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Rememberance
Not classified
510
Piano & keyboards
Piano solo
770
Piano, Vocal and Guitar
455
Piano, Voice
321
Easy Piano
236
C Instruments
49
Big Note Piano
33
1 Piano, 4 hands
30
Organ
23
Accordion
18
Piano Accompaniment
10
Piano (band part)
5
Piano Trio: piano, violin, cello
3
Keyboard
3
Melody line, Piano
2
Harpsichord
1
Piano Quartet: piano, violin, viola, cello
1
+ 11 instrumentations
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160
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149
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54
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53
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50
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20
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4
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Dulcimer
2
4 Guitars (Quartet)
2
Electric Bass (band part)
1
Band Scores
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Banjo
1
Piano, Guitar (duet)
1
+ 9 instrumentations
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Voice
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337
Choral 3-part
103
Choral 2-part
65
Choral Instrumental Pak
54
Choral TTBB
40
Choral Unison
36
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24
Choral
20
Choral SSAA
20
Voice solo
16
High voice
7
Soprano voice, Piano
6
Vocal duet
1
Low voice
1
Choral SSATB
1
Low voice, Piano
1
Alto voice, Piano
1
+ 12 instrumentations
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Woodwind
Saxophone (band part)
67
Flute
42
Tenor Saxophone
37
Alto Saxophone
36
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35
Saxophone Quartet: 4 saxophones
35
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29
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24
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24
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24
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21
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17
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16
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14
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14
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13
2 Saxophones (duet)
12
Alto Saxophone and Piano
11
2 Flutes (duet)
11
Saxophone Quintet: 5 Saxophones
11
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10
Flute Quartet: 4 flutes
8
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7
Tenor Saxophone and Piano
6
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5
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5
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5
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4
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4
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3
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3
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3
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3
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2
3 Clarinets (trio)
2
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2
2 Oboes (duet)
2
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2
Harmonica
2
Clarinet, Trumpet (duet)
2
Bass Clarinet, Piano
2
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2
Recorder Quartet
2
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1
Oboe
1
Flute, Violin
1
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1
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1
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1
2 Clarinets, Piano
1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
Flute, Viola (duet)
1
Flute, Trumpet (duet)
1
English Horn
1
5 Recorders
1
+ 63 instrumentations
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41
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41
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36
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28
French horn
23
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17
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13
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12
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11
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11
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10
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9
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8
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8
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6
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6
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6
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6
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5
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3
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
2 French horns (duet)
1
+ 33 instrumentations
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String Quartet: 2 violins, viola, cello
65
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46
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41
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33
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28
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21
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19
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19
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18
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17
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9
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9
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8
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7
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6
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5
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4
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3
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2
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2
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2
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1
2 Violins, Piano
1
String quartet: 4 violins
1
+ 25 instrumentations
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225
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53
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43
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34
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22
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20
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9
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6
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2
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1
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You've selected:
Rememberance
Bass Clarinet
Sheetmusic to print
2 sheet music found
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1
The Twelve Days of Christmas
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Bass Clarinet
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EASY
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Christmas
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Traditional
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Wesley S
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The Twelve Days of Christmas
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Wesley S. Silva
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SheetMusicPlus
B-Flat Bass Clarinet Solo - Level 2 - Digital Download SKU: A0.1502637 Composed by Traditional. Arranged by Wesley S. SIlva. Christmas. Individual part. ...
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B-Flat Bass Clarinet Solo - Level 2 - Digital Download SKU: A0.1502637 Composed by Traditional. Arranged by Wesley S. SIlva. Christmas. Individual part. 6 pages. Wesley S. Silva #1078349. Published by Wesley S. Silva (A0.1502637). The Twelve Days of Christmas is an easy-level Christmas song that is ideal for beginners. The melody is simple and repetitive, making it easy to learn and remember. Each verse follows the same musical pattern, allowing performers to focus on timing and accuracy without the challenge of complex changes. Its cumulative structure makes it fun and engaging, while also being approachable for musicians of all skill levels.
$4.99
Saint-Saëns: The Swan for Bass Clarinet & Piano
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Bass Clarinet
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Bas
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,...
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Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
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