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It's Been So Long
C Instruments
Sheetmusic to print
7 sheet music found
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1
The Devil's Elbow
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C Instruments
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INTERMEDIATE
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Celtic/Irish
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Folkloric/Traditional
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Calum Wood
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The Devil's Elbow
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Calum Wood
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SheetMusicPlus
C Instrument - Level 3 - Digital Download SKU: A0.1050130 Composed by Calum Wood. Celtic,Folk,Irish,Traditional. Lead Sheet / Fake Book. 1 pages. Calum W...
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C Instrument - Level 3 - Digital Download SKU: A0.1050130 Composed by Calum Wood. Celtic,Folk,Irish,Traditional. Lead Sheet / Fake Book. 1 pages. Calum Wood #654506. Published by Calum Wood (A0.1050130). Are you ready to add a bit of Scottish flair to your guitar playing? Look no further than The Devil's Elbow by Calum Wood. This traditional Scottish tune is a lively and energetic piece that will transport you to the rolling hills and misty glens of the Scottish countryside.Our guitar score of The Devil's Elbow features both TAB and music notation, making it accessible for players of all skill levels. Whether you're a seasoned guitarist or just starting out, you'll find this tune to be a fun and challenging addition to your repertoire.What sets our guitar score apart is its attention to detail and accuracy. We've taken great care to ensure that every note and chord is transcribed with precision, so you can play the song exactly as it was meant to be played. Plus, our score includes helpful tips and suggestions for adding your own personal flair and improvisation to the tune.With The Devil's Elbow in your repertoire, you'll be able to infuse your playing with the spirit and energy of Scottish folk music. The lively and upbeat melody will have your toes tapping and your audience dancing along, and you'll find yourself returning to it again and again for years to come.Don't miss out on the opportunity to add this classic Scottish tune to your collection. Order your guitar score of The Devil's Elbow today and take your guitar playing to the next level with the soulful and spirited sounds of Scotland!The Devil's Elbow is a winding and picturesque section of road located in the Scottish Highlands. The road, also known as the A93, runs between the towns of Blairgowrie and Braemar, and is considered one of the most challenging and scenic drives in Scotland.The origins of the name Devil's Elbow are unclear, but legend has it that the devil himself had a hand in shaping the road. According to folklore, the devil was tasked with creating a road through the hills of the Scottish Highlands, and he chose to build it along the most treacherous and winding path he could find. As he worked, he encountered a particularly difficult section of the road where the hills formed a sharp bend, and he bent the rocks to create a tight hairpin turn that became known as the Devil's Elbow.In reality, the road was likely shaped by centuries of erosion and human activity. The section of road that makes up the Devil's Elbow is part of a larger route that has been used for centuries by traders, farmers, and travelers crossing the Scottish Highlands. The road was improved and expanded over time, and the modern A93 was officially completed in 1932.Despite its treacherous reputation, the Devil's Elbow is a popular destination for tourists and driving enthusiasts. The road offers stunning views of the surrounding hills and valleys, and the hairpin turn at the Devil's Elbow is considered a particular challenge for drivers and cyclists.Today, the Devil's Elbow remains a beloved part of Scotland's landscape and history, and its legend continues to capture the imaginations of visitors and locals alike. Whether you're a traveler seeking adventure or a history buff looking to explore Scotland's rich cultural heritage, the Devil's Elbow is a must-see destination that will leave a lasting impression.
$1.99
Lord of All Our Days (Funeral Hymn) - Lead Sheet G Major
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C Instruments
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INTERMEDIATE
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Sacred music
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Stacey Plays Hymns
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Anastace
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Lord of All Our Days
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Anastace
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SheetMusicPlus
C Instrument - Level 3 - Digital Download SKU: A0.1477116 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,...
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C Instrument - Level 3 - Digital Download SKU: A0.1477116 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 3 pages. Anastace #1053816. Published by Anastace (A0.1477116). As of this publishing, over 137,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. This is the exact guitar version I used to record the Outdoor Acoustic Version of Lord of All Our Days, as heard on all streaming platforms. It is intended for use as a burial song, sung softly and reverently accompanied by a quiet guitar at the internment portion of a funeral service if music is desired at the graveside. I recommend playing it on capo 3 to match the original or a few higher to match your voice. You may also prefer to get the other version in C major and save using a capo. This version is just easier for a slightly more beginner guitarist. One other recommendation is to play it even lower so people can sing very quietly, i.e. capo 1 or even no capo at all, depending on the voice of the person leading the song.Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoA backup music mp3 track for soloists to perform with in a service, including the full backup choral arrangement.For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$4.00
Lord of All Our Days (Funeral Hymn) - Lead Sheet C Major
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C Instruments
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INTERMEDIATE
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Sacred music
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Stacey Plays Hymns
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Anastace
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Lord of All Our Days
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Anastace
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SheetMusicPlus
C Instrument - Level 3 - Digital Download SKU: A0.1477117 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,...
