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Piano Accompaniment
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Keyboard
59
2 Pianos, 4 hands
42
1 Piano, 4 hands
35
Piano Trio: piano, violin, cello
29
Piano (band part)
16
Accordion
7
Piano Quartet: piano, violin, viola, cello
5
Organ, Piano (duet)
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2 Pianos, 8 hands
3
Piano Quintet: piano, 2 violins, viola, cello
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Piano Quartet: piano, 2 violins, cello
3
Organ, Trumpet (duet)
3
Harpsichord
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Accordion, Voice
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1 Piano, 6 hands
1
2 Accordions
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+ 19 instrumentations
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Retract
Guitars
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320
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187
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160
Melody line, (Lyrics) and Chords
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3 Guitars (trio)
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Banjo
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Electric Bass (band part)
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+ 12 instrumentations
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Choral 3-part
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Choral 2-part
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26
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24
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24
Vocal duet, Piano
22
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7
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7
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6
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3
Low voice, Piano
2
Mezzo-Soprano voice, Piano
1
Choral SSATTB
1
Choral SSATB
1
Choral SSAB a cappella
1
+ 20 instrumentations
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Retract
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2 Saxophones (duet)
875
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431
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364
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319
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282
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262
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189
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176
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176
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159
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155
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152
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150
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149
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149
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139
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128
Flute, Viola (duet)
123
Saxophone (band part)
121
Flute
121
Flute, Trumpet (duet)
119
Alto Saxophone and Piano
112
Clarinet
97
Pennywhistle
81
Saxophone Quintet: 5 Saxophones
72
Tenor Saxophone and Piano
65
Saxophone Quartet: 4 saxophones
58
Flute ensemble
52
Alto Saxophone
51
Flute, Oboe, Clarinet, Bassoon
47
Oboe
46
Soprano Saxophone and Piano
44
Clarinet Ensemble
43
2 Recorders (duet)
40
Clarinet Quartet: 4 clarinets
39
2 Flutes, Piano
34
Oboe (band part)
31
Saxophone ensemble
29
Tenor Saxophone
26
Flute Quartet: 4 flutes
23
English horn, Piano
22
Flute (band part)
20
Baritone Saxophone, Piano
20
Flute, Oboe (duet)
20
Clarinet (band part)
19
3 Saxophones (trio)
19
Flute and Guitar
16
Oboe, Violin (duet)
15
Bass Clarinet, Piano
14
Descant (Soprano) Recorder
14
Flute Trio: 3 flutes
13
3 Clarinets (trio)
13
Flute Quintet : 5 flutes
10
Harmonica
9
Flute, Oboe, Clarinet (trio)
9
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8
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8
Flute, Violin, Piano
8
3 Recorders (trio)
7
Tenor Recorder
7
2 Clarinets, Piano
7
Flute, Clarinet, Piano (trio)
7
Flute, Oboe, Piano (trio)
7
Clarinet, Bassoon (duet)
6
Clarinet, Cello (duet)
6
Soprano Saxophone
5
Flute, Clarinet and Bassoon.
