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--INSTRUMENTS--
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Not classified
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2 Accordions
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+ 11 instrumentations
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Choral SATB
143
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40
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32
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High voice
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Baritone voice, Piano
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Vocal duet
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Choral
1
Voice solo
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Alto voice, Piano
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Tenor voice
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+ 9 instrumentations
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Retract
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Flute and Piano
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29
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Oboe ensemble
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1
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25
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9
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Flute ensemble
Sheetmusic to print
9 sheet music found
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1
Cascades for Flute Choir
#
Flute ensemble
#
INTERMEDIATE/ADVANCED
#
Sy Brandon
#
Cascades for Flute Choir
#
Sy Brandon
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1449511 Composed by Sy Brandon. 21st Century,Chamber,Contest,Festival. 45 pages. Sy Br...
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Flute Choir,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1449511 Composed by Sy Brandon. 21st Century,Chamber,Contest,Festival. 45 pages. Sy Brandon #1029267. Published by Sy Brandon (A0.1449511). Cascades is a three-movement composition for flute choir that represents both the waterfall definition of the word and the mountain range in the Pacific Northwest. The first movement represents Multnomah Falls, the tallest waterfall in Oregon. It drops 635 feet in two tiers. The music has cascading musical figures as well as sense of power and beauty. Mt. Hood is the inspiration for second movement. Standing at 11,249 feet above sea level, this majestic mountain is dramatically visible from the valley floor and is snow covered most of the year. The music of this movement depicts the rising from the valley floor with its low to high orchestration. The almost symmetrical shape is represented by descending lines after the two climaxes.The third movement is a reminder of the relatively youngness of the Cascade mountain range. In 1980, Mt. St. Helens erupted, causing catastrophic damage to the surrounding area and loss of lives. What remains of this former symmetrical mountain is a large crater as a reminder of the volatile nature of the Cascade Range. The music of this movement is filled with tension, from the seismic tremors of the first part to the eruption itself in the second part. A final cascade, this time depicting lava flow rather than a waterfall, brings both the movement and the composition to a close.
$15.00
Nessun Dorma by Puccini for flute choir / flute ensemble
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Flute ensemble
#
INTERMEDIATE/ADVANCED
#
Giacomo Puccini , Puccini
#
Ray-Michael Kauffman - a do Ra
#
Nessun Dorma by Puccini for fl
#
as do Ray meflute studio production
#
SheetMusicPlus
Large Ensemble Alto Flute,Bass Flute,Orff Instrument,Piccolo - Level 4 - Digital Download SKU: A0.874243 Composed by Giacomo Puccini , Puccini. Arranged ...
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Large Ensemble Alto Flute,Bass Flute,Orff Instrument,Piccolo - Level 4 - Digital Download SKU: A0.874243 Composed by Giacomo Puccini , Puccini. Arranged by Ray-Michael Kauffman - a do Ray me flute studio production. 20th Century,Concert,Film/TV,Opera,Standards. Score and parts. 16 pages. As do Ray meflute studio production #3530721. Published by as do Ray meflute studio production (A0.874243). https://www.youtube.com/watch?v=qaQTf0ZXizQ&t=8sNessun Dorma in the third act of Puccini's opera, Turandot. At the start of the opera, Calaf sees Princess Turandot for the first time and instantly falls in love with her. However, any man who wishes to marry her must correctly answer three riddles. Those who fail are killed. Despite protests from his father and his servant, Calaf accepts the challenge and is determined to marry the princess. Much to the delight of the princess's father as well as the entire kingdom, Calaf answers all three riddles correctly. Turandot realizes she must now marry a stranger and becomes upset.
$15.00
Suite from the Spanish Lady
#
Flute ensemble
#
INTERMEDIATE
#
Classical
#
Edward Elgar
#
Robert Rainford
#
Suite from the Spanish Lady
#
Forton Music - Digital
#
SheetMusicPlus
Flute Choir - flutes, alto, bass, contra bass. - Intermediate-Advanced - Digital Download SKU: F2.FM014 Composed by Edward Elgar. Arranged by Robert Rain...
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Flute Choir - flutes, alto, bass, contra bass. - Intermediate-Advanced - Digital Download SKU: F2.FM014 Composed by Edward Elgar. Arranged by Robert Rainford. Score and parts. 57 pages. Forton Music - Digital #FM014. Published by Forton Music - Digital (F2.FM014). ISBN 9790708085133.Flute Choir/Ensemble Piccolo, 2 first flutes, 2 second flutes, alto flute (or 3rd concert flute), bass flute (or alto/contra-alto flute), optional contrabass flute. Five movements: Country Dance, Burlesco, Adagio, Sarabande and Bouree. Whilst playable by six players, this works better with multiple performers on each part, and is a firm favourite with our local flute choir. The third and fourth movements are relatively easy, with slower tempi and notes not surpassing top E. About grade 5 standard. The other movements are more complicated, involving faster tempi, complicated rhythms and key changes. Flute one goes up to top C, but this is optional! About grade 7-8 standard.