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C Instrument - Level 3 - Digital Download SKU: A0.1477117 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 3 pages. Anastace #1053825. Published by Anastace (A0.1477117). As of this publishing, over 137,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. This is the guitar or lead sheet version of Outdoor Acoustic Version of Lord of All Our Days, as heard on all streaming platforms. It is intended for use as a burial song, sung softly and reverently accompanied by a quiet guitar or even a capella at the internment portion of a funeral service if music is desired at the graveside. This is in C Major so no capo is required, but for a more beginner guitar or alternate chord voicings you may prefer the G major version which is intended to be played on capo 3 or even 5, depending on the vocal range of whoever is leading the song.Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key]A backup music mp3 track for soloists to perform with in a service, including the full backup choral arrangement.For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$4.00
The Last Time
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C Instruments
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INTERMEDIATE/ADVANCED
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Eric Benet
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Arby Richter
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The Last Time
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Arby Richter
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SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.1285099 By Eric Benet. By Amy Foster, David W Foster, and Eric Benet Jordan. Arranged by Arby Richter. ...
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C Instrument - Level 4 - Digital Download SKU: A0.1285099 By Eric Benet. By Amy Foster, David W Foster, and Eric Benet Jordan. Arranged by Arby Richter. Hip-Hop,Pop,R & B,Singer/Songwriter,Standards,Wedding. Lead Sheet / Fake Book. 2 pages. Arby Richter #876206. Published by Arby Richter (A0.1285099). THE LAST TIME was written by Eric Benet, David W. Foster, and Amy Foster-Gillies. This song is part of Benet's studio album HURRICANE which was released in June 2005 by Friday Records. Since its release, The Last Time has always been a favorite for weddings, and is frequently used as a song for the Couple's First Dance. Here are a few lines of the song . . .The first time I fell in love was long agoI didn't know how to give my love at allThe next time I settled for what felt so closeBut without romance, you're never gonna fallAfter everything I've learnedNow it's finally my turnThis is the last time I'll fall in love.
$6.99
Stick Season
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C Instruments
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EASY
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Noah Kahan
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Barry McCormick
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Stick Season
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B. McCormick
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.1382259 By Noah Kahan. By Noah Kahan. Arranged by Barry McCormick. Country,Pop,Singer/Songwriter. Lead ...
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C Instrument - Level 2 - Digital Download SKU: A0.1382259 By Noah Kahan. By Noah Kahan. Arranged by Barry McCormick. Country,Pop,Singer/Songwriter. Lead Sheet / Fake Book. 7 pages. B. McCormick #966772. Published by B. McCormick (A0.1382259). If you love Noah Kahan's music, you'll be thrilled to know that we have a digital sheet music product for his chart topping single Stick season. This song is a catchy and emotional tune that showcases his amazing voice and guitar skills. And now you can learn how to play it yourself with our lead sheet and chord sheet.A lead sheet is a type of sheet music that has all the information you need to perform a song. It has the melody, lyrics, chords, and sometimes other details like tempo, style, or key signature. A lead sheet is perfect for singers, guitarists, pianists, or any other instrumentalists who want to play along with the song.Our lead sheet for Stick season is no more than three pages long, so you don't have to worry about flipping pages while you play. It also comes with a bonus guitar chord sheet that has the lyrics and chords for the song. This chord sheet is only two pages long, so it fits easily on a stand if you want to print it out for performance.But that's not all. Our digital sheet music product also includes a performance note that explains the notation and gives you tips and hints on how to play and perform this piece. You'll learn how to do the fingerpicking and the strum pattern that Noah Kahan uses in the original recording. Here are some fun facts about the song and artist:- Stick season is a term used in Vermont, where Noah Kahan is from, to describe the period between fall and winter when the trees have lost their leaves and the landscape looks bleak.- Noah Kahan wrote this song as a reflection on his life and career, and how he feels torn between staying in his hometown or pursuing his dreams in the music industry.- Noah Kahan started playing guitar when he was eight years old, and he learned from his father, who is also a musician.- Noah Kahan has been compared to artists like Ed Sheeran, James Bay, and Vance Joy.Our digital sheet music for Stick season is not only a great way to enjoy this beautiful song, but also a great way to improve your musical skills. Whether you are a beginner or an advanced player, you'll find something new and challenging in this piece. You'll also have fun playing along with Noah Kahan's voice and guitar.So what are you waiting for? Get your digital sheet music product for Stick season today and start playing this amazing song. You'll be glad you did!
$4.99
Almost May Lead Sheet
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C Instruments
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EASY
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructiona...
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
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