5
Oboe, Clarinet, Bassoon (trio)
5
Recorder Quartet
5
Clarinet Quintet: 5 clarinets
5
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4
English Horn
4
Recorder
4
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4
Flute, Violoncello
4
Baritone Saxophone
4
Descent (Soprano) Recorder, Piano
4
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2
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2
3 Oboes
2
Flute, Harp and Cello
2
Flute, Bassoon, and Piano
2
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2
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2
Flute, Cello, Piano (trio)
2
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2
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2
Saxophone
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Oboe, Clarinet and Piano (Trio)
1
Piccolo
1
Flute, Oboe, Violin
1
Flute, Organ (duet)
1
+ 102 instrumentations
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Trumpet, Saxophone (duet)
309
2 Trombones (duet)
173
Trumpet, Trombone (duet)
166
2 Trumpets (duet)
163
Brass Quintet: 2 trumpets, horn, trombone, tuba
138
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111
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110
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103
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94
Trombone
82
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81
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80
Trumpet (band part)
77
French horn
65
Tuba and Piano
54
Tuba
39
Euphonium, Piano (duet)
36
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28
English horn, Piano
22
Trombone ensemble
18
French horn (band part)
18
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15
Tuba (band part)
15
2 French horns (duet)
13
2 Euphoniums (duet)
8
Trumpet ensemble
7
3 Trombones (trio)
7
3 Trumpets (trio)
7
Brass Quartet: 4 trombones
6
2 Tubas (duet)
6
Brass Quartet: 4 horns
5
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Euphonium
4
4 Tubas
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3
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3
2 Trumpets, Keyboard (piano or organ)
3
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3
Trumpet, Tuba (duet)
3
2 Euphoniums and 2 Tubas
2
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3 Euphoniums
2
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1
Brass Trio
1
Trumpet, Euphonium (duet)
1
Trumpet, Horn (duert)
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2 English horns and Pianoforte
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Trombone, Organ
1
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1
Horn Ensemble
1
Bass Trombone
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Trombone, Tuba (duet)
1
Tuba and Organ
1
Bass Clef Instruments
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Trombone, Violin (duet)
1
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324
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204
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202
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184
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175
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170
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140
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134
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111
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77
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69
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62
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31
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23
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12
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10
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6
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String quartet: 4 violins
3
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3
String Trio: 3 violas
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2
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2
3 double basses
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1
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1
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1
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1
Piano Trio: Violin, Viola, Piano
1
Violin, Organ
1
Cello (band part)
1
Cello Ensemble
1
3 Harps
1
Harp, Violin (duet)
1
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1
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532
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232
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201
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178
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68
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55
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54
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53
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40
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21
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19
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9
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5
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4
2 Xylophones
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Out There
Euphonium, Piano (duet)
Sheetmusic to print
36 sheet music found
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1
26
There is a Fountain Filled with Blood, Gospel Hymn for Euphonium and Piano
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Euphonium, Piano (duet)
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EASY
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Sacred music
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Gospel/Spiritual
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William Cowper
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David McKeown
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There is a Fountain Filled wit
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.593315 Composed by William Cowper. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacr...
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.593315 Composed by William Cowper. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418317. Published by David McKeown (A0.593315). There is a Fountain Filled with Blood is a beautiful hymn arranged here for Solo Euphonium and Piano.The words of There is a Fountain Filled with Blood were written by William Cowper in 1772 after a major bout of depression.
$2.49
Sicilienne (Maria-Theresia von Paradis) for Euphonium BC and Piano
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Euphonium, Piano (duet)
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Maria Theresia von Paradis
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Harry Walker
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Sicilienne
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SCORE EDITIONS
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SheetMusicPlus
Euphonium,Piano - Digital Download SKU: A0.1502749 Composed by Maria Theresia von Paradis. Arranged by Harry Walker. Chamber,Classical,Contest,Festival. ...
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Euphonium,Piano - Digital Download SKU: A0.1502749 Composed by Maria Theresia von Paradis. Arranged by Harry Walker. Chamber,Classical,Contest,Festival. Score and part. 7 pages. SCORE EDITIONS #1078420. Published by SCORE EDITIONS (A0.1502749). Sicilienne is a charming and melodious piece attributed to Austrian composer Maria Theresia von Paradis, a prominent figure in 18th-century music. Despite debates about its true authorship, the piece remains a beloved masterpiece due to its lyrical simplicity and elegance. This timeless work enchants listeners and performers alike with its pastoral melody and serene lyricism. Sicilienne offers a glimpse into von Paradis's talent and musical sensitivity, maintaining its popularity in concert programs worldwide. Its simple and elegant beauty ensures that it will be cherished for generations to come. In this version, the composition was arranged for Euphonium BC and Piano by Harry Walker.
$5.99
Therefore I Am
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Euphonium, Piano (duet)
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EASY
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Pop music
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Billie Eilish
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Willem Aarts
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Therefore I Am
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Willem Aarts
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SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.822089 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Willem Aarts....
