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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
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BOOKS
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CLARINET
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DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
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HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
ESP
Not classified
2,459
Piano & keyboards
Piano solo
2,172
Piano, Voice
695
Easy Piano
392
Organ
388
Piano, Vocal and Guitar
355
C Instruments
139
1 Piano, 4 hands
59
Accordion
52
Piano Trio: piano, violin, cello
32
Big Note Piano
22
Piano Accompaniment
16
2 Pianos, 4 hands
11
Piano (band part)
8
Organ, Trumpet (duet)
8
Organ, Piano (duet)
2
Piano Quartet: piano, violin, viola, cello
2
Piano Quintet: piano, 2 violins, viola, cello
2
Keyboard
2
Accordion ensemble
2
1 Piano, 6 hands
2
Piano Quartet: piano, 2 violins, cello
2
Harpsichord
1
+ 17 instrumentations
-
Retract
Guitars
Guitar
312
Guitar notes and tablatures
287
Melody line, (Lyrics) and Chords
142
2 Guitars (duet)
58
Ukulele
46
Bass guitar
41
Lyrics and Chords
24
Guitar (band part)
15
4 Guitars (Quartet)
14
Mandolin
11
Banjo
10
Piano, Guitar (duet)
9
3 Guitars (trio)
6
Guitar Ensemble
6
Dulcimer
4
Band Scores
3
Plectrum Orchestra
2
Electric Bass (band part)
2
Mandolin, Piano (duet)
1
Guitar, Violin, Cello (trio)
1
Baritone Ukulele
1
+ 16 instrumentations
-
Retract
Voice
Choral SATB
1,017
Choral 3-part
258
Choral 2-part
168
Choral TTBB
114
Choral Unison
96
Choral SSAA
72
Choral Instrumental Pak
61
Voice solo
60
Vocal duet, Piano
33
Choral
24
Vocal duet
23
Soprano voice, Piano
20
High voice
18
Low voice, Piano
8
Medium voice, Piano
7
Choral SSAATTBB
6
Alto voice, Piano
5
Baritone voice, Piano
5
Voice, Guitar
5
Tenor voice, Piano
5
Choral SSATB
3
Tenor voice
2
Choral, Organ
2
Choral SSATTB
2
Choral SSAB a cappella
2
Soprano voice, Orchestra
1
Soli, Mixted choir and accompaniment
1
Choral SATTBB A Cappella
1
Choral SSAB, Piano
1
Soprano voice
1
Mezzo-Soprano voice, Piano
1
+ 26 instrumentations
-
Retract
Woodwind
Ocarina
268
Descant (Soprano) Recorder
259
Saxophone (band part)
191
Treble (Alto) Recorder
183
Flute
169
Flute and Piano
166
Saxophone Quartet: 4 saxophones
157
Clarinet
148
Clarinet and Piano
133
Saxophone
128
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
121
Alto Saxophone
102
Clarinet (band part)
92
Alto Saxophone and Piano
90
Flute, Oboe, Clarinet, Bassoon
89
Clarinet Quartet: 4 clarinets
84
Oboe, Piano (duet)
83
Tenor Saxophone
82
2 Saxophones (duet)
69
Soprano Saxophone and Piano
59
Oboe (band part)
53
2 Flutes (duet)
47
2 Clarinets (duet)
47
Flute (band part)
47
Tenor Saxophone and Piano
46
Saxophone ensemble
42
Saxophone Quintet: 5 Saxophones
34
Treble (Alto) Recorder, Piano
33
Baritone Saxophone, Piano
27
Flute Quartet: 4 flutes
26
Oboe
25
Clarinet Ensemble
23
Flute and Guitar
20
Eb Instruments
18
English horn, Piano
18
Clarinet Quintet: 5 clarinets
17
Flute ensemble
16
Soprano Saxophone
16
Saxophone, Clarinet (duet)
15
Bass Clarinet, Piano
13
Flute, Clarinet (duet)
12
3 Saxophones (trio)
12
3 Clarinets (trio)
12
Flute, Violin
11
Clarinet, Violin (duet)
11
2 Oboes (duet)
11
Clarinet, Guitar (duet)
10
2 Recorders (duet)
9
Harmonica
8
Oboe, Clarinet (duet)
7
Descent (Soprano) Recorder, Piano
7
Saxophone and Organ
7
Flute Trio: 3 flutes
6
Flute, Saxophone (duet)
6
Recorder Quartet
6
Recorder
6
Clarinet, Trumpet (duet)
5
Oboe, Bassoon (duet)
5
Piccolo, Piano
5
Clarinet and Viola
5
Tenor Recorder
5
Oboe, Flute
5
Flute, Violin, Piano
4
3 Recorders (trio)
4
Piccolo
4
Baritone Saxophone
4
Recorder, Piano
4
Flute, Violoncello
3
Flute, Trumpet (duet)
3
5 Recorders
3
Bass Clarinet
3
Oboe, Guitar (duet)
2
Flute, Viola (duet)
2
Clarinet, Bassoon (duet)
2
English Horn
2
Flute, Oboe, Clarinet (trio)
2
Clarinet, Cello (duet)
2
Clarinet, Cello, Piano (trio)
1
Flute and Strings Trio
1
Flute, Violin and Violoncello
1
Flute, Basso continuo
1
Clarinet, Trombone (duet)