$19.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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Flute ensemble
#
INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 ...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
#
Flute ensemble
#
INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 ...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Silent Night (Bb) (Flute Octet)
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Flute ensemble
#
INTERMEDIATE
#
Christmas
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813987 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,M...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813987 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 11 pages. Regis Bookshar #6636631. Published by Regis Bookshar (A0.813987). Flute Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (11 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Flute Octet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
Entractes from Carmen
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Flute ensemble
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INTERMEDIATE
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Classical
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Georges Bizet
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Robert Rainford
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Entractes from Carmen
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Forton Music - Digital
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SheetMusicPlus
Flute Choir - piccolo, flutes, alto, bass, contra'alto and contabass - Intermediate-Advanced - Digital Download SKU: F2.FM035 Composed by Georges Bizet. ...
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Flute Choir - piccolo, flutes, alto, bass, contra'alto and contabass - Intermediate-Advanced - Digital Download SKU: F2.FM035 Composed by Georges Bizet. Arranged by Robert Rainford. Score and parts. 49 pages. Forton Music - Digital #FM035. Published by Forton Music - Digital (F2.FM035). ISBN 9790708085348.Flute Choir/Ensemble - Piccolo, 3 flutes, alto flute, bass flute, optional contr'alto flute, contra-bass flute, optional percussion. A fairly large scale arrangement of the three entractes from Bizet's Carmen for flute choir. Each movement has a different character - the first is march-like, the second lilting and romantic, and the third is full of spanish fire. The first movement is relatively straightforward featuring bass and alto flute solos. The second requires sustained playing in the third octave from flute one in particular, and the third requires nimble fingerwork from all players and strong tonguing to bring out the spanish feel. At around 6 minutes long, this is a nice suite to include in a concert.
$14.95
Mozart Tuba Mirum from Requiem KV 626 for flute sextet or flute choir
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Flute ensemble
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INTERMEDIATE
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Classical
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Wolfgang Amadeus Mozart
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Frédéric Colledani
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Mozart Tuba Mirum from Requiem
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Frederic Colledani
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.886984 Composed by Wolfgang Amadeus Mozart. Arranged by Frédéric Colledani. Christian,...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.886984 Composed by Wolfgang Amadeus Mozart. Arranged by Frédéric Colledani. Christian,Classical,Contemporary,Sacred,Spiritual. 10 pages. Frederic Colledani #3420575. Published by Frederic Colledani (A0.886984). Adaptation of Tuba Mirum, one of the most amazing piece of Mozart's Requiem KV 626, in the Süssmayr version.This piece is adapted to intermediate level. There is no major technical difficulties, but the whole piece requires a very delicate yet intense atmosphere.The first third is a duet between the 2 alto flutes. 2nd third allows all other flute voices to have a short solo. And the piece ends with a delicate choral mixing 8 voices.4 C flutes and 2 alto flutes minimum, better for 6 C flutes or flute choir with alto flutes (no bass or contrabass flute needed).Downloaded file contains score as well as separate parts.For more about our flute choir: https://www.facebook.com/coeurdeflutesIf you like this work, please consider supporting writing of new pieces here: https://www.patreon.com/FredC
$11.99
Ave Maris Stella
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Flute ensemble
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INTERMEDIATE
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Classical
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Edvard Grieg
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Robert Rainford
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Ave Maris Stella
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Forton Music - Digital
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SheetMusicPlus
Flute Choir - 4 flutes, alto, bass - Intermediate-Advanced - Digital Download SKU: F2.FM036 Composed by Edvard Grieg. Arranged by Robert Rainford. Score ...
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Flute Choir - 4 flutes, alto, bass - Intermediate-Advanced - Digital Download SKU: F2.FM036 Composed by Edvard Grieg. Arranged by Robert Rainford. Score and parts. 10 pages. Forton Music - Digital #FM036. Published by Forton Music - Digital (F2.FM036). ISBN 9790708085355.Flute Choir/Ensemble - 4 Flutes, alto flute, bass flute. An ideal piece for the less experienced flute choir. 44 bars long in G major with an Allegretto tempo marking, this was originally a choral piece which has been transcribed for flute choir. Flute one and two reach top G, whilst the third and fourth part go no higher than 2nd octave D (although there are some A#'s to deal with). The alto and bass parts are very simple, allowing players less certain on these instruments to find their feet. The second half of this piece is an identical repeat of the first half, with flute one changing material with flute two, and flute three changing with flute 4. A useful concert piece.
$9.95
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