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D only
Harpsichord
Sheetmusic to print
3 sheet music found
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1
Mozart effect - Sonata in D for 2 Harpsichords K.448 1st mov, tuned 421.6 hz, Kirnberger III
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Harpsichord
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Classical
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Arturo Escorza
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Arturo Escorza
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Mozart effect - Sonata in D fo
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Arturo Escorza
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SheetMusicPlus
Harpsichord - Digital Download SKU: A0.1108689 By Arturo Escorza. By Wolfgang Amadeus Mozart. Arranged by Arturo Escorza. Classical. Full Performance. Du...
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Harpsichord - Digital Download SKU: A0.1108689 By Arturo Escorza. By Wolfgang Amadeus Mozart. Arranged by Arturo Escorza. Classical. Full Performance. Duration 506. Arturo Escorza #711337. Published by Arturo Escorza (A0.1108689). In 1993, Frances Rauscher, et al, published a study in which they attributed a temporary improvement (of around 15 minutes) in mental tasks such as those found in IQ tests... Now, my criticism goes further: the piece in question is the Allegro con spirito from Sonata for two pianos in D minor KV. 448 by Mozart, so far so good. If we look at the original score, Mozart does not mention pianos, nor their ancestor, the fortepiano, but clavicembalos, i.e. harpsichords. In modern music, the A4 is tuned to 440 Hz and the scale is divided into 12 semitones of identical distance between each of them, causing that the only pure interval between them is the octave and that the others are impure and cause unpleasant interferences. In past centuries, other temperaments were used to tune the scales, with more pure, harmonic intervals, without interferences, although the intervals between semitones were some larger than others, which is why there are compositions in different tones, because according to the temperament it provoked different sensations, but with the modern equal temperament that's part of the past... the equal temperament killed the harmony and the colors of the music as its composers imagined it, as they heard it. What's this all about? to which I have recorded the piece of the supposed Mozart Effect approaching what Mozart had in mind: with two harpsichords, both with the A4 tuned to 421.6 hz, according to the Steiner tuning fork, used at the time of composition of the piece in Vienna, (note: it's not enough to tune the A4 but also to tune the intervals), and tuned in the Kirnberger III temperament. Some intervals may seem out of tune to modern ears, but it is one of so many historical temperaments used in those times.
$4.00
Bach Harpsichord Concerto no. 8 in D minor, BWV 1059
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Harpsichord
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Johann Sebastian Bach
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Bach Harpsichord Concerto no.
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Gabriel Vinicius
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SheetMusicPlus
Harpsichord - Level 3 - Digital Download SKU: A0.1101559 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Johann Sebastian Bach. Baroque,C...
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Harpsichord - Level 3 - Digital Download SKU: A0.1101559 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Johann Sebastian Bach. Baroque,Classical,Instructional,Multicultural,World. Score. 1 pages. Gabriel Vinicius #704939. Published by Gabriel Vinicius (A0.1101559). Incomplete, 9 bars only.
$3.00
Variationen über ein Thema von Georg Friedrich Händel für das Cembalo (Variations on a Theme by G
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Harpsichord
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INTERMEDIATE
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Classical
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George Frideric Handel
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Joseph Dillon Ford
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Variationen über ein Thema vo
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David Warin Solomons2
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SheetMusicPlus
Harpsichord - Level 3 - Digital Download SKU: A0.958456 Composed by George Frideric Handel. Arranged by Joseph Dillon Ford. 20th Century,Baroque,Classica...
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Harpsichord - Level 3 - Digital Download SKU: A0.958456 Composed by George Frideric Handel. Arranged by Joseph Dillon Ford. 20th Century,Baroque,Classical. Score. 6 pages. David Warin Solomons2 #3690481. Published by David Warin Solomons2 (A0.958456). The Variations on a Theme by Handel are based on the Sarabande from Handel's Suite No. 11 in D Minor, a movement made famous by the 1975 motion picture Barry Lyndon by director Stanley Kubrick. Indeed, this superlative film, which brought to the screen a remarkably authentic interpretation of William Makepeace Thackeray's novel The Luck of Barry Lyndon (1844), won an Oscar for its imaginative musical adaption of Handel's theme. This cinematic gem stimulated Ford to create four new variations which he interpolated into Handel's original score, a short movement consisting only of the theme and variations two and three of the present work. Exactly why Handel provided this majestic Sarabande with only two variations may never be precisely known, but Ford's expansion of the movement by more than half its original length makes for a compelling and aesthetically satisfying concert solo.
$8.00
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