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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
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FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
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MANDOLIN
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MUSIC COURSE
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OCARINA
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ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
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TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Contrastes
Not classified
667
Piano & keyboards
Piano solo
505
Easy Piano
109
Organ
74
Piano, Voice
26
Piano Accompaniment
21
1 Piano, 4 hands
15
Piano Trio: piano, violin, cello
9
Piano, Vocal and Guitar
6
C Instruments
6
2 Pianos, 4 hands
5
Piano (band part)
5
Organ, Piano (duet)
3
Piano Quintet: piano, 2 violins, viola, cello
1
Accordion ensemble
1
Organ, Trumpet (duet)
1
Harpsichord
1
+ 11 instrumentations
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Retract
Guitars
Guitar
39
Guitar (band part)
6
Guitar notes and tablatures
6
2 Guitars (duet)
3
Piano, Guitar (duet)
3
Bass guitar
2
Banjo
2
4 Guitars (Quartet)
2
Mandolin, Piano (duet)
1
3 Guitars (trio)
1
+ 5 instrumentations
-
Retract
Voice
Choral SATB
380
Choral 3-part
133
Choral 2-part
73
Choral Unison
49
Choral TTBB
26
Choral SSAA
17
Baritone voice, Piano
8
High voice
6
Alto voice, Piano
6
Choral SSATB
5
Tenor voice, Piano
4
Soprano voice, Piano
3
Voice solo
3
Vocal duet, Piano
3
Vocal duet
3
Low voice, Piano
3
Tenor voice
1
Choral SSAATTBB
1
Soprano voice
1
Medium voice, Piano
1
Mezzo-Soprano voice, Piano
1
+ 16 instrumentations
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Retract
Woodwind
Flute and Piano
56
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
47
Clarinet and Piano
40
2 Saxophones (duet)
31
Saxophone Quartet: 4 saxophones
29
Saxophone (band part)
28
Alto Saxophone and Piano
24
Oboe, Piano (duet)
24
Flute
22
Clarinet
20
Clarinet Quartet: 4 clarinets
19
2 Clarinets (duet)
18
Tenor Saxophone and Piano
18
Clarinet (band part)
15
Flute, Oboe, Clarinet, Bassoon
14
2 Flutes (duet)
13
Flute Quartet: 4 flutes
12
Flute ensemble
11
Clarinet Ensemble
11
3 Saxophones (trio)
11
Soprano Saxophone and Piano
10
Oboe (band part)
7
Flute, Clarinet (duet)
7
Flute, Oboe, Clarinet (trio)
6
Baritone Saxophone, Piano
6
Flute (band part)
6
Bass Clarinet, Piano
6
Saxophone ensemble
5
English horn, Piano
5
Oboe, Bassoon (duet)
5
Oboe
5
Flute and Guitar
4
Alto Saxophone
4
3 Clarinets (trio)
4
Flute, Clarinet, Piano (trio)
4
Clarinet, Violin (duet)
3
Flute, Oboe, Bassoon
3
Oboe, Flute
3
Flute, Violin
3
Descant (Soprano) Recorder
3
Saxophone, Clarinet (duet)
3
Saxophone Quintet: 5 Saxophones
3
Flute Trio: 3 flutes
3
Clarinet Quintet: 5 clarinets
2
Oboe, Harp
2
2 Recorders (duet)
2
2 Oboes (duet)
2
Recorder Quartet
2
Piccolo, Piano
2
Tenor Recorder
2
Clarinet, Cello, Piano (trio)
2
3 Recorders (trio)
2
Flute, Bassoon, and Piano
2
Flute, Saxophone (duet)
2
Clarinet, Trumpet (duet)
2
Oboe, Clarinet (duet)
1
Clarinet, Bassoon (duet)
1
Clarinette, Viola and Piano (trio)
1
2 Saxophones, Piano
1
Flute, Violoncello
1
Oboe, Bassoon and Piano
1
Flute, Viola and Piano
1
3 Oboes
1
Oboe, Cello
1
Flute, Clarinet and Bassoon.