1
Flute, Harp and Cello
1
Clarinet Quintet: Clarinet, String Quartet
1
Flute and String Quartet
1
2 Clarinets, Bassoon
1
4 Oboes
1
Recorder, Guitar (duet)
1
Flute, Clarinet, Piano (trio)
1
2 Flutes, 2 Clarinets (Quartet)
1
Flute, Clarinet and Bassoon.
1
Oboe, Clarinet, Bassoon (trio)
1
Saxophone and Piano
1
2 Recorders, Piano
1
Clarinet, Organ
1
Oboe, Cello
1
English horn, Harp (duet)
1
Flute Quintet : 5 flutes
1
+ 93 instrumentations
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Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
172
Trumpet
166
Trombone (band part)
157
Trumpet (band part)
126
Trombone
104
Trumpet, Piano
88
Trombone and Piano
75
Brass quartet : 2 trumpets, trombone, tuba
70
French Horn and Piano
59
French horn
52
French horn (band part)
50
Tuba (band part)
40
Tuba and Piano
38
2 Trumpets (duet)
29
Tuba
23
Brass Quartet
22
Euphonium, Piano (duet)
22
2 Trombones (duet)
20
Euphonium
20
Brass Quartet: 4 trombones
20
Bass Clef Instruments
19
English horn, Piano
18
Brass Quartet: 2 trumpets, horn, trombone
16
Trumpet ensemble
12
Bb Instruments
12
Brass Quartet: 4 horns
11
Trumpet, Saxophone (duet)
10
Trombone ensemble
10
Trumpet, Trombone (duet)
10
2 French horns (duet)
9
2 Euphoniums and 2 Tubas
9
Horn Ensemble
9
Brass Trio
5
Tuba or Euphonium or Saxhorn
5
4 Tubas
4
Trumpet, Horn (duert)
3
Tuba and Organ
3
Cornet
3
Bass Trombone and Piano
3
Trombone, Tuba (duet)
3
English Horn
2
3 Trombones (trio)
2
Brass Quartet: 4 trumpets
2
Horn and Organ
2
Trombone, Organ
2
Clarinet, Horn (duet)
1
Horn, Cello (duet)
1
2 Tubas (duet)
1
F Instruments
1
Trombone and Orchestra
1
Trumpet, Euphonium (duet)
1
Bass Trombone
1
3 Trumpets (trio)
1
English horn, Harp (duet)
1
+ 49 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
366
Violin and Piano
239
Violin
177
Cello, Piano
155
Viola, Piano
123
Cello
102
Viola
76
Violin (band part)
68
Violin, Cello (duet)
47
String Trio: violin, viola, cello
45
2 Violins (duet)
40
Harp
35
2 Cellos (duet)
33
Doublebass (band part)
33
Double bass, Piano (duet)
29
Viola (band part)
28
Cello (band part)
23
Double Bass
21
String Quintet: 2 violins, viola, cello, bass
18
Violin, Viola (duet)
17
Violin, Guitar (duet)
16
String Trio: 2 violins, cello
12
2 Harps (duet)
11
2 Violas (duet)
11
Cello, Guitar (duet)
9
Harp, Flute (duet)
8
Viola, Cello (duet)
8
Piano Trio: Violin, Viola, Piano
6
String Trio: 3 cellos
5
Harp, Violin (duet)
5
Viola, Guitar (duet)
4
String trio
3
String Quintet: 2 violins, 2 violas, cello
2
Violin ensemble
2
String Trio: 2 violins, viola
2
Cello, Organ
2
Cello, String Bass (duet)
2
String Quintet: 2 violins, viola, 2 cellos
1
Viola and Harp
1
Violin, Clarinet, Piano (trio)
1
String Trio: 3 violins
1
Viola ensemble
1
String Quartet : 4 violas
1
Harp, Trombone (duet)
1
Harp, Voice
1
+ 40 instrumentations
-
Retract
Orchestra & Percussion
Concert band
1,083
Orchestra
286
String Orchestra
236
Jazz Ensemble
217
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140
Brass ensemble
84
Chamber Orchestra
78
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75
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66
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50
Percussion
31
Jazz combo
25
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15
Percussion Ensemble
15
Drum (band part)
14
Marimba
7
Xylophone or Marimba or Vibraphone
4
Timpani
3
Flexible Instrumentation
3
Xylophone (band part)
2
Piano and Orchestra
2
2 Marimbas
1
Woodwind Quintet
1
Vibraphone
1
Orchestra, Violin
1
Xylophone, Piano
1
2 Xylophones
1
+ 22 instrumentations
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Retract
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Euphonium, Piano (duet)
Sheetmusic to print
22 sheet music found
<
1
Three Pieces from Suite Espanola for Euphonium and Piano
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Euphonium, Piano (duet)
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Isaac Albeniz
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Sauer, Ralph