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.822089 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Willem Aarts. Pop. Score and part. 11 pages. Willem Aarts #6139395. Published by Willem Aarts (A0.822089). Therefore I Am - Billie Eilish | Euphonium and PianoWebsite: www.wa-music.nlE-mail: info@wa-music.nlSheetMusicPlus: https://www.sheetmusicplus.com/publishers/willem-aarts-sheet-music/3004231YouTube: https://www.youtube.com/channel/UCNmXzZjD-NTFr9QQ22t0SkQ
$4.99
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instr...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Bach: Bist du bei mir BWV 508 for Euphonium & Piano
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Euphonium, Piano (duet)
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Stand...
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
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Euphonium, Piano (duet)
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EASY
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standa...
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888311. Published by jmsgu3 (A0.550923). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
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Euphonium, Piano (duet)
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EASY
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J S Bach-Gounod
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Bar
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Colin Kirkpatrick Publications
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SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,W...
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
Shake It Off
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Euphonium, Piano (duet)
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Pop music
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Taylor Swift
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DIXON mus-IC
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Shake It Off
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Rammy Music
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SheetMusicPlus
Euphonium,Piano - Digital Download SKU: A0.793758 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by DIXON mus-IC. ...
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Euphonium,Piano - Digital Download SKU: A0.793758 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by DIXON mus-IC. Pop. Score and part. 6 pages. Rammy Music #4312083. Published by Rammy Music (A0.793758). This arrangement is for solo euphonium (bass clef) with piano accompaniment. Suitable for beginner or intermediate students, the piece is in G major. The parts are very clearly laid out with rehearsal marks and written indications of the form - verse / chorus etc. There is some information on the page such as staccato notes and phrase marks but it is ultimately a fun piece which can be played freely with a good strong feeling of pulse. The piano accompaniment is written out with the euphonium line indicated above on a smaller stave for reference. There are also large font chord symbols to facilitate variation or improvisation of the accompaniment. The part could also be used as a rhythm section lead sheet for even more fun.
$4.99
Fall of a Titan - Euphonium Solo - EUPHONIUM
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Euphonium, Piano (duet)
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EASY
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Adam Lawrence
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Fall of a Titan - Euphonium So
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Adam Lawrence
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SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017037 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 2 pages. ...
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017037 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 2 pages. Adam Lawrence #6016571. Published by Adam Lawrence (A0.1017037). Please note that this is the EUPHONIUM part only. Other individual parts are available, as well as a bundle of the score with all individual parts included.One of my COVID19 summer lock-down projects, primarily inspired by recent events that saw the world come to a standstill. Written in treble clef for Bb instruments, this piece is great for any brass player looking for a solo piece to add to their repertoire. Whilst it is written with a piano accompaniment in mind, the accompaniment is primarily there to provide rhythm and bulk. As such it can be played without it, provided that the block rests are ignored.Original piece of music composed for a Solo Euphonium player of intermediate experience with a piano accompaniment, ideal for secondary school students or beginner players looking to challenge themselves. Can be played by itself as a standalone performance, for example in a talent or variety show, or as part of a larger programme such as a school concert or brass band performance.Any feedback is more than welcome.Composed using Sibelius Ultimate 2020.6 and recorded using sounds from Noteperformer 3. If you have enjoyed my work and would like to play my pieces yourself or discover more, please consider showing support using the links below.Patreon: https://www.patreon.com/FireyshadowsYouTube: https://www.youtube.com/channel/UC-vjf3a0uLYnZ9-fm3cC0lgSoundcloud: https://soundcloud.com/fireyshadows-music/Twitter: https://twitter.com/FireyMusic
$1.99
Fall of a Titan - Euphonium Solo
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Euphonium, Piano (duet)
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EASY
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Adam Lawrence
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Fall of a Titan - Euphonium So
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Adam Lawrence
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SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017036 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 16 pages....