1
Recorder
1
Saxophone
1
Treble (Alto) Recorder
1
Tenor Saxophone
1
Oboe, Clarinet, Bassoon (trio)
1
2 English horns and Pianoforte
1
5 Recorders
1
Clarinet, Cello (duet)
1
Flute, Violin and Violoncello
1
Clarinet, Organ
1
Clarinet, Harp (duet)
1
Clarinet and Viola
1
Soprano Saxophone
1
Piccolo
1
Flute, Violin, Piano
1
Flute, Trombone (duet)
1
Bass Clarinet
1
Flute, Oboe, Piano (trio)
1
Flute Quintet : 5 flutes
1
Flute, Organ (duet)
1
+ 80 instrumentations
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Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
52
Trombone and Piano
30
Trombone (band part)
25
Trumpet, Piano
21
French Horn and Piano
21
Brass quartet : 2 trumpets, trombone, tuba
18
Trumpet (band part)
15
Trumpet
10
Trombone
10
Euphonium, Piano (duet)
9
Tuba and Piano
9
Brass Quartet: 4 trombones
7
French horn
7
Tuba
7
Tuba (band part)
6
2 Trumpets (duet)
6
French horn (band part)
6
Brass Quartet
5
Trumpet, Trombone (duet)
5
English horn, Piano
5
Trombone ensemble
4
Trumpet ensemble
4
Brass Quartet: 4 horns
4
Brass Quartet: 2 trumpets, horn, trombone
4
2 French horns (duet)
3
Bass Trombone
2
Horn Ensemble
2
Trumpet, Saxophone (duet)
2
2 Tubas (duet)
2
2 Trombones (duet)
2
Brass Quartet: 4 trumpets
2
French horn and Basson (duet)
1
2 Euphoniums and 2 Tubas
1
Trombone and Orchestra
1
2 English horns and Pianoforte
1
4 Tubas
1
Clarinet, Horn (duet)
1
Euphonium, Tuba (duet)
1
3 French horns (trio)
1
+ 34 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
102
Violin and Piano
65
Cello, Piano
45
Viola, Piano
39
Violin (band part)
31
Violin
28
Doublebass (band part)
17
2 Violins (duet)
17
String Trio: violin, viola, cello
17
Viola
13
Harp
13
Cello
12
Viola (band part)
12
2 Violas (duet)
9
Violin, Cello (duet)
9
Violin, Viola (duet)
8
Cello (band part)
6
2 Cellos (duet)
3
Viola, Cello (duet)
3
Double bass, Piano (duet)
3
String Quartet : 4 violas
2
Double Bass
2
String Trio: 3 cellos
2
String Trio: 2 violins, viola
2
Violin, Guitar (duet)
2
Harp, Flute (duet)
2
String Trio: 3 violas
2
Cello, Orchestra
2
String quartet: 4 violins
1
Violin, Bassoon (duet)
1
String Quintet: 2 violins, viola, cello, bass
1
String Trio: 3 violins
1
String Quintet: 2 violins, 2 violas, cello
1
Violin, Organ
1
4 Cellos
1
4 Double Basses
1
+ 31 instrumentations
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Retract
Orchestra & Percussion
Concert band
987
String Orchestra
169
Handbells
111
Orchestra
74
Brass ensemble
42
Chamber Orchestra
32
Jazz Ensemble
21
Percussion (band part)
10
Jazz combo
9
Percussion Ensemble
7
School Ensemble
5
Drum (band part)
4
Marching band
3
Vibraphone
3
Xylophone
2
Xylophone, Piano
2
Marimba
1
2 Xylophones
1
Piano and Orchestra
1
Marimba, Piano (duet)
1
Brass Quintet: other combinaisons
1
Drums
1
2 Marimbas
1
+ 18 instrumentations
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Retract
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6 sheet music found
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1
Beautiful People
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C Instruments
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BEGINNER
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Ed Sheeran feat
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Marcelo Borba
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Beautiful People
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Marcelo Borba
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SheetMusicPlus
C Instrument - Level 1 - Digital Download SKU: A0.1490248 By Ed Sheeran feat. Khalid. By Ed Sheeran, Fred Gibson, Khalid Robinson, Max Martin, and Shellb...
