)
2
Flute, Oboe, Bassoon
2
Oboe ensemble
2
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1
Piccolo, Piano
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Flute and Guitar
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1
Oboe, Violin (duet)
1
Piccolo
1
Flute, Violin
1
Pennywhistle
1
Tenor Recorder
1
Oboe, Trombone (duet)
1
Flute, Trombone (duet)
1
2 Flutes and Harp
1
Flute, Clarinet, Violin (trio)
1
Recorder Ensemble
1
Oboe, Clarinet and Piano (Trio)
1
Oboe and viola (duet)
1
4 Oboes
1
Flute, Tuba (duet)
1
Clarinet, Tuba
1
2 Clarinets, Bassoon
1
Flute, Cello, Guitar
1
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1
Clarinette, Viola and Piano (trio)
1
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145
Trumpet
112
Trumpet, Piano
86
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79
Trombone
71
Brass quartet : 2 trumpets, trombone, tuba
62
French Horn and Piano
61
French horn
58
Tuba
45
Tuba and Piano
40
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36
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31
2 Trumpets (duet)
30
2 Trombones (duet)
29
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28
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23
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Euphonium
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7
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7
Tuba (band part)
6
Brass Quartet: 4 horns
6
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6
Euphonium, Piano (duet)
6
Brass Quartet: 4 trumpets
6
2 Tubas (duet)
4
Horn Ensemble
4
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4
3 Trombones (trio)
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3
4 Tubas
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2
Trumpet, Horn (duert)
2
3 French horns (trio)
2
Trumpet, Saxophone (duet)
2
2 Euphoniums (duet)
1
Tuba ensemble
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Trombone, Horn (duet)
1
2 Euphoniums and 2 Tubas
1
French horn and Basson (duet)
1
Brass Trio
1
3 Trumpets (trio)
1
3 Tubas (trio)
1
Trombone, Violin (duet)
1
Brass Quartet: 2 trumpets, 2 trombones
1
Horn, Cello (duet)
1
Horn and Organ
1
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String Quartet: 2 violins, viola, cello
268
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138
Violin
118
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115
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111
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108
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73
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69
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50
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45
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43
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42
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41
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32
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31
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30
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30
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25
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13
2 Harps (duet)
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11
String Trio: 3 violins
10
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9
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7
String quartet: 4 violins
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String Quintet: 2 violins, viola, 2 cellos
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4 Double Basses
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Cello, Organ
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String Quintet: 2 violins, 2 violas, cello
1
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Euphonium, Piano (duet)
Sheetmusic to print
6 sheet music found
<
1
Debussy: Claire de Lune for Euphonium & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE
#
Classical
#
Claude Debussy
#
James M
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Debussy: Claire de Lune for Eu
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.550121 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Multicultural,...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.550121 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Multicultural,Standards,World. Score and part. 15 pages. Jmsgu3 #4596301. Published by jmsgu3 (A0.550121). Moonlight * лунный Ñвет * 月光 * Σεληνόφωτο * MÄ›sÃÄnà svit, Claude Debussy, 1890. Monumental impressionist masterpiece - perfect for Valentine's Day.Duration ca. 3:50 Score: 8 pages. Debussy was inspired by this poem by Paul Verlaine to compose this work:Your soul is a chosen landscapeWhere charming masquerades and dancers are promenading,Playing the lute and dancing, and almostSad beneath their fantastic disguises.While singing in a minor keyOf victorious love, and the pleasant lifeThey seem not to believe in their own happinessAnd their song blends with the moonlight,With the sad and beautiful moonlight,Which sets the birds in the trees dreaming,And makes the fountains sob with ecstasy,The tall slim water streams among the marble statues.Paul Verlaine, 1869
$32.95
Bach: Wachet auf for Euphonium & Piano
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Euphonium, Piano (duet)
#
EASY
#
Classical
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Euphonium
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easte...
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach: Wachet auf for Baritone Horn & Piano
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Euphonium, Piano (duet)
#
EASY
#
Classical
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Baritone
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easte...
(+)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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Euphonium, Piano (duet)
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Stand...
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
The Flight of the Bumble Bee - Rimsky Korsakov - for Euphonium and Piano
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Euphonium, Piano (duet)
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ADVANCED
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Opera
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Classical
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N
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Raymond Fenech
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The Flight of the Bumble Bee -
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Raymond Fenech
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SheetMusicPlus
Euphonium,Piano - Level 5 - Digital Download SKU: A0.1040449 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday...
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.1040449 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Opera,Romantic Period. Score and part. 13 pages. Raymond Fenech #645240. Published by Raymond Fenech (A0.1040449). Flight of the Bumblebee is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. Its composition is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's being a rather incidental part of the opera, it is today one of the more familiar classical works because of its frequent use in popular culture. The piece closes Act III, Tableau 1, during which the magic Swan-Bird changes Prince Gvidon Saltanovich (the Tsar's son) into an insect so that he can fly away to visit his father (who does not know that he is alive). The duration of this is 2.07 minutes and it is a difficult level piece.
$3.99
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