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Take Time in Life
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C Instruments
Sheetmusic to print
3 sheet music found
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1
You Can Take It from Here [from the film (Super) Dan] [Lead Sheet - Complete Package]
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C Instruments
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EASY
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Cher & Gene Klosner
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Cher & Gene Klosner
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You Can Take It from Here [fro
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Cher & Gene Klosner
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.1324219 By Cher & Gene Klosner. By Cher & Gene Klosner. Arranged by Cher & Gene Klosner. Contemporary,F...
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C Instrument - Level 2 - Digital Download SKU: A0.1324219 By Cher & Gene Klosner. By Cher & Gene Klosner. Arranged by Cher & Gene Klosner. Contemporary,Folk,Rock,Singer/Songwriter. Lead Sheet / Fake Book. 6 pages. Cher & Gene Klosner #912415. Published by Cher & Gene Klosner (A0.1324219). This song was commissioned for Timmy Tamisiea's short film (Super) Dan for its end titles sequence.The studio recording is available as a downloadable single and on Cher & Gene Klosner's Live at the Jewell album.It's perfect for graduation/baccalaureate or any send-off.The perspective of the song is that of a parent telling a child it's time to spread their wings, and to trust they will make it on their own.This PDF contains: - Lead Sheet (for lead singer, guitar accompanist, piano chorders - similar to fake books), with some chord diagrams - Copyable lead line for performance programs or screen projection, plus lyrics and themes.Themes:Growing Up/Coming of Age/Encouragement/Going Out on Your Own/Self-Worth/Belief in Self/Sending Out/New Chapter in Lifewww.chergene.comwww.youtube.com/cgklosnerwww.facebook.com/chergene.
$3.99
What Was I Made For?
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C Instruments
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EASY
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Pop music
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Billie Eilish
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Glauco Fernandes
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What Was I Made For?
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Glauco Fernandes
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.1264579 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernande...
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C Instrument - Level 2 - Digital Download SKU: A0.1264579 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Film/TV,Pop,Wedding. Lead Sheet / Fake Book. 2 pages. Glauco Fernandes #857406. Published by Glauco Fernandes (A0.1264579). Lead Sheet Arrangement: What Was I Made For - Billie Eilish Elevate your musical skills with our lead sheet arrangement of the melody for the song What Was I Made For by the talented singer Billie Eilish. This arrangement provides the melody, chord symbols, and essential musical elements, making it perfect for any instrument and allowing for easy adaptations.âœ”ï¸ Versatile for any instrument: Our lead sheet arrangement is designed to be adaptable for musicians of any instrument. Whether you play the piano, guitar, saxophone, or any other instrument, you can easily interpret and perform this beautiful melody.âœ”ï¸ Ideal for improvisation: With the chord symbols provided, you have the freedom to explore and improvise around the melody, adding your own personal touch to the music. This arrangement allows for creative interpretations and unique performances.âœ”ï¸ From the Barbie movie soundtrack: What Was I Made For is one of the tracks from the soundtrack of the 2023 Barbie movie. With our lead sheet arrangement, you can capture the essence of the song and incorporate it into your own musical repertoire.âœ”ï¸ Explore Billie Eilish's talent: Billie Eilish is known for her unique style and captivating music. With our lead sheet arrangement of What Was I Made For, you can immerse yourself in Billie Eilish's musical world and bring her music to life through your instrument.âœ”ï¸ Professional quality: Our lead sheet arrangement is created with the highest standard of quality, ensuring an exceptional learning and performance experience. You will receive a complete and accurate score that provides all the necessary musical elements for an authentic interpretation.âœ”ï¸ Instant and convenient access: Through our online sale of sheet music, you can have immediate access to the digital format of the lead sheet arrangement for What Was I Made For. This allows you to start practicing and performing this captivating melody right away.Enhance your musical abilities and create unique interpretations with our lead sheet arrangement of What Was I Made For by the talented Billie Eilish. Take this opportunity to explore the music of one of the most acclaimed artists of our time. Start playing What Was I Made For today and let your instrument bring the melody to life in your own distinctive way.
$4.99
Almost May Lead Sheet
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C Instruments
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EASY
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructiona...
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
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