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C Instrument - Level 1 - Digital Download SKU: A0.1490248 By Ed Sheeran feat. Khalid. By Ed Sheeran, Fred Gibson, Khalid Robinson, Max Martin, and Shellback. Arranged by Marcelo Borba. Multicultural,Pop,Rock,Singer/Songwriter,Standards,World. Lead Sheet / Fake Book. 3 pages. Marcelo Borba #1067088. Published by Marcelo Borba (A0.1490248). Leadsheet Style Beautiful People is a song by British singer Ed Sheeran, featuring American singer Khalid. It was released in June 2019 as part of Sheeran's collaboration album titled *No.6 Collaborations Project*. ### Context and Theme The song's lyrics address the superficiality and social pressures associated with the luxurious and status-driven lifestyle often linked to fame. The song criticizes the shallow lifestyle that many people consider desirable but can be empty and unfulfilling. Instead of conforming to the social standards of beautiful people, Sheeran and Khalid promote the idea of authenticity and the importance of staying true to oneself, regardless of others' expectations. ### Music Video The music video for Beautiful People complements this message, showing a regular couple who feel out of place in a world of luxury and excess. The couple remains true to their authenticity, contrasting with the behavior of the people around them. ### Reception and Impact The song was well received by both the public and critics, praised for its message and the contrast between the modern pop production and the introspective lyrics. It achieved commercial success, charting in several countries worldwide.Beautiful People is a reflection on the challenges of authenticity in a world obsessed with appearances and status.
$3.99
Fly Me To The Moon (In Other Words)
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C Instruments
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BEGINNER
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Tony Bennett
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Marcelo Borba
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Fly Me To The Moon
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Marcelo Borba
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SheetMusicPlus
C Instrument - Level 1 - Digital Download SKU: A0.1512163 By Tony Bennett. By Bart Howard. Arranged by Marcelo Borba. Broadway,Classical,Historic,Jazz,Mu...
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C Instrument - Level 1 - Digital Download SKU: A0.1512163 By Tony Bennett. By Bart Howard. Arranged by Marcelo Borba. Broadway,Classical,Historic,Jazz,Musical/Show,Singer/Songwriter. Lead Sheet / Fake Book. 2 pages. Marcelo Borba #1087204. Published by Marcelo Borba (A0.1512163). **Fly Me to the Moon** (originally titled **In Other Words**) Fakebook is one of the most iconic songs of the 20th century, especially associated with jazz and pop, and made famous by various artists, including Frank Sinatra. The song was written in 1954 by composer and lyricist Bart Howard, and since then, it has become a classic.### Origin and CompositionBart Howard wrote the song intending to create something simpler and more direct, in contrast to the more complex songs popular at the time. Inspired by the style of Cole Porter, he crafted a romantic and engaging melody. Initially, the song’s title was **In Other Words**, and the phrase Fly me to the moon was just part of the lyrics, but over time, the phrase became so memorable that the title was informally changed to **Fly Me to the Moon**.### First Recording and SuccessThe song was first recorded in 1954 by singer Kaye Ballard, but it gained wider recognition when **Peggy Lee** performed it on a television show. Numerous artists recorded their versions over the years, but the most famous recording came in 1964, when **Frank Sinatra** included his version arranged by Quincy Jones on the album *It Might as Well Be Swing*, accompanied by the **Count Basie Orchestra**.### Connection to Space ExplorationInterestingly, the song’s popularity coincided with the space exploration era. Sinatra’s recording became particularly symbolic when NASA adopted the song during the Apollo program. Sinatra's version was played during the Apollo 10 mission and was also part of the Apollo 11 playlist, the first mission that took humans to the moon in 1969.### Cultural ImpactFly Me to the Moon is a timeless song, re-recorded by countless artists in various genres and styles, including jazz, bossa nova, and even pop. Its romantic lyrics and the theme of traveling to the moon captured the imagination of generations, connecting romance, adventure, and exploration into a single package.This song is a symbol of American popular culture and the optimism of the space race era, and it is constantly associated with Sinatra's legacy and classic jazz.