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017036 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 16 pages. Adam Lawrence #6016541. Published by Adam Lawrence (A0.1017036). This is the whole bundle of score and parts, with individual parts to follow. One of my COVID19 summer lock-down projects, primarily inspired by recent events that saw the world come to a standstill. Written in treble clef for Bb instruments, this piece is great for any brass player looking for a solo piece to add to their repertoire. Whilst it is written with a piano accompaniment in mind, the accompaniment is primarily there to provide rhythm and bulk. As such it can be played without it, provided that the block rests are ignored. Original piece of music composed for a Solo Euphonium player of intermediate experience with a piano accompaniment, ideal for secondary school students or beginner players looking to challenge themselves. Can be played by itself as a standalone performance, for example in a talent or variety show, or as part of a larger programme such as a school concert or brass band performance. Any feedback is more than welcome. Composed using Sibelius Ultimate 2020.6 and recorded using sounds from Noteperformer 3. If you have enjoyed my work and would like to play my pieces yourself or discover more, please consider showing support using the links below. Patreon: https://www.patreon.com/Fireyshadows YouTube: https://www.youtube.com/channel/UC-vjf3a0uLYnZ9-fm3cC0lg Soundcloud: https://soundcloud.com/fireyshadows-music/ Twitter: https://twitter.com/FireyMusic
$9.99
Fall of a Titan - Euphonium Solo - PIANO
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Euphonium, Piano (duet)
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EASY
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Adam Lawrence
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Fall of a Titan - Euphonium So
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Adam Lawrence
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SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017039 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 5 pages. ...
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017039 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 5 pages. Adam Lawrence #6016579. Published by Adam Lawrence (A0.1017039). Please note that this is the PIANO part only. Other individual parts are available, as well as a bundle of the score with all individual parts included.One of my COVID19 summer lock-down projects, primarily inspired by recent events that saw the world come to a standstill. Written in treble clef for Bb instruments, this piece is great for any brass player looking for a solo piece to add to their repertoire. Whilst it is written with a piano accompaniment in mind, the accompaniment is primarily there to provide rhythm and bulk. As such it can be played without it, provided that the block rests are ignored.Original piece of music composed for a Solo Euphonium player of intermediate experience with a piano accompaniment, ideal for secondary school students or beginner players looking to challenge themselves. Can be played by itself as a standalone performance, for example in a talent or variety show, or as part of a larger programme such as a school concert or brass band performance.Any feedback is more than welcome.Composed using Sibelius Ultimate 2020.6 and recorded using sounds from Noteperformer 3. If you have enjoyed my work and would like to play my pieces yourself or discover more, please consider showing support using the links below.Patreon: https://www.patreon.com/FireyshadowsYouTube: https://www.youtube.com/channel/UC-vjf3a0uLYnZ9-fm3cC0lgSoundcloud: https://soundcloud.com/fireyshadows-music/Twitter: https://twitter.com/FireyMusic
$1.99
Bach: Wachet auf for Euphonium & Piano
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Euphonium, Piano (duet)
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Euphonium
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easte...
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
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Euphonium, Piano (duet)
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EASY
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standa...
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888357. Published by jmsgu3 (A0.550927). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
Bach: Wachet auf for Baritone Horn & Piano
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Euphonium, Piano (duet)
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easte...
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Six Gnossiennes for Euphonium & Piano
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Euphonium, Piano (duet)
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ADVANCED
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Classical
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Contemporary
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Erik Satie
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Ralph Sauer
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Six Gnossiennes for Euphonium
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792431 Composed by Erik Satie. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Score an...
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792431 Composed by Erik Satie. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Score and part. 32 pages. Gordon Cherry #4821651. Published by Gordon Cherry (A0.792431). Satie’s strange but beautiful pieces were composed in the 1890’s and were notated without barlines or time signatures. They consist of mysterious, hypnotic melodies supported by simple chord structures and are full of cryptic comments such as counsel yourself carefully and be clairvoyant. There are few restrictions on interpretation. Mr. Sauer’s beautiful arrangements of these six short works total about 15 minutes in length and are suitable for advanced performers.
