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The Sound of Music from The Sound of Music - Beginner Notes
C Instruments
Sheetmusic to print
4 sheet music found
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Polish Collection - 60 Songs from Various Categories [Lead Sheet]
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C Instruments
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Carols, Christmas Song, Classi
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Darek
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Polish Collection - 60 Songs f
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Darek
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SheetMusicPlus
C Instrument - Digital Download SKU: A0.1355009 By Carols, Christmas Song, Classical Music, Polish Children Song, Polish Christmas Carol, and Polish Patr...
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C Instrument - Digital Download SKU: A0.1355009 By Carols, Christmas Song, Classical Music, Polish Children Song, Polish Christmas Carol, and Polish Patriotic Songs. By Carols, Christmas Song, Classical Music, Polish Children Song, Polish Christmas Carol, and Polish Patriotic Songs. Arranged by Darek. Children,Christmas,Classical,Folk,Multicultural,World. Lead Sheet / Fake Book. 84 pages. Darek #939722. Published by Darek (A0.1355009). Polish Sheet Music Collection - 60 Songs from Various Categories [Lead Sheet]A collection of sheet music for songs FOR EVERY OCCASION in the melody + chords version.Instrument: Universal, Number of songs: 60, Lyrics: Available for all songs except classical music, Chords: Included, Number of pages: 84.This collection is everything you need to get started - you will find feast songs, children's songs, classical songs, Polish carols and Christmas songs, and Polish patriotic songs. In total, there are as many as 60 songs for every occasion.All notes are prepared in melody and chord versions, which allows you to play melodies and easily accompany singing (also on the guitar).Each piece has fingering, i.e. information written next to the notes on which fingers to play given sounds.All songs (except classical songs) have lyrics added under the notes, making it easier to accompany them on the piano while singing.Song list: Ballada o Płocku Czerwone jabłuszko Gdybym miał gitarę Gdzie strumyk płynie z wolna Hej Sokoły Hej z góry z góry Kalinka Płonie ognisko w lesie Sto lat (eng. Happy birthday) Szła dzieweczka Zabrałaś serce moje Zielony mosteczek Były sobie kurki trzy (eng. Twinkle, Twinkle, Little Star) Czarny baranie Jadą jadą misie Jedzie pociąg z daleka Kółko graniaste Krakowiaczek jeden Ojciec Wirgiliusz Panie Janie (eng. Brother John) Pieski małe dwa Stary Donald farmę miał (eng. Old MacDonald Had a Farm) Stary niedźwiedź mocno śpi Wlazł kotek na płotek Ave Maria Dance of the Sugar Plum Fairy Dla Elizy (eng. For Elise) Eine Kleine Nachtmusik Galop Marsz pogrzebowy eng. Funeral March) Marsz Turecki (eng. Rondo Alla Turca) Marsz weselny (eng. Wedding March) Nokturn Op. 9 nr 2 Oda do radości (eng. Ode to joy) Pieśń Torreadora (eng. Toreador Song) Polonez a-moll Pożegnanie Ojczyzny Bóg się rodzi Cicha noc (eng. Silent Night) Do szopy hej pasterze Dzisiaj w Betlejem Gdy się Chrystus rodzi Gdy śliczna Panna Jezus malusieńki Jingle bells Lulajże Jezuniu Pójdźmy wszyscy do stajenki Przybieżeli do Betlejem Wśród nocnej ciszy Boże, Coś Polskę Hymn Polski (Mazurek Dąbrowskiego) (eng. Polish Antem) Jak długo w sercach naszych O mój rozmarynie Pałacyk Michla Piechota Płynie Wisła, płynie Rota Ułani, ułani (Nie ma takiej wioski) Warszawianka Witaj, majowa jutrzenko Wojenko, Wojenko For Various Instruments | Piano | Keyboard | Guitar | Flute | Violin | Saxophone | Glockenspiel | Grand Piano | Polish Christmas Carol | Polish Children Song | Classical Music | Christmas Song | Carols | Polish Patriotic Songs | Traditional | Traditional Carols | Digital Sheet Music | Lead Sheet Arrangement | Festive Holiday Music | Christmas Carol Arrangement | Polish Folk Music | Holiday Music Collection | Seasonal Sheet Music.
$16.00
The Battle Of New Orleans
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C Instruments
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INTERMEDIATE/ADVANCED
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Robert William Rast
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John Fries
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The Battle Of New Orleans
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.1410777 Composed by Robert William Rast. Arranged by John Fries. 20th Century,Country,Historic,Pop,Stan...
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C Instrument - Level 4 - Digital Download SKU: A0.1410777 Composed by Robert William Rast. Arranged by John Fries. 20th Century,Country,Historic,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #993174. Published by John Fries (A0.1410777). TYPE JOHN FIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. The Battle of New Orleans is a song written by Jimmy Driftwood. The song describes the Battle of New Orleans from the perspective of an American soldier; the song tells the tale of the battle with a light tone and provides a rather comical version of what actually happened at the battle. It has been recorded by many artists, but the singer most often associated with this song is Johnny Horton. His version scored number 1 on the Billboard Hot 100 in 1959 (see 1959 in music). Billboard ranked it as the No. 1 song for 1959, it was very popular with teenagers in the late 1950s/early 1960s in an era mostly dominated by rock and roll music. Horton's version began with the quoting of the first 12 notes of the song Dixie, by Daniel Emmett. It ends with the sound of an officer leading a count off in marching, as the song fades out.
$3.99
All Of Me
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C Instruments
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EASY
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Gerald Marks and Seymour Simon
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Leo Silva
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All Of Me
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MP Sheet Music
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.1217874 Composed by Gerald Marks and Seymour Simons. Arranged by Leo Silva. Jazz,Multicultural,World. L...
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C Instrument - Level 2 - Digital Download SKU: A0.1217874 Composed by Gerald Marks and Seymour Simons. Arranged by Leo Silva. Jazz,Multicultural,World. Lead Sheet / Fake Book. 1 pages. MP Sheet Music #814392. Published by MP Sheet Music (A0.1217874). Composition and characteristics All of Me is a jazz standard whose lyrics and music were written by Gerald Marks and Seymour Simons in 1931. It has an ABAC structure and was originally written in the key of B-flat major.The melody combines the music's contradictory possibilities. The downward thrusts of the opening phrases suggest emotional despair, while the final line, with its repeated high notes, sounds almost jubilant. It usually runs in an average time.All of Me first came to public notice when a performance by Belle Baker was broadcast on the radio in 1931. After that a few others also became successful.Frank Sinatra recorded several versions of All of Me. Its 1948 release peaked at No. 21. He also sang it in the film Meet Danny Wilson, which may have helped Johnnie Ray's performance reach No. 12 in the charts that year. Sinatra's use of All of Me brought a non-jazz audience to the song, as did Willie Nelson, whose version was included on his Stardust album and reached No. 3 on the Hot Country Songs chart in 1978. In 2000, All of Me of Me received the Towering Song Award from the Songwriters Hall of Fame.
$3.99
Almost May Lead Sheet
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C Instruments
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EASY
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructiona...
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
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