$3.99
Bend Me Shape Me
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C Instruments
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INTERMEDIATE
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Laurence Weiss
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Steve Katz
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Bend Me Shape Me
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Steve Katz
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SheetMusicPlus
C Instrument - Level 3 - Digital Download SKU: A0.1486013 By Laurence Weiss. By Laurence Weiss, Scott English, Tom Wallace, and Tony McCutchen. Arranged ...
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C Instrument - Level 3 - Digital Download SKU: A0.1486013 By Laurence Weiss. By Laurence Weiss, Scott English, Tom Wallace, and Tony McCutchen. Arranged by Steve Katz. 20th Century,Pop,Rock. Lead Sheet / Fake Book. 4 pages. Steve Katz #1063069. Published by Steve Katz (A0.1486013). Sixties peppy song by one hit wonder The American Breed. Nice contrast between somewhat mysterious sounding verse and popping refrain.
$3.99
Almost May Lead Sheet
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C Instruments
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EASY
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructiona...
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
Lonely Days
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C Instruments
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INTERMEDIATE
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Bee Gees
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Steve Katz
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Lonely Days
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Steve Katz
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SheetMusicPlus
C Instrument - Level 3 - Digital Download SKU: A0.1213126 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Steve Katz. 20th Century,...
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C Instrument - Level 3 - Digital Download SKU: A0.1213126 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Steve Katz. 20th Century,Contemporary,Pop,Rock,Singer/Songwriter. Lead Sheet / Fake Book. 4 pages. Steve Katz #810303. Published by Steve Katz (A0.1213126). Bee Gees seventies music. Teaches contrast between A and B sections.
$3.99
Enjoy the Modes: How to Identify and Use the Modes in your Music
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C Instruments
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EASY
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Karen Peterson, CMP
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Karen Peterson, CMP
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Enjoy the Modes: How to Identi
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Karen Peterson
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.1101496 By Karen Peterson, CMP. By Karen Peterson, CMP. Arranged by Karen Peterson, CMP. Celtic,Folk,Hi...
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C Instrument - Level 2 - Digital Download SKU: A0.1101496 By Karen Peterson, CMP. By Karen Peterson, CMP. Arranged by Karen Peterson, CMP. Celtic,Folk,Historic,Instructional,Irish,Traditional. Lead Sheet / Fake Book. 170 pages. Karen Peterson #704871. Published by Karen Peterson (A0.1101496). What makes modes different? When do you use them? How do you use them? Is this song in a mode? This book is for everyone who has heard of modes and doesn’t know what to do next. Take advantage of how harpers use the same hand position for major and minor chords: change your levers or pedals to hear the differences between Lydian, Ionian, Mixolydian, Dorian, Aeolian, and Phrygian on the same strings. * Learn the two or three essential chords at the foundation of each mode. * Understand how to identify the mode or modes a piece is in. * Experiment with exercises for improvising, composing, and arranging in each mode. * Compare 40 color-coded pairs of scores in contrasting modes. * Get lead sheets for 29 modal pieces from over a dozen nations. * Add your own harmonies to 15 additional melodies. * Find key signatures, scales, and chords for all the modes on a fully levered harp tuned in flats. * Use simple graphics to visualize the music theory behind the modes. * Practice segueing between modes and meters. This book contains practical information for all musicians and is written especially for harpers. The scores are in keys from two sharps to three flats. They fall within the range of a 22-string harp starting with the lowest note of G below middle C. 161 pages. Spiral-bound copy available here, as well as the first chapter and example pages: https://www.enjoytheharp.com/publications/enjoy-the-modes-instruction-book-hardcopy
$39.95
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