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Blues performance
Bass Trombone
Sheetmusic to print
3 sheet music found
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1
Three Movements for Unaccompanied Bass Trombone
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Bass Trombone
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ADVANCED
#
Jazz
#
Brink, Phil
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Three Movements for Unaccompan
#
Cherry Classics Music
#
SheetMusicPlus
Bass Trombone Unaccompanied - Advanced - Digital Download Composed by Brink, Phil. 21st Century, Contemporary Classical, Jazz, Blues. Individual Part. ...
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Bass Trombone Unaccompanied - Advanced - Digital Download Composed by Brink, Phil. 21st Century, Contemporary Classical, Jazz, Blues. Individual Part. 6 pages. Published by Cherry Classics Music
Phil Brink's new work for unaccompanied Bass Trombone is in three contrasting movements:
1. Harmonies - subtitled "The Trombone Strikes Bach" is pensive in mood and in the style of an Unaccompanied Prelude by Bach.
2. Balooze - subtitled "A Sort of Soliloquoy" is in a swung blues-style including a free cadenza-like introduction. It also includes a foot tapping accompaniment and multiphonics, reminiscent of Bernstein's Mippy II.
3. Rhythmus - "Movement At High Speed", the finale is in a Presto tempo with lots of technical wizardry for the performer.
This very fine work of about 7-minutes in length is appropriate for advanced performers.
$25.00
Meat Salad for Solo Bass Trombone
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Bass Trombone
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ADVANCED
#
Contemporary
#
Jim Hopson
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Meat Salad for Solo Bass Tromb
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Cherry Classics Music
#
SheetMusicPlus
Bass Trombone - Advanced - Digital Download Composed by Jim Hopson. 21st Century, Contemporary Classical, Jazz, Blues, Funk Jazz. Solo Part. 3 pages. ...
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Bass Trombone - Advanced - Digital Download Composed by Jim Hopson. 21st Century, Contemporary Classical, Jazz, Blues, Funk Jazz. Solo Part. 3 pages. Published by Cherry Classics Music
Item Number: S0.714033
‘Meat Salad’ is a new piece for solo bass trombone commissioned by Ilan Morgenstern of the Vancouver Symphony Orchestra. Inspired in part by the slap-bass stylings of artists like Bootsy Collins and in part by the inimitable trombone playing of ‘Funky Fred’ Wesley, this piece is simultaneously a groovy crowd-pleaser and an acrobatic showstopper. ‘Meat Salad’ gives the advanced bass trombonist the opportunity unleash his/her full repertoire of tricks including: trills, growls, turns, glissandi, extended range, and just about every type articulation imaginable.
This piece was premiered in August 2019 at the 2nd annual Vancouver Trombone Week, with the composer adding an emphatic (if unsophisticated) cowbell accompaniment to Morgenstern’s bass trombone.
For advanced performers.
Below is a short track of Meat Salad brilliantly performed by Vancouver Symphony Bass Trombonist Ilan Morgenstern.
$20.00
One-Man Sideshow (Bass Trombone & Hi-Hat)
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Bass Trombone
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ADVANCED
#
Don Bowyer
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One-Man Sideshow
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Dolphin Don's Music School
#
SheetMusicPlus
Bass Trombone,Trombone Solo - Level 5 - Digital Download SKU: A0.1111845 Composed by Don Bowyer. 20th Century,Classical. Individual part. 9 pages. Dolphi...
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Bass Trombone,Trombone Solo - Level 5 - Digital Download SKU: A0.1111845 Composed by Don Bowyer. 20th Century,Classical. Individual part. 9 pages. Dolphin Don's Music School #714057. Published by Dolphin Don's Music School (A0.1111845). NOTE: The accompanying recording is MIDI only.This composition, in four short movements (5 minutes total), is for bass trombone and hi-hat - played by one player.At the request of a friend, this composition began in 2008 as a concept for solo bassoon. Sadly, the friend passed away before performing the piece.When I was asked recently for a solo piece for bass trombone, I finally had a reason to update the original. Besides adapting it for the instrument, I also added new material. The result is four short movements for bass trombone with hi-hat, both played by one player. The hi-hat is played mostly with the pedal, but occasionally with the fingers.The first movement combines chromatic patterns, diminished scales, and blues licks. The hi-hat adds kicks and color.The second movement is a blues progression that swings, with backbeats on the hi-hat.The third movement attempts to obscure tonality through the use of chromaticism. It should be played very freely (rubato), with the hi-hat again adding color.Only one minute in length, the final movement treats a four-measure melody as a theme and variations reminiscent of Arthur Pryor solos of the early 20th century.
$10.00
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