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Three Pieces from Suite Espano
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Digital Download SKU: A0.792124 Composed by Isaac Albeniz. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Score and part...
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Euphonium,Piano - Digital Download SKU: A0.792124 Composed by Isaac Albeniz. Arranged by Sauer, Ralph. 20th Century,Romantic Period,World. Score and part. 28 pages. Gordon Cherry #3664859. Published by Gordon Cherry (A0.792124). Suite Española, Op. 47 is a suite of four movements for solo Piano written in 1886 in honour of the Queen of Spain. After the composer's death, his editor added an additional four movements for a total of eight. Mr. Sauer has taken three of these movements for his marvelous arrangement for Euphonium and Piano:1. Granada 2. Asturias 3. SevillaEach piece is based on a region of Spain and each region's character is honoured with a dance special to it. Some of Albéniz's music has become more popular for classical Guitar.This arrangement of 14 minutes in length is suitable for advanced performers.
$20.00
Espana Cani
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Euphonium, Piano (duet)
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Pascual Marquina
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Jirka Kadlec
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Espana Cani
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Editions Marc Reift - Digital
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SheetMusicPlus
Euphonium & Piano - Grade 3 - Digital Download SKU: R0.37742 Composed by Pascual Marquina. Arranged by Jirka Kadlec. Euphonium & Piano. Score and parts. ...
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Euphonium & Piano - Grade 3 - Digital Download SKU: R0.37742 Composed by Pascual Marquina. Arranged by Jirka Kadlec. Euphonium & Piano. Score and parts. 6 pages. Duration 2'29. Editions Marc Reift - Digital #37742. Published by Editions Marc Reift - Digital (R0.37742).
$5.95
Guthrie: Toccata Agitato for Euphonium & Piano
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Euphonium, Piano (duet)
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ADVANCED
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James M
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Guthrie: Toccata Agitato for E
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 5 - Digital Download SKU: A0.1385698 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Sc...
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.1385698 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 13 pages. Jmsgu3 #969635. Published by jmsgu3 (A0.1385698). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.
$32.95
Pachelbel: Canon for Baritone Horn & Piano
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Euphonium, Piano (duet)
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EASY
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Classical
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding....
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95
Little Suite No. 1
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Euphonium, Piano (duet)
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Ifor James
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Little Suite No. 1
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Editions Marc Reift - Digital
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SheetMusicPlus
Euphonium & Piano - Grade 2 - Digital Download SKU: R0.49192 1. Fanfare / 2. Hymn / 3. The Responses / 4. Capriccio. Composed by Ifor James. Eupho...
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Euphonium & Piano - Grade 2 - Digital Download SKU: R0.49192 1. Fanfare / 2. Hymn / 3. The Responses / 4. Capriccio. Composed by Ifor James. Euphonium & Piano. Score and parts. 11 pages. Duration 5'51. Editions Marc Reift - Digital #49192. Published by Editions Marc Reift - Digital (R0.49192).