$17.50
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Ro...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Ro...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Air Varie for Euphonium or Ophicleide
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Euphonium, Piano (duet)
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ADVANCED
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Narcisse Bousquet
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Sean Brennan
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Air Varie for Euphonium or Oph
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bl_music
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SheetMusicPlus
Euphonium,Piano - Level 5 - Digital Download SKU: A0.842573 Composed by Narcisse Bousquet. Arranged by Sean Brennan. Classical,Concert,Graduation,Romanti...
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.842573 Composed by Narcisse Bousquet. Arranged by Sean Brennan. Classical,Concert,Graduation,Romantic Period,Standards. Score and part. 14 pages. Bl_music #6644623. Published by bl_music (A0.842573). Narcisse Bousquet (ca. 1800 – 1869) was a French composer, flageolet player and the conductor of the Elysée-Monmartre orchestra. He appears to have been active in both England and France in the first half of the Century. The dates given are the conventional ones, though there is a lack of evidence to support them. In about 1855, Bousquet worked with Jules Prudence Rivière at the Casino Paganini. There is a reference to him working in Paris at the Bal Barthélémy between about 1860 and 1865. One book Le Polycorde ou Nouveau Traite Théorique et Pratique de Musique, published in 1872 by J. Frédéric Giraud, describes a six-key French flageolet as the Systéme Bousquet so he may have been involved in the development of this type of instrument. Beyond this, very little is known about Bousquet and he does not appear in any of the usual sources for information about 19th Century French musicians. Solo part in bass clef suitable for euphonium or ophicleide.
$19.99
Variations on a Theme by Haydn of Euphonium and Piano
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Euphonium, Piano (duet)
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ADVANCED
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Classical
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Johannes Brahms
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Ralph Sauer
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Variations on a Theme by Haydn
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - Digital Download SKU: A0.811241 Composed by Johannes Brahms. Arranged by Ralph Sauer. Classical,Romantic Period. Score and pa...
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.811241 Composed by Johannes Brahms. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 28 pages. Gordon Cherry #6416707. Published by Gordon Cherry (A0.811241). The Variations on a Theme by Haydn, Op. 56, one of Brahms' greatest creations was written and premiered in 1873. It consists of a theme and eight variations, plus a grand finale. It was written in two forms, one for two pianos and the more well-known orchestral version.There is a musicological controversy as to whether the theme is actually from the pen of Haydn or another mystery composer. Some are now referring to it as the Saint Anthony Variations. Nevertheless, this 18-minute work by Brahms is a magnificent work of genius.Not to be outdone, Mr. Sauer has created his own masterpiece of this work, arranged for virtuoso artists of the Euphonium (solo part is in bass clef) and Piano. It will surely become a classic in the repertoire.
$32.50
Five Ragtime Solos by Scott Joplin for Euphonium and Piano
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Euphonium, Piano (duet)
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INTERMEDIATE
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Scott Joplin
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David McKeown
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Five Ragtime Solos by Scott Jo
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.1118306 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and pa...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1118306 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David McKeown #719824. Published by David McKeown (A0.1118306). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Euphonium with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Maple Leaf Rag, by Scott Joplin, for Euphonium and Piano
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Euphonium, Piano (duet)
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INTERMEDIATE/ADVANCED
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 4 - Digital Download SKU: A0.1112417 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and pa...
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.1112417 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714451. Published by David McKeown (A0.1112417). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Euphonium and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
The Easy Winners, for Euphonium and Piano
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Euphonium, Piano (duet)
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INTERMEDIATE/ADVANCED
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Ragtime
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Scott Joplin
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David McKeown
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The Easy Winners, for Euphoniu
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 4 - Digital Download SKU: A0.1106197 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and pa...
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.1106197 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #709311. Published by David McKeown (A0.1106197). The Easy Winners was one of many solo piano rags written by Scott Joplin. Published in 1901, It is considered to be one of Joplin’s finest and most adventurous works. Indeed the complex harmony made the first publisher so nervous that he only released a simplified version. The Easy Winners refers to elite athletes who featured on the original title page. This arrangement of The Easy Winners is arranged as a solo for one Euphonium with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is between four and five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
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