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The American Spirit - Harp
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The American Spirit - Harp
SheetMusicPlus
Trombone ensemble
Sheetmusic to print
7 sheet music found
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1
Largo (from "Symphony No. 9") ("From the New World") (Db) (Trombone Quintet)
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Trombone ensemble
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INTERMEDIATE
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Classical
#
Sacred music
#
Antonin Dvorak
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Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.813838 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Rom...
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.813838 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533945. Published by Regis Bookshar (A0.813838). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Trombone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Trombone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instru.
$15.00
Joshua F’it de Battle of Jericho for 8-part Trombone Ensemble
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Trombone ensemble
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ADVANCED
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Gospel/Spiritual
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Sacred music
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Traditional African-American S
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James Markey
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Joshua F’it de Battle of Jer
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Gordon Cherry
#
SheetMusicPlus
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792352 Composed by Traditional African-American Spiritual. Arranged by James Markey. Folk,Go...
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792352 Composed by Traditional African-American Spiritual. Arranged by James Markey. Folk,Gospel,Praise & Worship,Spiritual. Score and parts. 48 pages. Gordon Cherry #4806773. Published by Gordon Cherry (A0.792352). Joshua F’it de Battle of Jericho is a well-known African-American spiritual, most likely composed by slaves in the early 19th century. Early versions used the word f’it for fought. The words harken to the biblical story of the Battle of Jericho, where Joshua led the Israelites to victory against Canaanite armies. Put into perspective, Joshua’s battle is really against slavery and the desire for freedom, like the themes of so many other spirituals from that era. This rousing arrangement in swing-style for 8-part Trombone ensemble by James Markey is about two minutes in length, featuring the 1st and 8th parts and is for advanced performers. The mp3 sound clip is taken from Mr. Markey’s solo Bass Trombone album, on base, and includes star performers including Joseph Alessi, David Finlayson and Lisa Albrecht
$32.50
Joshua F’it de Battle of Jericho for 8-part Trombone Ensemble
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Trombone ensemble
#
ADVANCED
#
Sacred music
#
Gospel/Spiritual
#
Traditional
#
Markey, James
#
Joshua F’it de Battle of Jer
#
Gordon Cherry
#
SheetMusicPlus
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792400 Composed by Traditional. Arranged by Markey, James. 20th Century,Christian,Gospel,Spi...
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792400 Composed by Traditional. Arranged by Markey, James. 20th Century,Christian,Gospel,Spiritual. Score and parts. 32 pages. Gordon Cherry #4820387. Published by Gordon Cherry (A0.792400). Joshua F’it de Battle of Jericho is a well-known African-American spiritual, most likely composed by slaves in the early 19th century. Early versions used the word f’it for fought. The words harken to the biblical story of the Battle of Jericho, where Joshua led the Israelites to victory against Canaanite armies. Put into perspective, Joshua’s battle is really against slavery and the desire for freedom, like the themes of so many other spirituals from that era. This rousing arrangement in swing-style for 8-part Trombone ensemble by James Markey is about two minutes in length, featuring the 1st and 8th parts and is for advanced performers.
$32.50
"Us" for Jazz Trombone Quintet & Rhythm Section
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Trombone ensemble
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ADVANCED
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Jazz
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Thad Jones
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Fletcher, David
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"Us" for Jazz Trombone Quintet
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Cherry Classics Music
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SheetMusicPlus
Trombone Quintet and Rhythm Section Jazz - Advanced - Digital Download Composed by Thad Jones. Arranged by Fletcher, David. Jazz, Blues, Big Band, Rock...
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Trombone Quintet and Rhythm Section Jazz - Advanced - Digital Download Composed by Thad Jones. Arranged by Fletcher, David. Jazz, Blues, Big Band, Rock. Score, Set of Parts. 45 pages. Published by Cherry Classics Music
Us, composed by Thad Jones in 1970 and originally recorded that same year, is one of the pieces which defined the new sound of the Thad Jones/Mel Lewis Jazz Orchestra. While being one of the most successful, early melding of big band instrumentation with rock rhythms and rhythm section instruments, it also includes an a cappella chorus for the ‘band’ (for this version, read: “trombones”) and intricate saxophone lines which are challenging but very rewardingly playable.
David Fletcher has done a magnificent job of translating the richness of Thad’s voicings and the exuberance and spirit of this piece to the Trombone quintet plus rhythm section instrumentation of the University of Illinois Jazz Trombone Ensemble, who have performed it at both American Trombone Workshops and International Trombone Festivals.
David Fletcher, a member of the award winning University of Illinois Jazz Trombone Ensemble under the direction of Jim Pugh arranged this great chart for Trombone Quintet and rhythm section. It is about 4 minutes in length and includes improvised jazz solos for Trombone 2 and Electric Guitar.
$25.00
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