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Fauré Gabriel
Not classified
366
Piano & keyboards
Piano, Voice
603
Piano solo
353
Easy Piano
45
Organ
23
Piano, Vocal and Guitar
15
Piano Trio: piano, violin, cello
13
1 Piano, 4 hands
13
Piano Quartet: piano, violin, viola, cello
4
Organ, Trumpet (duet)
3
2 Pianos, 4 hands
3
Solo instrument and Organ
3
Piano Quintet: piano, 2 violins, viola, cello
3
C Instruments
3
Piano Accompaniment
2
1 Piano, 6 hands
1
2 Pianos, 8 hands
1
+ 11 instrumentations
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Retract
Guitars
2 Guitars (duet)
14
Guitar notes and tablatures
12
Guitar
9
Piano, Guitar (duet)
4
4 Guitars (Quartet)
4
Ukulele
1
Mandolin, Piano (duet)
1
3 Guitars (trio)
1
Mandolin, Guitar (duet)
1
+ 4 instrumentations
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Retract
Voice
Voice solo
197
Choral SATB
70
Choral 3-part
35
Choral Instrumental Pak
12
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6
Choral 2-part
5
Choral SSAA
4
Choral Unison
3
High voice
2
Choral
2
Baritone voice, Piano
2
Low voice
1
Tenor voice, Piano
1
Soprano voice, Orchestra
1
Voice, Guitar
1
+ 10 instrumentations
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Retract
Woodwind
Flute and Piano
87
Clarinet and Piano
51
Alto Saxophone and Piano
44
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
43
Oboe, Piano (duet)
42
Clarinet
31
Soprano Saxophone and Piano
27
Flute
26
Flute and Guitar
25
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21
Tenor Saxophone and Piano
21
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18
Flute, Oboe, Clarinet, Bassoon
17
2 Flutes (duet)
16
Flute (band part)
15
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13
Clarinet (band part)
12
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12
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11
Saxophone (band part)
10
Bass Clarinet, Piano
9
2 Saxophones (duet)
9
English horn, Piano
8
Flute ensemble
8
Alto Saxophone
7
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6
Saxophone Quintet: 5 Saxophones
6
2 Clarinets (duet)
6
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5
Tenor Saxophone
5
Oboe (band part)
5
Ocarina
4
Clarinet Ensemble
4
Flute Trio: 3 flutes
4
Saxophone
4
2 Saxophones, Piano
3
2 Clarinets, Piano
3
Saxophone ensemble
3
Oboe, Guitar (duet)
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2
3 Clarinets (trio)
2
Oboe, Flute
2
Treble (Alto) Recorder
2
Flute, Organ (duet)
2
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2
3 Saxophones (trio)
2
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2
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2
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2
Flute, Clarinet and Bassoon.
2
English Horn
1
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1
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1
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1
Tenor Recorder
1
2 Recorders (duet)
1
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1
2 Flutes, Piano
1
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1
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1
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1
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1
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1
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1
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1
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1
Oboe
1
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1
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Bass Clarinet
1
Descent (Soprano) Recorder, Piano
1
Oboe, Clarinet (duet)
1
+ 74 instrumentations
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Retract
Woodbrass
Trumpet, Piano
39
Trombone and Piano
36
Brass Quintet: 2 trumpets, horn, trombone, tuba
29
French Horn and Piano
29
Trumpet
19
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18
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15
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10
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9
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8
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7
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5
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5
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4
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4
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4
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3
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2
Tuba
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1
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1
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1
3 Trombones (trio)
1
Trumpet ensemble
1
2 French horns (duet)
1
Bass Trombone and Piano
1
2 Trombones, Piano
1
+ 34 instrumentations
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Retract
Strings
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96
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89
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76
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54
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36
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24
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18
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9
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7
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6
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
2 Double basses (duet)
1
Harp, Flute (duet)
1
2 Violins, Piano
1
+ 39 instrumentations
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Retract
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Concert band
68
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55
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10
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10
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5
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5
Woodwind Quintet
3
Handbells
3
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3
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2
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1
Vibraphone (band part)
1
+ 7 instrumentations
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Fauré Gabriel
Bass Clarinet
Sheetmusic to print
1 sheet music found
Saint-Saëns: The Swan for Bass Clarinet & Piano
#
Bass Clarinet
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INTERMEDIATE
#
Classical
#
Camille Saint-Saens
#
James M
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Saint-Saëns: The Swan for Bas
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,...
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Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
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