Download Digital Sheet Music of Lea for Piccolo, Piano

Lea

Pleasant Moments

#Pleasant Moments

Rose Leaf Rag

#Rose Leaf Rag

Debussy: Claire de Lune for Piccolo & Piano #Piccolo, Piano #INTERMEDIATE #Classical #Claude Debussy #James M #Debussy: Claire de Lune for Pi #jmsgu3 #SheetMusicPlus

Instrumental Solo,Piano,Piccolo - Level 3 - Digital Download SKU: A0.550110 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holida...(+)

Instrumental Solo,Piano,Piccolo - Level 3 - Digital Download SKU: A0.550110 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Holiday,Multicultural,Standards,World. Score and individual part. 5 pages. Jmsgu3 #4595949. Published by jmsgu3 (A0.550110). Moonlight * Ð»ÑƒÐ½Ð½Ñ‹Ð¹ ÑÐ²ÐµÑ‚ * æœˆå…‰ * Î£ÎµÎ»Î·Î½ÏŒÏ†Ï‰Ï„Î¿ * MÄ›sÃÄnÃ svit, Claude Debussy, 1890. Monumental impressionist masterpiece - perfect for Valentine's Day.Duration ca. 3:50 Score: 8 pages. Debussy was inspired by this poem by Paul Verlaine to compose this work:Your soul is a chosen landscapeWhere charming masquerades and dancers are promenading,Playing the lute and dancing, and almostSad beneath their fantastic disguises.While singing in a minor keyOf victorious love, and the pleasant lifeThey seem not to believe in their own happinessAnd their song blends with the moonlight,With the sad and beautiful moonlight,Which sets the birds in the trees dreaming,And makes the fountains sob with ecstasy,The tall slim water streams among the marble statues.Paul Verlaine, 1869

Ode to Joy for D-flat Piccolo with Piano by Beethoven Opus 125 #Piccolo, Piano #BEGINNER #Classical #Ludwig van Beethoven #ã‚Œã‚ã‚‹ ã‚� #Ode to Joy for D-flat Piccolo #Simple Chamber #SheetMusicPlus

Flute,Piano,Piccolo - Level 1 - Digital Download SKU: A0.1355376 Composed by Ludwig van Beethoven. Arranged by ã‚Œã‚ã‚‹ ã‚„ã™ã...(+)

Flute,Piano,Piccolo - Level 1 - Digital Download SKU: A0.1355376 Composed by Ludwig van Beethoven. Arranged by ã‚Œã‚ã‚‹ ã‚„ã™ã‘. 19th Century,Chamber,Romantic Period. Score and part. 3 pages. Simple Chamber #940098. Published by Simple Chamber (A0.1355376). This is a unique and charming arrangement of Beethovenâ€™s famous â€˜Ode to Joyâ€™, meticulously adapted for a piccolo in Dâ™ and piano. Designed to be easy to perform, this arrangement highlights the beauty and harmony of the original piece, while bringing a new perspective through the intimate and expressive sound of a string quartet. Itâ€™s perfect for performances at concerts, special events, or simply for the pleasure of playing a new version of a beloved classic melody.

Instrumental Solo,Piano,Piccolo - Level 4 - Digital Download SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497211. Published by jmsgu3 (A0.549453). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25.Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur Oâ€™Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeareâ€™s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â

Instrumental Solo,Piano,Piccolo - Level 3 - Digital Download SKU: A0.549520 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 17 pages. Jmsgu3 #3504453. Published by jmsgu3 (A0.549520). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the Piccolo! Grieg Background In the first place, Edvard Grieg (1843 â€“1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Â Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Griegâ€™s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.

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