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Air Gai
C Instruments
Sheetmusic to print
6 sheet music found
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1
Alone Again (Naturally)
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C Instruments
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INTERMEDIATE
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Rock
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Gilbert O'Sullivan
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Marco Polo C
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Alone Again
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MARCO POLO IGNACIO
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SheetMusicPlus
C Instrument - Level 3 - Digital Download SKU: A0.1485156 By Gilbert O'Sullivan. By Gilbert O'Sullivan. Arranged by Marco Polo C. Ignacio. Pop,Rock. Lead...
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C Instrument - Level 3 - Digital Download SKU: A0.1485156 By Gilbert O'Sullivan. By Gilbert O'Sullivan. Arranged by Marco Polo C. Ignacio. Pop,Rock. Lead Sheet / Fake Book. 3 pages. MARCO POLO IGNACIO #1062237. Published by MARCO POLO IGNACIO (A0.1485156). Key Signature: G MajorAlone Again (Naturally) is a song by Irish singer-songwriter Gilbert O'Sullivan. Recorded in 1971, it became a worldwide hit. The song did not originally appear on his 1972 studio album Back to Front, but has been included in reissues (often replacing Clair).The single spent six non-consecutive weeks at number one on Billboard's Hot 100 between late July and early September 1972 in America. It ranked number two in the year-end chart and sold over two million copies.
$4.99
Almost May Lead Sheet
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C Instruments
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EASY
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructiona...
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
The Devil's Elbow
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C Instruments
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INTERMEDIATE
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Celtic/Irish
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Folkloric/Traditional
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Calum Wood
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The Devil's Elbow
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Calum Wood
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SheetMusicPlus
C Instrument - Level 3 - Digital Download SKU: A0.1050130 Composed by Calum Wood. Celtic,Folk,Irish,Traditional. Lead Sheet / Fake Book. 1 pages. Calum W...
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C Instrument - Level 3 - Digital Download SKU: A0.1050130 Composed by Calum Wood. Celtic,Folk,Irish,Traditional. Lead Sheet / Fake Book. 1 pages. Calum Wood #654506. Published by Calum Wood (A0.1050130). Are you ready to add a bit of Scottish flair to your guitar playing? Look no further than The Devil's Elbow by Calum Wood. This traditional Scottish tune is a lively and energetic piece that will transport you to the rolling hills and misty glens of the Scottish countryside.Our guitar score of The Devil's Elbow features both TAB and music notation, making it accessible for players of all skill levels. Whether you're a seasoned guitarist or just starting out, you'll find this tune to be a fun and challenging addition to your repertoire.What sets our guitar score apart is its attention to detail and accuracy. We've taken great care to ensure that every note and chord is transcribed with precision, so you can play the song exactly as it was meant to be played. Plus, our score includes helpful tips and suggestions for adding your own personal flair and improvisation to the tune.With The Devil's Elbow in your repertoire, you'll be able to infuse your playing with the spirit and energy of Scottish folk music. The lively and upbeat melody will have your toes tapping and your audience dancing along, and you'll find yourself returning to it again and again for years to come.Don't miss out on the opportunity to add this classic Scottish tune to your collection. Order your guitar score of The Devil's Elbow today and take your guitar playing to the next level with the soulful and spirited sounds of Scotland!The Devil's Elbow is a winding and picturesque section of road located in the Scottish Highlands. The road, also known as the A93, runs between the towns of Blairgowrie and Braemar, and is considered one of the most challenging and scenic drives in Scotland.The origins of the name Devil's Elbow are unclear, but legend has it that the devil himself had a hand in shaping the road. According to folklore, the devil was tasked with creating a road through the hills of the Scottish Highlands, and he chose to build it along the most treacherous and winding path he could find. As he worked, he encountered a particularly difficult section of the road where the hills formed a sharp bend, and he bent the rocks to create a tight hairpin turn that became known as the Devil's Elbow.In reality, the road was likely shaped by centuries of erosion and human activity. The section of road that makes up the Devil's Elbow is part of a larger route that has been used for centuries by traders, farmers, and travelers crossing the Scottish Highlands. The road was improved and expanded over time, and the modern A93 was officially completed in 1932.Despite its treacherous reputation, the Devil's Elbow is a popular destination for tourists and driving enthusiasts. The road offers stunning views of the surrounding hills and valleys, and the hairpin turn at the Devil's Elbow is considered a particular challenge for drivers and cyclists.Today, the Devil's Elbow remains a beloved part of Scotland's landscape and history, and its legend continues to capture the imaginations of visitors and locals alike. Whether you're a traveler seeking adventure or a history buff looking to explore Scotland's rich cultural heritage, the Devil's Elbow is a must-see destination that will leave a lasting impression.
$1.99
Eye Of The Tiger
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C Instruments
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INTERMEDIATE/ADVANCED
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Survivor
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John Fries
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Eye Of The Tiger
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.503552 By Survivor. By Frank Sullivan and Jim Peterik. Arranged by John Fries. 20th Century,Film/TV,Pop...
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C Instrument - Level 4 - Digital Download SKU: A0.503552 By Survivor. By Frank Sullivan and Jim Peterik. Arranged by John Fries. 20th Century,Film/TV,Pop,Rock,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #115620. Published by John Fries (A0.503552). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Eye of the Tiger is a song by American rock band Survivor. It was released as a single from their third album of the same name and was also the theme song for the 1982 film Rocky III. The version of the song that appears in the film is the demo version of the song. The film version also contained tiger growls, which did not appear on the album version. It gained tremendous MTV and radio airplay and topped charts worldwide.
$3.99
They Can't Take That Away From Me
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C Instruments
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INTERMEDIATE/ADVANCED
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Frank Sinatra
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John Fries
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They Can't Take That Away From
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.499881 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Fries. 20th Century,Film...
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C Instrument - Level 4 - Digital Download SKU: A0.499881 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113148. Published by John Fries (A0.499881). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. They Can't Take That Away from Me is a 1937 popular song with music by George Gershwin and lyrics by Ira Gershwin. It was introduced by Fred Astaire in the 1937 film Shall We Dance and gained huge success. George Gershwin died two months after the film's release, and he was posthumously nominated for the Academy Award for Best Original Song at the 1937 Oscars but lost out to Sweet Leilani which had been made tremendously popular by Bing Crosby.
$3.99
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