$13.95
Dear Tomorrow
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Euphonium, Piano (duet)
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ADVANCED
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Todd Goodman
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Dear Tomorrow
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Wrong Note Media, Inc.
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SheetMusicPlus
Euphonium,Piano - Level 5 - Digital Download SKU: A0.1375164 Composed by Todd Goodman. 21st Century,Chamber,Contemporary,Contest,Festival. Score and part...
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.1375164 Composed by Todd Goodman. 21st Century,Chamber,Contemporary,Contest,Festival. Score and part. 44 pages. Wrong Note Media, Inc. #959776. Published by Wrong Note Media, Inc. (A0.1375164). Dear Tomorrow is an advanced recital piece for euphonium and piano that combines the beauty of intriguing rhythms with soaring and singable melodies. Written for German euphonium virtuoso Klemens Vetter in 2021, this work is a musical reflection on the global health event that rocked the world in 2020—shutting down musical performances around the globe overnight. Coupled with this shutdown came depression, anxiety, and despair for many. Composer Todd Goodman wrote this piece as a letter to his future self—sending comfort, love, and hope that everything will turn out ok.For physical copies of this piece and more information about composer Todd Goodman, please visit WrongNoteMedia.com.
$30.00
Faded
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Euphonium, Piano (duet)
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BEGINNER
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Contemporary
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Alan Walker
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Willem Aarts
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Faded
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Willem Aarts
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SheetMusicPlus
Euphonium,Piano - Level 1 - Digital Download SKU: A0.821979 By Alan Walker. By Alan Walker, Anders Froen, Gunnar Greve, and Jesper Borgen. Arranged by Wi...
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Euphonium,Piano - Level 1 - Digital Download SKU: A0.821979 By Alan Walker. By Alan Walker, Anders Froen, Gunnar Greve, and Jesper Borgen. Arranged by Willem Aarts. Contemporary. Score and part. 11 pages. Willem Aarts #5982953. Published by Willem Aarts (A0.821979). Faded by Alan Walker - Sheet music for euphonium and piano.Website: www.wa-music.nl E-mail: info@wa-music.nl SheetMusicPlus: https://www.sheetmusicplus.com/publishers/willem-aarts-sheet-music/3004231 YouTube: https://www.youtube.com/channel/UCNmXzZjD-NTFr9QQ22t0SkQ
$4.99
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instr...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Ro...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Ro...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Saving All My Love For You
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Euphonium, Piano (duet)
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EASY
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Whitney Houston
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Kevin P Holdgate
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Saving All My Love For You
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Kevin P Holdgate
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SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1313095 By Whitney Houston. By Gerry Goffin and Michael Masser. Arranged by Kevin P Holdgate. 20th C...
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1313095 By Whitney Houston. By Gerry Goffin and Michael Masser. Arranged by Kevin P Holdgate. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Wedding. Score and part. 7 pages. Kevin P Holdgate #901931. Published by Kevin P Holdgate (A0.1313095). Saving All My Love for You is a song written by Michael Masser and Gerry Goffin. American singer Whitney Houston recorded it for her self-titled debut studio album (1985). It was released on August 13, 1985, by Arista Records, as the second single from the album in the United States, and third worldwide. Whitney Houston's version of Saving All My Love for You garnered positive critical response, with reviewers praising its melodious production and her vocal performance, and picked it as one of the album's highlights. The song became a global success and represented a commercial breakthrough for her, topping the charts in four countries and reaching the top 10 in various other regions. It became her first song to top the US Billboard Hot 100, and was certified Platinum by the RIAA for sales of over 1 million copies. At the 28th Annual Grammy Awards, it won for Best Female Pop Vocal Performance.
$5.99
Jingle Bells (James Lord Pierpont) for Euphonium B.C. and Piano
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Euphonium, Piano (duet)
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EASY
#
James Lord Pierpont
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Harry Walker
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Jingle Bells
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SCORE EDITIONS
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SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1512590 Composed by James Lord Pierpont. Arranged by Harry Walker. 19th Century,Chamber,Christmas,Co...
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1512590 Composed by James Lord Pierpont. Arranged by Harry Walker. 19th Century,Chamber,Christmas,Contest,Festival,Holiday. Score and part. 10 pages. SCORE EDITIONS #1087572. Published by SCORE EDITIONS (A0.1512590). Jingle Bells, composed by James Lord Pierpont in 1857, is one of the most iconic holiday songs. Originally written to capture the thrill of sleigh rides, its joyful and infectious melody quickly turned it into a Christmas classic, despite not specifically referencing the holiday. This modern arrangement maintains the original energy while introducing a fresh interpretation, making it a perfect choice for festive concerts and celebrations.
$5.99
Sicilienne (Maria-Theresia von Paradis) for Euphonium BC and Piano
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Euphonium, Piano (duet)
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Maria Theresia von Paradis
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Harry Walker
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Sicilienne
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SCORE EDITIONS
#
SheetMusicPlus
Euphonium,Piano - Digital Download SKU: A0.1502749 Composed by Maria Theresia von Paradis. Arranged by Harry Walker. Chamber,Classical,Contest,Festival. ...
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Euphonium,Piano - Digital Download SKU: A0.1502749 Composed by Maria Theresia von Paradis. Arranged by Harry Walker. Chamber,Classical,Contest,Festival. Score and part. 7 pages. SCORE EDITIONS #1078420. Published by SCORE EDITIONS (A0.1502749). Sicilienne is a charming and melodious piece attributed to Austrian composer Maria Theresia von Paradis, a prominent figure in 18th-century music. Despite debates about its true authorship, the piece remains a beloved masterpiece due to its lyrical simplicity and elegance. This timeless work enchants listeners and performers alike with its pastoral melody and serene lyricism. Sicilienne offers a glimpse into von Paradis's talent and musical sensitivity, maintaining its popularity in concert programs worldwide. Its simple and elegant beauty ensures that it will be cherished for generations to come. In this version, the composition was arranged for Euphonium BC and Piano by Harry Walker.
$5.99
Swan Lake Theme for Euphonium and Piano
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Euphonium, Piano (duet)
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INTERMEDIATE
#
P
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Diego Marani
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Swan Lake Theme for Euphonium
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Diego Marani
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SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1401311 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Instructional,Romantic Pe...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1401311 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 7 pages. Diego Marani #984498. Published by Diego Marani (A0.1401311). Swan Lake, Op. 20, is a ballet composed by Russian composer Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular ballets of all time.The marvelous main theme, arranged for euphonium (B.C. and Bb T.C.) and piano is suitable for any occasion: repertoire, classroom, recital or for an impressive and touching encore.
$7.99
Vous N'êtes Rien Près D'Elle (arr. for Euphonium and Piano)
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Euphonium, Piano (duet)
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EASY
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Classical
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Georges Rupès
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Andrew Lamb
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Vous N'êtes Rien Près D'Elle
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Andrew Lamb
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SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1342514 By Georges Rupès. By Georges Rupès. Arranged by Andrew Lamb. 19th Century,Romantic Per...
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1342514 By Georges Rupès. By Georges Rupès. Arranged by Andrew Lamb. 19th Century,Romantic Period. Score and part. 17 pages. Andrew Lamb #928012. Published by Andrew Lamb (A0.1342514). 🎺 Elevate your musical repertoire with this captivating Euphonium Solo adaptation of 'Vous N'êtes Rien Près D'Elle' by French composer Georges Rupès! 🇫🇷 Originally composed in 1872 for voice and piano, this arrangement is a beautiful fusion of history and modern expression. 🎼🎶 Scored for Euphonium and Piano, the arrangement includes both Bass Clef and Treble Clef parts, allowing flexibility for Trumpet/Cornet in Bb, Trombones, or Baritones to enchant your audience with its melodic charm. 🎺🌟 Level of Difficulty: Medium-Easy – making it accessible for a range of players. Perfect for concerts or recitals, this arrangement by Andrew Lamb breathes new life into Rupès' timeless composition. 🎵🎉 Immerse yourself in the rich musical tapestry woven by Georges Rupès, a prolific French composer whose legacy lives on. 📜 Despite his passing in 1902, Rupès' music remains cherished and studied, a testament to his enduring impact on the world of music. 🎹🎊 Unleash the beauty of 'Vous N'êtes Rien Près D'Elle' in this versatile arrangement – a must-have for any musician seeking to captivate audiences and honor the legacy of Georges Rupès! 🌈.
$6.00
The Flight of the Bumble Bee - Rimsky Korsakov - for Euphonium and Piano
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Euphonium, Piano (duet)
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ADVANCED
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Opera
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Classical
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N
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Raymond Fenech
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The Flight of the Bumble Bee -
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Raymond Fenech
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SheetMusicPlus
Euphonium,Piano - Level 5 - Digital Download SKU: A0.1040449 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday...
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.1040449 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Opera,Romantic Period. Score and part. 13 pages. Raymond Fenech #645240. Published by Raymond Fenech (A0.1040449). Flight of the Bumblebee is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. Its composition is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's being a rather incidental part of the opera, it is today one of the more familiar classical works because of its frequent use in popular culture. The piece closes Act III, Tableau 1, during which the magic Swan-Bird changes Prince Gvidon Saltanovich (the Tsar's son) into an insect so that he can fly away to visit his father (who does not know that he is alive). The duration of this is 2.07 minutes and it is a difficult level piece.
$3.99
A Whole New World
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Euphonium, Piano (duet)
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INTERMEDIATE
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Alan Menken and Tim Rice
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Harry Walker
#
A Whole New World
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SCORE EDITIONS
#
SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1458243 Composed by Alan Menken and Tim Rice. Arranged by Harry Walker. Broadway,Film/TV,Musical/Sho...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1458243 Composed by Alan Menken and Tim Rice. Arranged by Harry Walker. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Wedding. Score and part. 11 pages. SCORE EDITIONS #1037220. Published by SCORE EDITIONS (A0.1458243). A Whole New World is the signature song from Disney's 1992 animated feature film Aladdin, with music by Alan Menken and lyrics by Tim Rice. A duet originally recorded by singers Brad Kane and Lea Salonga in their respective roles as the singing voices of the main characters Aladdin and Jasmine, the ballad serves as both the film's love and theme song. Lyrically, A Whole New World describes Aladdin showing the confined princess a life of freedom and the pair's acknowledgment of their love for each other while riding on a magic carpet. In this version, the composition was arranged for Euphonium B.C: and Piano by Harry Walker.
$5.99
ARIOSO, by J. S. Bach (sinfonia) - for Euphonium and accompaniment
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Euphonium, Piano (duet)
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BEGINNER
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Classical
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
#
SheetMusicPlus
Euphonium,Piano - Level 1 - Digital Download SKU: A0.964413 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,S...
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Euphonium,Piano - Level 1 - Digital Download SKU: A0.964413 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6323041. Published by Leyandder Trustworthy (A0.964413). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Euphonium along with a piano accompaniment that comes with the product.
$4.99
ARIOSO, by J. S. Bach (sinfonia) - for Euphonium (Treble Clef) and accompaniment
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Euphonium, Piano (duet)
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BEGINNER
#
Classical
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Johann Sebastian Bach
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Leyandder Trustworthy
#
ARIOSO, by J. S. Bach
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Leyandder Trustworthy
#
SheetMusicPlus
Euphonium,Piano - Level 1 - Digital Download SKU: A0.964415 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,S...
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Euphonium,Piano - Level 1 - Digital Download SKU: A0.964415 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6323043. Published by Leyandder Trustworthy (A0.964415). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Euphonium (Treble Clef) along with a piano accompaniment that comes with the product.
$4.99
Two Spanish Dances for Euphonium & Piano
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Euphonium, Piano (duet)
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ADVANCED
#
Granados, Enrique
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Sauer, Ralph
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Two Spanish Dances for Euphoni
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Gordon Cherry
#
SheetMusicPlus
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792287 Composed by Granados, Enrique. Arranged by Sauer, Ralph. 20th Century,Folk,Romantic Period,Wo...
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792287 Composed by Granados, Enrique. Arranged by Sauer, Ralph. 20th Century,Folk,Romantic Period,World. Score and part. 10 pages. Gordon Cherry #4803899. Published by Gordon Cherry (A0.792287). Granados was a Spanish composer whose music had the unique style of his homeland burned into his soul. He was also a very talented painter in the style of Goya. The Two Dances, 1. Oriental and 2. Fandango are taken from the 12 danzas españolas, volume I from 1890, for Piano.Mr. Sauer has brilliantly taken the solo Piano part and divided it between solo Euphnium and Piano. Euphonium performers will enjoy working on this style of Spanish Nationalist music of which there is none in the solo repertoire. The Two Dances (in tenor clef) are about 6 1/2 minutes in length and can be performed by advanced musicians.
$20.00
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